A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
SAIC faculty member Anjulie Rao.

Anjulie Rao

Lecturer

Bio

Anjulie Rao (she/her) is a journalist and critic covering the built environment. Based in Chicago, much of her work reckons with the complexities of post-industrial cities; explores connections to place and land; and exposes intersections between architecture, landscapes, and cultural change. She is the founder and editor of Weathered, a Graham Foundation-awarded publication focused on cities and landscapes in the wintertime.

Anjulie is a lecturer at the School of the Art Institute of Chicago, an adjunct faculty member at the University of Illinois Chicago, and previously taught at the Illinois Institute of Technology. She was a columnist at ARCHITECT magazine, and her bylines can be found in Dwell, The Architect's Newspaper, The Architectural Review, The New York Review of Architecture, and Landscape Architecture Magazine, among others.

Awards: Graham Foundation Grant to Individuals (2021); Graham Foundation Grant to Individuals (2022); SAIC Faculty Enrichment Grant (2024).

Personal Statement

I pose the question “how is public knowledge produced?” Within the field of urban design, I have found that knowledge, appreciation, and continued support of the design practice is a function of writing for the public; the development of our cities as habitable spaces is produced through criticality—“If there’s bad art, burn it down,” as Dave Hickey says. But what seems to be sorely lacking is a conversation about emotion—feelings that are entwined in how we experience cities, the politics of how stuff is made and built and fed to us. It’s a crucial component of public knowledge often cut from word counts.

I teach experimental nonfiction and personal essay writing as a form of building public knowledge: to understand the world intimately is to create space for clarity, experimentation, and play; in which knowledge, form, and confidence can be altered. To look at writing through the lens of the lyric, and to "sing" what one knows, these methodologies are at the core of producing a public that does more than “know" information about the built environment. Instead, knowledge about the built environment can become embodied, rooted in placefulness, and acknowledged as intrinsic to our communities. 

Courses

Title Department Catalog Term

Description

What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision.

Prerequisite: Must be a sophomore to enroll.

Class Number

1770

Credits

3

Description

This course is a a workshop introducing studio art students to various kinds of writing they can do to prepare them for professional opportunities. We will focus on connecting students to their own projects through writing and then we will discuss how that writing can be used to serve more practical ends. Instead of starting with practical requirements such as artist statments and grant applications, we will first work to build students? personal vocabularies and ways of talking about their practices. Emphasis will be on experimentation and building comfort with language.

Readings will be a combination of various forms artists' writings (diaries, interviews, sketchbooks, etc) and various formats (artist statments, grant applications, professional situations) where artists are expected to present their work in language. We will use Social Medium: Artists Writing 2000-2015 as a sourcebook for examples of writing by contemporary artists and students will also be asked to collect their own sources of inspiration from fields appropriate to their work.

Coursework focuses on weekly prompts, which will be workshopped and revised. Final projects will relate to students' own goals for presenting their studio work, including websites, grant applications, and artist statements.

Class Number

2171

Credits

3

Description

Using the city as a laboratory, this class explores different approaches to 'reading and listening' to multiple forms of architecture and design. Through lectures, discussions, site visits and assignments students experience how to identify a design's intent and to take an active role in communicating the intent from a critical, value-based perspective.

Class Number

1017

Credits

3