| Painting Practice |
2001 (001) |
Winnie Weiyun Szu |
Mon
9:00 AM - 3:00 PM
In Person
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|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
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Class Number
1633
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Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
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| Painting Practice |
2001 (002) |
Richard Hull |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
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Class Number
1634
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
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| Painting Practice |
2001 (003) |
Amanda Joy Calobrisi |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
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Class Number
1635
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
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| Painting Practice |
2001 (004) |
Jaclyn Gaye Mednicov |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
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Class Number
1636
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (005) |
Noah Rorem |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
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Class Number
1637
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (006) |
Arden Henderson |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
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Class Number
1638
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (007) |
Dan Devening |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
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Class Number
1639
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (008) |
Ava L Peterson |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
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Class Number
1640
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
| Painting Practice |
2001 (009) |
Ahmad D George |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
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Class Number
1655
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
| Painting Practice |
2001 (010) |
Dylan Rabe |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
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Class Number
1656
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
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| Comics |
2002 (001) |
Johnny Sampson |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
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Class Number
1644
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
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| Comics: Making Comics from Life: Autobiography, Me |
2002 (002) |
Marnie Galloway |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
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Class Number
1645
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
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| Comics:Drawing Outside The Boxes |
2002 (003) |
Jeffrey David Brown |
Tues
9:00 AM - 3:00 PM
In Person
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Description
It can be easy for students to become so focused on the final product of art making that they lose sight of the importance of process. To that end, this studio class aims to encourage students to play and experiment within the medium of comics, creating projects with methods they wouldn?t normally use, and avoiding the urge to fall back on their usual or expected ways of working. Students will not need to worry about making a great piece of art, and instead can learn more about their own art practice and what does or doesn?t work for them.
This class will look at a variety of artists, genres, and forms in the comics medium. The types of comics investigated may include everything from traditional superhero genre comics, to handmade art comics, graphic novels, abstract comics, newspaper gag comics, and even content that may or may not be considered comics, depending on how one defines ?comics.? Students will also be encouraged to share their favorite comics or whatever they?re currently reading, and to look into books and comics they aren?t familiar with.
After casual critiquing of the previous week?s work, each class begins a new project or exercise that starts with a prompt or general parameters, which students use as starting points to follow in whatever direction interests them.
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Class Number
1646
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Credits
3
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Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
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| Graphic Narrative |
2002 (004) |
Cecilia Beaven |
Tues
3:30 PM - 9:15 PM
In Person
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|
Description
The students will gain a better understanding of graphic narrative by exploring its diverse history, looking at contemporary work, and critically discussing what graphic narrative does. In this course, the students will examine forms of sequential art beyond the Western canon, they will look at Pre-Columbian codexes, Latin American contemporary comics, manga, and feminist and punk comics, among others.
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Class Number
1647
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
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| Comics |
2002 (005) |
Bianca Xunise |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
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Class Number
1648
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
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| Comics: Play, and Process |
2002 (007) |
Sophie Goalson |
Thurs
9:00 AM - 3:00 PM
In Person
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|
Description
This course explores comics as a space for play, exploration, and critical inquiry. Students will engage with drawing and writing as intertwined practices, using comics to examine memory, thought, and storytelling. Through a mix of diary comics, experimental exercises, and structured assignments, students will challenge their own ideas of what makes a comic a comic and develop a personal approach to the medium. In addition to making work, students will read and discuss texts by artists and thinkers. Selected readings include works by Lynda Barry, Cintra Wilson, Julia Kristeva, Jean Little, Lela Lee, J. Jefferson Farjeon, Allie Brosh, and others. These texts will serve as a foundation for discussions on creativity, nonlinear storytelling, and the relationship between image and text. The class will also consider how comics operate as both personal expression and cultural commentary, thinking critically about the ethics of storytelling, subjectivity, and artistic voice. Students will produce a body of work over the course of the semester, including weekly exercises, process-based experiments, and a final project that explores comics as a mode of thinking. Regular critiques will focus on development rather than refinement, reinforcing the idea that comics are a process rather than a product. No prior drawing experience is required¿only a willingness to engage in playful, iterative, and messy creation.
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Class Number
1650
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Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
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| Comics: Idea to Execution |
2002 (008) |
Sara Varon |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Good stories can come from anywhere, and any story can be interesting no matter the subject matter. This class will focus on the best way to create concepts for stories and how to properly execute them, with a strong emphasis on writing, revision, using the proper tools, artistic process and drawing technique. Students will complete short, one to two page stories each week, while also working toward three six to eight page stories that will be compiled into their own printed comic at the end of the semester. Various comic samples will be provided from a range of diverse sources. Short story assignments will be assigned in the beginning of the semester that will focus on specific aspects of making comics (i.e. perspective, using reference, creating mood, etc). Students will also be making three longer stories that will be compiled into one comic at the end of the semester.
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Class Number
1654
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
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| Comics: Comics of The Self: From Autobiography to |
2002 (009) |
Sam Sharpe |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
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Class Number
1657
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Color |
2003 (001) |
Steven Husby |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice.
In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.?
Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
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Class Number
1651
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
| Color |
2003 (002) |
Herman Aguirre |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice.
In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.?
Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
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Class Number
1652
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
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