A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
A person smiling while making art

Eliza Fernand

Lecturer

Bio

Education: BFA, 2006, Pacific Northwest College of Art, Portland, OR; MFA, 2021, Sierra Nevada University, Incline Village, NV. Exhibitions: Roman Susan Art Foundation, Chicago; Urban Institute for Contemporary Arts, Grand Rapids, MI; Sweet Pass Sculpture Park, Dallas, TX; Center for Contemporary Art, Santa Fe, NM; Wassaic Project, Wassaic, NY. Bibliography: Chicago Artist Writers; Chicago Filmmakers. Awards: Seed Grant Recipient of ArtPrize and The Frey Foundation, Resident Artist at Wassaic Project, Creep in Residence at Ox-Bow School of Art.

Courses

Title Department Catalog Term

Description

In this course we will focus on the development of artistic research skills for students already engaged in a practice. Students take this required course in order to experience and develop a variety of research methodologies, both conventional and alternative, which include utilizing collections and archives in the School and the extended community.

Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems.

Faculty directed, open-media, interdisciplinary, idea based assignments are designed to help students recognize work habits, biases, strengths, and weaknesses. Through this course work students will be able to identify the most productive research methods and making strategies to bolster their emerging studio practice. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.

Class Number

1282

Credits

3

Description

The course Research Studio II builds on the learning outcomes from Research Studio I, asking students to continue to develop and connect their own work and ideas with a diverse range of artists, designers, and communities.

This spring the entire Contemporary Practice department will have a shared umbrella topic for our RSII courses: Contemporary Now. All RSII classes will engage with the present and what is happening right now. With the world moving so fast - a pandemic, fires burning across the US west, people marching in the streets across the globe, and the storms that seem to keep coming, it is critical we ask questions of ourselves as artists, designers, educators and cultural producers: What responsibility do we have at any moment in history? How can the diversity of our practices: research, study, making and actions, address the present and design the future we want to see?

In RSII courses students will investigate this shared departmental thematic through the intersection of their own practice and the pedagogical practices of their faculty. All RSII classes are interdisciplinary, faculty have provided a subtitle, and a short description to describe the lens through which their class will explore the theme of Contemporary Now.

Class Number

1223

Credits

3