Curriculum & Courses
Curriculum Overview
The School of the Art Institute of Chicago's (SAIC) Department of Contemporary Practices combines skill-based instruction with studio-based methods of conceptual exploration and artistic research. All of the courses in Contemporary Practices combine meaning with making. Students are asked to problem-solve through engagement with materials and research methods. The curriculum is designed to:
- Immerse students in an environment in which studio practice is integrated with the history, theory, and criticism of art, architecture, and design
- Promote and enact diverse definitions of artists and designers such as maker, critic, writer, intellectual, educator, collaborator, and engaged citizen
- Integrate the development of each student’s individual voice with an awareness of the context in which that voice is expressed and heard
Coursework in this department is required for all of SAIC’s newest undergraduate students, and is taught by faculty who are practicing artists and designers internationally recognized in their fields.
Required Courses for First-Year Students
Core Studio I and II: Core Studio is a fast-paced, yearlong sequence of courses that introduces students to both disciplinary and interdisciplinary art and design practices. These team-taught classes explore the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students’ emerging practices as makers and thinkers.
Research Studio I: This studio course explores the themes, practices, contexts, and questions undertaken by contemporary artists and designers. While developing your own work, you will investigate a wide variety of research methods that facilitate artistic practice. You will also learn how to use the critique process to discuss your own work and the work of others.
Research Studio I helps connect you with your own practice, with other artists, the museum, the city of Chicago, and SAIC. Through this course, you will also be paired with an academic advisor, who will attend several classes and work with you one-on-one to help in the process of navigating SAIC's curriculum.
Research Studio II: This topic based studio course builds on Research Studio I and allows you to deepen your individual artistic inquiry. Students choose from a selection of more than 30 thematic offerings.
The thematic focus of the class connects you with other students and faculty who share similar interests. Through studio projects and additional research methods, you continue to develop your imaginative intellect as well as work on the creation, construction, and critique of your work.
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Required Course for Transfer Students
Research Studio Transfer (RST) is a required course specifically designed for transfer students. Research Studio is a class that explores the themes, practices, and contexts of cultural inquiry and production undertaken by artists and designers. This particular class combines elements from Research Studio I and Sophomore Seminar, both required courses that transfer students do not take. RST includes an orientation to the culture of the SAIC community and Chicagoland and the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.
The goal of this course is to provide students with the tools to develop and connect their ideas and production, and to discover the pathways of study they can take at SAIC. Students are assigned an Academic Advisor who provides additional support to acclimate to SAIC and plan their future studies. In addition to studio production, students can expect to engage in some reading and short writing assignments for this class.
Available Course for Transfer Students: Core Studio: Transfer
In this fast-paced, interdisciplinary studio course students will be authorized to use school shops, materials and equipment: including the woodshop, CP digital lab, sewing machine, hand tools, printers, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class. Faculty present artists and content related to a particular toolkit or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each faculty. Students should expect a lively, studio environment. In Core Studio: Transfer students will complete short assignments as well as longer multi-week projects. Assignments are designed to introduce methods, and to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty.
Courses for Prior Degree Students
UG DIV Research Studio—Advanced is recommended and specifically designed for students who are new to SAIC coming from backgrounds with a previous degree or a substantial amount of college-level coursework under their belt. This particular class combines elements from Research I and II, which include an orientation to the culture of SAIC's community and Chicago at-large, with the more advanced developmental explorations to support and build an already engaged practice. Students take this class to engage with a variety of research methodologies, both traditional and experimental, utilizing SAIC archives and the extended community in response to studio-based work.
Courses
| Title | Catalog | Instructor | Schedule |
|---|---|---|---|
| Core Studio Practice II | 1011 (001) | AJ McClenon, Alison Ruttan | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (001) | AJ McClenon, Alison Ruttan | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (002) | Troy Daniel Briggs, Assaf Evron | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (002) | Troy Daniel Briggs, Assaf Evron | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (003) | Sarah Jean Belknap, Joseph David Belknap | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (003) | Sarah Jean Belknap, Joseph David Belknap | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (004) | David Lozano, Mikey Peterson | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (004) | David Lozano, Mikey Peterson | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (005) | Benjamin Melamed Pearson, Maria Gaspar | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (005) | Benjamin Melamed Pearson, Maria Gaspar | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (006) | Christine Anne Shallenberg, Claire Fleming Staples | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (006) | Christine Anne Shallenberg, Claire Fleming Staples | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (007) | Anna Laure Kielman, Elena Ailes | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (007) | Anna Laure Kielman, Elena Ailes | Tues, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (008) | Pablo R Garcia, Xi Li | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (008) | Pablo R Garcia, Xi Li | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (009) | Tom Burtonwood, Burton Isenstein | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (009) | Tom Burtonwood, Burton Isenstein | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (010) | AJ McClenon, Susan Giles | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (010) | AJ McClenon, Susan Giles | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (011) | Kirsten Leenaars, Ruby Que | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (011) | Kirsten Leenaars, Ruby Que | Wed, Wed
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (012) | Hope Roberts Esser, John Henley | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (012) | Hope Roberts Esser, John Henley | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (013) | Lise Haller Baggesen, Michelle Bolinger | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (013) | Lise Haller Baggesen, Michelle Bolinger | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (014) | Benjamin Melamed Pearson, Rebecca Beachy | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (014) | Benjamin Melamed Pearson, Rebecca Beachy | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (015) | Rachel Niffenegger, Pablo R Garcia | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (015) | Rachel Niffenegger, Pablo R Garcia | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (016) | Loretta Bourque, Troy Daniel Briggs | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (016) | Loretta Bourque, Troy Daniel Briggs | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (017) | John Henley, Hope Roberts Esser | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (017) | John Henley, Hope Roberts Esser | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (018) | Joseph David Belknap, Sarah Jean Belknap | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (018) | Joseph David Belknap, Sarah Jean Belknap | Fri, Fri
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (019) | Andrew Martin Roche, Kris Derek Hechevarria | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (019) | Andrew Martin Roche, Kris Derek Hechevarria | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (020) | Caleb Michael Yono, Stevie Hanley | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (020) | Caleb Michael Yono, Stevie Hanley | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (022) | Delano Dunn, Steve Amos | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (022) | Delano Dunn, Steve Amos | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (023) | Kitty Rauth, Maria Burundarena | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (023) | Kitty Rauth, Maria Burundarena | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (024) | Stevie Hanley, Caleb Michael Yono | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (024) | Stevie Hanley, Caleb Michael Yono | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (025) | Zachary Hutchinson, Nancy Sanchez Tamayo | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II | 1011 (025) | Zachary Hutchinson, Nancy Sanchez Tamayo | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
Description
In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.
In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership. Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice I: Transfers | 1012 (001) | Tues
9:00 AM - 3:00 PM In Person |
|
Description
Core Studio is a year-long course that introduces students to both disciplinary and interdisciplinary art practice. Students learn about the methods, materials, tools and concepts in the areas of Surface (2-dimensional), Space (3-dimensional), and Time (4-dimensional), both independently and in relationship to one another. Students develop their own ideas in relation to the materials and themes being presented by faculty. Core Studio integrates the formal with the conceptual, historical with the contemporary, and makes visible the possibilities and variety of approaches in contemporary cultural production.
PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice I: Transfers | 1012 (002) | Julietta Cheung | Wed
9:00 AM - 3:00 PM In Person |
Description
Core Studio is a year-long course that introduces students to both disciplinary and interdisciplinary art practice. Students learn about the methods, materials, tools and concepts in the areas of Surface (2-dimensional), Space (3-dimensional), and Time (4-dimensional), both independently and in relationship to one another. Students develop their own ideas in relation to the materials and themes being presented by faculty. Core Studio integrates the formal with the conceptual, historical with the contemporary, and makes visible the possibilities and variety of approaches in contemporary cultural production.
PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice I: Intensive | 1014 (001) | Laura Davis | Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
Core Studio is a year-long course that introduces students to both disciplinary and interdisciplinary art practice. Students learn about the methods, materials, tools and concepts in the areas of Surface (2-dimensional), Space (3-dimensional), and Time (4-dimensional), both independently and in relationship to one another. Students develop their own ideas in relation to the materials and themes being presented by faculty. Core Studio integrates the formal with the conceptual, historical with the contemporary, and makes visible the possibilities and variety of approaches in contemporary cultural production.
PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice I: Intensive | 1014 (002) | Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
|
Description
Core Studio is a year-long course that introduces students to both disciplinary and interdisciplinary art practice. Students learn about the methods, materials, tools and concepts in the areas of Surface (2-dimensional), Space (3-dimensional), and Time (4-dimensional), both independently and in relationship to one another. Students develop their own ideas in relation to the materials and themes being presented by faculty. Core Studio integrates the formal with the conceptual, historical with the contemporary, and makes visible the possibilities and variety of approaches in contemporary cultural production.
PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II: Intensive | 1015 (001) | Laura Davis | Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM In Person |
Description
The continuation of Core Studio Practice I.
PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Core Studio Practice II: Intensive | 1015 (002) | Thurs, Thurs
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM In Person |
|
Description
The continuation of Core Studio Practice I.
PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Research Studio I | 1020 (001) | Tues
3:30 PM - 9:15 PM In Person |
|
Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Research Studio I | 1020 (002) | Rebecca Beachy | Wed
9:00 AM - 3:00 PM In Person |
Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Research Studio I | 1020 (004) | Loretta Bourque | Wed
9:00 AM - 3:00 PM In Person |
Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Research Studio I | 1020 (005) | Benjamin Melamed Pearson | Fri
9:00 AM - 3:00 PM In Person |
Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Freshmen only. |
Class Number |
Credits |
DepartmentLocation |
| Research Studio I: Transfers | 1021 (001) | Mon
9:00 AM - 3:00 PM In Person |
|
Description
In this course we will focus on the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Faculty directed, open-media, interdisciplinary, idea based assignments are designed to help students recognize work habits, biases, strengths, and weaknesses. Through this course work students will be able to identify the most productive research methods and making strategies to bolster their emerging studio practice. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Incoming Transfer Students Only |
Class Number |
Credits |
DepartmentLocation |
| Research Studio I: Transfers | 1021 (002) | Julietta Cheung | Tues
9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Faculty directed, open-media, interdisciplinary, idea based assignments are designed to help students recognize work habits, biases, strengths, and weaknesses. Through this course work students will be able to identify the most productive research methods and making strategies to bolster their emerging studio practice. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Incoming Transfer Students Only |
Class Number |
Credits |
DepartmentLocation |
| Research Studio I: Transfers | 1021 (003) | Alison Ruttan | Fri
9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Faculty directed, open-media, interdisciplinary, idea based assignments are designed to help students recognize work habits, biases, strengths, and weaknesses. Through this course work students will be able to identify the most productive research methods and making strategies to bolster their emerging studio practice. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Incoming Transfer Students Only |
Class Number |
Credits |
DepartmentLocation |
| Research Studio I: Transfers | 1021 (004) | Thurs
3:30 PM - 9:15 PM In Person |
|
Description
In this course we will focus on the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems. Faculty directed, open-media, interdisciplinary, idea based assignments are designed to help students recognize work habits, biases, strengths, and weaknesses. Through this course work students will be able to identify the most productive research methods and making strategies to bolster their emerging studio practice. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others. PrerequisitesOpen to Incoming Transfer Students Only |
Class Number |
Credits |
DepartmentLocation |
| RS: Play and Belonging | 1022 (001) | Alex Cohen | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
1) In this course we will look into the ways that play shapes our everyday lives and it's use in language development. Play is self chosen and self directed. Students will be encouraged to turn the classroom into a place of experimentation where they will engage in self-directed acts where they will be asked; 'can we foster new forms of play that will lead us to develop new structures of belonging?'.
2) We will look at the bodies of work by artists Jacob Lawrence, Faith Ringgold, Chris Johnson, Thomas Hirschorn, Louise Bourgeois, Diane Thater among others and how they have used art to construct and develop imaginative worlds that represent community through experimentation and exploration of form. We will also engage with the play theories of Peter Gray, Brian Sutton Smith, Johan Huzinga, and Michael J Ellis. As well as 'belonging' by bell hooks. We will bring as many things together to look at the ways that play shapes us and is essential for the development of 'worlds'. 3) True in Play form students will engage in self-directed projects where I as Faculty will serve as Facilitator of all experimentations in the name of Play and Learning. There will be three prompts throughout the semester where students will be asked to generate self directed projects that address these specific issues. The three prompts are: How Do You Move, Whats the best way to organize that?, and These are my intentions. PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: Kitsch, Color, and the Sublime | 1022 (002) | David Lozano | Mon
9:00 AM - 3:00 PM In Person |
Description
This course explores bold, excessive, and emotionally charged gestures in art, focusing on artists who challenge traditional aesthetics through vibrant color, unconventional materials, and provocative themes. From rhinestones and glitter to deeply personal narratives, we¿ll examine the ways artists embrace what has been dismissed as ¿low-brow¿ to create powerful, meaningful work. Artists such as Nick Cave, Kehinde Wiley, Jeffrey Gibson, Jim Hodges, Pepón Osorio, and Ebony Patterson will guide our conversations and projects, as we consider how personal and cultural histories intersect with contemporary aesthetics. Adding to this discourse will be the big ideas found in the sublime ¿ historically and today. As we ask what makes something ¿truly awesome,¿ we¿ll explore the sublime¿s power in both art and everyday life.
Students will produce three artworks for critique, with at least one project developed as an installation. Readings will include writing on the Sublime by Edmund Burke, chapters from David Batchelor¿s Chromophobia, and Susan Sontag¿s Notes on Camp. PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: Killing Joke: Humor and the 'Modern' | 1022 (003) | Benjamin Melamed Pearson | Mon
9:00 AM - 3:00 PM In Person |
Description
There's something funny about Humor, but what is it, really? Humor has served as an indispensable lens through which to view (and laugh at) Modern life. This class aims to look very seriously at unseriousness. If humor is something that was previously used to set the boundaries between Human and Non-Human, what would humor mean in a Modern world where the binaries of Human/Machine, Human/Other and Human/Animal, are always in crisis? This class looks at artists who use humor in their work and asks why they use it, what does it do, what are its limits and possibilities? As points of departure and inspiration, we look to the critical irreverence of Fluxus, the anxious object-ness of Concrete Comedy, the subversive refusal of Carrie Mae Weems and the Queer metaphysics of Robert Gober (just a very small sampling of artists covered) as an invitation to laugh towards liberation. Course work consists of readings, screenings, guest speakers and discussions, centered around 3 major projects. The body of art work a student produces in this class encourages a diversity of approaches, mediums and interests, rooted in an attuned sens(es) of humor. Readings include excerpts from: Henri Bergson, Simon Critchley, Tina Post, Sigmund Freud, Eve Sedgwick, Stuart Hall, Sianne Ngai, Lauren Berlant, Todd Mcgowan.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: At The Movies! | 1022 (004) | Delano Dunn | Mon
9:00 AM - 3:00 PM In Person |
Description
'Movies can communicate concepts, ideas and stories. They allow us to be cognitively transported to a different time or a place, and experience life through different eyes- gaining new perspectives, inspiration and understanding' - Tom Sherak, President of the Academy of Motion Picture Arts and Sciences
How can film, popular films, affect the way we view the world? Yes, we are in an art institution where 'art' films perhaps are seen as the gold standard, but before you knew what an 'art' film was you knew and were exposed to popular movies/films. And that exposure, whether conscious or subconscious, has affected the way you view the world and communicate. This class gives students the opportunity to explore, process, and create works that take a deep dive into how moving images can impact the way an artist approaches and creates works that are, you might say, static. To be clear this class is not a film appreciation class, film making class, film history class, or an 'art' film class. This class is an investigation into the popular movie/film experience. Films such as Alien, Kids, Weekend At Bernie's, Halloween, and The Breakfast Club, amongst others will be shown. Project Example: Reflecting on the Birth of A Nation, Song of The South, Paris Is Burning and Philadelphia, create a new work reflecting on Othering; how that action can play out, whether it is being Othered or Othering. Consider exploring the experience of different marginalized groups as fact based research, conversation, and openess on the experiences of others leads to empathy. Note: Student will watch films with, violence, racist depictions, sexual assault, trans and homophobia, and very harsh language. Trigger warnings will be given prior to watching the films. PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: Within Orbit: Exploring Revolutions of Time, E | 1022 (005) | Rebecca Beachy | Mon
9:00 AM - 3:00 PM In Person |
Description
Artists exist within multiple orbits¿seasons and cycles of time on earth. This course investigates how these contexts, from the microscopic to the cosmic, influence creative work. Students will learn to see their research interests in a new light by practicing deep attention to materials, networks and cycles evident in their life and work. The course emphasizes building deeper relationships with time and materiality as a pathway to gaining perspective and creating more meaningful and resonant art. Activities include two primary creative projects followed by a revision, regular journaling, short material experiments, and in-class writing/drawing prompts, and discussions inspired by various artists and readings from Ursula K. Le Guin, Robin Wall Kimmerer, Marcia Bjornerud, and Samantha Harvey, among others.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: Making Words Things | 1022 (006) | Joshua Rios | Tues
9:00 AM - 3:00 PM In Person |
Description
Making Words Things examines the relationship between language and contemporary art through a research-driven practice. We will consider the physicality of text (billboards, store signage, and the pages of a book), alongside the many ways that language as a form of communication and symbols informs artists. We will also use writing as part of our process and examine literature that feels more like collage than narrative (cut-up and collage poetry). Beyond the basic framework of writing and text as materials to be explored, this course prioritizes artists who have been historically marginalized because of their social identities.
There are three major projects, which can include any media combination, as well as various exercises related to publishing as practice, community workshops, public interventions, and translation. PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: Artist/Curator: One Thing is Next to the Other | 1022 (007) | Troy Daniel Briggs | Tues
9:00 AM - 3:00 PM In Person |
Description
In this course we will focus on the dynamic relationships between objects, audience, spaces, and the city itself. Our focus is on the interplay of art within its surroundings, exploring site-specificity and the expansive range of public and private art. By examining these concepts, you'll gain a deeper understanding of how art shapes and is shaped by the environments it inhabits. Readings, guest lecturers, tours and screenings will vary and will be responsive to students' needs, starting with a core set of Nina Katchadourian,Francis Alys, David Hammons, Susan Stewart, Duchamp and any of my curator friends I can get to join us. This is a class for people who get excited engaging in critical discourse and are ready to push boundaries.
There will be shorter assignments (readings, curatorial games, proposals and the such) up until midterm preparing students for the final project where you will research, direct and curate a show at the school. Art exists now and has always existed in a landscape far beyond the gallery walls. We will look at everything from your pocket to international art fairs. Curation is an act of care taking and we will look at it as a way of seeing, being and engaging. Throughout the semester we will step into both worlds of artist and curator and by the end of the semester your footing, your practice will be strengthened through it. PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: Monsters: Art and Ethics | 1022 (008) | Alison Ruttan | Tues
9:00 AM - 3:00 PM In Person |
Description
The book Monsters: A Fans Dilemma' by Claire Dederer wrestles with the question ¿Can we separate artists own bad behavior from an appreciation of their art?¿ This book main question is a starting point to look at moral questions, to take aim at our monsters, to make parody of, or say your truth. In this course we will research and make art about the role of the monsters in politics, art, literature and film. Assignments may explore quasi-fictional narratives, monstrous beauty, the politics around difference and the psychology behind our enjoyment of horror. You may also wish to consider the monster as a tragic comic character worthy of your affection. I see this course as a meandering conversation around ethics and how you can frame your questions within an art practice. Artists Kara Walker, David Altmejd, Amy Cutler, Takashi Murikami, Cindy Sherman, Lee Bul, Alex Da Corte.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: I Want to Believe | 1022 (009) | Sarah Jean Belknap | Tues
9:00 AM - 3:00 PM In Person |
Description
How do we place ourselves in the universe? How did our planet, the only one we know that contains life as we know it, come to be? How big is our universe? For millennia, people have sought to understand the origin of the heavens, and the stars in the sky. Myths, religion, conspiracy theories, and science have pondered, explored, and hypothesized these questions and continue to do so. This class will explore wonder and curiosity in relationship to our universe and how we as humans fit into it.
The works of Artists Wengechi Mutu, Katie Paterson, Vija Celmins, Alma Thomas, and Trevor Paglan will act as primary points of departure for our exploration in this course. We will ponder these questions through readings and art-making using various materials and mediums. Students should expect to create a body of work consisting of 3-5 finished pieces during the semester that explore our environment, space and the awe it creates deep in our hearts. PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: Are we in a Simulation? | 1022 (010) | Joseph David Belknap | Tues
9:00 AM - 3:00 PM In Person |
Description
Do you ever feel detached from reality? (Deja Vu, Glitches, Dreams, Futurism, the Quantum)
Is the Earth a living being? (Gaia Hypothesis, Symbiotic Earth) If the smallest things we know can be coded, is it possible everything is a program powered by the Sun? Does consciousness extend beyond humans? Could everything be conscious? Has any civilization throughout time and the universe ever made a simulation to the fidelity of our experienced reality? Are we in base reality? Are we in a black hole watching our past lives? Over this semester-long RS2 we will read, discuss, and create around the expansive question 'Are we in a Simulation?' Our primary method for making in this class will be 3D animation and modeling. We will learn Blender and utilize other software to build environments, characters, and scans to be output as animations and interactive environments. We will be covering many ideas and training quickly. You will be using in Blender every week so expect to work 3-5 hours outside of class. The content of this course will be in video, podcast, articles, films, and book excerpts - all of which will be accessible with varying learning pathways. Some folks we will be reading or discussing include Neil Degrass Tyson, Carl Sagan, Annie Dillard, James Bridle, Octavia Butler, Jean Painleve, Lynn Margulus, Deleuze and Guattari, Rebecca Solnit, Sara Ahmed, Jean Baudrillard, Hito Steryel, Walter Benjamin, Susan Sontag, Daowoud Bey and more. PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: Play Generation | 1022 (011) | Alberto Aguilar | Thurs
9:00 AM - 3:00 PM In Person |
Description
Playing is distinctive from gaming. Gaming usually has an objective involving winning while play is open ended and results in more play. In this class we will use play as a generative force for research and creating a body of work. What happens in this class and the direction it takes will be dictated by you, your willingness to play and reciprocate others acts of play. Humor, fun and joy are encouraged in this research studio! Artists we will explore include:Jérôme Bel, Gabriel Orozco, Yoko Ono, Miranda July, Francis Alys, Azikiwe Mohammed, Pope L, Sophie Calle, Erwin Wurm, Oliver Herring and others¿
PrerequisitesPrerequisite: CP/FIRYR 1020. |
Class Number |
Credits |
DepartmentLocation |
| RS: Sound & Image | 1022 (012) | James Paul Wetzel | Wed
9:00 AM - 3:00 PM In Person |
Description
This course emphasizes the relationship between the ear and the eye, sound and image. Students will research and explore how sonics and optics interact and will work across disciplines, creating music, images, and objects in order to more effectively connect the planes of sight and sound. Research will cover a wide array of artists and musicians, like Kurt Schwitters, Merzbow, Aphex Twin, and Lightning Bolt. Studio projects may culminate in the form of musical performances, installations, or happenings, and collaboration with other students is be encouraged. The music, texts, and artwork of Sun Ra will be a primary creative resource, and students will be given the opportunity to explore and research within the vast Sun Ra/El Saturn collection at the Experimental Sound Studio.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS:The Trouble with Wilderness | 1022 (013) | Lora Lode | Wed
9:00 AM - 3:00 PM In Person |
Description
Wilderness is the place where, symbolically at least, we try to withhold our power to dominate.¿ This is a quote from an essay by William Cronon, which is an inquiry into human relationships to concepts of wilderness and nature, and how they change over time. In this class we will examine the complexity of these concepts. What is our current understanding of living things within earth¿s biome and their relationships to each other? We will explore the relationship between environment, human/animal/plant life and `vibrant matter¿ (for philosopher Jane Bennett: our experience of things) through the lenses of social and environmental justice. Students will be introduced to expanded concepts of nature, ecological systems, land reparations, and regenerative practices that address anthropogenic environmental changes. Artists and writers have long worked with nature as material and as subject -- whether image, representation, a construct or an environmental reality -- at times to imagine fantastically and at times to transform. To support creative research, we will delve into works drawn from literature, poetry and many forms of art making via readings, film screenings, podcasts and field trips. Starting with Cronon¿s essay, weaving through Romanticism, Transcendentalism, the environmental movement, climate crisis, and land reparations. We will engage with many artists, designers, architects and scientists on these subjects (earthworks, Fritz Haeg, Future Farmers, Mel Chin, Clarissa Tossin, Sky Hopinka, Meredith Leich, Kelly Jazvac, Eve Mosher, Kathy Jetñil-Kijiner and Aka Niviâna, Allison Janae Hamilton + more). The media you work in will be defined by your ideas/content. An iterative process beginning with researching, brainstorming and feedback on preliminary sketches, prototypes or models, culminates in three major projects with group discussion exploring different forms for critique.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Behind the Scenes: Learning skills to make pro | 1022 (014) | Andy Hall | Wed
9:00 AM - 3:00 PM In Person |
Description
What labor goes into the making of an exhibition? How do artists and designers collaborate to produce projects? How do you really hang a painting?
In this course we will explore these questions and more in the studio and within sites of creative production throughout Chicago. We¿ll also learn about effective methods of production used by artist-run spaces, while using the studio and campus for practicing skills essential for the work of a museum preparator. We will study ideas of labor and craft, and our research will take us into a range of spaces off campus including digital production labs, studios, media production facilities, museum spaces, and galleries. In addition to site visits, and studio research, the class will utilize a workshop model that results in several collaborative outcomes while also bolstering individual skills and ideas. Several field trips off campus will utilize public transit. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Presence as Power: Building the World We Want | 1022 (015) | Maria Gaspar | Wed
9:00 AM - 3:00 PM In Person |
Description
Artists worldwide have used the body to explore various social and political issues through resistance practices, including protest art and public actions. In this course, we will analyze these histories and experiment with forms of embodiment related to systems of power. Students will explore these ideas through three individual and group artistic projects, serving as acts of release and world-building, not limited to any specific media. Together, we will develop ideas about spatial justice, examining both institutional and grassroots forms of creative expression. Artists such as Rose B. Simpson, Theaster Gates, Tania Aguiñiga, Christine Sun Kim, Lawrence Abu Hamdan, and Doris Salcedo, among others, will serve as case studies.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Architecture and the Self | 1022 (016) | Shir Ende | Wed
9:00 AM - 3:00 PM In Person |
Description
In this class we will look into the relationship between the body and architecture. Through different exercises, readings and field trips we will explore those relationships from the intimacy of the room to the public realm of the city. We will experiment in collecting observations on the built environment and will use them as research. Students will engage with different artistic practices and will use the city of Chicago as their field of operation. Students will work on weekly exercises that will be used as research for 3 assignments: intervene and respond, translate, and reimagine architecture through different modes of making.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Now is the New Now | 1022 (017) | Steven Heyman | Thurs
9:00 AM - 3:00 PM In Person |
Description
Time passes, things change. How do artists work with time, in kinetic and static mediums, in ways that deliver time sensitive materials and convey meaning and heightened understanding of the human condition? From time management to time travel and beyond, how does our past shape our present, what do we project for the future? What shall we make today? In this course, initial assignments are geared toward the development of independent studio projects, informed by student research, discussion and critique, with the emphasis on building a body of work, a sustained practice, one piece at a time.
Looking at artists such as Kameelah Janan Rasheed, Vija Clemins, Nick Cave, Josef Koudelka, Roni Horn, Malcolm McLaren, Paul Pfeiffer, Miller & Shellabarger, Felix Gonzalez-Torres, Rodney Graham, Luc Tuymans, Pipilotti Rist, and Tehching Hsieh, we will explore, and put into practice process/concepts such as simultaneity, time loops, portraiture, slow motion, memento mori, time lapse, linier and non-linier narrative, eternal art, and cinematic time tropes. Selected reading from texts such as Einstein's Dreams by Alan Lightman, and Society of the Spectacle by Guy Debord. Over the course of the semester, students will produce 3 five week projects in the medium of their choice. Course work and activity will include studio time, prompts, readings, field trips, small group meetings, documentation of practice and critique. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Acts of Resistance: Wellbeing, Joy, Rest | 1022 (018) | Kirsten Leenaars | Thurs
9:00 AM - 3:00 PM In Person |
Description
This class is an opportunity to re-evaluate your own and cultural beliefs, values, and assumptions around joy, happiness, productivity, rest and play and how this shapes the way you look at the work and the work you make and life in general. Through the making of your own work, readings, written assignments, screenings and discussions, you will examine how joy, rest, play wellbeing can be acts of resistance and a fertile ground for creating and thinking critically. You will look at your own notion of happiness, wellbeing and productivity and look at different cultural and historical concepts of these notions. You will look at how these ideas influence your choices, goals and experiences and in turn shape your lived reality. You will explore in this class how to become more aware of your perceptions, reactions, motivations and how this awareness can help you make choices in your own life, how you engage with the world, as well as in your own art making.
We will look amongst others at artists Alexandria Eregbu, Mierle Laderman Ukeles, Sadie Woods, Pablo Helguera, Mel Chin, Greater Good Studio, The Black School, Solitary Gardens, Grecia Palomino, Hanna Che, Harry Julmice, Neldy Germain, Niti Marcelle Mueth, Schaël Marcéus and Thierry-Jean Charles. And read amongst other authors: Audre Lorde, Adrienne Marie Brown, Grace Lee Boggs, Pauline Oliveros, Thich Nhat Hanh, Jonathan Haidt, Miguel Ruiz. Course work will vary, but you will create 3 studio projects, engage in readings and in some writing reflections. You will keep an ongoing research/process book throughout the semester. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Take a Chance on Me: Generative Art and Design | 1022 (019) | Tom Burtonwood | Thurs
9:00 AM - 3:00 PM In Person |
Description
Everyday habits produce rhythms and patterns that artists and designers use in their work. Swedish songwriter Björn Ulvaeus built the melody and vocals for Abba¿s 1977 hit song 'Take a Chance on Me' on a 'tck-a-ch' rhythm he would repeat in his head to pace himself whilst running. Over the course of the semester we will explore and research many generative methods for producing creative outcomes in a variety of media. Course activities will center on your own personal research and consider ways to pull systems thinking out of it. In 1969 professor Sonia Landy founded Generative Systems here at SAIC which went on to become what is known today as the Art and Technology / Sound Practices Department. Through this lens we will take a long look back to Dada games, Surrealist strategies, Fluxus Poetry, early Computer made art, New Media Practices, Sports and everyday routines. The course will be divided into three modules. The first will introduce historical systems and games in art. The second will introduce coding, AI and algorithmic practices. The final module will ask students to develop their own generative works from research interests. Each module will culminate with a final outcome presentation and critique.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS:Paracosms:Imaginary Worlds | 1022 (020) | Amy Vogel | Thurs
9:00 AM - 3:00 PM In Person |
Description
Developmental psychologists who study child behavior have a term that refers to the companions who inhabit the play world of children, they are called ¿Imaginary Companions.¿ These companions, or friends, are entirely real to a child. Sometimes, as children get older these imaginary friends develop into entire imaginary worlds, what psychiatrists call ¿paracosms¿. The Brontë sisters had a paracosm complete with its own language.
Many artists create their own worlds as a way of reimagining or coping with this one. Henry Darger and Adolf Wölfli; both struggled with mental illness and participating in the real world and spent their lives creating their own imagined worlds, complete with invented histories, nations, flags, and, in the case of Wölfli, his own language and musical scores. Contemporary artists like Trenton Doyle Hancock have also created fully developed paracosms as a way of exploring identity, storytelling, and alternative realities. Along with developing your own Imaginary World we will question what role imagined worlds have played in the past and can play in our current world where reality is constantly blurred with AI, social media, reality tv and deep fakes. Imaginary Worlds are often developed as ways to process, communicate and provide hope in a times of crises and oppression. What roles can imaginary worlds play in our world today? This class is open to all but recommended for students who already have, or begun (even if only in their mind!) an existing Imaginary World. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS:Yes, and... | 1022 (021) | Susan Giles | Thurs
9:00 AM - 3:00 PM In Person |
Description
'Yes, and...' is a method used in improvisational comedy that requires the players to affirm whatever premise they are offered and embrace it as a jumping off point to a new premise. By allowing for endless outcomes, Yes, and... develops innovative thinking strategies, promotes risk taking, embraces the unexpected, and pushes possibilities. In the context of this course, Yes, and... is a means for exploring artmaking. Our studio work will incorporate improv guidelines such as: say yes and add something; consider collaborators and audiences and respond to and heighten their ideas; establish point of view; and make active choices.
Readings and discussions will include Chicago's Viola Spolin and her workshops for The Second City comedy theater, 'Improvisation is a human right': Chicago Slow Dance: The AACM in Conversation, Muhal Richard Abrams, George Lewis, and Roscoe Mitchell and 'I Dreamed of Other Worlds': An Interview with Nicole Mitchell, Chicago jazz with ACM and AFRICOBRA, Surrealists' games, Mail Art, collective and collaborative practices of Superflex and Pope. L, repurposed materials in Sarah Sze and Phyllida Barlow's installations, and multidisciplinary practice of Nick Cave, among others. Through student-selected media, we'll examine additive and multi-processes such as collage and assemblage, patterns development, and overlapping spaces in order to experiment, create, build upon, and recreate artworks that stretch and expand our practice. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: OFFLINE | 1022 (022) | Laura Davis | Fri
9:00 AM - 3:00 PM In Person |
Description
In this course, we will put our phones on airplane mode, leave laptops and tablets at home, and make a conscious decision to go offline. Research will be approached as a tactile, observational, and experiential process. We will touch books, explore archives, talk to people, visit places, and examine and manipulate things as primary tools of inquiry. This is not an anti-technology class but a class about being present during our time together. Sketchbooks and material archives will be emphasized. Together we will practice making, noticing, and questioning, finding meaning in attention, process, and connection¿offline.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Queer Color | 1022 (023) | Stevie Hanley | Fri
9:00 AM - 3:00 PM In Person |
Description
In this course students explore color theory through independent projects with the aid of faculty and various research methods. Color theory is studied psychologically, spiritually, aesthetically, and politically. This course pulls from a diverse range of color theorists and methodologies such as: Josef Albers Interaction of Color, Coloraid, AfriCOBRA, Gilbert Baker, Betty Edwards, and more. Traditional color theory is unpacked and expanded to account for how color has been weaponized and venerated in participation to power, suppression, race, cultural difference, gender, sexuality, and queer peoples.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: NIGHTMOVES | 1022 (024) | Elena Ailes | Fri
9:00 AM - 3:00 PM In Person |
Description
In this course, we will ground our creative research and production through the very broad lens of `the night'. Nighttime and darkness will be approached both metaphorically and literally and will be used as the starting point for collective and individual inquiry, contemplation, and creative work. Some of the themes this class will explore include: the night sky, vision and lack thereof, dreams and hallucinations, stories you tell in the dark, horror, surveillance, secrecy, night work, night parties, grief (personal and ecological), and `the unknown'.
Through writing exercises, readings, site visits, group discussions, long form research processes, and critique, members of this class will be supported in the production their own work alongside the production of new, hopefully generative, questions. Some of the writers included in the course syllabus are the poets CA Conrad and their (Som)atic Rituals for a Future Wilderness, Can Xue and Layli Long Solider, as well as essays by Eugene Thacker, Hanif Abdurraquib and Ursula Le Guin. We will look at many artists from around the world that span multiple generations of thinking and making, including Tuan Andrew Nguyen, Wu Tsang, Louise Bourgeois, Pierre Huyghe, Lygia Clark, Vaginal Davis and many, many more. This course is non-medium specific, and open to students working in all media. Though coursework will vary, students can expect to create 3 projects for critique, as well as one semester-long, practice-based research project. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Digital Craft | 1022 (025) | Burton Isenstein | Fri
9:00 AM - 3:00 PM In Person |
Description
This course explores how emerging technologies are redefining craft by merging long-established techniques with new materials and methods of making. Students will examine the handmade market, the influence of the DIY and Maker movements, and how social media and online platforms connect artists with audiences. Hands-on projects will integrate digital tools such as Rhino, 3D printing, and the CP Digital Lab¿s resources with traditional processes like mold making. Students will complete 3¿5 projects that move from concept to prototype, developing inventive approaches to contemporary craft and design practice.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Waste Not Want Not: Sustainable Art Practices | 1022 (026) | AJ McClenon | Fri
9:00 AM - 3:00 PM In Person |
Description
As humans what is our relationship to objects and the planet that we reside on? As artists is it our responsibility to have a sustainable practice and should we be actively aware of our material footprints? After breaking down the life and journey of objects and their material footprints and looking to nature and the city as ephemeral material we will intentionally approach materials, objects and our environments; engaging in recycling, exchanging and repurposing practices. We will get to know sustainable practices such as bio art, closed loop fashion, eco design, ecological art, land art, renewable energy sculpture and upcycling; looking at artists such as Chakaia Booker, Brian Jungen, Choi Jeong Hwa, Suzanne Anker, Patricia Johanson and many more. Students will read through the catalogue book for the 2005 exhibition : 'Beyond Green: toward a sustainable art,' that was shown at the Smart Museum of Art. We will also visit relatable shows in the Chicago area.
To seek more affordable and sustainable ways to art shop and find previously used materials we will be visiting Chicago locations such as The Wasteshed and Creative Chicago Reuse Exchange. Students will engage in a material/object study where they choose one material or one object to research and then create a final piece that represents this material or object: sculpture/installation, short film, fashion line, or another proposed medium approach. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Downside Up: Examining the Present Through Art | 1022 (027) | Julietta Cheung | Mon
9:00 AM - 3:00 PM In Person |
Description
The course invites artists and designers to examine the profound social, cultural, environmental, and technological changes that shape the everyday. The semester is organized around three zones of inquiry¿the home, the streets, and the studio¿each exploring the impact of contemporary changes on a particular facet of our lived experience. There are three major studio assignments, with opportunities for collaborative experimentations. Inter- and transdisciplinary forms of making are highly encouraged. In addition to lectures, short readings, workshops and field trips, we will study works by artists and designers, such as Amanda Williams, Sharon Hayes, Jes Fan, Pedro Reyes, Tan Lin, Formafantasma, Neïl Beloufa, Pope L., and more.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS:Our Bodies are the Battlegroun | 1022 (028) | Peter Jorge Fagundo | Tues
3:30 PM - 9:15 PM In Person |
Description
After decades of marginalized positioning, the figure/human body has come back to the center of contemporary art, but its return is characterized by foible, specificity and doubt. Issues of race, gender and identity have called for new narratives, empathy and instruction. We are redefining the way we see ourselves. We will look at the body in art from pre-history through it's problematic past in the western tradition and how it's being used now to correct and reflect our varied reality. Students should expect to produce a body of work consisting of 3-5 finished pieces which we will critique throughout the semester.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Storytelling Alchemy | 1022 (029) | Pablo Enrique Monterrubio-Benet | Tues
3:30 PM - 9:15 PM In Person |
Description
In this course, students will immerse themselves in the transformative power of storytelling across various mediums. Storytelling Alchemy invites students to explore and push the limits of narrative through hybrid forms and interdisciplinary techniques. We will delve into how storytelling serves as a powerful vehicle for personal expression, enabling artists to investigate and communicate personal identities, emotions, and experiences, as well as for cultural exploration, allowing the examination of histories, social dynamics, and collective memory. Additionally, we will look into how storytelling acts as a portal to speculative futures, offering possibilities for imagining new worlds, alternative realities, and future trajectories. Drawing inspiration from the surreal worlds of Alejandro Jodorowsky, Jan Svankmajer, and Frida Kahlo, the dreamlike atmospheres of Maya Deren and David Lynch, and the poetic essay films of Chris Marker and Agnes Varda, students will encounter pioneering artists who have expanded the boundaries of storytelling. Students will be inspired to make work that challenges conventions, creating transformative experiences that captivate, disrupt, and ignite new ways of seeing and understanding the world. Throughout the course, students will develop their own narrative approaches, creating work that reflects their unique voice and vision. Students will work on 3 class assignments and one final project.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Ghosts & Monuments: Practices in Remembering | 1022 (030) | Eliza Fernand | Tues
3:30 PM - 9:15 PM In Person |
Description
In this course students will research ghostly traditions from their own lineages and delve into the histories of their immediate surroundings by finding local ghosts and public monuments in Chicago. We will consider ghosts as possibilities beyond the paranormal by exploring eco grief and nostalgia, and questioning monuments in a search for transparency around public art. Through studying various hauntologies, students will generate their own research topics that will be the basis for study projects and a proposed monument. We will develop a routine of field trips and individual research and study works by Alexis Pauline Gumbs, Michael Rakowitz, Heidi Lau, Tania Bruguera, Killjoy's Kastle, Félix González-Torres, and Monument Lab.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: You Have Many Teachers / Companion Species | 1022 (031) | Kayla Anderson | Tues
9:00 AM - 3:00 PM In Person |
Description
In this course, we will look to non-human teachers to guide us in the creation of artworks, gaining new perspectives on our own human culture, and the wider world around us. Each student will choose one companion (plant, animal, mineral etc.) to make work in conversation with throughout the semester. Botanist Robin Wall Kimmerer states ''We Americans are reluctant to learn a foreign language of our own species, let alone another species. But imagine the possibilities¿the access we would have to different perspectives, the things we might see through other eyes, the wisdom that surrounds us. There are intelligences other than our own, teachers all around us. Imagine how much less lonely the world would be.¿
We will look to the work of artists including Aki Inomata, Ellie Irons, Wawi Navarroza, Jumana Manna, Duy Hoang, Zheng Bo, Dao Nguyen, Jenny Kendler, Lindsey French, Joiri Minaya, Otobong Nkanga, Carolina Caycedo, Cathy Hsaio, Rosana Paulino, and Karolina Sobecka; and writers including Octavia Butler, Jamaica Kincaid, Robin Wall Kimmerer, Donna Haraway, Janice Lee, Heather Davis, JD Pluecker, Jessica Hernandez, and CA Conrad. Students should expect to produce a body of work consisting of 3-5 finished pieces during the semester, along with a field guide of generative reading and writing exercises. Students may choose to work on a collaborative project / body of work with one or more classmates. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Latino Art and Collective Resistance | 1022 (032) | Armando Román | Thurs
3:30 PM - 9:15 PM In Person |
Description
Who has the privilege to narrate our lives? What names are placed upon us¿and which ones do we reclaim? This course examines how Latino artists resist systemic racism, anti-immigrant policies, voter suppression, erasure, and violence, using art to testify to struggle and imagine futures beyond dispossession. We will study artists such as Guillermo Gómez-Peña, Coco Fusco, Yvette Mayorga, and Julio Torres, while also considering solidarities across Black, Indigenous, Asian diasporic, and queer communities. Students will create three works informed by research, dialogue, and lived experience. Open to all committed to exploring art, politics, and identity.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Breathing Bodies in Digital Worlds | 1022 (035) | Claire Fleming Staples | Thurs
3:30 PM - 9:15 PM In Person |
Description
In this class we will be learning about and making works that are both somatically engaging and virtually transportive. How can we remain in our bodies while also traveling into different worlds? How can we create portals into a desired reality that we can actually step into?
The course will cover methods of immersive installation including sound, projections, and working in the digital environment New Art City, with 3-D and video elements. We will be looking at artists like Jacolby Satterwhite, Morehshin Allahyari, Pippoloti Rist, Yayoi Kusama, Tabita Rezaire, D. Denenge Duyst-Akpem, Anti-Body Corporation, Heesoo Leymusoom Kwon, & Peter Burr, and reading texts by Octavia Butler, Robin Wall Kimmerer, Laura Marks, Resmma Menakem , hannah baer and Deborah Kapchan. Class work will include reading discussions, somatic exercises, and world-building workshops as well as technical demonstrations. Students will work in groups and individually on two major video installation projects, one smaller project, and lead a reading discussion. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Cheap and Dirty: How to be a deviant artist un | 1022 (036) | Sarah Bastress | Thurs
3:30 PM - 9:15 PM In Person |
Description
This is a class to help you tackle two of the main problems that students face while in school, but more importantly that graduates face once they leave it: 1) How do we make work when our time and money is limited? And 2) how do we make and discuss work about ¿difficult¿ topics?
To phrase it more cheaply: This is a class for prudes, perverts, cheapskates, your mom, fairies, bulld@ggers, prissies, sissies, scumbags, dirtbags, sleazebags, and people who like the smell of underbellies. This class will learn from people, artists, and movements who have made a lot with a little. We will have a particular focus on strategies marginalized communities use to come together, make art and/or rebel, as well as question what it means ethically to learn from those strategies both when we are a part of those communities but especially when we are outside of them. This class will revel in naughtiness, filth, and debauchery. This class will also study if, how, and when shock value is effective or hurtful or both. Often, the work we look at will be explicit, with care taken to talk about our needs and boundaries. This class will help us engage with different strategies to discuss and make work with complicated content. We will make as much work as possible, including zines, art books, films, puppets, a drawing every day, a competitive art-show competition a la the food network, go on a ¿roadtrip,¿ build our own personal grottoes, and put on our own group show. This class will be quantity over quality and more about the journey than the destination. We will throw as much as we can at the wall and see what sticks. It will have weekly readings or video viewings because those things are FREE and lots of field trips (to the The Leather Archives, the Center for Native Futures, and Tweet/Big Chicks for example). Artists we will look at will include: Vaginal Davis, John Waters, Guy Fieri, Lee Godie, Laura Aguilar, Simon Rodia, Bill Traylor, Samuel R. Delany, Marlon Riggs, Elisa Harkins, Zoe Leonard, Ana Mendieta, Jim Henson, Henry Darger, Howard Finster, Loy Bowlin, Horace Pippin, David Wojnarowicz, Gregg Bordowitz, Faith Ringgold, Natalie Diaz, Ada Limon, Sun Ra, Joy Harjo, John Cage, Yoko Ono, CAConrad, Nan Goldin, Robert Gober, Robin Hustle, Jenn Smith, Dynasty Handbags, AfriCobra, ACTUP and Gran Fury, fierce pussy, Guerilla Girls, Dark Noise Collective PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Truth 'Adjacent' | 1022 (037) | Paola Cabal | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
What is ¿True¿ and how can we tell? Where is the line between uncanny and unreal? What does it mean when we can¿t distinguish fact from fiction? To the extent that our understanding of ¿authenticity¿ is built on previous, verified experiences, the Truth ¿adjacent¿ research studio explores known, well understood, everyday references to generate a sense of doubt and unease. We will read Sigmund Freud¿s original essay on the uncanny, and look at artists who leverage recognizable tropes to create unsettling experiences, such as Ron Mueck, Valerie Hegarty, and Robert Gober. We will also explore emerging discussions on AI, considering the implications of these new technologies for our evolving understanding of what truth is. Four studio projects will afford us the opportunity to explore well known, richly referential subjects: The ¿truth¿ of objects, the ¿truth¿ of spaces/sites, the ¿truth¿ of time and memory, and the ¿truth¿ of people.
PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: Seeing Through Cinema | 1022 (038) | Emily Eddy | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
In this course, we will look through the lens of cinema to consider art making and storytelling. We will also study the contemporary landscape of film and video artwork. In class, we will watch films together and explore how films can inspire our art practices in every medium. We will learn from filmmakers and moving image artists, unpacking the complex relationships between sound and image, the viewer and the screen, and more.
We will read cinema theory, analyze films, and explore moving image history together, along with attending film screenings and events. By the end of this course, you can expect to have an introduction to contemporary film, video art, and cinema theory, as well as a working knowledge of film history and groundbreaking filmmakers from the last century. Assignments may include: making artworks inspired by films and videos, writing shot-by-shot analyses, reenacting films, reinventing ways to experience moving images, performing for the camera, and reading film and media theory. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS:Interventions and Transgressions | 1022 (039) | Mathew Wilson | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
This course invites students to occupy and invigorate public spaces, both physical and virtual. Through site-specific gestures, installed objects, posters, projections and other interventions, students will take their work into places where accidental audiences can be found. Additionally, transgressive art more generally will be examined and discussed.
Readings and discussions will focus on Situationism, Social Sculpture and Guerrilla Art, as well as the controversies surrounded the work of Burden, Buren, Kapoor, Serra, The Guerrilla Girls, Act Up, Theaster Gates and others. The class will visit local public works and also become familiar with the challenged status of 'public space' in the city. Students would explore through assigned projects the various social contracts that we all experience in our daily and creative lives. For example, the first project would examine the social contracts that exist between the individual and the people and institutions around them. The students would be asked to consider how these contracts and assumptions, so often invisible and unconscious, might be gently subverted. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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| RS: I Give You My Word | 1022 (040) | Larry Lee | Mon/Wed
6:45 PM - 9:15 PM In Person |
Description
In this course we will explore, employ, and experiment with text, to reference, translate and/or connect to your sense of self and larger community within or without the mainstream. We will consider words in any language as image, object or action, moving or static, to confront or maybe reconcile difference, originating from street as the raw energy of spoken word to the supposed lawless power of graffiti. Voices that are often marginalized seeking to incorporate the concreteness of the written and/or spoken in relationship to the visual.
Some of the scholar/artists who will serve as inspiration, if not role models for this course, include Yoko Ono, Cy Twombly, Lawrence Steiner, Joseph Kosuth, Sol Lewitt, Xu Bing, Wenda Gu, I was Born With Two Tongues, Edgar Heap of Birds, Edward Ruscha, Christopher Wool, to name a few. Students should expect to produce a body of work consisting of 3-5 finished pieces during the semester, to be presented in a culminating course critique. PrerequisitesPrerequisite: CP/FIRYR 1020. |
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