A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Emily Eddy

Lecturer

Bio

Emily Eddy is a film, video, and digital media artist and curator based in Chicago. Combining many forms of moving image, her work utilizes strategies of video diaries, archival practices, and experimental documentaries. She directs the Nightingale Cinema where she has curated film, video, and media works since 2013. Emily was the programmer of the Onion City Experimental Film + Video Festival, a project of Chicago Filmmakers, from 2018-2020. Emily has curated screenings and exhibited work at many venues in Chicago as well as in Los Angeles, CA; Milwaukee, WI; Reykjavík, Iceland; and her hometown, Portland, OR.

Vimeo: Emily Eddy and Natalie Chami, Amour Pour Une Femme, 2019, video
Amour Pour Une Femme is an experimental essay film. Assembled out of lush archival footage, the film stages a horror-tinged but deeply nostalgic visual landscape fusing images of femininity, nature, and childhood. Commissioned in 2019 by the Chicago Film Archives as part of their Media Mixer project.

Courses

Title Department Catalog Term

Description

This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.

Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems.


Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.

Class Number

1263

Credits

3

Description

The course Research Studio II builds on the learning outcomes from Research Studio I, asking students to continue to develop and connect their own work and ideas with a diverse range of artists, designers, and communities.

This spring the entire Contemporary Practice department will have a shared umbrella topic for our RSII courses: Contemporary Now. All RSII classes will engage with the present and what is happening right now. With the world moving so fast - a pandemic, fires burning across the US west, people marching in the streets across the globe, and the storms that seem to keep coming, it is critical we ask questions of ourselves as artists, designers, educators and cultural producers: What responsibility do we have at any moment in history? How can the diversity of our practices: research, study, making and actions, address the present and design the future we want to see?

In RSII courses students will investigate this shared departmental thematic through the intersection of their own practice and the pedagogical practices of their faculty. All RSII classes are interdisciplinary, faculty have provided a subtitle, and a short description to describe the lens through which their class will explore the theme of Contemporary Now.

Class Number

1220

Credits

3