| Grad Survey Mod/Cont Art |
5002 (001) |
Daniel Ricardo Quiles |
Mon/Thurs
1:00 PM - 4:00 PM
In Person
|
|
Description
This advanced course investigates modern and contemporary art from the late 19th century to the present. Key issues include formal, contextual, and technical developments and are discussed in relation to socioeconomic, intellectual, political, and cultural contexts. Emphasis is placed on theoretical and critical issues. This course is required for the Master of Fine Arts or Post-Baccalaureate Studio Certificate. If a student has previously taken a 20th century survey or its equivalent, this requirement may be waived with permission. PLEASE NOTE: This section is open to students in the Low-Residency MFA Program Only.
Prerequisites
This course is primarily for incoming MFA students, and students should only take this survey once.
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Class Number
1322
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 707
|
| Year 2 Review |
5212 (001) |
Kelly F. Kaczynski |
Fri
9:00 AM - 3:30 PM
In Person
|
|
Description
SAIC¿s Low-Res MFA Program conducts Y2 Reviews for students in their second summer residency. These reviews provide an evaluative milestone midway through the program, and consists of critical responses to second-year students from a panel of faculty and peers. The Y2 Reviews are an opportunity for students to be involved in evaluative discussions with multiple voices directed toward their work, enhancing and challenging the conversations they¿ve experienced with the faculty, mentors, and peers they have already worked closely with. These critical discussions are designed to prepare students for their thesis year and to provide reciprocal feedback to faculty in understanding our students¿ overall progression.
The course will center on the review of student work, with supplemental readings offered by faculty to contextualize the critiques. These might include Daniel Buren's 'Function of the Studio,' Andrea Fraser's 'The Critique of Institutions and the Institution of Critique,' and other artist-centered texts that examine the critical stakes of studio practice.
All Y2 students are asked to prepare a 3 - 5 min introduction of their work. You may choose to script your introduction, or speak candidly. The following questions may serve as a guide:
What are the concepts, contexts, or histories that meaningfully position your work?
What are the set of questions or problems that you are working through?
How do you understand your craft, methodology, or approach to your practice?
If you intend to present written work or time-based media or documentation of performance work, please consider sending materials a few days ahead of time (preferably 1 week or 3 days minimum) to give your panel time to review. You may then wish to present an excerpt during your review. If you wish to present time-based work in the review, it is recommended to keep this to under 10 min to give time for qualitative discussion.
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Class Number
1323
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Year 2 Review |
5212 (002) |
John D Neff |
Fri
9:00 AM - 3:30 PM
In Person
|
|
Description
SAIC¿s Low-Res MFA Program conducts Y2 Reviews for students in their second summer residency. These reviews provide an evaluative milestone midway through the program, and consists of critical responses to second-year students from a panel of faculty and peers. The Y2 Reviews are an opportunity for students to be involved in evaluative discussions with multiple voices directed toward their work, enhancing and challenging the conversations they¿ve experienced with the faculty, mentors, and peers they have already worked closely with. These critical discussions are designed to prepare students for their thesis year and to provide reciprocal feedback to faculty in understanding our students¿ overall progression.
The course will center on the review of student work, with supplemental readings offered by faculty to contextualize the critiques. These might include Daniel Buren's 'Function of the Studio,' Andrea Fraser's 'The Critique of Institutions and the Institution of Critique,' and other artist-centered texts that examine the critical stakes of studio practice.
All Y2 students are asked to prepare a 3 - 5 min introduction of their work. You may choose to script your introduction, or speak candidly. The following questions may serve as a guide:
What are the concepts, contexts, or histories that meaningfully position your work?
What are the set of questions or problems that you are working through?
How do you understand your craft, methodology, or approach to your practice?
If you intend to present written work or time-based media or documentation of performance work, please consider sending materials a few days ahead of time (preferably 1 week or 3 days minimum) to give your panel time to review. You may then wish to present an excerpt during your review. If you wish to present time-based work in the review, it is recommended to keep this to under 10 min to give time for qualitative discussion.
|
Class Number
1324
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (001) |
John D Neff |
Tues
9:00 AM - 3:30 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1211
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (002) |
Kelly F. Kaczynski |
Tues
9:00 AM - 3:30 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1212
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (003) |
Assaf Evron |
Tues
9:00 AM - 3:30 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1213
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (004) |
Mark Jeffery |
Tues
9:00 AM - 3:30 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1214
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (005) |
Terri Kapsalis |
Tues
9:00 AM - 3:30 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1215
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (007) |
Julietta Cheung |
Tues
9:00 AM - 3:30 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1217
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (008) |
Aliza Shvarts |
Tues
9:00 AM - 3:30 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1218
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (009) |
Asha Iman Veal |
Tues
9:00 AM - 3:30 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1220
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (001) |
John D Neff |
Tues/Fri
4:00 PM - 6:30 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1210
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (002) |
Kelly F. Kaczynski |
Tues/Fri
4:00 PM - 6:30 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1225
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (003) |
Assaf Evron |
Tues/Fri
4:00 PM - 6:30 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1226
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (004) |
Mark Jeffery |
Tues/Fri
4:00 PM - 6:30 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1227
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (005) |
Terri Kapsalis |
Tues/Fri
4:00 PM - 6:30 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1228
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (007) |
Asha Iman Veal |
Tues/Fri
4:00 PM - 6:30 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1230
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (008) |
Aliza Shvarts |
Tues/Fri
4:00 PM - 6:30 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1231
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (009) |
Vanessa Damilola Macaulay |
Tues/Fri
4:00 PM - 6:30 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1232
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Professional Practices: Digital Interfaces |
5630 (001) |
Kelly F. Kaczynski |
Wed
1:00 PM - 4:00 PM
In Person
|
|
Description
This specialized professional practice course prepares students for active participation in the artistic and scholarly life of the School of the Art Institute of Chicago, including familiarizing them with on-campus and online components of the Low-Residency MFA infrastructure. Students will be introduced to in-person and online library resources, including SAIC¿s special collections. We will become familiar with both bricks-and-mortar and digital research, communication, and production tools available through the school. Students will be trained on digital platforms including Canvas, SAIC's learning management system, in preparation for their fall and spring online courses. Additionally, this course will introduce Chicago area resources that may be useful in students research and practice. Through this course, students may be authorized on some equipment for use during the residency.
|
Class Number
1209
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 328
|