A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
A silhouette of a person against a blue background.

Holly Holmes

Lecturer

Personal Statement

Holly Holmes received her MFA from the School of Art Institute of Chicago in May 2011. She is a painter, sculptor, educator and curator living in Oak Park, IL. Holmes is faculty at the School of the Art Institute Chicago. Some recent exhibitions include, the Ann Metzger Memorial National Juried Exhibition, St Louis, MO, Art for Aleppo, New York, Compound Gallery, Oakland, CA, Elmhurst Biennial, Elmhurst, IL, Northeastern University, Chicago, IL; University Illinois Springfield, Il: Tianjin, China, Firecat Projects, Chicago, IL; Aqua Art Miami, Miami, Fl.


Over the past couple of years, I have been working with a tension between abstraction and representation. The work often but not exclusively, uses multiples in painting and sculpture. The work varies from an abstracted versions of bonded elements and cells to up risings of culture and the world around me. Within the work one can read the visual language and titles and gain a better access to the meaning that continue through my work.

Courses

Title Department Catalog Term

Description

Ignite your child's artistic potential in a summer art camp that fosters skill development and creativity by exploring diverse materials in a stimulating environment. Students draw inspiration from the renowned Art Institute of Chicago, local architecture, public art, and current events as they develop skills across multiple mediums, including drawing, painting, printmaking, sculpting, and mixed media. Additionally, they enhance their critical thinking, time management, and problem-solving abilities in a fun, safe, and nurturing environment. Projects foster personal expression and collaborative skills while introducing students to contemporary and historical art. Each session has a unique focus, ensuring that students who enroll in multiple sessions will experience entirely new studio projects every time.

Class Number

1017

Credits

2

Description

In this course we will focus on disciplinary and interdisciplinary art and design practices of contemporary art production. This team-taught, year-long class explores the materials and techniques of surface, space, and time (2D, 3D, and 4D), as well as the connections and interplay of these areas. Core Studio integrates the formal with the conceptual, traditional with the contemporary, and makes visible a variety of approaches in current cultural production in order to foster the development of students? emerging practices as makers and thinkers.

In this interdisciplinary studio course students will be authorized to use a variety of school shops, materials and equipment; including the woodshop, plaster studio, digital lab, sewing machine, hand tools, sound and video production, digital workflows and principles of visual fundamentals. This is a hands-on making class, faculty present artists and content related to a particular toolkit and, or project theme. Every section of Core Studio has shared learning outcomes which are uniquely realized by each Core faculty partnership.

Students should expect a fast-paced studio environment. In Core Studio students will complete short assignments as well as longer multi-week projects. Assignments are designed to help students develop their own ideas in relation to the materials, processes, and themes presented by faculty.

Class Number

1229

Credits

3

Description

This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.

Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems.


Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.

Class Number

1402

Credits

3