A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Michelle Bolinger

Lecturer

Bio

Education: MFA, 2005, University of Washington, Seattle, WA; BFA, 2003, Indiana University, Bloomington, IN. Exhibitions: Paris London Hong Kong, Chicago; Roman Susan Gallery, Chicago; Elmhurst Art Museum, Elmhurst, IL; Baby Blue Gallery, Chicago, IL; Lloyd Dobler Gallery, Chicago; Roots and Culture, Chicago, IL; Francine Seders Gallery, Seattle, WA. Publications: New American Paintings. Bibliography: Yale University Radio, New City, Bad at Sports Blog, Chicago Tribune. Collections: The University of Washington, Seattle, WA; King County Public Art Collection, Seattle, WA; Harold Washington College, Chicago, IL. Awards: Illinois Arts Council, Professional Development Grant, State of Illinois; Chicago Artist Assistance Program (CAAP) Grant, City of Chicago.

Courses

Title Department Catalog Term

Description

In this course we will focus on the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.

Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems.

Faculty directed, open-media, interdisciplinary, idea based assignments are designed to help students recognize work habits, biases, strengths, and weaknesses. Through this course work students will be able to identify the most productive research methods and making strategies to bolster their emerging studio practice. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.

Class Number

1444

Credits

3

Description

What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision.

Prerequisite: Must be a sophomore to enroll.

Class Number

2057

Credits

3