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Architecture, Interior Architecture, & Designed Objects

Graduate Curriculum & Courses

Master of Architecture

SAIC offers a National Architectural Accrediting Board (NAAB) accredited Master of Architecture (MArch) degree: a full, 3-year MArch and a 2-year, accelerated MArch track for students with an undergraduate, pre-professional bachelor's in architecture or architectural technology.

  • Program Requirements and Specifications

    • Completion schedule: Students have a maximum of six years to complete the degree. This includes time off for leaves of absence.
    • Transfer credit: Generally transfer credits are not accepted. All requests for transfer credits are reviewed individually by the director of the department at the time of admission and are subject to approval at that time. No transfer credit will be permitted after a student is admitted.
    • Full-Time Status Minimum Requirement: 12 credit hours
    TermCredit Hours
    First Year Fall15
    • AIA 5110 Arch/Inarch: Grad Studio 1 (6)
    • AIA 5113 Arch/Inarch: Construction Systems (3)
    • AIA 5002 Descriptive Techniques (3)
    • ARTHI 5102 Global History of Architecture (3)
    		 
    First Year Spring15
    • AIA 5120 Arch/Inarch: Grad Studio 2 (6)
    • AIA 5123 Arch/Inarch: Structures 1 (3)
    • ARTHI 5122 Critical Terms in Modern Architecture (3)
    • Elective (3)
    		 
    Second Year Fall15
    • AIA 6110 Architecture: Grad Studio 3 (6)
    • AIA 6112 Resilient Systems (3)
    • Art History Elective (3)
    • Elective (3)
    		 
    Second Year Spring15
    • AIA 6120 Architecture: Grad Studio 4 (6)
    • AIA 6123 Codes, Specs, Joints (3)
    • AIA 6221 Structures 2
    • Elective (3)
    		 
    Third Year Fall15
    • AIA 6210 Architecture: Grad Studio 5 (6)
    • AIA 6212 Arch/Inarch: Choreographed Systems (3)
    • AIA 6213 Arch/Inarch: Thesis Strategies (3)
    • Elective (3)
    		 
    Third Year Spring15
    • AIA 6220 Arch/Inarch: Grad Studio 6 - Thesis (6)
    • AIA 6222 Arch/Inarch: Sustaining Practice Economies (3)
    • AIA 6015 Professional Contexts (3)
    • Elective (3)
    		 
    Participation and in interdisciplinary critique in the final year of study 
    Participation in Design Show 
    Total Credit Hours90

  • Program Requirements and Specifications

    • Completion schedule: Students have a maximum of four years to complete the degree. This includes time off for leaves of absence.
    • Transfer credit: Generally transfer credits are not accepted. All requests for transfer credits are reviewed individually by the director of the department at the time of admission and are subject to approval at that time. No transfer credit will be permitted after a student is admitted.
    • Full-Time Status Minimum Requirement: 12 credit hours
    TermCredit Hours
    First Year Fall15
    • AIA 6110 Architecture: Grad Studio 3 (6)
    • AIA 6112 Resilient Systems (3)
    • AIA 5002 Descriptive Techniques (3)
    • Art History Elective (3)
    		 
    First Year Spring15
    • AIA 6120 Architecture: Grad Studio 4 (6)
    • AIA 6123 Codes, Specs, Joints (3)
    • AIA 6221 Arch/Inarch: Structures 2 (3)
    • ARTHI 5122 Critical Terms in Modern Architecture (3)
    		 
    Second Year Fall15
    • AIA 6120 Architecture: Grad Studio 5 (6)
    • AIA 6212 Arch/Inarch: Choreographed Systems (3)
    • AIA 6213 Arch/Inarch: Thesis Strategies (3)
    • Elective (3)
    		 
    Second Year Spring15
    • AIA 6220 Arch/Inarch: Graduate Studio 6 - Thesis (9)
    • AIA 6222 Arch/Inarch: Practice Economies (3)
    • Elective (3)
    		 
    Participation and in interdisciplinary critique in the final year of study 
    Participation in Design Show 
    Total Credit Hours60

Master of Architecture with a Track in Interior Architecture

SAIC offers two Master of Architecture (MArch) with a Track in Interior Architecture degrees. Both are professional degrees accredited by the National Architectural Accrediting Board (NAAB). Unique among architecture graduate degrees, SAIC’s two MArch with a track in interior architecture options recognize and underscore the significance of architectural design where form, structure and enclosure are considered in proximity to materials, objects, human needs, and experience. Housed within an interdisciplinary educational community, the degrees provide a provocative and intellectually stimulating context for exploring the social, cultural, and technological implications architectural spaces designed from the inside out.

Interior Architecture is a growing professional field where architects have an increasing impact. In the MArch programs, we teach through hands-on inquiry, experimentation and exploration to develop the skills and critical knowledge necessary for the development of new spatial ideas and invention in the field of interior architecture.

The curriculum is centered on the series of project-based studios supported by courses in building structures, building technology, professional practice, and electives in architectural history and theory. MArch students are encouraged to develop and expand their practice by taking courses in other departments across SAIC, as well as by applying to AIADO’s External Partnership courses. In their final year, students complete a rigorous comprehensive design studio and pursue a self-directed design thesis under the supervision of faculty in the department.

  • The 3 year, 90-credit option is a carefully choreographed studio sequence, offering students the skills and sensibilities required of the contemporary interior architect, while grounding them in the histories and theories that are specific to the design of interior spaces. Each semester includes a conceptual cluster of classes with a 6-credit design studio, a 3-credit technical support studio, and 3-credit seminars.

    Degree Requirements and Specifications

    • Completion schedule: Students have a maximum of six years to complete the degree. This includes time off for leaves of absence.
    • Transfer credits: Normally transfer credits are not accepted. All requests for transfer credits are reviewed individually by the director of the department at the time of admission and are subject to approval at that time. No transfer credit will be permitted after a student is admitted.
    • Full-Time Status Minimum Requirement: 12 credit hours
    TermCredit Hours
    First Year Fall15
    • AIA 5110 Arch/Inarch: Grad Studio 1 (6)
    • AIA 5113 Arch/Inarch: Construction Systems (3)
    • AIA 5002 Descriptive Techniques (3)
    • ARTHI 5102 Global History of Architecture (3)
    		 
    First Year Spring15
    • AIA 5120 Arch/Inarch: Grad Studio 2 (6)
    • AIA 5123 Arch/Inarch: Structures 1 (3)
    • ARTHI 5122 Critical Terms in Modern Architecture (3)
    • Elective (3)
    		 
    Second Year Fall15
    • AIA 6110 Interior Arch: Grad Studio 3 (6)
    • AIA 6112 Resilient Systems (3)
    • Art History Elective (3)
    • Elective (3)
    		 
    Second Year Spring15
    • AIA 6120 Interior Arch: Grad Studio 4 (6)
    • AIA 6123 Codes, Specs, Joints (3)
    • AIA 6221 Structures 2
    • Elective (3)
    		 
    Third Year Fall15
    • AIA 6210 Interior Arch: Grad Studio 5 (6)
    • AIA 6212 Arch/Inarch: Choreographed Systems (3)
    • AIA 6213 Arch/Inarch: Thesis Strategies (3)
    • Elective (3)
    		 
    Third Year Spring15
    • AIA 6220 Arch/Inarch: Grad Studio 6 - Thesis (6)
    • AIA 6222 Arch/Inarch: Sustaining Practice Economies (3)
    • AIA 6015 Professional Contexts (3)
    • Elective (3)
    		 
    Participation and in interdisciplinary critique in the final year of study
    Participation in Design Show 
    Total Credit Hours90


     

  • Students with undergraduate pre-professional bachelor's degrees in architectural studies, architectural technology, or interior design may be accepted into the two-year, 60-credit accelerated program. Students admitted into the Option 2 program may also be lacking one or two specific topical architectural classes, and if so will be required to take those classes at SAIC.

    Degree Requirements and Specifications

    • Completion schedule: Students have a maximum of four years to complete the degree. This includes time off for leaves of absence.
    • Transfer credits: Normally transfer credits are not accepted. All requests for transfer credits are reviewed individually by the director of the department at the time of admission and are subject to approval at that time. No transfer credit will be permitted after a student is admitted.
    • Full-Time Status Minimum Requirement: 12 credit hours
    TermCredit Hours
    First Year Fall15
    • AIA 6110 Interior Arch: Grad Studio 3 (6)
    • AIA 6112 Resilient Systems (3)
    • AIA 5002 Descriptive Techniques (3)
    • Art History Elective (3)
    		 
    First Year Spring15
    • AIA 6120 Interior Arch: Grad Studio 4 (6)
    • AIA 6123 Codes, Specs, Joints (3)
    • AIA 6221 Arch/Inarch: Structures 2 (3)
    • ARTHI 5122 Critical Terms in Modern Architecture (3)
    		 
    Second Year Fall15
    • AIA 6120 Interior Arch: Grad Studio 5 (6)
    • AIA 6212 Arch/Inarch: Choreographed Systems (3)
    • AIA 6213 Arch/Inarch: Thesis Strategies (3)
    • Elective (3)
    		 
    Second Year Spring15
    • AIA 6220 Arch/Inarch: Graduate Studio 6: Thesis (9)
    • AIA 6222 Arch/Inarch: Practice Economies (3)
    • Elective (3)
    		 
    Participation and in interdisciplinary critique in the final year of study 
    Participation in Design Show 
    Total Credit Hours60

Master of Design in Designed Objects

The Master of Design in Designed Objects (MDDO) is a two-year, 66 credit hour program with a carefully sequenced course-based curriculum, built for students who seek immersion in the critical and technical skills specific to the extended practice of object design.

  • Degree Requirements and Specifications

    • Completion schedule: Students have a maximum of four years to complete the degree. This includes time off for leaves of absence.
    • Transfer credit: Generally transfer credits are not accepted. All requests for transfer credits are reviewed individually by the chair of the department at the time of admission and are subject to approval at that time. No transfer credit will be permitted after a student is admitted.
    • Full-Time Status Minimum Requirement: 12 credit hours
    TermCredit Hours
    First Summer Intensive 6  
    • DESOB 5050 Refresh: Summer Intensive (6)
    		 
    First Year Fall15  
    • DESOB 5150 Studio 1: Reset (3)
    • DESOB 5152 Research Methods Lab (3)
    • DESOB 5164 Material Intelligence Studio Seminar (3)
    • ARTHI 5120 Survey of Modern and Contemporary Arch. and Design (3)
    • Elective (3)
    		 
    First Year Spring  15  
    • DESOB 5160 Studio 2: Discover (6)
    • DESOB 5162 Prototyping Methods Lab (3)
    • ARTHI 5105 Theories of Things: Art / Design / Objects (3)
    • Elective (3)
    		 
    Second Year Fall 15  
    • DESOB 6150 Thesis Studio 1: Initiate (6)
    • DESOB 6154 Material Futures Studio Seminar (3)
    • ARTHI 6120 Critical Issues in Designed Objects (3)
    • Elective (3)
    		 
    Second Year Spring 15  
    • DESOB 6160 Thesis Studio 2: Manifest (6)
    • DESOB 6162 Positioning Methods Lab (3)
    • Elective (3)
    • Elective (3)
    		 
    Participation in four graduate critiques, including departmental critiques and interdisciplinary critique in the final year of study 
    Participation in Design Show 
    Total Credit Hours66

MFA in Studio

The MFA in Studio Program offers an expansive educational model in which designers engage history, critical thinking, and work across disciplines.

  • The Master of Fine Arts (MFA) program is designed to offer maximum flexibility in addressing the needs of each individual student. Following admission through a department, students design their two-year plan of study based on optimizing the offerings and opportunities available throughout SAIC. 

    Degree Requirements and Specifications

    • Completion schedule: You have a maximum of four years to complete your MFA in Studio degree. This includes time off for leaves of absence. Students will have access to studios for four semesters only.
    • Transfer credits: You must complete a minimum of 45 credit hours in residence at SAIC. You can request up to 15 transfer credits at the time of application for admission, which are subject to approval at that time. No transfer credits are permitted after a student is admitted.
    • Art History requirement: MFA students are required to take ARTHII 5002 Graduate Survey of Modern and Contemporary Art OR ARTHI 5120 Survey of Modern and Contemporary Architecture and Design. Art History courses must be at the 4000-level and above.
    • Undergraduate studio courses: Graduate students are permitted no more than one undergraduate studio course (3000-level and above) per semester without permission of the Dean of Graduate Studies. Courses at the 1000 and 2000-level are allowed only with permission.
    • Full-time status minimum requirement: 12 credit hours is required to maintain full-time status as a graduate student.
    AreaCredit Hours

    Studio

    • Graduate Projects 6009 (21)
    • Exhibition 6009 (3)

    24

     

    Seminar

    • Graduate Level Seminars
    		12

    Art History

    • ARTHI 5002 OR ARTHI 5120 (3)
    • Art History Courses, 4000-level or above (9)
    		12

    Electives

    Any course in any area at 3000-level or above 

    Participation in four graduate critiques

    Participation in ONE of the following as appropriate to artistic practice: 

    • Graduate Exhibition
    • AIADO or Fashion Exhibition
    • Graduate Performance Event
    • Graduate Screenings

    Students who wish to use an alternative venue or presentation outside of these options must receive permission from the dean of graduate studies. 

    		12
    Total Credit Hours60

  • The Master of Fine Arts (MFA) program is designed to offer maximum flexibility in addressing the needs of each individual student. Following admission through a department, students design their two-year plan of study based on optimizing the offerings and opportunities available throughout SAIC. 

    Degree Requirements and Specifications

    • Completion schedule: You have a maximum of four years to complete your MFA in Studio degree. This includes time off for leaves of absence. Students will have access to studios for four semesters only.
    • Transfer credits: You must complete a minimum of 45 credit hours in residence at SAIC. You can request up to 15 transfer credits at the time of application for admission, which are subject to approval at that time. No transfer credits are permitted after a student is admitted.
    • Art History requirement: MFA students are required to take ARTHII 5002 Graduate Survey of Modern and Contemporary Art OR ARTHI 5120 Survey of Modern and Contemporary Architecture and Design. Art History courses must be at the 4000-level and above.
    • Undergraduate studio courses: Graduate students are permitted no more than one undergraduate studio course (3000-level and above) per semester without permission of the Dean of Graduate Studies. Courses at the 1000 and 2000-level are allowed only with permission.
    • Full-time status minimum requirement: 12 credit hours is required to maintain full-time status as a graduate student.
    AreaCredit Hours

    Studio

    • Graduate Projects 6009 (21)
    • Exhibition 6009 (3)

    24

     

    Seminar

    • Graduate Level Seminars
    		12

    Art History

    • ARTHI 5002 OR ARTHI 5120 (3)
    • Art History Courses, 4000-level or above (9)
    		12

    Electives

    Any course in any area at 3000-level or above 

    Participation in four graduate critiques

    Participation in ONE of the following as appropriate to artistic practice: 

    • Graduate Exhibition
    • AIADO or Fashion Exhibition
    • Graduate Performance Event
    • Graduate Screenings

    Students who wish to use an alternative venue or presentation outside of these options must receive permission from the dean of graduate studies. 

    		12
    Total Credit Hours60

  • The Master of Fine Arts (MFA) program is designed to offer maximum flexibility in addressing the needs of each individual student. Following admission through a department, students design their two-year plan of study based on optimizing the offerings and opportunities available throughout SAIC. 

    Degree Requirements and Specifications

    • Completion schedule: You have a maximum of four years to complete your MFA in Studio degree. This includes time off for leaves of absence. Students will have access to studios for four semesters only.
    • Transfer credits: You must complete a minimum of 45 credit hours in residence at SAIC. You can request up to 15 transfer credits at the time of application for admission, which are subject to approval at that time. No transfer credits are permitted after a student is admitted.
    • Art History requirement: MFA students are required to take ARTHII 5002 Graduate Survey of Modern and Contemporary Art OR ARTHI 5120 Survey of Modern and Contemporary Architecture and Design. Art History courses must be at the 4000-level and above.
    • Undergraduate studio courses: Graduate students are permitted no more than one undergraduate studio course (3000-level and above) per semester without permission of the Dean of Graduate Studies. Courses at the 1000 and 2000-level are allowed only with permission.
    • Full-time status minimum requirement: 12 credit hours is required to maintain full-time status as a graduate student.
    AreaCredit Hours

    Studio

    • Graduate Projects 6009 (21)
    • Exhibition 6009 (3)

    24

     

    Seminar

    • Graduate Level Seminars
    		12

    Art History

    • ARTHI 5002 OR ARTHI 5120 (3)
    • Art History Courses, 4000-level or above (9)
    		12

    Electives

    Any course in any area at 3000-level or above 

    Participation in four graduate critiques

    Participation in ONE of the following as appropriate to artistic practice: 

    • Graduate Exhibition
    • AIADO or Fashion Exhibition
    • Graduate Performance Event
    • Graduate Screenings

    Students who wish to use an alternative venue or presentation outside of these options must receive permission from the dean of graduate studies. 

    		12
    Total Credit Hours60

  • The Master of Fine Arts (MFA) program is designed to offer maximum flexibility in addressing the needs of each individual student. Following admission through a department, students design their two-year plan of study based on optimizing the offerings and opportunities available throughout SAIC. 

    Graduate Projects 6009

    Graduate Projects 6009 advising, an ongoing individual dialogue with a wide range of faculty advisors, is at the heart of the MFA program at SAIC, encouraging interdisciplinary study across the curriculum. Standard enrollment consists of two Graduate Projects 6009 advisors, one graduate-level seminar, and an art history course each semester. The remainder of credits required for the full-time 15-credit hour load may include academic or studio electives. All MFA students must register for a minimum of one and no more than two Graduate Projects 6009 sections each semester. Students may request permission from the Graduate Program Advisor to take a third Graduate Projects 6009 section after priority registration.

    In their final year, students must take one Exhibition 6009 section. The advising and grade for this course will be tied to the final exhibition. When taking undergraduate studio coursework, the student is responsible for understanding the faculty member’s expectations about completion of assignments, attendance, and any other criteria for earning credit. MFA students interested in completing a written thesis must take a research course and Research 6009 section and obtain approval from the Associate Dean of Graduate Studies.

    Graduate Critiques

    As one of the principle means of assessment each semester, you will be required to participate in Critique Week, a week-long schedule of critiques during which classes are suspended.

    Fall semester critiques are organized by department with panels representing the discipline. This provides you with an opportunity to understand the department’s expectations, have your work reviewed from a disciplinary point of view, and to reiterate the expectations for graduate study.

    Spring semester critiques are interdisciplinary, with panel members and students from across SAIC disciplines. Interdisciplinary critiques allow for a broad range of responses to your work, and are intended to assess the success of your work for a more general, albeit highly informed audience. Critique panels include faculty, visiting artists, and fellow graduate students.

    Graduate Exhibition or Equivalent

    At the conclusion of your studies, you will present work in the SAIC Graduate Thesis Exhibition, other end-of-year events at SAIC, or the Gene Siskel Film Center—or arrange with the graduate dean or division chair for an alternative thesis of equal professional quality. Each year more than 200 graduate students exhibit work, screen videos and films, and present time-based works, writings, and performance to a collective audience of 30,000 people.

    Students wishing to install work around prevalent themes, strategies or stylistic affinities can participate in a juried and curated section of the SAIC Graduate Thesis Exhibition. A faculty and staff committee conducts extensive studio visits and as a collaborative project with student participants, organizes and installs the show in designated space at the exhibition.

    Undergraduate Courses

    MFA students are advised to understand the expectations of their faculty when enrolled in undergraduate studio classes. Although graduate students are an asset to the group dynamic, faculty requirements for graduate students in undergraduate classes are variable. The student is responsible for understanding the faculty member's expectations about completion of assignments, attendance, and any other criteria for earning credit. To assure that graduate students are working at degree level, they are permitted no more than one undergraduate studio course (3000 level and above) per semester without permission of the dean of graduate studies. Courses at the 1000 and 2000 level are allowed only with permission.

Course Listing

Title Catalog Instructor Schedule

Description

This course introduces students to the history, culture, and practice of architecture, interior architecture, and historic preservation through lectures, field trips, and hands-on exercises. Students learn fundamentals of spatial analysis and representation through orthographic drawing, understand the cultural context in which spatial practices operate, and explore architectural design. Class work may include field trips to historic buildings; visits to archives, exhibitions, or events; and design exercises introducing plan, section, elevation, and scale; translation between two- and three-dimensional representations of space; and architectural diagramming.

Class Number

1280

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1255

Description

This course introduces students to the history, culture, and practice of architecture, interior architecture, and historic preservation through lectures, field trips, and hands-on exercises. Students learn fundamentals of spatial analysis and representation through orthographic drawing, understand the cultural context in which spatial practices operate, and explore architectural design. Class work may include field trips to historic buildings; visits to archives, exhibitions, or events; and design exercises introducing plan, section, elevation, and scale; translation between two- and three-dimensional representations of space; and architectural diagramming.

Class Number

1286

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1255

Description

This 6-credit (two day) design studio teaches foundational concepts and skills of architectural design through a series of exercises culminating in a design proposal. Students practice skills of orthographic drawing and model-making in an iterative process to develop and convey ideas through the medium of architectural design. In addition to architectural design, course work includes exercises in architectural research; on-site analysis and community engagement; and precedent study; and concludes with a final presentation. At the conclusion of the semester, students participate in the Portfolio Review, a presentation and critique of student portfolios organized by faculty and students in the department's critique spaces. This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the department template including Rhino and Revit.

Class Number

1282

Credits

6

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1406B

Description

This 6-credit (two day) design studio teaches foundational concepts and skills of architectural design through a series of exercises culminating in a design proposal. Students practice skills of orthographic drawing and model-making in an iterative process to develop and convey ideas through the medium of architectural design. In addition to architectural design, course work includes exercises in architectural research; on-site analysis and community engagement; and precedent study; and concludes with a final presentation. At the conclusion of the semester, students participate in the Portfolio Review, a presentation and critique of student portfolios organized by faculty and students in the department's critique spaces. This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the department template including Rhino and Revit.

Class Number

1283

Credits

6

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1406A

Description

Course Description
Students will learn to craft design concept sketches that clearly communicate ideas to others. The course focuses on using freehand sketching and rendering to visualize design objects, clarify form and function, and explore ideas quickly. Through exercises in thumbnail sketching, shading, and form development, students build confidence in drawing as a tool for thinking and communication. The course also introduces orthographic projection for precise technical drawings and two-point perspective for understanding objects in space.

Who is this course for?
Effective sketching is a foundational skill that designers use throughout their careers. Alongside 3D Modeling and Designing Interaction, this course is part of the core skills group in Designed Objects and is intended to support students as they move through the three-course Core Studio sequence.
This course is an excellent first Designed Objects class and an accessible entry point into design at SAIC. There are no prerequisites, and students at all levels are welcome.

When should this class be taken?
This course is recommended in the freshman or sophomore year and works especially well as a student¿s first Designed Objects course.

Class Number

1462

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1255

Description

Almost all designed objects and systems involve interaction¿how people understand, navigate, and respond to things over time. This core skills studio, part of the Designed Objects core sequence, introduces students to tools and methods for designing and communicating interactive experiences across physical objects, screen-based interfaces, and virtual environments.
Students learn professional visual communication and prototyping tools used to articulate interaction, including interface prototyping, vector illustration, typography, visual composition, and basic data visualization. These tools support design development and the communication of storyboarded scenarios, user research insights, system flows, and finished proposals for physical and digital experiences.

The course introduces industry-standard platforms such as Figma and Adobe Express, alongside core interaction design methods including flow diagrams, wireframes, scenario mapping, and introductory user testing. Emphasis is placed on using these tools as thinking instruments for understanding behavior, feedback, and use over time.

Who this course is for:
Alongside 3D Modeling and Designing Interaction, this course is part of the Designed Objects core skills group, supporting students as they move through the three-course Core Studio sequence. It is an excellent first Designed Objects class and an accessible entry point into design at SAIC. There are no prerequisites, and students at all levels are welcome.
While the course makes use of screen-based tools and interface prototyping software, it is not a web design course. Students primarily interested in designing or building websites should consider courses specifically focused on those areas.

When to take it:
This course is a required component of the Designed Objects core sequence and is recommended early in the program, ideally alongside or shortly after the first core studio.

Class Number

1468

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Digital Communication

Location

Sullivan Center 1226

Description

As the beginning course in the Designed Objects department, students will have an opportunity to explore different methods of working in order to begin establishing a practice that works best for them. Students will be building a strong foundation of skills and techniques needed to navigate an informed design process and successfully complete a design brief. In this hands-on class, students will learn how to find inspiration for an idea, develop that idea into a concept, and use that concept to design and fabricate a high-level, final prototype. Basic research theories and methods are introduced which are then applied towards studio projects. Fabrication and prototyping techniques are also incorporated in order to test out ideas and discover new ones. Students advance through definition, research, ideation, sketching, and modeling phases toward two? and three?dimensional representations (digital and physical) of their work that are orally defended during group critique.

Readings and lecture content will vary and will focus on examples of historically relevant and contemporary designers, artists, studios, and design movements; as well as design practices that highlight different motivations of the designer.

In addition to the two main projects that focus on different methods of approaching design? where students will be producing high-level prototypes, this workshop-style class consists of one-day projects and exercises designed to introduce techniques and skills such as technical drawing and sketching, form-finding, prototyping, and inspiration research, among others.

This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Class Number

1455

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1231

Description

As the beginning course in the Designed Objects department, students will have an opportunity to explore different methods of working in order to begin establishing a practice that works best for them. Students will be building a strong foundation of skills and techniques needed to navigate an informed design process and successfully complete a design brief. In this hands-on class, students will learn how to find inspiration for an idea, develop that idea into a concept, and use that concept to design and fabricate a high-level, final prototype. Basic research theories and methods are introduced which are then applied towards studio projects. Fabrication and prototyping techniques are also incorporated in order to test out ideas and discover new ones. Students advance through definition, research, ideation, sketching, and modeling phases toward two? and three?dimensional representations (digital and physical) of their work that are orally defended during group critique.

Readings and lecture content will vary and will focus on examples of historically relevant and contemporary designers, artists, studios, and design movements; as well as design practices that highlight different motivations of the designer.

In addition to the two main projects that focus on different methods of approaching design? where students will be producing high-level prototypes, this workshop-style class consists of one-day projects and exercises designed to introduce techniques and skills such as technical drawing and sketching, form-finding, prototyping, and inspiration research, among others.

This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Class Number

1465

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1231

Description

As the beginning course in the Designed Objects department, students will have an opportunity to explore different methods of working in order to begin establishing a practice that works best for them. Students will be building a strong foundation of skills and techniques needed to navigate an informed design process and successfully complete a design brief. In this hands-on class, students will learn how to find inspiration for an idea, develop that idea into a concept, and use that concept to design and fabricate a high-level, final prototype. Basic research theories and methods are introduced which are then applied towards studio projects. Fabrication and prototyping techniques are also incorporated in order to test out ideas and discover new ones. Students advance through definition, research, ideation, sketching, and modeling phases toward two? and three?dimensional representations (digital and physical) of their work that are orally defended during group critique.

Readings and lecture content will vary and will focus on examples of historically relevant and contemporary designers, artists, studios, and design movements; as well as design practices that highlight different motivations of the designer.

In addition to the two main projects that focus on different methods of approaching design? where students will be producing high-level prototypes, this workshop-style class consists of one-day projects and exercises designed to introduce techniques and skills such as technical drawing and sketching, form-finding, prototyping, and inspiration research, among others.

This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Class Number

2246

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1407

Description

Core Studio 2 focuses on how material, form, and interaction shape experience over time. Building on the foundations of designing for others, this studio deepens students¿ engagement with making, refinement, and use.
Students work extensively with physical materials, exploring construction, surface, finish, and detail as communicative elements. Here, students deepen their builder practice by working through material constraints, assemblies, and refinement, learning how construction decisions shape experience. Digital tools are more fully integrated into the workflow, with 3D modeling used to develop form, assemblies, and tolerances, and 2D CAD supporting patternmaking, layouts, and fabrication planning. Sketching remains central as a means of refining proportion and communicating intent.
Interaction is introduced as a temporal and physical experience, encompassing affordance, sequence, and feedback. Prototyping emphasizes iteration and refinement, with students moving between digital models and physical builds to test how objects are handled, activated, and interpreted.
This studio reinforces building as a disciplined design practice, where material decisions, craft, and structure communicate meaning as clearly as form or function.

Who this course is for
This studio is for students who have completed Core Studio 1 and are ready to deepen their engagement with materials, construction, and use. It is well suited to students who want to strengthen their ability to design objects that are experienced through touch, handling, and interaction over time.

When to take it
Core Studio 2 is typically taken after Core Studio 1. The studio is designed to run alongside the core skills courses¿Designing Interaction, Sketching, and 3D Modeling¿reinforcing the integration of material exploration, digital workflows, visualization, and prototyping. Students are strongly encouraged to have taken, or to be concurrently enrolled in, a digital modeling core skills course, as 3D modeling is used regularly throughout the studio.

This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Prerequisites

Pre: DES OB 1006 or 2020

Class Number

1456

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1230

Description

This course introduces the foundational tools and techniques of architectural representation using software platforms such as Rhino and Revit. It is intended for students with little or no prior experience in architectural software.

Students learn the conventions of architectural drawing, including plans, sections, elevations, scale, and basic three-dimensional representation. The course emphasizes the relationship between two-dimensional drawings and three-dimensional models, and introduces digital workflows for drafting, modeling, file organization, and drawing output.

Class work includes lectures and demonstrations; readings; and iterative exercises to build understanding of concepts and skills with software. This course requires students to have a laptop that meets SAIC's minimum hardware specifications and runs the department software template including Rhino and Revit.

Class Number

2281

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Architecture, Digital Communication, Digital Imaging, Illustration, Interior Architecture

Location

Online

Description

This course introduces Rhino as a form-driven, exploratory 3D modeling tool used widely in product, furniture, and spatial design. Emphasis is placed on using modeling as a way to think through form, proportion, and iteration, and how to utilize it within a production-focused process. Rhino is widely regarded as a standard professional 3D modeling tool in industrial design, supporting a form-driven approach commonly used in studio-based and consulting practice.
Students learn core Rhino workflows including curve construction, solid and basic surface modeling, transformations, and file preparation for visualization and fabrication. In addition to modeling, the course introduces foundational digital workflows, including exporting models for 3D printing, preparing 2D drawings for laser cutting, and using KeyShot to create rendered images that clearly communicate design intent.

Through approximately three design projects, students use Rhino to explore object form, refine ideas through iteration, and translate digital models into physical and visual outputs. The emphasis is on clarity of form, thoughtful revision, and understanding how digital models function within a broader design process.

When to take this course:
Students are strongly encouraged to take this course as early as possible. Rhino is used regularly beginning in Designed Objects Studio 2 (DO2) and is commonly applied across topical studio electives. Early exposure allows students to integrate modeling naturally into studio work rather than treating it as a standalone technical skill.

Who this course is for:
This course is ideal for students interested in form-driven design, iterative making, and exploratory modeling practices. Alongside SolidWorks and Designing Interaction, this course is part of the Designed Objects core skills group, supporting students as they move through the three-course Core Studio sequence. Completion of either Rhino or SolidWorks fulfills the core 3D modeling expectation for the Designed Objects program. Designers in professional practice often specialize in one primary modeling platform while developing transferable modeling concepts that apply across tools.

Class Number

1458

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Digital Communication, Product Design

Location

Sullivan Center 1226

Description

This course introduces SolidWorks as a parametric, constraint-based 3D modeling tool widely used in product development and manufacturing-oriented design. Emphasis is placed on using modeling to define design intent, dimensional relationships, and functional requirements, supporting clarity, precision, and repeatability in complex objects and systems. SolidWorks is widely regarded as a standard professional 3D modeling tool in industrial design, supporting workflows common in corporate, consulting, and manufacturing-focused practice.
Students learn core SolidWorks workflows including sketch-based feature modeling, parametric constraints, part and assembly creation, and basic documentation practices. The course focuses on how dimensions, constraints, and features work together to support functional performance, mechanical relationships, and downstream production needs.

Through approximately three design projects, students develop objects with multiple components, test relationships between parts, and communicate designs through structured models and drawings. Projects emphasize precision, decision-making, and the translation of design concepts into clearly defined systems rather than open-ended formal exploration.

When to take this course:
Students are strongly encouraged to take this course as early as possible. 3D CAD is used regularly beginning in Designed Objects Studio 2 (DO2) and across many topical studio electives. Early exposure allows students to integrate modeling directly into studio work. SolidWorks is especially useful for students interested in later-stage design development and production-oriented electives.

Who this course is for:
This course is ideal for students interested in mechanical systems, assemblies, and production-ready design. Alongside Sketching for Designed Objects and Designing Interaction, this course is part of the Designed Objects core skills group supporting the Core Studio sequence. Completion of either SolidWorks or Rhino fulfills the core 3D modeling expectation for the Designed Objects program. Designers in professional practice often specialize in one primary modeling platform while developing transferable modeling concepts that apply across tools.

Class Number

1463

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1226

Description

This course focuses on color and light and their influence on the human experience in the built environment. Students study color interpretation and cultural connectivity; learn rigorous representation techniques; and develop a personal design sensibility with light and color. The course emphasizes Color Theory and Light Theory and their practical applications; color, light and culture and how people experience their environment through the senses; and the design of environmental effects using color and light in tandem with material, structure and form. Course work includes case studies, precedent research, in-class assignments, readings, design critiques, and field trips.

Class Number

1284

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Architecture, Interior Architecture

Location

Sullivan Center 1255

Description

This course takes students on a journey through the changing landscape of ceramic art, design, and production. Recent advances in rapid prototyping technologies provide designers and artists with more direct means for transforming concepts into physical form. In this course, students explore various ways to apply advanced technologies to ceramic design and production. Students will acquire basic skills in clay modeling methods, plaster mold making, slip casting, 3D Scanning, digital modeling, and digital output methods including 3D Printing and Laser Cutting. Basic knowledge for Rhino and/or other 3D modeling software is required. The technologies and methods for ceramic production have been developing over the course of thousands of years, often linked to specific material/cultural histories. Digital tools afford makers the ability to create, manipulate, distort, and ideate without the constraints of the ceramic process. Through slide lecture, readings, group discussions, demonstrations, and self directed projects, we will consider ceramic production methods of the past and how they influence contemporary art and design practices. In this course we will ask the questions: What are the benefits and the challenges of using ceramic materials? How can we use digital tools to assist in the ideation, prototyping, and the production of ceramic objects? How can we use ceramic materials to assist in the ideation, prototyping, and production of digital objects? What is the interplay between the digital object and the ceramic object?

Class Number

1472

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Digital Imaging, Product Design, Sustainable Design

Location

280 Building Rm M152

Description

Core Studio 3 introduces students to designing objects and systems that behave¿objects that sense, respond, and interact over time. The studio marks a transition from designing isolated artifacts to designing systems whose form, logic, and interaction are inseparable.

Students are introduced to fundamental concepts of interaction and systems thinking, including inputs and outputs, states, timing, feedback, and legibility. Using simple electronics, sensors, and actuators, students prototype behaviors and explore how objects communicate what they do through form, response, and feedback. Coding is approached conceptually and pragmatically, with emphasis on understanding and shaping behavior rather than technical mastery. AI and traditional coding tools are used to support iteration, translation, and debugging while students retain authorship over design intent.
3D modeling is used to design structures, enclosures, and assemblies that integrate physical form with electronic components. Prototyping combines rough physical builds with basic interaction logic to test usability and clarity. Visualization tools are introduced to diagram systems, map interactions, and make invisible processes understandable.
By the end of the studio, students understand building as an integrative practice¿one that brings together materials, structure, and behavior to create coherent interactive objects.

Who this course is for
This studio is for students who are comfortable designing physical objects and are ready to explore how objects can act, respond, and interact. It is intended for students interested in interactive products, responsive environments, and hybrid physical¿digital systems, regardless of prior coding experience.

When to take it
Core Studio 3 is typically taken after completing Core Studios 1 and 2, once students have foundational experience with materials, prototyping, and digital workflows. The studio is designed to run alongside the core skills courses¿Designing Interaction, Sketching, and 3D Modeling¿reinforcing the integration of material exploration, digital workflows, visualization, and prototyping. It is intended to be taken after or alongside the Designing Interaction core skills course. The studio also pairs well with technical or future-focused electives.

Prerequisites

Pre-req: DES OB 2030 Designed Objects Studio Two

Class Number

1457

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1241

Description

Digital output has revolutionized the way we conceive of making. This course explores ways of integrating the CNC (Computer Numeric Control) milling machine into art/design fabrication processes. Enabled by 3D modeling the class explores how and when to utilize the CNC machine in addition to more traditional approaches to making. This class consists of demonstration, discussion, and open shop time to develop CNC based projects. We discuss CNC technology and tooling, materials, as well as the aesthetic of CNC output. This project-based course develops CNC proficiency, and will enable students' ability to design for digital output. Due to the learning curve necessary to effectively utilize the CNC, this course (or AIADO 5004 ) will serve as a prerequisite to access the CNC. Rhino is our primary interface for CNC output and RhinoCam is utilized for tool-path generation. This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Current industrial applications of CNC production will be discussed as well as other resources that can be utilized in conjunction with the CNC mill.

The beginning exercises introduce students to the various milling types. Later projects allow the exploration of form development through prototyping. A final project incorporates the CNC mill into student's working practice.

Prerequisites

Prerequisite: DES OB 2124 or DES OB 2126 or AIA 3917

Class Number

1471

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1242

Description

Recent advancements in digital fabrication, crowdfunding, and direct-to-consumer sales have enabled independent designers to bring their own products to market, challenging traditional designer-manufacturer relationships. This seminar explores emerging models of small-scale production and distribution, equipping students with the knowledge and skills to develop their own independent design practices. Through case studies, guest speakers, and field trips to local factories and fabrication workshops, students will gain firsthand experience with real-world manufacturing processes. Observing material production techniques will inform design exercises, where students develop original product concepts tailored to specific fabrication methods. After each field visit, students will present their ideas through detailed hand sketches. Guest designers and trips to local studios will provide insight into working with manufacturers, navigating funding sources, and executing marketing and distribution strategies. Instruction will also cover technical drawing, specification packages, and online presence as key tools for independent production. By the end of the course, students will have a foundational understanding of how to design, manufacture, and launch their own products, positioning themselves as independent design entrepreneurs.

Class Number

1470

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1240

Description

This course teaches advanced operations with the tools of architectural representation. Students learn parametric and generative modeling strategies, advanced Building Information Modeling (BIM) workflows, and methods for moving between software platforms such as Rhino and Revit at multiple phases of a design project.

The class introduces the use of real-world site data, including location and sun settings, to support environmental analysis and design decisions. Emphasis is placed on coordinating digital models, producing drawings, renderings, and basic animations, and clearly communicating design intent and process.

Class work includes lectures, demonstrations, readings, and iterative exercises. This course requires students to have a laptop that meets SAIC's minimum hardware specifications and runs the department software template including Rhino and Revit.

Class Number

2280

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Digital Communication, Digital Imaging, Illustration

Location

Online

Description

This course introduces students to the concepts and skills of designing for construction of buildings and spaces, with an emphasis on the politcical economy of construction. Topics include how architects integrate knowledge and understanding of the construction process into the design process; and how architects communicate their design intentions in drawings and other documents that direct construction. Class work includes lectures; readings and discussions; and exercises to produce construction drawings and details. This course requires students to have a laptop that meets SAIC's minimum hardware specifications and runs the department software template including Rhino and Revit.

Class Number

2283

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1241

Description

This digital-analog studio affords modeling and prototyping for furniture and other objects at environmental scale. Students construct prototype objects for living while learning a diverse range of technical and process options for making at scale in materials including wood, metals, plastics, fabrics and foams. Focus on fluid improvisation in prototyping designs both by hand and using CNC and other integrated fabrications technologies.

The course explores the systems work of Enzo Mari and Gerrit Rietveld to understand simple construction and scaffold mechanisms for creating quick prototypes. We watch an array of craft and wood engineering videos to understand manufacturing and fabrication techniques, and how prototyping takes place in furniture businesses.

There are three major assignments, each yielding a unique piece of furniture. Naturally, the scope and scale of the projects increase as the semester moves forward. Additionally the course includes two day-long charettes to deliver specific skills and two field trips, to a furniture manufacturer and to a furniture show room.

Prerequisites

Prerequisite: Sophomore-level or above.

Class Number

1467

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Furniture Design

Location

Sullivan Center 1242

Description

This two-day core undergraduate design studio focuses on the role of the designer in public life, and the role architecture plays in shaping public life. Students address the legal, ethical, cultural, and political concerns that shape architecture practice through the development of a design project. Students use rigorous representation techniques, achieving a professional level of presentation. Students are expected to complete a professional portfolio and resume, along with their design work.

This studio examines issues of program, structure, and building skin to identify how public architecture represents itself as a cultural and political artifact. Rather than understanding architecture as autonomous from its social, cultural, and political environment, the studio posits that architecture must be integrated into the world, be informed by and transforming the social and technical systems that enable our built environments.

Students will review and study design approaches to expand their understanding of possibilities about new spatial dynamics informed by emerging social relationships, hybrid conditions and the social shaping of technology.

Readings, textual and visual case studies and site visits will vary, but always provide the background and theoretical grounding for the site and project analysis and final project development and portfolio presentation.

Project work is a cumulative archive of the process of problem analysis and design exploration that are translations of observations, facts and ideas ? all being made visible through diagrams, drawings and models. Parts of the semesters work will be conducted in groups, in group discussions and workshops and/or site visits; and which will all contribute to individual project work and portfolio development to be presented in a final critique.

This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

2285

Credits

6

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1256

Description

Visionary Drawing combines research and studio practice in the exploration at drawings and images that are uniquely compelling and have the power to advance visionary proposals in the realms or art, architecture, film, and spatial invention. Examination of historic and contemporary sources will be combined with active studio practice in making drawings of visions, worlds, speculations and proposals for spaces, buildings, sculptures and future monuments.

We will study an extensive variety and number or artists and architects ranging tram Mies van der Rohe to Henry Darger, Zaha Hadid to Hieronymus Bosch, the Crystal Chain to Boullee. Walter Demarta to the Bechers to Coop Himmel B(l)au The diverse range is deliberate and intentional.

Course work will vary but will typically include readings, assignments of research, and regular Intense assignments of drawing and imaging projects.

Class Number

1276

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Comics and Graphic Novels, Digital Imaging, Graphic Design

Location

Description

In this class you will engage in a wide variety of professional practice activities to help prepare you for life after SAIC. In this course, each student will focus on advancing the design (layout, graphics, narratives, flow) of their portfolio so that it best conveys their individual design skills, experience and interests. Students will produce materials appropriate for delivery of their work across multiple formats (print, digital, web, etc), will learn how to edit/ arrange their materials to suit the specific context of application, and will create consistent design elements that can be shared across the full range of professional materials from portfolio, website, business cards, and other promotional materials. The course emphasizes hands-on, real- world professional activities and opportunities for emerging designers.

More information about Professional Practice and the Academic Spine curriculum can be found on the SAIC website: http://www.saic.edu/academics/departments/academicspine/

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1762

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1241

Description

Runway Meets Runway is an excursion into the intersection of fashion and object design via the accessories and technologies that we wear, carry on and carry with. Working equally in the Fashion Department and AIADO, the students use investigation, iteration and innovation to design and fabricate a collection of accessory designs using analog and digital tools from worlds of both fashion and of product design. This Junior Seminar course includes visits to studios of professional designers to supplement individual developments of objects, lines and looks. Students will develop a web presence appropriate to their emerging practice.
Sample Class Activities: Built around the idea that culture is something we carry, carry on, carry with, and carry out, the students will conceive a 'galactic proposal', design and produce the objects, then integrate them into a social media campaign that introduces them as young independent designers to the outside world. Emphasis is placed on developing a professional mindset and mission to all aspects of their work. Students are introduced to this though guest professionals in design, fashion, materials experts, and social media gurus. The class is built around making a signature collection through studio work. The class will also explore- Strategies for developing a collection, Basics of a signature brand Understanding market categories, Positioning and differentiation through presentation, Material/ technique demonstrations (both analog and digital), Vendor field trips, Roles of Intellectual Property, Transforming a personal social media identity into a professional presence, Branding objects, How to meet impossible deadlines, Studio photography on a shoestring budget -through demos, field trips, invited guests, intense studio nights, and the knowledge and expertise of faculty with deep experience developing individual design practices.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1763

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1231

Description

Within a structured studio environment, advanced-level students develop, refine, and execute an individual furniture concept. Students progress from the conceptual design stage, through design development to the actualization of a work that can be tested for public review. Students are challenged to develop concise and persuasive arguments regarding the motivation, development, execution, and dissemination of their design project. Through the articulation and advocacy of their design work, students define their role as a dynamic catalyst operating within real-world social-, political-, monetary-, and cultural-economies. This is an advanced level studio course and as such will remain very open, each student taking the lead in the formulation of an appropriate strategy for realizing their own work. The instructor will work closely with each student on a one-on-one basis to help them identify and learn the design and making techniques required for their project. Our approach relies heavily on development through the immediacy of sketching, hands-on iteration, experimentation, and trial and error. This course traces the development of a single piece of furniture through the following steps, each an integral part of the process: ideation, drawing, model-making, prototyping, and final fabrication.

Prerequisites

Pre-req: DES OB 3155 Furniture 2: Prototyping for Furniture

Class Number

1464

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Furniture Design

Location

Sullivan Center 1242

Description

The goal of this class is to design services, tools, and objects that will shape a new reality of human experience. The class will explore how long-term trends in urban migration, automation, AI, big data, climate change, food, and mixed experience will transform our day-to-day lives. Through research and experimentation, students will investigate the realities and possibilities of these conditions and consider how they will change what we eat, how we work and relax, what we wear, how we gather, and how we travel. As a living laboratory, students will use a variety of media, including digital fabrication, virtual reality, and physical storytelling, to create new design tools, scenarios, worlds, services, objects, and experiences. To accomplish this, students will research the historical, political, technological, ecological, and cultural trends of a particular topic.

Prerequisites

Any 4 Designed Objects classes, grad student or department consent

Class Number

2247

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Collaboration, Product Design

Location

Sullivan Center 1258

Description

SAIC Design @ Homan Square combines professional practice design experience with community activism. Operating out of SAIC's facility in the Nichols tower at Homan Square, the course engages students in a focused dialogue on social project implementation in Chicago and provides the tools and frameworks to realize those projects. Functioning as a pro bono 'design consultancy' where the residents, small businesses and community groups of North Lawndale act as 'clients', each job is treated as a discrete project involving research, knowledge-sharing and design action. The projects will cover a two-semester cycle, with each semester being offered as an independent class. This course, running in the Spring semester, will emphasize the last three stages of the design thinking process; ideation, prototyping, and testing. course class will focus on proposing and implementing solutions that address the contextual research carried out in the first semester. These solutions will be presented to, and critiqued by, the 'clients' who are the main stakeholders, North Lawndale community leaders, as well as SAIC faculty. Recognizing that making is a research process that reveals new problems, the reflexive activity of proposing, making, presenting and critiquing solutions generates new knowledge as well as physical outcomes. It is this collective 'new intelligence' that is the primary goal of the course.

Prerequisites

Prerequisite: Sophomore-level or above.

Class Number

1469

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Collaboration, Community & Social Engagement, Economic Inequality & Class

Location

Homan 1200, Sullivan Center 1258

Description

Whatnot Studio is a year-long advanced course in which students design and produce a collection for whatnot, the school's in-house product brand. The course emphasizes three major goals: developing a product based on an annual theme, producing it using small-batch manufacturing methods, and collaboratively creating a retail environment to showcase the collection. Students refine their individual design voice while working as a team to produce a cohesive, high-quality collection for public exhibition. Past work from the Whatnot Studio has been shown at international venues including the Salone del Mobile in Milan and Wanted Design in New York City. Admission is selective and open to upper-level undergraduate and graduate students through a portfolio review. By year's end, students will have produced a pilot run of their design and collaboratively created a branded store installation, presented at a major design trade show in the spring. Admittance to Whatnot Studio is by portfolio review. Are you ready to be challenged through deep conceptual and material exploration¿and to transform it into a producible design? We welcome juniors, seniors, and graduate students interested in this opportunity to apply via the link below: https://airtable.com/app10LexPLHEqM7mV/pagcVlilryi7Xn4Or/form. Applications accepted until April 25.

Class Number

1461

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1230

Description

This one-day 3cr core design studio focuses on an architecture and interior architecture capstone project leading to the full-scale installation and exhibition designed and built by students. Students design, prototype and mount their own installation and exhibition piece, in collaboration with an organization or enterprise who gives them a prompt and space requirements. This course is open to any senior student and requires a portfolio review to assess minimum design skills.

Prerequisites

Student must have completed PROFPRAC 3902

Class Number

2284

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1231

Description

This class introduces students to the expanded field of urbansim, including buildings, landscapes, climates, economies, and more. Through readings, discussions, writing, and self-directed creative research projects, students will approach the broad subject of urbanism through various critical lenses, including the history, form, and politics of cities; and will build comfort with argument and communication, to better confront the often-opaque work of city bureaucracy in their own practices.

Class Number

2282

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Art/Design and Politics, Community and Locality, Class, Race, Ethnicity, Community & Social Engagement, Economic Inequality & Class, Public Space, Site, Landscape, Sustainable Design

Location

Sullivan Center 1240

Description

This course familiarizes students with the theory and practice of sustainability for architects, designers, and artists, with a focus on the economy, politics, and materiality of sustainable design. Students pursue directed research and develop studio projects in response to briefs introduced by the teacher. Class work includes student presentations and critiques; lectures, readings, and group discussions; as well as feild trips and other opportunities to learn from contemporary precedents.

Class Number

1278

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Public Space, Site, Landscape, Art and Science, Sustainable Design

Location

Sullivan Center 1241

Description

Descriptive Techniques: Media, Material, Place + Event: will provide a foundational survey and sampling of architectural representational conventions, hardware and software systems for analysis, visualization, materialization and iteration as well as an introduction to material processes and tool systems for design materialization, prototyping and iteration. Special focus will be given to examining emerging computational tools and media and their implication on the design of material things and places.

Readings will vary but will typically include excerpts from process instruction manuals (contemporary and archival). A structural element of this class is that it will run with a combined cohort made of 2 year option and 3 year option student groups - mixing established students with arriving students. The large class will have 2 or more assigned faculty and will explore independent and collaborative modes of learning. This will contribute to the program¿s learning culture.

Course work will consist of a survey of a variety of hardware and software based serial production processes useful for the development and communication of architectural concepts (3 to 5 digital systems, 6 to 9 material processes). Assignment work will be 80% individual response to project prompts and 20% collaborative projects. Readings meant to situate processes in a developmental history will be offered as a critical aspect of material / process learning.

Class Number

2041

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1233

Description

The Introductory studio in the accredited professional graduate degree addresses the relationship between natural and cultural ecologies and the notion of site as contextual generators of architectural ideas. Including ideas about co-existence, thresholds, material flows and urban-rural bio-regions and systems. Course Goals and Objectives include the role that site and context play in contemporary architectural design, understanding design processes, developing basic design methods, conceptual experimentation and rigor. The studio requires the conceptual design of a small architectural intervention within a complex site and an intermediate level of visual and architectural analysis and representation through diagrams, plans, sections, elevations and physical and digital models.

Student performance criteria (SPC) that address the most recent National Architectural Accreditation Board (NAAB) requirements will be highlighted and form part of the coursework outcomes.

Readings, textual and visual case studies and site visits will vary, but always provide the background and theoretical grounding for the site and project analysis and final project development and representation.

Project work is a cumulative archive of the process of problem analysis and design exploration that are translations of observations, facts and ideas ? all being made visible through diagrams, drawings and models. Parts of the semesters work will be conducted in groups and which will contribute to individual project work presented in a final critique.

Class Number

2036

Credits

6

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1234

Description

This integrated technical practice course introduces simple traditional and contemporary construction systems. It teaches students how construction techniques emerge from design concepts and criteria while providing an understanding of the fundamental physics that inform structural and environmental building performance. The course will also introduce students to the spatial, social, economic, historical, and ecological concerns surrounding construction systems and their use in the built environment. Lectures, readings, and projects will constitute the primary learning activities, providing students with an interactive and hands-on approach to learning about fundamental construction, wall, and structural types. Projects will explore how existing and new building envelopes and structures perform, allowing students to apply their knowledge practically.

Prerequisites

You must be a Master of Architecture student to enroll in this course.

Class Number

2033

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1233

Description

This studio challenges students to reconsider standard models of design practice and process, and explore new modes of object making. The studio is conceived from the standpoint that the methods of the past are not necessarily appropriate for the future and that designers have a role to play in redefining their tools, as well as the outcomes of their work. It considers designers as autonomous agents able to lead by example and position themselves within the realms of cultural production, entrepreneurship and corporate business.

Throughout the semester, students will be exposed to the ideas, methods, and work from a variety of the most relevant designers and design thinkers practicing today. Particular focus will be towards practices of agency, autonomy and authorship.

Students are introduced to a range of design approaches which are dissected, critiqued and retaught. A series of exercises and projects encourage them to embark upon a rapid process of action and reflection across multiple contexts, promoting risk-taking and discovery.

Prerequisites

You must be a Master of Design in Designed Objects student to enroll in this course.

Class Number

2047

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1258

Description

Designed Objects Prototyping Methods Lab (DOPML) is a technical practice class that uses a very narrow definition of ?prototype?. The class will not seek to explore and categorize an expansive collection of prototyping approaches. Rather, DOPML will support the making of prototypes and the development of skill with sensing and actuation within student practices. The class will initiate and / or support micro controller based prototyping using the Arduino hardware and software environment with the goal of greatly increasing the set media, processes, actions, events, data and information that can be used as ?material? for object design.

The term ?object? can refer to a discrete physical thing in the world or some distinct component within an abstract system. In both scenarios it?s becoming increasingly common for an object to act as an interface between two states - commonly a control interface where input actions or data are connected to output actions or information. To experiment with this kind of interactivity, electronic prototyping offers a rich and ever-expanding collection of accessible tools and processes for designers to explore component systems (sensors and actuators) within creative practice. Throughout the semester, we will review and discuss the work of a number of artists, designers, and technologists that challenge traditional notions of 'making' in an age of significant and pervasive technological change.

The primary component of this course will be to learn to use the Arduino hardware / software environment and develop basic data manipulation facility to develop prototypes that define and collect input (of all sorts) and create and control output (of all sorts). Increasing in complexity, this effort will be informed by a series of small projects designed to learn fundamentals. At mid-semester, students will required to propose a project of significant merit that will be developed throughout the remainder of the term.

Prerequisites

You must be a Master of Design in Designed Objects student to enroll in this course.

Class Number

2248

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1258

Description

Materials are the very substance of objects. This course will explore the nature of materials, their properties, exploration of new emerging material technologies and their application to the design and manufacture of products/objects. Concepts surrounding the environmental impact of material and process selection will be explored. Whether a low-volume object or a mass-produced product, the understanding gained should allow students to predict constraints, react to issues, and responsibly select the material and manufacturing processes that best suit their needs. Through research synthesis, students will also imagine possible futures enabled by emerging of material technologies.

The course will focus on the nature of materials and their chemical and physical properties. Current and future manufacturing methods will be studied as well as frameworks for employing responsible design including Life Cycle Assessment, Circular Economies, and ethical manufacturing. Readings will vary but will draw from historical, contemporary, and technical reference sources. Geographic and cultural contexts will be explored to best understand the many impacts of material use and selection. Students are encouraged to investigate topics and seek out information relevant to their current projects and design practice. Course discussions will be informed by weekly topical lectures.

Assignments include a forensic analysis of manufactured objects, visual information presentations of independent investigations, and an individual material or process centric speculative design project.

Prerequisites

You must be a Master of Design in Designed Objects student to enroll in this course.

Class Number

2048

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1227

Description

Resilient Systems will provide an introduction to multi-level sustainability, including analysis of site, landscape and cultural context as a precondition to architectural conceptualization. Students will demonstrate ability to synthesize sustainable systems and approaches into design projects including green infrastructure, active and passive structural and mechanical systems, facility with material properties and performance, repairability + preservation design.

Readings will be compiled from selections focused on material systems and their cultural histories [eg: Constructing Architecture: Materials, Processes, Structures : a Handbook] and case study white papers from trade and professional journals.

A structural element of this class is that it will run with a combined cohort made of 2 year option and 3 year option student groups - mixing established students with arriving students. The large class will have 2 or more assigned faculty and will explore independent and collaborative modes of learning. This will contribute to the program's learning culture.

Assignment work will consist of a series of short, topical design projects where students synthesize knowledge of sustainable systems and approaches into propositional architectural drawings and models. One semester long project will be integrated and balanced with several short vignette projects.

Class Number

2042

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1235

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Prerequisites

Open to MFA, MFAW and MAVCS students only

Class Number

1199

Credits

3 - 6

Department

Architecture, Interior Architecture, and Designed Objects

Location