| Graduate Studio Seminar |
5600 (001) |
John D Neff |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1211
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (002) |
Kelly F. Kaczynski |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1212
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (003) |
Assaf Evron |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1213
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (004) |
Mark Jeffery |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1214
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (005) |
Terri Kapsalis |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1215
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (007) |
Julietta Cheung |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1217
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (008) |
Aliza Shvarts |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1218
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Graduate Studio Seminar |
5600 (009) |
Asha Iman Veal |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1220
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (001) |
John D Neff |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1210
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (002) |
Kelly F. Kaczynski |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1225
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (003) |
Assaf Evron |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1226
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (004) |
Mark Jeffery |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1227
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (005) |
Terri Kapsalis |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1228
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (007) |
Asha Iman Veal |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1230
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (008) |
Aliza Shvarts |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1231
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Low-Residency Colloquium |
5610 (009) |
|
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1232
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Professional Practices: Digital Interfaces |
5630 (001) |
Kelly F. Kaczynski |
Thurs
8:30 AM - 11:45 AM
In Person
|
|
Description
This specialized professional practice course prepares students for active participation in the artistic and scholarly life of the School of the Art Institute of Chicago, including familiarizing them with on-campus and online components of the Low-Residency MFA infrastructure. Students will be introduced to in-person and online library resources, including SAIC¿s special collections. We will become familiar with both bricks-and-mortar and digital research, communication, and production tools available through the school. Students will be trained on digital platforms including Canvas, SAIC's learning management system, in preparation for their fall and spring online courses. Additionally, this course will introduce Chicago area resources that may be useful in students research and practice. Through this course, students may be authorized on some equipment for use during the residency.
|
Class Number
1209
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 328
|
| Professional Practices: Digital Interfaces |
5630 (002) |
John D Neff |
Thurs
8:30 AM - 11:45 AM
In Person
|
|
Description
This specialized professional practice course prepares students for active participation in the artistic and scholarly life of the School of the Art Institute of Chicago, including familiarizing them with on-campus and online components of the Low-Residency MFA infrastructure. Students will be introduced to in-person and online library resources, including SAIC¿s special collections. We will become familiar with both bricks-and-mortar and digital research, communication, and production tools available through the school. Students will be trained on digital platforms including Canvas, SAIC's learning management system, in preparation for their fall and spring online courses. Additionally, this course will introduce Chicago area resources that may be useful in students research and practice. Through this course, students may be authorized on some equipment for use during the residency.
|
Class Number
1223
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
|
| Attention |
6510 (001) |
Asha Iman Veal |
Mon/Thurs
1:15 PM - 5:00 PM
In Person
|
|
Description
This seminar will look at the mental faculty of attention and the role it plays in the production and reception of art, specifically how attention mediates experience between artists and viewers. We will examine the attempt to direct attention as a basis for making meaning within artworks, particularly in moving-image, spatial, and place-related work. We will also ask how the issues of attention and attention span that have become so ubiquitous, may impact the art context. In short, we will take up attention as an attribute, tool, or condition for making work in relation to other subjects rather than as a subject in itself, treating attention as a register for looking at artworks. The seminar will consist of readings and screenings drawn from philosophy, psychology, art theory, film theory, fiction, and other disciplines.
|
Class Number
1205
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 707
|
| Perception |
6530 (001) |
Jennifer Dorothy Lee |
Mon/Thurs
1:15 PM - 5:00 PM
In Person
|
|
Description
Hong Kong¿s revolution of our times. Taiwan¿s White Terror. Xu Bing¿s fake Chinese characters. Lu Yang¿s deep brain stimulation. Considering such multisensorial phenomena unfolding on a global stage, to what extent shall we regard human perception as a biological fact rooted in neurological functions best left to the understanding of scientists? How is perception particularized and socialized in critical social theory and everyday practice? What are some of the under-examined histories of perception for persons beyond the Euro-American west? Our class will take up these questions through a deep dive into critical texts, theories, and artworks that intersect across East Asia and North America, historically and in the present. Grounding our examinations of revolutionary movements of perception and creative practice, the class will address a selection of discourses that challenge the purported objectivity and universality of perception in transnational and diasporic frames, with special attention to contemporary China, Hong Kong, and Taiwan.
|
Class Number
1206
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 620
|