| Painting Practice |
2001 (001) |
Alex Cohen |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1680
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (002) |
Larissa Setareh Borteh |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1681
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (003) |
Sebastian Thomas |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1682
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Painting Practice |
2001 (004) |
Michael Cuadrado Gonzalez |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1683
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (005) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1684
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (006) |
Peter Jorge Fagundo |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1685
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (007) |
Steven Husby |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1686
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (008) |
Alexis de Chaunac |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1687
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (009) |
|
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1688
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (010) |
Amanda Joy Calobrisi |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1689
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 321
|
| Painting Practice |
2001 (011) |
Herman Aguirre |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1690
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (012) |
Erin Washington |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1691
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (013) |
Tyson Reeder |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1692
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (014) |
Jaclyn Gaye Mednicov |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1693
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Painting Practice |
2001 (015) |
Noah Rorem |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1694
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (016) |
|
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1714
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (017) |
Caitlin Cherry |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1716
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (018) |
Kaylee Rae Wyant |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1722
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (019) |
Tyson Reeder |
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1726
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (020) |
|
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1727
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Comics |
2002 (001) |
Johnny Sampson |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1701
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
| Comics |
2002 (002) |
Molly Colleen O'Connell |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1702
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
| Comics |
2002 (003) |
Cecilia Beaven |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1703
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
| Comics |
2002 (004) |
MJ Lounsberry |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1704
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
| Comics |
2002 (005) |
Johnny Sampson |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1705
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 308
|
| Comics: From Basics To Print |
2002 (006) |
Sara Varon |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
In this course, students will cover the basics of comics from A to Z, with a focus on printed comics. The class will start with technical aspects including drawing materials, composition, dialogue, lettering, panels, and framing. We will then discuss story-writing including character creation, setting, and plot. In the last several weeks, students will create their own 8 page comic, moving from thumbnails to pencils to final art. Finally, students will design a cover (to be printed on the Risograph,) lay out their comic in InDesign, print out multiple copies of their comic, and assemble their own mini-comic.
|
Class Number
1706
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
| Comics: Graphic Journalism |
2002 (007) |
Anya Pauline Davidson |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
For over a century, illustrators have used the comics medium to document current events and disseminate information, but due to globalization, the ascent of the graphic novel and the birth of the internet, the practice is now more vital than ever. From global conflicts to cultural events, cartoonists are documenting the defining moments of our era as they happen, and are creating works that help readers comprehend the complex historical, political and cultural forces shaping our world. In this class, students will read classic works of graphic journalism, learn best practices for artists in the field, and create their own short works that explore various aspects of contemporary life in Chicago and beyond.
|
Class Number
1707
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
| Comics: Fiction Comics |
2002 (008) |
Marnie Galloway |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This course focuses on developing and refining the writing and cartooning skills required to make short fiction comics. In this class we will explore the rhythms of literary storytelling, discuss the formal elements of comics, develop composition and inking skills, create short comics to build foundations of comics storytelling, and finish the semester by self-publishing a collection of the comics we made through the semester. Required readings supplement the studio assignments, which will include short fiction comics, poems, flash fiction, and excerpts from graphic novels.
|
Class Number
1708
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
| Comics: The Mechanics of Visual Storytelling |
2002 (009) |
Sam Sharpe |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1709
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 308
|
| Comics: Remote |
2002 (010) |
Aaron Renier |
Thurs
6:45 PM - 9:30 PM
All Online
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1715
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
Online
|
| Comics |
2002 (011) |
Sam Sharpe |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1728
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
| Comics:Advanced |
2002 (012) |
Jeremy R Tinder |
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1729
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|
| Comics |
2002 (013) |
|
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1730
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 308
|
| Color |
2003 (001) |
Jo Hormuth |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice.
In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.?
Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
|
Class Number
1710
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
| Color |
2003 (002) |
Steven Husby |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice.
In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.?
Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
|
Class Number
1711
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
| Figure Drawing: Multi-Level |
2030 (001) |
Noelle Africh |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1640
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (002) |
Mary Griffin |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1641
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (003) |
Ruth Poor |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1642
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (004) |
|
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1643
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (005) |
Jessica Du Preez |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1644
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (006) |
Mary Griffin |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1645
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 315
|
| Figure Drawing: Multi-Level |
2030 (007) |
Josiah Ellner |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1646
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (008) |
|
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1647
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (009) |
|
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1648
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 315
|
| Figure Drawing: Multi-Level |
2030 (010) |
Larissa Setareh Borteh |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1649
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (011) |
Herman Aguirre |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1650
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 320
|
| Fig Draw:Anatomy |
2030 (012) |
Melinda Whitmore |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course is designed to enlighten and empower the student?s knowledge of basic anatomy in skeletal and superficial musculature forms and to apply it in a drawing context with confidence and fidelity. Not only will the student become better familiarized with anatomical structures through class lectures and life drawing sessions, but a greater understanding of the dynamics of form and movement in space will be achieved through practice and repetition of procedures learned throughout the course.
|
Class Number
1724
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels
Location
280 Building Rm 124
|
| Fig Draw: Adv Draw Inside/Out |
2031 (001) |
Anne Harris |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course will concentrate on drawing the figure with an emphasis on sculptural form. The objective will be to use drawing?particularly line?to investigate the body three-dimensionally. You will work from the inside out, drawing internal volume and topography, rather than an outside edge.
The goal will be to rotate the body and move it through space, to understand its basic structure and movement and, through that understanding, to learn about drawing as a tool for investigation, a way of exploring and structuring space, weight, and form.
By semester's end you will be able to invent a body in space. This ability is key to the tradition of figurative art found in artists ranging from Peter Paul Rubens to Kerry James Marshall and Nicole Eisenman.
Throughout the course we will be looking at and learning from a range of figurative artists, both historical and contemporary, via lectures and visits to the museum, including the AIC?s Prints and Drawings viewing room.
This is a highly structured course, akin to an intensive workshop. New information will be introduced every class. There will be regular outside assignments.
Prerequisites
Prerequisite: PTDW 2030.
|
Class Number
1696
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 320
|
| Fig Draw:Adv:Narr/Figuration |
2031 (002) |
Amanda Joy Calobrisi |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio drawing course explores how narrative operates in the history and traditions of figure painting. The class incorporates a range of methods; visits to the museum and galleries; introduce written material into drawn images; and analyze forms of narrative, including short film, graphic novels, abstraction, and sculpture. Sessions will focus on how mood, color, light and the passing of time influence how we read and produce a narrative image.
Prerequisites
Prerequisite: PTDW 2030.
|
Class Number
1697
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 315
|
| Studio Drawing: Multi-Level |
2040 (001) |
Paula Kamps |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1651
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
|
| Std Draw:Large Format |
2040 (002) |
Steven Husby |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
How big is big? Does the size of a drawing alter our ideas of what we?re about while we?re producing it? How do relationships of internal scale alter our sense of the surrounding space, and how do the sizes of the materials and the support alter our own awareness of scale? In this course we will explore the potential for large format drawing in the perceptual, material, narrative and conceptual senses. We will work towards expanding notions of Large, Format, Studio and Drawing. We will work towards specificity and developing each student's individual concerns. Bring your ambition, you'll need it.
Most time in class will be spent working on studio projects, which will be supplemented by museum visits, slide lectures, student led reading discussions and presentations, and in depth critique. Readings and artists looked at will vary, but will typically include texts which attempt a broad overview of the state of drawing within the field of contemporary art like Vitamin D2 and Drawing Now: Eight Propositions, and include contemporary artists working with drawing at ambitious scale such as Toba Khedoori, Amy Sillman, and William Kentridge, and more historical examples like Willem de Kooning, Cy Twombly, Lee Krasner, and Jasper Johns.
There will be a long form mid-term critique and a shorter final critique. Students will be expected to complete multiple large scale works for each.
|
Class Number
1652
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
|
| Studio Drawing: Multi-Level |
2040 (003) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1653
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
|
| Studio Drawing: Multi-Level |
2040 (004) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1654
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
|
| Studio Dwg:Mixed Media Paper |
2040 (005) |
Noelle Africh |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Simply put, this class is about exploring possibilities-- the use of various combinations of materials used, wet and/or dry, on any paper related products, from fine drawing sheets to left over cardboard, as long as the what and how of it is on/with a paper support...the individual pursuit for a personal visual voice is encouraged...during the first several weeks, various 'problems' will be given to start things moving?
|
Class Number
1655
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 308
|
| Std Draw:Representn/Abstractn |
2040 (006) |
Judith Geichman |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Manipulate Space, Deconstruct Form, Re-Invent Your Visual World.
This course will explore different form and space making systems as they relate to abstraction. Slide presentations throughout the semester will focus on abstraction and different artist, art movements, elements of visual language, and concepts past and present, all to engage and open students visual ideas and art making practice. Students will be encouraged to pursue their own ideas and imagery as they work with the course material. Painterly drawing will be explored, as well as drawing from a live model. Field trips are scheduled in the curriculum.
|
Class Number
1656
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
|
| Studio Drawing: Collage |
2040 (007) |
Delano Dunn |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
In the early 20th century, Max Ernst coined the phrase ?collage thinking? to describe the burst of innovation taking place in his studio and among fellow artists. Learn the techniques of the ?collage mind? as well as the historical view of creative reassembling as it appears before the 20th century and throughout art history.
This multi-level studio will cover all of the various traditional methods of assembling cut paper into a complete work of art. Additionally, we will touch upon the use of unorthodox materials for 2-D assemblage, movable art and bas-relief. Individual as well as group instruction will provide a flexible educational environment, accommodating both the novice and accomplished collagist. Examples from the rich history of collage will be shown and reinforced by field trips to related exhibitions.
The class will review historic and contemporary approaches to collage through lectures, demonstrations and bi-weekly visits to the Ryerson Library in order to study reference images. The history and use of the demonstrated collage methods will form the foundation of six class assignments, ending with a final independent project.
Mid-term and final group critiques provide valuable feedback. The successful student will acquire a thorough knowledge of all existing analog collage techniques, appropriate glues and adhesives and suitable supports.
|
Class Number
1657
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
|
| Studio Drawing: Multi-Level |
2040 (008) |
Jessica Zawadowicz |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1658
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
|
| Studio Draw:Landscape |
2040 (009) |
Olivia Petrides |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
From the sublime to the technological, contemporary artists are reinventing the landscape genre and examining its relevance. This multi-level studio course provides an opportunity to explore individual perceptions of the natural world in light of current landscape painting narratives. There will be presentations and readings on issues pertinent to the landscape as subject.
|
Class Number
1659
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
|
| Studio Drawing: Multi-Level |
2040 (010) |
Noah Rorem |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1660
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 308
|
| Studio Drawing: Multi-Level |
2040 (011) |
Arnold Kemp |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1661
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
|
| Studio Drawing: Multi-Level |
2040 (012) |
Matt Morris |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1662
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 308
|
| Studio Drawing: Multi-Level |
2040 (013) |
Jessica Jackson Hutchins |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1663
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
|
| Studio Drawing: Multi-Level |
2040 (014) |
Robert Burnier |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1717
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
|
| Studio Drawing: Multi-Level |
2040 (015) |
George Liebert |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1719
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
|
| Studio Drawing: Multi-Level |
2040 (016) |
Tyson Reeder |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1718
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
|
| Studio Drawing: Multi-Level |
2040 (017) |
Claire Ashley |
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1723
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
|
| Studio Drawing: Multi-Level |
2040 (018) |
Ryan Peter |
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1725
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
|
| Std Draw:Adv Form Invention |
2041 (001) |
Richard Hull |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
An advanced investigation of drawing as an organizing tool for thought and personal image exploration. Students work with both assigned and independently conceived problems. Topic: Form Invention - The exploration of representation strategies beyond direct perception and conventional visual modes. Procedures will include exaggeration and omission, stylization and abstraction, composite and hybrid forms, secondary and double images, visual puns and rhymes, and multi-perspectival representation. Examples will be drawn from the span of art history, East and West and from contemporary practice and visual culture. There will be studio problems and exercises, sketchbook assignments, individual projects, slide presentations, and museum visits.
Prerequisites
Prerequisite: PTDW 2040.
|
Class Number
2184
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 125
|
| Painting Studio A: Multi-Level |
3001 (001) |
Caitlin Cherry |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
|
Class Number
1665
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Painting Studio A: Multi-Level |
3001 (002) |
Erin Washington |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
|
Class Number
1666
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 318
|
| Painting Studio A: Multi-Level |
3001 (003) |
Paola Cabal |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
|
Class Number
1667
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 318
|
| Painting Studio A: Multi-Level |
3001 (004) |
Karen Azarnia |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
|
Class Number
1668
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Painting Studio A: Multi-Level |
3001 (005) |
Don Southard |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
|
Class Number
1669
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 318
|
| Painting Studio A: Multi-Level |
3001 (006) |
Larissa Setareh Borteh |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
|
Class Number
1670
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Painting Studio A: Multi-Level |
3001 (007) |
Judith Geichman |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
|
Class Number
1671
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Painting Studio A: Multi-Level |
3001 (008) |
Rush Baker IV |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
|
Class Number
1672
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 318
|
| Painting Studio A: Multi-Level |
3001 (009) |
Susan Kraut |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
|
Class Number
1720
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 318
|
| Painting Studio A: Multi-Level |
3001 (010) |
Dylan Rabe |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
|
Class Number
1721
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Ptg Std B:The Abstract Image |
3002 (001) |
Richard Hull |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio class will be an exploration of the premise that all paintings are abstract. Whether an image is found and formed from observation or imagination, that image is ultimately an abstraction of its source. We will address issues of Abstraction, Representation, and Conceptualism. Shape, color, composition and intent--no matter what the image--will be the class's focus.
This is a studio class. There will be no readings. Examples of other artist work will be given in response to the individual student's work.
Every assignment is based on the students own work. All the assignments are surprises. The students will work a lot, some make more work than others.
Prerequisites
Prerequisite: PTDW 3001, 3003 or 3030
|
Class Number
1698
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Ptg Std B:Exploding Paint |
3002 (002) |
Claire Ashley |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Using an irreverent love of painting and an absurdly oedipal desire to destroy it, this class looks at ways to create fantastical, hybridized, bastardized offspring ?paintings? in the expanded field. We will connect painterly gestures with non-traditional surfaces such as modular, flat-pack, and portable sculptural form, found objects, architectural space, virtual space, video projection, performative action, and the body. Color workshops, woodshop authorizations, material sourcing field trips, video projection/performance workshops, and site-specific installations will be components of this class. A willingness to experiment, invent, imagine, and fail is required.
Artists shown will range from historical figures such as Robert Rauschenberg, Sam Gilliam, Elizabeth Murray, Lynda Benglis, and Eva Hesse, to contemporary practitioners such as Jessica Stockholder, Katharina Grosse, Tomashi Jackson, Anna Betbeze, Liu Bolin, Abigail DeVille, Yvette Mayorga, Alexis Teplin, Brian Bress, Donna Huanca, Rachel Rose, Takeshi Murata, Ben Jones, and Lee Wen. Readings will vary but typically include Thomas McEvilley's 'Thirteen Ways of Addressing a Blackbird', 'Mapping: The Intelligence of Artistic Work' by Anne West, and ?Painting 2.0: Expression in the Information Age? edited by Ammer, Hochdorfer, and Joselit.
The semester will consist of three ambitious projects and critiques: 1. Draped Skins; 2. Goopy Objects; 3. Body Actions. Slide presentations and required readings will be assigned.
Prerequisites
Prerequisite: PTDW 3001, 3003 or 3030
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Class Number
1699
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Credits
3
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Department
Painting and Drawing
Location
280 Building Rm 321
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