A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Molly Colleen O'Connell

Lecturer

Bio

MOLLY COLLEEN O'CONNELL Continuing Studies Instructor. BFA, 2008, Maryland Institute College of Art, Baltimore; MFA, 2017, School of the Art Institute of Chicago. Exhibitions/Screenings/Performances: Central Connecticut University Art Gallery; Evening Hours, New York; Vox Populi, Philadelphia; Roots + Culture, Chicago; Julius Caesar, Chicago; Museum of Contemporary Art, Chicago; AALA gallery, Los Angeles; Silvermine Arts Center, Connecticut. Bibliography: Chicago Tribune; Hyperallergic; The Comics Journal. Residencies: Acre, Vermont Studio Center. Awards: James Nelson Raymond Fellowship.

Courses

Title Department Catalog Term

Description

This course emphasizes the development of observational drawing skills and hand-eye coordination. The learning sequence progresses from simple forms and skill levels toward more complex compositions. Basic drawing elements such as line, proportion, perspective, composition, texture, and the study of light and shade are investigated through various perceptual and conceptual approaches. Open to beginning students and those who want to refresh their skills before moving on to more advanced studio courses.

Class Number

1003

Credits

1

Description

This course introduces students to a diverse range of textile materials, processes, histories, politics, traditions, and cultures of fiber and their relationships to contemporary art practice. Historical and contemporary approaches to process and materials are explored as students are introduced to a variety of fiber techniques in construction and surface application. Taught technique can include printing, tapestry weaving, immersion and resist dyeing, knitting, crochet, felting, coiling, hand embroidery, machine sewing, piecework, and embellishment. Textiles have rich and complex histories in all cultures. Examples from across time and place will be explored and discussed through visual presentations, assigned readings, in-class discussions, visiting artist lectures, and field trips.

By the end of this course, students will become familiar with the formal, conceptual, expressive, and political potential of fiber as an expressive medium with limitless possibilities.

Course work will vary but typically includes the creation of technical samples, critique projects, and reading responses.

Class Number

1399

Credits

3

Description

The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.

Class Number

1832

Credits

3