A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Alberto Aguilar

Lecturer

Bio

Exhibitions: Museum of Contemporary Art Detroit; El Centro de Desarrollo de las Artes Visuales, Havana, Cuba; Palo Alto Art Center; National Museum of Mexican Art, Chicago, IL; Museum of Contemporary Art, Chicago; Minneapolis Institute of Art: Crystal Bridges Museum of American Art, Bentonville, AR; The Art Institute of Chicago. Publications: Newcity; Cultural Reproducers; Temporary Art Review. Bibliography: Newcity Art 50, 17 Visual Artists You Should Know, Huffington Post; Takeover or Hijack: Alberto Aguilar on @artinstitutechi, Bad at Sports. Collections: National Museum of Mexican Art; Crystal Bridges Museum of American Art; Soho House Chicago; Chicago Cultural Center. Awards: 3Arts Award.

Personal Statement

This is a one hundred word statement to tell you about myself, my work and my teaching philosophy. I’m glad to know that you are using this moment to learn a little about me. I would like to know a little about you as well. I sat and wrote this statement for about an hour. I wrote and rewrote it many times in order to get you the right words. I’m still not sure if these are the right words. The one thing I know is that I reached my goal of one hundred words and sometimes that’s good enough.

Courses

Title Department Catalog Term

Description

This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.

Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems.


Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.

Class Number

1227

Credits

3

Description

This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.

Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems.


Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.

Class Number

1244

Credits

3

Description

Playing is distinctive from gaming. Gaming usually has an objective involving winning while play is open ended and results in more play. In this class we will use play as a generative force for research and creating a body of work. What happens in this class and the direction it takes will be dictated by you, your willingness to play and reciprocate others acts of play. Humor, fun and joy are encouraged in this research studio! Artists we will explore include:Jérôme Bel, Gabriel Orozco, Yoko Ono, Miranda July, Francis Alys, Azikiwe Mohammed, Pope L, Sophie Calle, Erwin Wurm, Oliver Herring and others¿

Class Number

1194

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

2327

Credits

3 - 6