| Painting Practice |
2001 (001) |
Rush Baker IV |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1811
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (002) |
Larissa Setareh Borteh |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1812
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (003) |
Sebastian Thomas |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1813
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Painting Practice |
2001 (004) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1814
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (005) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1815
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (006) |
Peter Jorge Fagundo |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1816
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (007) |
Steven Husby |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1817
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (009) |
Kaylee Rae Wyant |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1819
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (010) |
Amanda Joy Calobrisi |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1820
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 321
|
| Painting Practice |
2001 (011) |
Michael Cuadrado Gonzalez |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1821
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (012) |
Erin Washington |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1822
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (013) |
Tyson Reeder |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1823
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (014) |
Herman Aguirre |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1824
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
|
| Painting Practice |
2001 (015) |
Dylan Rabe |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1825
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (016) |
MJ Lounsberry |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1844
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (017) |
|
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1846
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (018) |
Noah Rorem |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1852
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (019) |
|
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1855
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Short Story Long |
2002 (001) |
Johnny Sampson |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
The focus of this class is honing storytelling skills in writing, drawing, and design. This class will provide both a fast-paced, lively environment with daily strengthening and conditioning exercises as well as a slower-paced, meditative atmosphere for gathering and editing thoughts into coherent stories. Making comics is time-consuming, and for this class, we will take our time telling a short story, hence the name: Short Story Long.
|
Class Number
1831
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| From Guffaw to Chortle |
2002 (002) |
Molly Colleen O'Connell |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
Humorous pictures since their inception have been imperative for artists to critique authority, to encourage empathy, and to process grief and grievances. Comics burlesque reality to emphasize the absurdity and flaws found in culture. Like all comedic tools, they have also been used to express prejudice or bias lurking in 'polite society'. We will closely read and discuss the works of artists such as Rodolphe Töpffer, Marie Duval, Nicole Hollander, Basil Wolverton, Charles Johnson, Ernie Bushmiller, Shary Flenniken, Julie Doucet, Lisa Hanawalt, Ben Passmore, Walter Scott, Aisha Franz, and Jessica Campbell among others. We will begin with analogue tools and sharpened wits to create single panel gags and strips, working up to short form narratives.
|
Class Number
1832
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Graphic Narrative |
2002 (003) |
Cecilia Beaven |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
The students will gain a better understanding of graphic narrative by exploring its diverse history, looking at contemporary work, and critically discussing what graphic narrative does. In this course, the students will examine forms of sequential art beyond the Western canon, they will look at Pre-Columbian codexes, Latin American contemporary comics, manga, and feminist and punk comics, among others.
|
Class Number
1833
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (004) |
Bianca Xunise |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1834
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (005) |
Johnny Sampson |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1835
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
| Comics: From Basics To Print |
2002 (006) |
Sara Varon |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
In this course, students will cover the basics of comics from A to Z, with a focus on printed comics. The class will start with technical aspects including drawing materials, composition, dialogue, lettering, panels, and framing. We will then discuss story-writing including character creation, setting, and plot. In the last several weeks, students will create their own 8 page comic, moving from thumbnails to pencils to final art. Finally, students will design a cover (to be printed on the Risograph,) lay out their comic in InDesign, print out multiple copies of their comic, and assemble their own mini-comic.
|
Class Number
1836
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (008) |
Sam Sharpe |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1838
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (009) |
Cecilia Beaven |
Sat
10:00 AM - 4:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1839
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
| Color |
2003 (001) |
Jo Hormuth |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice.
In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.?
Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
|
Class Number
1840
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
| Color |
2003 (002) |
Steven Husby |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice.
In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.?
Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
|
Class Number
1841
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
| Figure Drawing: Multi-Level |
2030 (001) |
Noelle Africh |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1771
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (002) |
MJ Lounsberry |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1772
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (003) |
Don Southard |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1773
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (004) |
Sebastian Thomas |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1774
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (005) |
Jessica Du Preez |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1775
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (006) |
Mary Griffin |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1776
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
| Figure Drawing: Multi-Level |
2030 (007) |
Karen Azarnia |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1777
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (008) |
Ruth Poor |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1778
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (009) |
Josiah Ellner |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1779
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
| Figure Drawing: Multi-Level |
2030 (010) |
Larissa Setareh Borteh |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1780
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (011) |
Herman Aguirre |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1781
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
| Fig Draw:Anatomy |
2030 (012) |
Melinda Whitmore |
Wed
9:00 AM - 3:00 PM
All Online
|
|
Description
This course is designed to enlighten and empower the student?s knowledge of basic anatomy in skeletal and superficial musculature forms and to apply it in a drawing context with confidence and fidelity. Not only will the student become better familiarized with anatomical structures through class lectures and life drawing sessions, but a greater understanding of the dynamics of form and movement in space will be achieved through practice and repetition of procedures learned throughout the course.
|
Class Number
1854
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
Online
|