Holly Holmes
Lecturer
she/her
Contact
Bio
Holly Holmes is a painter, sculptor, artist and curator. She received a BFA in painting from Southern Illinois University and MFA in sculpture from the School of Art Institute of Chicago. She makes abstract work from reacting to the world around her. She is teaching at Columbia College Chicago and SAIC. Holmes is a member of Videokaffe, an international art collective spanning locations in North America and Nordic countries.
Recently she has shown her work at, Columbia College Chicago, Il; Galerie Herold, Bremen, Germany; Heaven Gallery, Chicago: Bert Green Gallery, Chicago; Riverside Art Center, Riverside, Il; Epiphany Art Center, Chicago; Ohklohomo; Chicago; Sluice expo, Colchester, UK; Material, Chicago; The Design Museum, Chicago; and Dominican University; River Forest,
Awards
NTT, Travel Grant, The School of the Art Institute of Chicago, 2026; Faculty Development Grant, Columbia College Chicago, 2024; Faculty Development Grant, Columbia College Chicago, 2023
Publications
by Vera Scekic | February 25, 2025; https://art.newcity.com/2025/02/25/natures-wonder-a-review-of-holly-holmes-at-bert-green-fine-art/; 2024 Chicago Gallery News, https://www.chicagogallerynews.com/events/holly-holmes-reverberations; Jason Foumberg | April 23, 2013, https://art.newcity.com/2013/04/23/eye-exam-chicagos-first-3d-printing-facility-is-open-to-the-public-2/
Exhibitions
SELECTED SOLO EXHIBITIONS: Findings, Burt Green Gallery, Chicago, Il. Jan.- March 2025; Reverberations, Epiphany Arts Center, Chicago Il, Nov - Jan; Companions Riverside Art Centers, Riverside, Il Sept. 2024; Secret Garden, Ohklahomo Gallery, Chicago Il, June - Aug. 2024; Resonant Spaces, Material Exhibitions, Chicago, IL, 2023; All Thou Lost, Bring It Too Day, Compound Yellow, Oak Park, Illinois 2020; Transcription, Terrain Exhibitions, Oak Park, IL 2012; Distress, GARDENfresh, Chicago, IL 2008; Bucket Rider Gallery, Chicago, Il, 2003; Everything, Everything, Everything, Jinx Cafe Chicago, IL 2002
SELECTED TWO PERSON EXHIBITIONS: Color as Form, Gallery Andreas, Stamford, CT. 2026; Through the Looking Glass, Cultural Center Window, Chicago Il. 2025; Copy Shop, University Illinois, Springfield IL (with Tom Burtonwood) 2014; Dialogues on The New Plastic, Fire Cat, Chicago, IL, (with Tom Burtonwood) 2014; Multiplicity, Oak Park Public Library, IL (with Tom Burtonwood) 2011
SELECTED GROUP EXHIBITIONS: 2026, Botanical, Readiness GAG, Chicago IL; Sophomore Show, Columbia College Chicago, Faculty Show; 2025 Her Space, Heaven Gallery, Chicago IL (Sept - Nov.); Expo Chicago, Bert Green Gallery, Navy Pier, Chicago IL; Videokaffe, Galerie Herold, c/o Güterbahnhof Bremen, Bremen, GER; SHAT Summer Open, Curator: Ruth Heaton, SHAT Visual Arts Gallery, Skelmanthorpe, UK; 2024 VideoKaffe, Art House Turku, Finland; England is a Forest, curated Small Works Art Gallery at Sluice, Colchester, UK; 2023 VideoKaffe, Seemannsgarn. MOM, Art Space, Hamburg, Germany; Fuzz,, Purple Window Gallery, Chicago, IL; Art Community | Design Culture, Faculty Show, Columbia College, Chicago, IL; Meta Space Opening Exhibition, Online, Liverpool, England; VideoKaffe, MUU HELSINKI, Contemporary Art Centre, Helsinki, Finnland; 2022 Tomorrow, and Tomorrow, and Tomorrow, Design Museum of Chicago, Chicago, IL; Small Works, McGing’s, Westport, Ireland; 2021 Rokko Meets the Art Festival, Kobe, Japan; Nomad, Torrance Art Museum, Torrance, CA; 2020 Rokko Meets the Art Festival, Kobe, Japan; Art in Place, Oak Park, Il; Videokaffe, Sign Gallery, Netherlands; Mail Art, Lawrence and Clark, Mail Art, Chicago, IL; Slowly with Care, Dominican University, River Forest, IL: Shades of Clay, Kunthius, Contemporary Art Gallery, Crayke, UK
Personal Statement
My artistic practice explores the interplay between abstraction and representation, focusing on how facts, interpretations, and personal translations of experiences shape my work. I aim to evoke a sense of wonderment in viewers, drawing inspiration from the natural world and our interactions with the built environment. My paintings and tufted rugs are characterized by recurring themes, similar forms, and intricate patterns of texture and color, creating a visual rhythm that resonates across my body of work.
My method is a pendulum that swings between two polar opposites. On one end of my spectrum I am working in the emotional landscape drawing, annotating, making images of my surroundings and how I’m feeling in that space, at that time. The images that this activity produces are abstract and emotions are sublimated under layers of color, and texture. At the other pole is a study of the world around me delving into the earth with tweezers, and sterile jars, to unearth treasures seen only through a microscope. This oscillation between an imaginative macro and an interpretative micro is a balance for me and allows me to explore my experiences and satisfy intellectual curiosity.