Topics in Modern and Contemporary Art |
5002 (001) |
Daniel Ricardo Quiles |
Mon/Thurs
1:15 PM - 5:00 PM
In Person
|
Description
This classes introduces topics, themes, methods and theories of modern and contemporary art from the late 19th century to the present. The class is geared at incoming MFA students to engage in issues relevant to art historical methods to supplement their artistic practice. Individual instructors will adapt the content based on their individual areas of expertise.
Content will vary depending on instructors but include key texts in Modern and Contemporary art history.
The course will include reading by relevant scholars in the field of Modern and Contemporary Art. Students will turn in weekly responses, take quizzes and tests and possibly write a research paper at the end of the semester
Prerequisites
This course is primarily for incoming MFA students, and students should only take this survey once.
|
Class Number
1219
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 620
|
Graduate Studio Seminar |
5600 (001) |
John D Neff |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1231
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 314
|
Graduate Studio Seminar |
5600 (002) |
Kelly F. Kaczynski |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1232
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 328
|
Graduate Studio Seminar |
5600 (003) |
Assaf Evron |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1233
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 315
|
Graduate Studio Seminar |
5600 (004) |
D. Denenge Duyst- Akpem |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1234
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 329
|
Graduate Studio Seminar |
5600 (005) |
Terri Kapsalis |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1235
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 326
|
Graduate Studio Seminar |
5600 (006) |
Irina Adina Bucan |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1236
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Lakeview - 1427
|
Graduate Studio Seminar |
5600 (007) |
Julietta Cheung |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1237
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 501
|
Graduate Studio Seminar |
5600 (008) |
Aliza Shvarts |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1238
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 920
|
Graduate Studio Seminar |
5600 (009) |
Asha Iman Veal |
Tues
9:00 AM - 3:00 PM
In Person
|
Description
This seminar consists of weekly studio visits, discussions, and small group critiques. Students are expected to arrive with completed and semi-completed works and be prepared to make and re-make new works throughout the summer sessions. A wide variety of readings chosen by faculty will guide discussions that concentrate on problems concerning methods of artmaking, distribution, and interpretation. Readings will include examples drawn from the emerging category of conceptual writing as well as crucial art historical texts, literature, and poetry.
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1241
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 620
|
Low-Residency Colloquium |
5610 (001) |
John D Neff |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1230
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
To Be Announced
|
Low-Residency Colloquium |
5610 (002) |
Kelly F. Kaczynski |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1313
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
To Be Announced
|
Low-Residency Colloquium |
5610 (003) |
Assaf Evron |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1314
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
To Be Announced
|
Low-Residency Colloquium |
5610 (004) |
D. Denenge Duyst- Akpem |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1315
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
To Be Announced
|
Low-Residency Colloquium |
5610 (005) |
Terri Kapsalis |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1316
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
To Be Announced
|
Low-Residency Colloquium |
5610 (006) |
Irina Adina Bucan |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1317
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
To Be Announced
|
Low-Residency Colloquium |
5610 (007) |
Asha Iman Veal |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1318
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
To Be Announced
|
Low-Residency Colloquium |
5610 (008) |
Aliza Shvarts |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1319
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
To Be Announced
|
Low-Residency Colloquium |
5610 (009) |
Xi Li |
Tues/Fri
3:30 PM - 6:15 PM
In Person
|
Description
Over the course of each six-week summer residency period, all students in the Low- Res MFA program engage with a series of world renowned artists and scholars to expand our collective conceptual frameworks and discourses. Invited speakers participate in our Visiting Artist & Scholar Lecture Series. They deliver a public lecture open to the entire SAIC and Chicago community and the general public, and then participate in a Colloquium the next day exclusively for Low-Res MFA students. Each Colloquium takes place with the artist present, and is a space where the artist¿s work and concepts (direct or adjacent) are discussed, questions are raised, and topics are debated. Colloquium asks for consensus, but rather a dynamic and in depth discursive exploration of ideas. This form allows for a multiplicity of voices to build on concepts through questioning, contributing, challenging, and listening to each other. The colloquium is considered a Gift anchored with the presence of the visiting artist. This Gift is generated by enacting full attention to the concepts present in the artist or scholar¿s work. In the spirit of Lewis Hyde, the Gift is an exchange which generates or propagates further attention and exchange in culture. Thus, the Colloquium is a Gift meant to propagate further exchange in the world, as artists and citizens.
|
Class Number
1320
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
To Be Announced
|
Professional Practices: Digital Interfaces |
5630 (001) |
Kelly F. Kaczynski |
Thurs
8:30 AM - 11:45 AM
In Person
|
Description
This specialized professional practice course prepares students for active participation in the artistic and scholarly life of the School of the Art Institute of Chicago, including familiarizing them with on-campus and online components of the Low-Residency MFA infrastructure. Students will be introduced to in-person and online library resources, including SAIC¿s special collections. We will become familiar with both bricks-and-mortar and digital research, communication, and production tools available through the school. Students will be trained on digital platforms including Canvas, SAIC's learning management system, in preparation for their fall and spring online courses. Additionally, this course will introduce Chicago area resources that may be useful in students research and practice. Through this course, students may be authorized on some equipment for use during the residency.
|
Class Number
1229
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 1117
|
Professional Practices: Digital Interfaces |
5630 (002) |
John D Neff |
Thurs
8:30 AM - 11:45 AM
In Person
|
Description
This specialized professional practice course prepares students for active participation in the artistic and scholarly life of the School of the Art Institute of Chicago, including familiarizing them with on-campus and online components of the Low-Residency MFA infrastructure. Students will be introduced to in-person and online library resources, including SAIC¿s special collections. We will become familiar with both bricks-and-mortar and digital research, communication, and production tools available through the school. Students will be trained on digital platforms including Canvas, SAIC's learning management system, in preparation for their fall and spring online courses. Additionally, this course will introduce Chicago area resources that may be useful in students research and practice. Through this course, students may be authorized on some equipment for use during the residency.
|
Class Number
1247
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 1116
|
Attention |
6510 (001) |
Donato Loia |
Mon/Thurs
1:15 PM - 5:00 PM
In Person
|
Description
This seminar will look at the mental faculty of attention and the role it plays in the production and reception of art, specifically how attention mediates experience between artists and viewers. We will examine the attempt to direct attention as a basis for making meaning within artworks, particularly in moving-image, spatial, and place-related work. We will also ask how the issues of attention and attention span that have become so ubiquitous, may impact the art context. In short, we will take up attention as an attribute, tool, or condition for making work in relation to other subjects rather than as a subject in itself, treating attention as a register for looking at artworks. The seminar will consist of readings and screenings drawn from philosophy, psychology, art theory, film theory, fiction, and other disciplines.
|
Class Number
1222
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 302
|
Perception |
6530 (001) |
Jennifer Dorothy Lee |
Mon/Thurs
1:15 PM - 5:00 PM
In Person
|
Description
Hong Kong¿s revolution of our times. Taiwan¿s White Terror. Xu Bing¿s fake Chinese characters. Lu Yang¿s deep brain stimulation. Considering such multisensorial phenomena unfolding on a global stage, to what extent shall we regard human perception as a biological fact rooted in neurological functions best left to the understanding of scientists? How is perception particularized and socialized in critical social theory and everyday practice? What are some of the under-examined histories of perception for persons beyond the Euro-American west? Our class will take up these questions through a deep dive into critical texts, theories, and artworks that intersect across East Asia and North America, historically and in the present. Grounding our examinations of revolutionary movements of perception and creative practice, the class will address a selection of discourses that challenge the purported objectivity and universality of perception in transnational and diasporic frames, with special attention to contemporary China, Hong Kong, and Taiwan.
|
Class Number
1223
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 301
|
Professional Practices: Curatorial Liaisons |
6630 (001) |
Judd Morrissey |
Thurs
8:30 AM - 11:45 AM
In Person
|
Description
This course examines an artist?s professional practice tactically, within the context of a contemporary networked international art world in which online presence rivals real-world gallery and museums, and media documentation of works can be as significant as physical versions in their impact. In relation to these transformations, traditional museum curation has morphed into a hybrid practice - museumology - in which curators work in teams with education and media departments and museums consider ?community outreach? rather than archiving or connoisseurship their primary missions. The art world is, like most others, a shifting ground post ubiquitous media. Students will consider the Internet, the possibility of tactical virality and their own artistic identities in relation to such transformations through site visits and active discussion with members of the Chicago gallery and museum community. These will be augmented by online Skype meetings with organizers and art professionals outside of Chicago in both the national and international context.
|
Class Number
1228
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 329
|
Professional Practices: Curatorial Liaisons |
6630 (002) |
Mark Jeffery |
Thurs
8:30 AM - 11:45 AM
In Person
|
Description
This course examines an artist?s professional practice tactically, within the context of a contemporary networked international art world in which online presence rivals real-world gallery and museums, and media documentation of works can be as significant as physical versions in their impact. In relation to these transformations, traditional museum curation has morphed into a hybrid practice - museumology - in which curators work in teams with education and media departments and museums consider ?community outreach? rather than archiving or connoisseurship their primary missions. The art world is, like most others, a shifting ground post ubiquitous media. Students will consider the Internet, the possibility of tactical virality and their own artistic identities in relation to such transformations through site visits and active discussion with members of the Chicago gallery and museum community. These will be augmented by online Skype meetings with organizers and art professionals outside of Chicago in both the national and international context.
|
Class Number
1312
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 326
|
Professional Practice: Expanded Networks |
6830 (001) |
Aliza Shvarts |
Thurs
8:30 AM - 11:45 AM
In Person
|
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1227
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 328
|
Professional Practice: Expanded Networks |
6830 (002) |
Xi Li |
Thurs
8:30 AM - 11:45 AM
In Person
|
Prerequisites
Prerequisite: Must be enrolled in the Low-Residency MFA Program.
|
Class Number
1242
|
Credits
1.5
|
Department
Masters in Fine Arts Low Residency
Location
Sharp 1114
|
Thesis Studio: Public Presentation |
6870 (001) |
Irina Adina Bucan |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
Students in their final residency enroll in Thesis Studio: Public Presentation, a two-part course that guides students through their thesis presentation that will be given in the SAIC Galleries during the MFA Thesis Exhibition. The first portion functions as a seminar, during which students learn about historical modes and forms of the artist¿s talk and prepare for their own public presentations. These presentations consist of two parts: an artist talk to be delivered live in relation to the Thesis Exhibition, and a creative video work that synthesizes ideas in each artist¿s practice in a new way. The second portion of the course consists of presenting the talks and videos to the entire graduating cohort and SAIC faculty.
|
Class Number
1239
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
MacLean 301
|
Thesis Studio: Public Presentation |
6870 (002) |
Aliza Shvarts |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
Students in their final residency enroll in Thesis Studio: Public Presentation, a two-part course that guides students through their thesis presentation that will be given in the SAIC Galleries during the MFA Thesis Exhibition. The first portion functions as a seminar, during which students learn about historical modes and forms of the artist¿s talk and prepare for their own public presentations. These presentations consist of two parts: an artist talk to be delivered live in relation to the Thesis Exhibition, and a creative video work that synthesizes ideas in each artist¿s practice in a new way. The second portion of the course consists of presenting the talks and videos to the entire graduating cohort and SAIC faculty.
|
Class Number
1244
|
Credits
3
|
Department
Masters in Fine Arts Low Residency
Location
Lakeview - 206
|