| Research Studio I |
Contemporary Practices |
1020 (004) |
Fall 2025 |
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Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems.
Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.
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Class Number
1227
Credits
3
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| Research Studio I |
Contemporary Practices |
1020 (021) |
Fall 2025 |
|
Description
This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.
Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems.
Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.
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Class Number
1244
Credits
3
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| RS: Play Generation |
Contemporary Practices |
1022 (011) |
Spring 2026 |
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Description
Playing is distinctive from gaming. Gaming usually has an objective involving winning while play is open ended and results in more play. In this class we will use play as a generative force for research and creating a body of work. What happens in this class and the direction it takes will be dictated by you, your willingness to play and reciprocate others acts of play. Humor, fun and joy are encouraged in this research studio! Artists we will explore include:Jérôme Bel, Gabriel Orozco, Yoko Ono, Miranda July, Francis Alys, Azikiwe Mohammed, Pope L, Sophie Calle, Erwin Wurm, Oliver Herring and others¿
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Class Number
1194
Credits
3
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| Grad Projects:Printmedia |
Printmedia |
6009 (004) |
Spring 2026 |
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Description
Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
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Class Number
2327
Credits
3 - 6
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