| Online Critique Seminar |
5611 (001) |
John D Neff |
Sat
9:30 AM - 12:15 PM
All Online
|
|
Description
This synchronous online course provides a forum for structured group discussion of students' studio work during remote semesters. Attendance at regularly scheduled synchronous meetings is required for this course.
The project of this course is developing students' skills around the observation of artworks, the verbal interpretation of artworks, and the framing of generative questions about studio practices.
In the course, students will present their own artwork and respond to colleagues' works within the context of facilitated group discussions on Zoom. A modest amount of asynchronous coursework will take place through Canvas and other platforms.
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Class Number
1223
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Credits
3
|
Department
Masters in Fine Arts Low Residency
Area of Study
Art/Design and Politics, Community & Social Engagement, Exhibition and Curatorial Studies
Location
Online
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| Online Critique Seminar |
5611 (002) |
|
TBD - TBD
All Online
|
|
Description
This synchronous online course provides a forum for structured group discussion of students' studio work during remote semesters. Attendance at regularly scheduled synchronous meetings is required for this course.
The project of this course is developing students' skills around the observation of artworks, the verbal interpretation of artworks, and the framing of generative questions about studio practices.
In the course, students will present their own artwork and respond to colleagues' works within the context of facilitated group discussions on Zoom. A modest amount of asynchronous coursework will take place through Canvas and other platforms.
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Class Number
2381
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Area of Study
Art/Design and Politics, Community & Social Engagement, Exhibition and Curatorial Studies
Location
Online
|
| Art Ideas: Performance and Performativity |
6410 (001) |
Aliza Shvarts |
TBD - TBD
All Online
|
|
Description
What are the most urgent issues in contemporary art now? This online course addresses the central themes and ideas shaping the production and distribution of art. Students will develop and manage their own blogs and participate in continuing online discussions. The final requirement will be a finished paper.
This course will explore performance and theories of performativity, with a focus on histories of 20th and 21st century performance art, speech acts, and theories of gender performativity and embodiment. Taking up the core proposition of the ¿performative turn¿ in art and philosophy, we will examine not only what artworks, texts, and embodied practices mean, but what they do. Coursework will combine new and canonical works in queer theory, feminism, Black studies, Indigenous studies, and disability studies, and performance studies, as well as assignments that create opportunities to put theory into practice.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1186
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Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Online
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| Art Ideas: Translation, Reciprocity, Return |
6410 (002) |
Nathanaël |
TBD - TBD
All Online
|
|
Description
What are the most urgent issues in contemporary art now? This online course addresses the central themes and ideas shaping the production and distribution of art. Students will develop and manage their own blogs and participate in continuing online discussions. The final requirement will be a finished paper.
This formulation of Art Ideas will be attentive to the Caribbean archipelago as a place from which to perceive the world. Contesting continental presuppositions, we will be heedful of Antonio Benitez-Rojo¿s affirmation that ¿the culture of the Caribbean is aquatic, not terrestrial¿ and follow Aimé Césaire¿s famous injunction: ¿I shall command the islands to be.¿ We will move among texts and artworks in a kind of organic displacement, bearing in mind that the archipelago is in constant metamorphosis, an interchange between land and water, a seismic circumstance, a volcanic advent, an appellation of migrations, languages in flux ¿ in sum, a series of imbricated translations that overturn the idea of a single, stable vantage. A sense that, as Toni Morrison insists, ¿just as we watch other life, other life watches us.¿
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1187
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Online
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| Art Ideas: Proximity to the Colossal and Small |
6410 (003) |
Kelly F. Kaczynski |
TBD - TBD
All Online
|
|
Description
What are the most urgent issues in contemporary art now? This online course addresses the central themes and ideas shaping the production and distribution of art. Students will develop and manage their own blogs and participate in continuing online discussions. The final requirement will be a finished paper. This course investigates issues of size, scale, scope and proximity. Its aim is to pursue our fascination with - and comprehension of - the gargantuan and the minute. The course examines the formal factors which affect our perceptions and, more importantly, the psychological and political implications of encountering the extreme spectrum of scale. Issues of public and private space reveal inherent conditions when addressed by comparing elements of the monumental and the spectacle to - and within - the intimate and fetish qualities of the small. Our primary question might be: how do we comprehend scale? Or, it might be: how is scale mobilized towards modes of comprehension? Prerequisite: Must be enrolled in the Low-Residency MFA Program.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1190
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Online
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| Artistic Research |
6450 (001) |
Andrea Ray |
TBD - TBD
All Online
|
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Description
What is research and why is it important to artistic practice? In this elective, students will be presented with a range of research and visual methodologies?ways of organizing and writing about their process and practice. This course provides a framework for students to research artistic practices that relate to their individual practices. Students will write case studies articulating the chosen artists' practices, related histories, and theories. Shared case studies among the cohort will echo the multitude of ways to approach a fine arts practice. It is anticipated that the topics covered and case studies produced may work toward parts of the written thesis developed the following semester. Students in this course are introduced to a broad range of research methodologies including; philosophical, material, experiential, comparative, descriptive, naturalistic, and practical via readings and visual material. The specific visual methodologies introduced are; semiotics, psychoanalysis, sociological, and historical approaches. Artistic research projects are introduced as an extension of new ideas around research in art, though not central to the course assignments. Research Methodologies provides a framework for students to deeply research artistic practices that interest them. Students will write case studies that define and articulate the artists' particular methodologies and genealogies, ways of practicing and their related histories and theories. Students will build and manage their own blogs and participate in continuing online discussions. The online sharing of fellow students¿ case studies will echo the multitude of ways of working and the related histories behind diverse artistic practices learned. The assessed tasks are three case studies. Prerequisite: Must be enrolled in the Low-Residency MFA Program.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1188
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Online
|
| Top:Human Rights and Art |
6450 (002) |
Pamela I. Sneed |
TBD - TBD
All Online
|
|
Description
Human Rights and Art: A Study of Social Movements is a course about art, activism, and writing about art in relationship to history, philosophy, social studies, literature, film, and ideas of the human. We will investigate ways artists in a variety of cultures articulate and express human rights, acting as conduits and catalysts who respond locally and globally to its abuses. In particular, we will investigate the uses of poetry, performance, theater, and visual arts. Through writing prompts, essays, and online discussions we will examine art produced by and not limited to AIDS activism of the early 90s, feminism, the LGBTQ liberation struggle, the South African anti-apartheid struggle, liberation struggles in Egypt and the Middle East, and the current Black Lives Matter movement. Also, we will examine the current resurgence in political art. We will look at many philosophers, historians, and essayists including Hannah Arendt, Kevin Bales, along with artists such as Pussy Riot, Simone Leigh, Carlos Martiel, Karen Finley, Kara Walker, and Ai WeiWei.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1189
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Online
|
| New Natures: The Ecological Turn |
6450 (003) |
Andrew S. Yang |
TBD - TBD
All Online
|
|
Description
In this time of global & planetary transformation, some proclaim ¿the end of the world¿ while others suggest it's the beginning of many new ones. This seminar surveys key topics in what some call the Ecological Turn in art, design, and the humanities today. Through readings and guest visits we will critically and collaboratively examine some leading concepts in ecological thought ¿ post-nature, sustainability, multispecies relations, traditional / indigenous ecological knowledge (TEK), climate crisis, and systems thinking as they may apply in contemporary art. Readings, videos, and class presentations will be the source materials for the course (covering past precedent and contemporary positions) and include the work by Donna Haraway, Otobong Nkanga, Mierle Laderman Ukeles, Natalie Jeremijenko, Andrea Carlson, Robert Smithson, Allora & Cazadilla, Agnes Denes, The Harrisons, TJ Demos, Edward Burtynsky, and more.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
2388
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Online
|
| Graduate Projects |
6909 (001) |
Aliza Shvarts |
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1225
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Projects |
6909 (003) |
Assaf Evron |
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1218
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Projects |
6909 (004) |
Andrew S. Yang |
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1219
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Projects |
6909 (006) |
John D Neff |
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1220
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Projects |
6909 (007) |
Jess Atieno Ounga |
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1221
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Projects |
6909 (008) |
Dushko Petrovich |
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1222
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Projects |
6909 (009) |
Corrine E. Fitzpatrick |
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1226
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Projects |
6909 (010) |
Mark Jeffery |
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1227
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Projects |
6909 (011) |
Roberto Sifuentes |
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
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Class Number
1228
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Projects |
6909 (012) |
Judd Morrissey |
TBD - TBD
In Person
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
2380
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Projects |
6909 (013) |
|
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
2387
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Online
|
| Graduate Projects |
6909 (014) |
Nicole Hall |
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
2386
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Online
|
| Graduate Projects |
6909 (015) |
|
TBD - TBD
All Online
|
|
Description
Taken every semester across the Graduate Division, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
2385
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Online
|