| Painting Practice |
2001 (001) |
Rush Baker IV |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1811
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (002) |
Larissa Setareh Borteh |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1812
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (003) |
Sebastian Thomas |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1813
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Painting Practice |
2001 (004) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1814
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (005) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1815
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (006) |
Peter Jorge Fagundo |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1816
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (007) |
Steven Husby |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1817
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (009) |
Kaylee Rae Wyant |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1819
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (010) |
Amanda Joy Calobrisi |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1820
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 321
|
| Painting Practice |
2001 (011) |
Michael Cuadrado Gonzalez |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1821
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (012) |
Erin Washington |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1822
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (013) |
Tyson Reeder |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1823
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (014) |
Herman Aguirre |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1824
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Painting Practice |
2001 (015) |
Dylan Rabe |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1825
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (016) |
MJ Lounsberry |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1844
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (017) |
|
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1846
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (018) |
Noah Rorem |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1852
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (019) |
|
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1855
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Comics |
2002 (001) |
Johnny Sampson |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1831
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (002) |
Molly Colleen O'Connell |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1832
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (003) |
Cecilia Beaven |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1833
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (004) |
Bianca Xunise |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1834
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (005) |
Johnny Sampson |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1835
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
| Comics: From Basics To Print |
2002 (006) |
Sara Varon |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
In this course, students will cover the basics of comics from A to Z, with a focus on printed comics. The class will start with technical aspects including drawing materials, composition, dialogue, lettering, panels, and framing. We will then discuss story-writing including character creation, setting, and plot. In the last several weeks, students will create their own 8 page comic, moving from thumbnails to pencils to final art. Finally, students will design a cover (to be printed on the Risograph,) lay out their comic in InDesign, print out multiple copies of their comic, and assemble their own mini-comic.
|
Class Number
1836
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (008) |
Sam Sharpe |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1838
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (009) |
Cecilia Beaven |
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1839
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
| Color |
2003 (001) |
Jo Hormuth |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice.
In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.?
Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
|
Class Number
1840
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
| Color |
2003 (002) |
Steven Husby |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice.
In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.?
Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
|
Class Number
1841
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
| Figure Drawing: Multi-Level |
2030 (001) |
Noelle Africh |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1771
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (002) |
MJ Lounsberry |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1772
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (003) |
Don Southard |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1773
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (004) |
Sebastian Thomas |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1774
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (005) |
Jessica Du Preez |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1775
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (006) |
Mary Griffin |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1776
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
| Figure Drawing: Multi-Level |
2030 (007) |
Karen Azarnia |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1777
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (008) |
Ruth Poor |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1778
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (009) |
Josiah Ellner |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1779
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
| Figure Drawing: Multi-Level |
2030 (010) |
Larissa Setareh Borteh |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1780
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (011) |
Herman Aguirre |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1781
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
| Fig Draw:Anatomy |
2030 (012) |
Melinda Whitmore |
Wed
9:00 AM - 3:00 PM
All Online
|
|
Description
This course is designed to enlighten and empower the student?s knowledge of basic anatomy in skeletal and superficial musculature forms and to apply it in a drawing context with confidence and fidelity. Not only will the student become better familiarized with anatomical structures through class lectures and life drawing sessions, but a greater understanding of the dynamics of form and movement in space will be achieved through practice and repetition of procedures learned throughout the course.
|
Class Number
1854
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
Online
|
| Fig Draw: Adv Draw Inside/Out |
2031 (001) |
Anne Harris |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course will concentrate on drawing the figure with an emphasis on sculptural form. The objective will be to use drawing?particularly line?to investigate the body three-dimensionally. You will work from the inside out, drawing internal volume and topography, rather than an outside edge.
The goal will be to rotate the body and move it through space, to understand its basic structure and movement and, through that understanding, to learn about drawing as a tool for investigation, a way of exploring and structuring space, weight, and form.
By semester's end you will be able to invent a body in space. This ability is key to the tradition of figurative art found in artists ranging from Peter Paul Rubens to Kerry James Marshall and Nicole Eisenman.
Throughout the course we will be looking at and learning from a range of figurative artists, both historical and contemporary, via lectures and visits to the museum, including the AIC?s Prints and Drawings viewing room.
This is a highly structured course, akin to an intensive workshop. New information will be introduced every class. There will be regular outside assignments.
Prerequisites
Prerequisite: PTDW 2030.
|
Class Number
1827
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 320
|
| Fig Draw:Adv:Narr/Figuration |
2031 (002) |
Amanda Joy Calobrisi |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio drawing course explores how narrative operates in the history and traditions of figure painting. The class incorporates a range of methods; visits to the museum and galleries; introduce written material into drawn images; and analyze forms of narrative, including short film, graphic novels, abstraction, and sculpture. Sessions will focus on how mood, color, light and the passing of time influence how we read and produce a narrative image.
Prerequisites
Prerequisite: PTDW 2030.
|
Class Number
1828
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 315
|
| Studio Drawing: Multi-Level |
2040 (001) |
Paul Heyer |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
|
Class Number
1782
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
|
| Std Draw:Large Format |
2040 (002) |
Steven Husby |
Mon
9:00 AM - 3:00 PM
In Person
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Description
How big is big? Does the size of a drawing alter our ideas of what we?re about while we?re producing it? How do relationships of internal scale alter our sense of the surrounding space, and how do the sizes of the materials and the support alter our own awareness of scale? In this course we will explore the potential for large format drawing in the perceptual, material, narrative and conceptual senses. We will work towards expanding notions of Large, Format, Studio and Drawing. We will work towards specificity and developing each student's individual concerns. Bring your ambition, you'll need it.
Most time in class will be spent working on studio projects, which will be supplemented by museum visits, slide lectures, student led reading discussions and presentations, and in depth critique. Readings and artists looked at will vary, but will typically include texts which attempt a broad overview of the state of drawing within the field of contemporary art like Vitamin D2 and Drawing Now: Eight Propositions, and include contemporary artists working with drawing at ambitious scale such as Toba Khedoori, Amy Sillman, and William Kentridge, and more historical examples like Willem de Kooning, Cy Twombly, Lee Krasner, and Jasper Johns.
There will be a long form mid-term critique and a shorter final critique. Students will be expected to complete multiple large scale works for each.
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Class Number
1783
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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| Studio Drawing: Multi-Level |
2040 (003) |
Jonas Müller-Ahlheim |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1784
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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| Studio Drawing: Multi-Level |
2040 (004) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1785
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Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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| Studio Dwg:Mixed Media Paper |
2040 (005) |
Noelle Africh |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Simply put, this class is about exploring possibilities-- the use of various combinations of materials used, wet and/or dry, on any paper related products, from fine drawing sheets to left over cardboard, as long as the what and how of it is on/with a paper support...the individual pursuit for a personal visual voice is encouraged...during the first several weeks, various 'problems' will be given to start things moving?
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Class Number
1786
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Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 308
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| Std Draw:Representn/Abstractn |
2040 (006) |
Judith Geichman |
Tues
9:00 AM - 3:00 PM
In Person
|
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Description
Manipulate Space, Deconstruct Form, Re-Invent Your Visual World.
This course will explore different form and space making systems as they relate to abstraction. Slide presentations throughout the semester will focus on abstraction and different artist, art movements, elements of visual language, and concepts past and present, all to engage and open students visual ideas and art making practice. Students will be encouraged to pursue their own ideas and imagery as they work with the course material. Painterly drawing will be explored, as well as drawing from a live model. Field trips are scheduled in the curriculum.
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Class Number
1787
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Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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| Studio Drawing: Multi-Level |
2040 (007) |
Alexis de Chaunac |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
2144
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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| Studio Draw:Landscape |
2040 (008) |
Olivia Petrides |
Wed
9:00 AM - 3:00 PM
In Person
|
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Description
From the sublime to the technological, contemporary artists are reinventing the landscape genre and examining its relevance. This multi-level studio course provides an opportunity to explore individual perceptions of the natural world in light of current landscape painting narratives. There will be presentations and readings on issues pertinent to the landscape as subject.
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Class Number
1789
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Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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| Studio Drawing: Multi-Level |
2040 (009) |
Noah Rorem |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
2143
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 308
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| Studio Drawing: Multi-Level |
2040 (010) |
Arnold Kemp |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1791
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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| Studio Drawing: Multi-Level |
2040 (011) |
Robert Burnier |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1792
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 308
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| Studio Drawing: Multi-Level |
2040 (012) |
Scott Reeder |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1793
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
|
| Studio Drawing: Multi-Level |
2040 (013) |
|
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1794
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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| Studio Drawing: Multi-Level |
2040 (014) |
Jessica Zawadowicz |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1847
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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| Studio Drawing: Multi-Level |
2040 (015) |
George Liebert |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1849
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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| Studio Drawing: Multi-Level |
2040 (016) |
Tyson Reeder |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1848
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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| Studio Drawing: Multi-Level |
2040 (017) |
Claire Ashley |
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image.
Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis.
Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1853
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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| Std Draw:Adv Form Invention |
2041 (001) |
Richard Hull |
Tues
9:00 AM - 3:00 PM
In Person
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Description
An advanced investigation of drawing as an organizing tool for thought and personal image exploration. Students work with both assigned and independently conceived problems. Topic: Form Invention - The exploration of representation strategies beyond direct perception and conventional visual modes. Procedures will include exaggeration and omission, stylization and abstraction, composite and hybrid forms, secondary and double images, visual puns and rhymes, and multi-perspectival representation. Examples will be drawn from the span of art history, East and West and from contemporary practice and visual culture. There will be studio problems and exercises, sketchbook assignments, individual projects, slide presentations, and museum visits.
Prerequisites
Prerequisite: PTDW 2040.
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Class Number
1863
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Credits
3
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Department
Painting and Drawing
Location
280 Building Rm 125
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