A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
Mixed media artwork by SAIC faculty member Mary Griffin

Mary Griffin

Lecturer

Bio

Education: BFA, 2010, Northern Arizona University, Flagstaff, AZ; MFA, 2021, School of the Art Institute of Chicago, Chicago, IL. Select Solo and Group Exhibitions: 121 Art Space, Taipei City, Taiwain; Dreamsong Gallery, Minneapolis, MN; Everybody Gallery, Tucson, AZ; Sulk Gallery, Chicago, IL; Design Museum of Chicago, Chicago, IL; HAIR + NAILS Gallery, Minneapolis, MN; 'nido' Residency and Exhibition Space, Monte Castello di Vibio, Umbria, Italy; Brook Stevens Gallery, Milwaukee, WI; Research House for Asian Art; Jargon Projects, Chicago, IL; Elmhurst Art Museum, Elmhurst, IL; Pinto International, New York, NY. Bibliography: MPLS Art; Meer Magazine; Pigeon Pages. Awards: Medical Grant, Robert Rauschenberg Foundation.

Courses

Title Department Catalog Term

Description

Unlock your creativity in our dynamic figure drawing course. Here, you'll have the opportunity to work from a live nude model, honing your skills by observing the human form. Expect an exciting mix of rapid sketches and longer poses paired with inspiration from photographs and your imagination. Explore the essential elements of life drawing¿like anatomy, proportion, composition, and expressive techniques¿focusing on using black and white media such as graphite, charcoal, and conte crayon to bring your visions to life. Challenge yourself with exercises like blind contour drawing and memory sketches that will push your artistic boundaries. Trips to the Art Institute of Chicago, presentations on inspiring historical and contemporary artists, and constructive critiques will help you grow. This course is perfect for newcomers eager to explore their creativity and those looking to enhance their artistic skills in a supportive and engaging environment. Note: Figure Drawing and Figure Painting use nude models hired by the School. Other painting and drawing classes may use them to a lesser degree.

Class Number

2330

Credits

1

Description

In this course students will focus interests and refine their skills to create strong, portfolio-quality work. This advanced course is intended for students with previous drawing and/or painting experience who are ready to experiment, take risks, and push their skills to the next level. The organization of ideas and development of self-directed work is emphasized with instructor guidance and peer support. Students explore contemporary artistic practices through interdisciplinary approaches that cultivate material exploration, image making strategies, and traditional and non-traditional drawing and painting techniques. Lead by their individual projects and goals, students may choose to work in a variety of media, such as water-based paint, oil paint, ink, pencil, charcoal, collage, or a combination of media. Trips to the Art Institute of Chicago, contemporary artist presentations, group critiques, daily writing exercises, and class discussions supplement the studio experience.

*NOTE* Painting and/or drawing experience and ability to work independent of specific assignments required. Students are encouraged to bring their own digital camera, tablet, and/or laptop for homework/research and after-studio hours projects. Note: Figure Drawing, Figure Painting, Painting, and Drawing courses may use nude models hired by the School. Other classes may use them to a lesser degree.

Class Number

1116

Credits

2 - 4

Description

This course introduces students to traditional and non-traditional materials and methods used in water-based painting. Projects include painting from observation and the imagination, using current artist practices and historical examples. Working from a variety of subjects, students may use ink, acrylic, watercolor, and mixed media within their works while building skills in color, tone, volume, contrast, and temperature. Visits to the Art Institute of Chicago inspire. Students should have previous drawing experience, but no painting experience is necessary.

Class Number

2459

Credits

1

Description

Students are introduced to traditional and contemporary painting materials and methods through demonstrations and in-class projects. Methods of transferring drawing ideas to painting; preparation of grounds and supports; traditional and non-traditional tools for painting, mediums, and application techniques, and the connection between concept or subject matter to material choice are covered. Lectures, individual instruction, and group critiques will be used to develop insight into the relation between form and content. Prerequisite(s): Introduction to Drawing or equivalent experience.

Class Number

2460

Credits

1

Description

Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.

Class Number

1641

Credits

3

Description

Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.

Class Number

1645

Credits

3

Description

This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.

Class Number

1610

Credits

3