A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
Portrait of a person standing indoors

Robert Burnier

Assistant Professor

Bio

Education: MFA, The School of the Art Institute of Chicago, Painting and Drawing (2016). BS, Computer Science, Shippensburg University of Pennsylvania (1991). Exhibitions: O One, O None, Through the Night at Blank Projects, Cape Town, South Africa, O No One, O You, Around a Mortar of Fire at Andrew Rafacz Gallery, Chicago, Rob Barnard, Robert Burnier & Julian Stair, at Corvi-Mora gallery, London, Song Cycle at David B. Smith gallery Denver, CO, Temple at Andrew Rafacz Gallery, Chicago, Black Tibernius at the Chicago Riverwalk, Of No Particular King, at Arts Club of Chicago, Primary, at Korn Gallery, Drew University, New Jersey, Lip To My Ear, at Vacation Gallery, New York, Objectified, at Trestle Gallery, Brooklyn, So That Justice Should be Tyrant, at Andrew Rafacz Gallery, Ghost Nature at Gallery 400, Chicago, IL and La Box, Bourges, France, The Chicago Effect: Redefining the Middle at the Hyde Park Art Center, Chicago, IL, Imaginary Landscapes, curated by Allison Glenn, at Chicago Urban Art Society and Jenny From the Color Block, at the Cincinnati Art Academy. Exhibitions: a solo show at Corvi-Mora, London, and international fairs NADA Miami and Art Toronto. 

His work has also been exhibited at art fairs in London, Cape Town, Miami, New York, Chicago, Dallas and Copenhagen. He has served on the boards of several arts organizations, including Heaven Gallery, Intuit: The Center for Intuitive and Outsider Art, and Tiger Strikes Asteroid, Chicago.


The folded and compressed forms retain a history of their own becoming – the colors of ancient African, Mediterranean and Mesopotamian objects yield inspiration. But the work has its demands, as do I, a communion of what is within and without, to understand this sovereignty, this being. For the past might be as different from now as we expect of the future, and we are the arch on the shifting ground between. L. L. Zamenhof’s utopian language of Esperanto, a bridge from existing linguistic traditions, resonates through the titles of the work. A universality without erasure, a reconstruction without a blank slate

Courses

Title Department Catalog Term

Description

This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.

Class Number

1626

Credits

3

Description

This studio explores specific problems in each student's area of concentration and interest. Students are expected to command familiarity with problems of color, composition, and basic materials.

Class Number

1806

Credits

9

Description

This studio explores specific problems in each student's area of concentration and interest. Students are expected to command familiarity with problems of color, composition, and basic materials.

Class Number

1628

Credits

9

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1974

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1242

Credits

3