Painting Practice |
2001 (001) |
Peter Jorge Fagundo |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1877
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Painting Practice |
2001 (002) |
Andrew Falkowski |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1878
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
Painting Practice |
2001 (004) |
|
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1880
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
Painting Practice |
2001 (005) |
|
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1881
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Painting Practice |
2001 (007) |
Sheridan Gustin |
Tues
3:30 PM - 9:15 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
1883
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Painting Practice |
2001 (009) |
Dan Devening |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2035
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Painting Practice |
2001 (010) |
Robert Burnier |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2036
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
Painting Practice |
2001 (011) |
Alexis de Chaunac |
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2156
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Painting Practice |
2001 (012) |
Josiah Ellner, Sebastian Thomas |
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2157
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
Painting Practice |
2001 (012) |
Josiah Ellner, Sebastian Thomas |
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2157
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 325
|
Painting Practice |
2001 (013) |
Elise Blair Bagnoli |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
Painting Practice is an introductory painting course offering. The curriculum addresses basic skills as related to a painting studio practice. Topics and curricular goals include material, facility and technique, space and color, as well as concept. This course is a prerequisite for all Multi-level Painting, Figure Painting and Advanced Painting Studio classes.
|
Class Number
2158
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 323
|
Comics |
2002 (001) |
Sara Varon |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1890
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
Comics |
2002 (002) |
Johnny Sampson |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1891
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
Comics |
2002 (003) |
MJ Lounsberry |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1892
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
Comics:Drawing Outside The Boxes |
2002 (004) |
Jeffrey David Brown |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
It can be easy for students to become so focused on the final product of art making that they lose sight of the importance of process. To that end, this studio class aims to encourage students to play and experiment within the medium of comics, creating projects with methods they wouldn?t normally use, and avoiding the urge to fall back on their usual or expected ways of working. Students will not need to worry about making a great piece of art, and instead can learn more about their own art practice and what does or doesn?t work for them. This class will look at a variety of artists, genres, and forms in the comics medium. The types of comics investigated may include everything from traditional superhero genre comics, to handmade art comics, graphic novels, abstract comics, newspaper gag comics, and even content that may or may not be considered comics, depending on how one defines ?comics.? Students will also be encouraged to share their favorite comics or whatever they?re currently reading, and to look into books and comics they aren?t familiar with. After casual critiquing of the previous week?s work, each class begins a new project or exercise that starts with a prompt or general parameters, which students use as starting points to follow in whatever direction interests them.
|
Class Number
1893
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
Comics |
2002 (005) |
Cecilia Beaven |
Tues
3:30 PM - 9:15 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1894
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
Comics |
2002 (006) |
Bianca Xunise |
Tues
3:30 PM - 9:15 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1895
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
Comics: Remote |
2002 (007) |
|
Tues
6:45 PM - 9:30 PM
All Online
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1896
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
Online
|
Comics: Autobiography |
2002 (008) |
|
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This course explores nonfiction narratives told in the first person. Students will read and discuss examples of memoir, personal essay, journalism, and diary comics, as well as more experimental formats. Truth, point of view, and ethics will be examined, particularly in how they work along with storytelling, tone, style, and other formal aspects of comics. The work created by the students will vary broadly based on their interests and personalities, with the general goal of self-examination. Readings and guest artists will vary each semester. Selected readings include graphic novels and mini-comics that have been published recently by both large publishers and self-published by individual cartoonists. Skype visits allow students to ask questions of comics artists, critics, publishers, and distributors. Past guests have included artists Julia Wertz, Carta Monir, Summer Pierre, and John Porcellino, Lauren Weinstein, critic Rob Clough, and publisher Raighne of 2dcloud. Some additional artists that I often introduce are Gabrielle Bell, Vanessa Davis, Lisa Hanawalt, Sarah Gliddens, Karl Stevens, Kevin Budnik, Roz Chast, Cara Bean, and Liana Finck. Students will reproduce 16 copies of a 24 or more page comic, which will be distributed to the class during the final critique. They will complete one or more pages each week, which will be critiqued and discussed throughout the whole semester. Students will read several books and online comics, which will be discussed in class.
|
Class Number
2028
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
Comics |
2002 (009) |
Marnie Galloway |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
2043
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
Comics of the Fantastic |
2002 (010) |
|
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Horror, Science Fiction and Fantasy comics began as popular entertainment, intended to sell units on newsstands with lurid cover art and shocking story titles, but artists have always used the genres to investigate such complex topics as identity, illness and the body, and to lay bare the structural forces behind racism, sexism and political oppression. Students will read some classic works as well as a handful of contemporary pieces that use genre as a jumping-off point. Throughout the class, they will make a number of short comics that investigate contemporary life through the lens of the fantastic, to be collected and presented in the form of a printed zine.
|
Class Number
2148
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
Comics |
2002 (011) |
Sara Varon |
Sat
10:00 AM - 4:00 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
2149
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
Comics:Advanced |
2002 (012) |
Jeremy R Tinder |
Sat
10:00 AM - 4:00 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
2150
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
Comics |
2002 (013) |
|
Fri
9:00 AM - 3:00 PM
In Person
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
2151
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
Color |
2003 (001) |
Steven Husby |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice. In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.? Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
|
Class Number
1897
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
Color |
2003 (002) |
Sam Jaffe |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This studio course will provide a hands-on introduction to the fundamental understanding and use of color. Students will gain practical experience working with material color in order to improve their understanding of how color works. Assignments will be introduced in class to help students develop a working knowledge of the basic concepts of hue, value, and chroma, and the relationship between these concepts and those of color harmony and organization. By working with color in context students will gain a practical understanding of color interaction and develop strategies for approaching color with greater sophistication and specificity in their own practice. In addition to our investigations with color in the classroom, this course will examine the ways in which artists and scholars have worked with color art historically as a medium of expression, and thought about color scientifically as an index of an underlying natural order, as well as culturally as a system of signs reflecting our biases back to us to be interpreted. Reliable perceptual phenomena like simultaneous contrast and afterimages will be considered alongside more unstable notions like synesthesia and color music, as well as the complicated history of thinking about color as evidence of that which is ?other.? Course work will include exercises to help students develop their approach to color, and a final project in which they put their understanding to work.
|
Class Number
1898
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Graphic Design, Illustration
Location
280 Building Rm 308
|
Watercolor |
2010 (001) |
George Liebert |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
This course explores the materials and methods used in watercolor painting. Included are dry and wet paper techniques, resist processes, and experimental techniques.
|
Class Number
1836
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 308
|
Figure Drawing: Multi-Level |
2030 (001) |
|
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1837
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
Figure Drawing: Multi-Level |
2030 (002) |
Don Southard |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1838
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
Figure Drawing: Multi-Level |
2030 (003) |
Sheridan Gustin |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1839
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
Figure Drawing: Multi-Level |
2030 (004) |
Lindsey Kircher |
Tues
3:30 PM - 9:15 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1840
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
Figure Drawing: Multi-Level |
2030 (005) |
Larissa Setareh Borteh |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1841
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
Figure Drawing: Multi-Level |
2030 (006) |
George Liebert |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1842
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
Figure Drawing: Multi-Level |
2030 (007) |
Dylan Rabe |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1843
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
Figure Drawing: Multi-Level |
2030 (008) |
Amanda Joy Calobrisi |
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1844
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
Figure Drawing: Multi-Level |
2030 (009) |
|
Thurs
3:30 PM - 9:15 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1845
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
Figure Drawing: Multi-Level |
2030 (010) |
MJ Lounsberry |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1846
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
Figure Drawing: Large Format |
2030 (011) |
MaryLou Zelazny |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Are you curious about creating figure drawings life size or larger? This multi-level studio will introduce you to the exciting challenge of drawing the human form from observation on large supports while learning about drawing techniques spanning the pre-modern era into the present day. Students working with figurative subjects will be able to experiment with scale changes on 3? x 6? paper. Students who want to work even larger are encouraged. Formal points of departure are presented clearly through daily morning lectures and demonstrations, using a full array of examples from art history, contemporary art as well as frequent museum visits. The class exercises begin with quick monochromatic sketches and progress to full color extended studies. There is one final project assignment. The majority of the required work is completed during class time. The large format allows students of all abilities to make significant improvements quickly.
|
Class Number
2153
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
Fig Draw:Anatomy |
2030 (012) |
Melinda Whitmore |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This course is designed to enlighten and empower the student?s knowledge of basic anatomy in skeletal and superficial musculature forms and to apply it in a drawing context with confidence and fidelity. Not only will the student become better familiarized with anatomical structures through class lectures and life drawing sessions, but a greater understanding of the dynamics of form and movement in space will be achieved through practice and repetition of procedures learned throughout the course.
|
Class Number
2154
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
Fig Draw:Adv:Anatomical Ecorche |
2031 (001) |
Melinda Whitmore |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Ecorche (ay-kor-shay) is a French word meanining 'flayed' or 'skinned', but to figurative artists it also refers to any representation of the figure that describes what lies under the skin. In this course, we will be exploring anatomy through the production of a three-dimensional ecorche - where students will use additive and subtractive sculptural practices to create a 1/3 life-sized sculpture representing half skeletal structure and half musculature form. Lectures and materials will focus on specific areas of the body.
Prerequisites
Prerequisite: PTDW 2030.
|
Class Number
1885
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 124
|
Fig Draw:Adv:Body & Language |
2031 (002) |
Karen Azarnia |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
We speak through our bodies, and learn to read other's even before we use words. The figure runs through every culture's art. Even when we work purely abstractly, the figure lurks at the edges and dictates nearly every reference point. This studio aims to teach students how the body communicates, and facilitate its effective use in their work. Primarily a studio course, we will use images from art history, contemporary art, graphic novels, films and photography, as well as written material, as jumping-off points for long drawings in a variety of media. We will also go on a series of field trips to discuss how to read body language, and discuss its evolution through animal communication to the nuances of human interchange. This is an advanced studio.
Prerequisites
Prerequisite: PTDW 2030.
|
Class Number
1886
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 124
|
Studio Drawing:Fail Better |
2040 (001) |
Erin Washington |
Mon
9:00 AM - 3:00 PM
In Person
|
Description
Studio Drawing: Fail Better is an exploration of time-based and ephemeral strategies as they relate to elements of drawing. Much like Baldessari's disowning of his early work, students will be encouraged to let go of practiced methods, using destruction as a form of creation. Doubt will be embraced, experimentation encouraged, and risk considered a viable game-plan. Employing strategies such as collage, archives, and documentation, we will explore how to rebuild your portfolio after you?ve let it go. Rebuilding strategies will range from accumulative, time-based methods such as the work of William Kentridge to the chaotic secretions of Dieter Roth. There will be studio problems and exercises, sketchbook assignments, and slide presentations with a focus on individual projects.
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Class Number
1847
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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Studio Drawing: Multi-Level |
2040 (002) |
Jeffrey Yard, Lara Williams |
Mon/Wed
6:45 PM - 9:15 PM
In Person
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Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image. Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis. Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1848
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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Studio Drawing: Multi-Level |
2040 (002) |
Jeffrey Yard, Lara Williams |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image. Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis. Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1848
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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Stu Dwg: Collage |
2040 (004) |
MaryLou Zelazny |
Tues
9:00 AM - 3:00 PM
In Person
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Description
This multi-level studio will cover all of the various traditional methods of assembling cut paper into a complete work of art. Additionally, we will touch upon the use of unorthodox materials for 2D assemblage and bas-relief. The class will review historic and contemporary approaches, using them as an inspiration for projects. Individual as well as group instruction will provide a flexible educational environment, accommodating both the novice and accomplished collagist. Examples from the rich history of collage will be shown, as well as field trips to related exhibitions.
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Class Number
1850
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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Std Draw:Representn/Abstractn |
2040 (005) |
Judith Geichman |
Tues
9:00 AM - 3:00 PM
In Person
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Description
Manipulate Space, Deconstruct Form, Re-Invent Your Visual World. This course will explore different form and space making systems as they relate to abstraction. Slide presentations throughout the semester will focus on abstraction and different artist, art movements, elements of visual language, and concepts past and present, all to engage and open students visual ideas and art making practice. Students will be encouraged to pursue their own ideas and imagery as they work with the course material. Painterly drawing will be explored, as well as drawing from a live model. Field trips are scheduled in the curriculum.
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Class Number
1851
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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Studio Drawing: Multi-Level |
2040 (007) |
Julian Tyus |
Tues
3:30 PM - 9:15 PM
In Person
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Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image. Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis. Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1853
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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Studio Dwg:Mixed Media Paper |
2040 (008) |
Karen Azarnia |
Wed
9:00 AM - 3:00 PM
In Person
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Description
Simply put, this class is about exploring possibilities-- the use of various combinations of materials used, wet and/or dry, on any paper related products, from fine drawing sheets to left over cardboard, as long as the what and how of it is on/with a paper support...the individual pursuit for a personal visual voice is encouraged...during the first several weeks, various 'problems' will be given to start things moving?
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Class Number
1854
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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Studio Drawing: Multi-Level |
2040 (009) |
Richard Hull |
Wed
9:00 AM - 3:00 PM
In Person
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Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image. Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis. Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1855
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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Studio Drawing: Multi-Level |
2040 (011) |
Andrew Falkowski |
Thurs
9:00 AM - 3:00 PM
In Person
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Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image. Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis. Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
1857
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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Studio Drawing: Multi-Level |
2040 (013) |
Paul Heyer |
Thurs
3:30 PM - 9:15 PM
In Person
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Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image. Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis. Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
2031
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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Studio Drawing: Multi-Level |
2040 (014) |
Noah B Rorem |
Fri
9:00 AM - 3:00 PM
In Person
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Description
This drawing studio serves as a broad introduction to historical and contemporary drawing practices. This course presents drawing as an organizer of thought, experience, and image. Students will investigate a full range of drawing materials and supports. Lectures and exercises introduce various concepts of drawing, possibly including illusionistic form and space, gesture and expressive mark-making, or collage and found imagery, depending on the instructor?s emphasis. Designed to accommodate many skill levels, students can explore various creative strategies through technical drawing exercises, material explorations, and individual projects. Structured classroom critiques will bring drawing concepts into personal student work.
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Class Number
2032
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 125
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Std Draw:Large Format |
2040 (015) |
|
Fri
9:00 AM - 3:00 PM
In Person
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Description
How big is big? Does the size of a drawing alter our ideas of what we?re about while we?re producing it? How do relationships of internal scale alter our sense of the surrounding space, and how do the sizes of the materials and the support alter our own awareness of scale? In this course we will explore the potential for large format drawing in the perceptual, material, narrative and conceptual senses. We will work towards expanding notions of Large, Format, Studio and Drawing. We will work towards specificity and developing each student's individual concerns. Bring your ambition, you'll need it. Most time in class will be spent working on studio projects, which will be supplemented by museum visits, slide lectures, student led reading discussions and presentations, and in depth critique. Readings and artists looked at will vary, but will typically include texts which attempt a broad overview of the state of drawing within the field of contemporary art like Vitamin D2 and Drawing Now: Eight Propositions, and include contemporary artists working with drawing at ambitious scale such as Toba Khedoori, Amy Sillman, and William Kentridge, and more historical examples like Willem de Kooning, Cy Twombly, Lee Krasner, and Jasper Johns. There will be a long form mid-term critique and a shorter final critique. Students will be expected to complete multiple large scale works for each.
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Class Number
2033
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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Studio Draw: Expanded Line |
2040 (017) |
|
Sat
10:00 AM - 4:00 PM
In Person
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Description
The course looks at the role of the observer and the performer through drawing and performance. Both practices respond to each other by mapping movement and moving mappings. We will be exploring performance through drawing: drawing as a description, a medium, and a score for an embodied gesture. We will use drawing to imagine movement and to move concepts, in which drawing can act as tracing and foreseeing. Performances become descriptions and embodied drawings and vice versa. We will look at performance art, presence practice, being seen and remarking on what will remain unseen, scores, methods of performance documentation and notation, as well as drawing as mark making and thinking process. We will look at artists like Sol Lewitt, Lygia Pape, Monica Baer, among other artists at the intersection of drawing as a performance practice like Janine Antoni, David Hammons, Stanley Brown; Artists in conversations such as Paul Chan and Martha Rosler; Devin T. Mays and David Schutter; John Baldessari and Paul Thek; Matthew Goulish and Lin Hixson. We will work through texts like Walkaround Time: Dance and Drawing in the Twentieth Century by Cornelia H. Butler, Tentacular Thinking: Anthropocene, Capitalocene, Chthulucene by Donna Haraway, and 'White Elephant Art vs Termite Art' by Manny Farber.
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Class Number
2140
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Credits
3
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Department
Painting and Drawing
Area of Study
Illustration
Location
280 Building Rm 321
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Std Draw:Adv Form Invention |
2041 (001) |
Richard Hull |
Thurs
9:00 AM - 3:00 PM
In Person
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Description
An advanced investigation of drawing as an organizing tool for thought and personal image exploration. Students work with both assigned and independently conceived problems. Topic: Form Invention - The exploration of representation strategies beyond direct perception and conventional visual modes. Procedures will include exaggeration and omission, stylization and abstraction, composite and hybrid forms, secondary and double images, visual puns and rhymes, and multi-perspectival representation. Examples will be drawn from the span of art history, East and West and from contemporary practice and visual culture. There will be studio problems and exercises, sketchbook assignments, individual projects, slide presentations, and museum visits.
Prerequisites
Prerequisite: PTDW 2040.
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Class Number
2488
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Credits
3
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Department
Painting and Drawing
Location
280 Building Rm 315
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Sophomore Seminar: Interdisciplinary |
2900 (066) |
Leah Ke Yi Zheng |
Wed
8:30 AM - 11:15 AM
In Person
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Description
What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision. Prerequisite: Must be a sophomore to enroll.
Prerequisites
Prerequisite: Must be a sophomore to enroll.
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Class Number
1818
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Credits
3
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Department
Painting and Drawing
Location
280 Building Rm 120
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Brainspace to Studiospace |
2900 (067) |
Danny Bredar |
Thurs
8:30 AM - 11:15 AM
In Person
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Description
This Sophomore Seminar explores how artists and designers organize, prioritize, develop, and build their ideas into works in real life. Special emphasis will be put on designing projects, evaluating them, methods of critique, and idea generation. Readings and lectures will focus on different individual artists who reimagined their practices in surprising ways including Qiu Zhijie?s ?Total Art?, Mierle Laderman Ukeles? ?Maintenance Art? and Lee Lozano?s ?Drop Out Piece?. Important texts include Printed Matter?s collection of artist essays ?The Social Medium: Artists Writing, 2000-2015? and Catherine Wagley?s essay ?The Conversation: Female Artist as Art Historian? from X-Tra magazine. Students will learn to evaluate their past experiences with art and communicate about their individual practices as artists, designers, and scholars. Students will build an aspirational plan for their future at SAIC and beyond. With the goal of students will learn about how and why they make art, assignments will ask them to track their influences and reflect on what they think is valuable in culture.
Prerequisites
Prerequisite: Must be a sophomore to enroll.
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Class Number
2143
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Credits
3
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Department
Painting and Drawing
Location
280 Building Rm 120
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Sophomore Seminar: Interdisciplinary |
2900 (069) |
Alex Cohen |
Tues
3:30 PM - 6:15 PM
In Person
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Description
What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision. Prerequisite: Must be a sophomore to enroll.
Prerequisites
Prerequisite: Must be a sophomore to enroll.
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Class Number
2145
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Credits
3
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Department
Painting and Drawing
Location
280 Building Rm 120
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Repertoire |
2900 (68S) |
Rachel Niffenegger |
Thurs
6:45 PM - 9:30 PM
In Person
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Description
This Sophomore Seminar section, Repertoire, is relevant to studio artists working across all media who are questioning and developing how meaning and material intersect in their work. We will focus on inventorying the entire stock of techniques and concepts explored in our work at SAIC until this point. Through critique and discussion we will iterate within our established repertoires with our sights set on developing studio practices that allow for both focus and innovation.
Prerequisites
Prerequisite: Must be a sophomore to enroll.
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Class Number
2144
|
Credits
3
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Department
Painting and Drawing
Location
280 Building Rm 120
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Painting Studio A: Multi-Level |
3001 (001) |
Noah B Rorem |
Mon
9:00 AM - 3:00 PM
In Person
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Description
This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes.
Prerequisites
Prerequisite: PTDW 1101, 2001, 2004 or PTDW 3003
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Class Number
1860
|
Credits
3
|
Department
Painting and Drawing
Location
280 Building Rm 305
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