A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
A headshot of SAIC continuing studies instructor Pablo Monterrubio-Benet.

Pablo Enrique Monterrubio-Benet

Lecturer

Bio

MFA, 2016, School of the Art Institute of Chicago; BFA, 2011, Maryland Institute College of Art.

Courses

Title Department Catalog Term

Description

Bring artwork to life using traditional and digital media to create one-of-a-kind animations. In this exciting course, students learn principles of animation while exploring various techniques, including stop-motion, frame-by-frame methods, digitally modified video, and computer-aided techniques. Students will use digital tools such as laptops, still cameras, video cameras, sound recorders, iPads, sketchbook work, and other traditional processes to express contemporary artistic hybrid methods. Students can repeat this course to continue building their skills.

Class Number

2421

Credits

1

Description

Bring artwork to life using traditional and digital media to create one-of-a-kind animations. In this exciting camp, students learn principles of animation while exploring various techniques, including stop-motion, frame-by-frame methods, digitally modified video, and computer-aided techniques. Students will use digital tools such as laptops, still cameras, video cameras, sound recorders, iPads, sketchbook work, and other traditional processes to express contemporary artistic hybrid methods.

Class Number

1076

Credits

2

Description

Bring artwork to life using traditional and digital media to create one-of-a-kind animations. In this exciting camp, students learn principles of animation while exploring various techniques, including stop-motion, frame-by-frame methods, digitally modified video, and computer-aided techniques. Students will use digital tools such as laptops, still cameras, video cameras, sound recorders, iPads, sketchbook work, and other traditional processes to express contemporary artistic hybrid methods.

Class Number

1269

Credits

2

Description

This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.

Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems.


Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.

Class Number

1418

Credits

3

Description

In this course, students will immerse themselves in the transformative power of storytelling across various mediums. Storytelling Alchemy invites students to explore and push the limits of narrative through hybrid forms and interdisciplinary techniques. We will delve into how storytelling serves as a powerful vehicle for personal expression, enabling artists to investigate and communicate personal identities, emotions, and experiences, as well as for cultural exploration, allowing the examination of histories, social dynamics, and collective memory. Additionally, we will look into how storytelling acts as a portal to speculative futures, offering possibilities for imagining new worlds, alternative realities, and future trajectories. Drawing inspiration from the surreal worlds of Alejandro Jodorowsky, Jan Svankmajer, and Frida Kahlo, the dreamlike atmospheres of Maya Deren and David Lynch, and the poetic essay films of Chris Marker and Agnes Varda, students will encounter pioneering artists who have expanded the boundaries of storytelling. Students will be inspired to make work that challenges conventions, creating transformative experiences that captivate, disrupt, and ignite new ways of seeing and understanding the world. Throughout the course, students will develop their own narrative approaches, creating work that reflects their unique voice and vision. Students will work on 3 class assignments and one final project.

Class Number

1211

Credits

3