| Introduction to Fashion, Body, and Garment |
1010 (001) |
Kylee Marisa Alexander |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1524
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Introduction to Fashion, Body, and Garment |
1010 (002) |
Bambi Deidre Breakstone |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1525
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Introduction to Fashion, Body, and Garment |
1010 (003) |
Anna L Brown |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1526
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 703
|
| Introduction to Fashion, Body, and Garment |
1010 (004) |
Kylee Marisa Alexander |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1527
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Introduction to Fashion, Body, and Garment |
1010 (005) |
Kristin Mariani |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1528
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 703
|
| Introduction to Fashion, Body, and Garment |
1010 (006) |
Caroline Marie Bellios |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1550
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 703
|
| Fashion Construction I |
2001 (001) |
Isaac Couch |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Student must be a freshman or sophomore and have taken Intro to Fashion, Body & Garment
|
Class Number
1551
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Construction I |
2001 (002) |
Janet Kang |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Student must be a freshman or sophomore and have taken Intro to Fashion, Body & Garment
|
Class Number
1552
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Construction I |
2001 (003) |
Agnes Hamerlik |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Student must be a freshman or sophomore and have taken Intro to Fashion, Body & Garment
|
Class Number
1553
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 705
|
| Fashion Construction I |
2001 (004) |
Janet Kang |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Student must be a freshman or sophomore and have taken Intro to Fashion, Body & Garment
|
Class Number
1554
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Construction I |
2001 (005) |
Compton Quashie |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Student must be a freshman or sophomore and have taken Intro to Fashion, Body & Garment
|
Class Number
1560
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Construction I |
2001 (006) |
Pamela Vanderlinde |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers foundational methods of draping, pattern drafting, and construction techniques to build garments. The students learn how to develop a set of slopers, consisting of bodice, sleeve and skirt, combining and integrating draping and pattern drafting methods. Through these methods, the students develop and construct design concepts, first in muslin, then in fabric; stressing the importance of proper fit and craftsmanship. No pre-req.
Prerequisites
Student must be a freshman or sophomore and have taken Intro to Fashion, Body & Garment
|
Class Number
2251
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Design I |
2002 (001) |
Edgar X. Aguilera |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Student must be a freshman or sophomore and have taken Intro to Fashion, Body & Garment
|
Class Number
1555
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Design I |
2002 (002) |
Kristin Mariani |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Student must be a freshman or sophomore and have taken Intro to Fashion, Body & Garment
|
Class Number
1556
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 701
|
| Fashion Design I |
2002 (003) |
Anke Loh |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Student must be a freshman or sophomore and have taken Intro to Fashion, Body & Garment
|
Class Number
1557
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Design I |
2002 (004) |
Kristin Mariani |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design I builds the skills and talents required to achieve creative fashion. This class teaches the design fundamentals of the integrated core fashion design curriculum. Students will engage multiple skills to create individual, visionary, unconventional garments, and later, collections. Through a series of projects, students explore form, silhouette, volume, and research in design to arrive at a personal point-of-view in fashion. This course will specifically ask students to work conceptually and to develop research methodologies in their design work. Based on this inquiry, students generate sketches and surface treatments to refine their unique silhouettes and material manipulations. No prerequisite.
Prerequisites
Student must be a freshman or sophomore and have taken Intro to Fashion, Body & Garment
|
Class Number
1558
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Shape And Theory In Garments |
2005 (001) |
Benjamin Larose |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Explorations in the design of 'experimental' garments using the basic elements of mass, volume, form and motion. Rather than concerning themselves with current design trends or regular fashion problems, students emphasize bodies as forms in motion or as moving sculpture.
|
Class Number
1542
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Community & Social Engagement
Location
Sullivan Center 723
|
| Accessory Design |
2006 (001) |
William Walton |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
In this workshop, students create various accessories from original ideas. This program is divided into projects such as the design and construction of embellished evening bags, summer totes, gloves, costume jewelry, and millinery. Emphasis is placed on references to history of individual accessories and developing collections of illustrations in color.
|
Class Number
1529
|
Credits
3
|
Department
Fashion Design
Area of Study
Product Design
Location
Sullivan Center 727
|
| Beginning Fashion Illustration |
2007 (001) |
Dijana Granov |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course develops drawing skills with an emphasis on figure gesture and proportion along with a wide range of media. Students are taught to sketch from a live model while communicating design concepts in clothing with style and expression.
|
Class Number
1530
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Illustration
Location
Sullivan Center 734
|
| Beginning Fashion Illustration |
2007 (002) |
Donald Yoshida |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course develops drawing skills with an emphasis on figure gesture and proportion along with a wide range of media. Students are taught to sketch from a live model while communicating design concepts in clothing with style and expression.
|
Class Number
1531
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Illustration
Location
Sullivan Center 734
|
| Sculptural Headwear |
2013 (001) |
Eia Radosavljevic |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
The human head, as a moving and turning pedestal, presents continually changing views of headwear. This course covers the classic millinery techniques of hat block carving, straw draping, felt blocking, and couture hand-sewing, in contemporary exploration of 'the hat' as a sculptural form and its relationship to the body.
|
Class Number
1539
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 727
|
| Form in Fabric |
2014 (001) |
Eia Radosavljevic |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Giving woven fabrics and alternative flat materials three-dimensional form is key to many sculptural disciplines, most notably headwear design, and garment and fiber works. Beginning with headwear projects as a prime example of self-supported sculptural form, students proceed through a study of methodologies such as pattern drafting, blocking, draping, and carved-form patterning to develop headwear or other objects suiting their individual practice. Assembly is achieved through hand stitching, machine sewing, or innovative techniques appropriate to specific materials. Visual imagery and texts assist in the development of concepts, and the study of interior and exterior space.
|
Class Number
1543
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| 3D Embellishment |
2015 (001) |
Eia Radosavljevic |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Embellishment methods such as ribbon manipulation, feather-work, fabric tooling, and embroidery are introduced as a springboard for individual experimentation in 3-dimensional surface manipulation. Techniques like fur/faux fur sewing, leather tooling, macrame, and tatting may also be introduced in support of conceptual and formal design choices. Students are encouraged to explore alternative methods and up-cycled, sustainable materials to transform or redefine their selected garments and accessories, or to create objects from 3-dimensional units.
|
Class Number
1537
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| Footwear Design |
2016 (001) |
James Robert Sommerfeldt |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Various investigations are conducted regarding traditional and alternative shoe design and assembly. Assigned readings and discussions focus on history, materials, the designers, lifestyle, terminology and processes, and the involvement of feet and shoes in art. Emphasis is placed on interpreting the foot and shoe for visual presentations and experimenting with components for artistic and practical expression. Final critiques include presentations of one of half pairs of shoes and sandals, illustrations, weekly clipping files and a thematic selection of thematic original ideas. Group critiques are scheduled several times during the semester. Weekly slide lectures, field trips, guest lectures or demonstration enable students to develop their ideas in the studio with a focus on fit and originality.
|
Class Number
1532
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 723
|
| Manipulated Stitches |
2017 (001) |
Sharon Shoji |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This class is an explorative approach into traditional and non-traditional methods of creating and manipulating surface through texture. Techniques such as knitting, crocheting, stitching and embellishment will provide a language that speaks about shape and form through construction. Demonstrations will encourage students to create concepts that are three-dimensional in form. Using the body as a foundation in a space, garments and objects that are worn or used will be created as individual projects. Offered in the fall semester only.
|
Class Number
1536
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 701
|
| Interfacing with Draping and Pattern Making |
2022 (001) |
|
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course is an introduction to draping for fashion design and construction. Our focus is on draping blocks, and the creation of slopers; the master patterns of the bodice, skirt, torso, and sleeve from which most designs are developed in flat pattern making.
|
Class Number
1564
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| The Shaping Of The Female Form |
2024 (001) |
Liat Smestad |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course will trace the use of structured undergarments worn by women from the eighteenth century to the present day as a basis for the design and construction of garments. Both traditional and nontraditional fabrics and materials are explored while conceptual and historic issues are discussed using references within the department's Fashion Resource Center. All final projects are fitted on a model in both muslin and fabric.
|
Class Number
1538
|
Credits
3
|
Department
Fashion Design
Area of Study
Gender and Sexuality, Costume Design
Location
Sullivan Center 704
|
| Costume Design in Film and TV |
2032 (001) |
Bambi Deidre Breakstone |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
In this workshop students develop a practical understanding of the procedures used by costume designers and their assistants and crew in film and television production. Weekly lectures and hands-on demonstrations focus on projects including breaking down a script based on character and scene, doing research towards developing characters through costume choices, and techniques used to present those choices to the director and producer. Students break down a script from a show in current production. Final critiques include presentation of the breakdown with clip file photos and drawings of their costume choices for the entire script.
|
Class Number
2252
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Playwriting/Screenwriting
Location
Sullivan Center 723
|
| Masks and Mantles |
2035 (001) |
James Paul |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
In this course the students will study and construct theater masks, corresponding headpieces and mantles or capes. Masks and mantles are based on Commedia dell'arte and baroque silhouettes. Students will also illustrate a fairy tale or morality play, using Commedia dell'arte and baroque stylistic elements (costume, architectural and interior backgrounds).
|
Class Number
1544
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 723
|
| Virtual Flat to Form - Digital Patternmaking |
2060 (001) |
Aubrie J. Meyer |
Mon, Mon
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM
In Person
|
|
Description
This course introduces students to digital pattern-making for fashion. Students learn to use the CAD hardware and software, designing and modifying patterns virtually. This includes digitizing/converting hard patterns to digital files, modifying existing stock patterns, textile printing, 3-D visualization, and plotting sample patterns. Students receive a hands-on approach to developing virtual patterns through fabric testing, using body measurements, and assembling prototypes for final design approval. Other industry skills are developed, such as creating pattern cards, cutter's musts, grading, and marker making.
Prerequisites
FASH 2001/2014/2016/2020/2022/2024/2901
|
Class Number
1541
|
Credits
3
|
Department
Fashion Design
Area of Study
Gender and Sexuality, Digital Imaging, Art and Science
Location
Sullivan Center 705, MacLean 917
|
| Fashion Construction III |
3001 (001) |
|
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Construction III introduces the intermediate construction principles for pants and jackets. Tailoring, cut-and-sew knitwear, and creative draping techniques used on a variety of body types, and gender expressions are explored. The principles of proportion, balance, and fit as required for the achievement of well-made garments will also be studied. Pre req: minimum two Fashion construction classes: FASH 2001, FASH 2003, FASH 2020, FASH2022 or FASH2024
Prerequisites
Student must have completed either FASH 2900 or FASH 2003
|
Class Number
1545
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 705
|
| Fashion Construction III |
3001 (002) |
|
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Construction III introduces the intermediate construction principles for pants and jackets. Tailoring, cut-and-sew knitwear, and creative draping techniques used on a variety of body types, and gender expressions are explored. The principles of proportion, balance, and fit as required for the achievement of well-made garments will also be studied. Pre req: minimum two Fashion construction classes: FASH 2001, FASH 2003, FASH 2020, FASH2022 or FASH2024
Prerequisites
Student must have completed either FASH 2900 or FASH 2003
|
Class Number
1546
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Design III |
3002 (001) |
|
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Design III teaches primary and secondary topical research, and in the context of a historical and cultural framework, students establish their personal point-of-view in fashion. Students will create in-depth research journals and develop a personal visualization style. Students will learn expansive fabric manipulations that lead to distinct styling and collection development to support capsule collection (three looks) development in intermediate studio. Particular attention is given to the use of color, texture, patterns, and design refinement. Pre req: Student must have completed FASH 2900 or receive instructor permission. Instructor permission will be granted with the completion of any 2 of the following Fashion Design classes: FASH 2002, 2005, 2006, 2010, 2016, 2018, 2023, 3005, 3016, 3033. For Summer 2024, this includes a portfolio review as well.
Prerequisites
FASH 2900 or Instructor Permission
|
Class Number
1549
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Design III |
3002 (002) |
|
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
As a project-based course, Fashion Design III teaches primary and secondary topical research, and in the context of a historical and cultural framework, students establish their personal point-of-view in fashion. Students will create in-depth research journals and develop a personal visualization style. Students will learn expansive fabric manipulations that lead to distinct styling and collection development to support capsule collection (three looks) development in intermediate studio. Particular attention is given to the use of color, texture, patterns, and design refinement. Pre req: Student must have completed FASH 2900 or receive instructor permission. Instructor permission will be granted with the completion of any 2 of the following Fashion Design classes: FASH 2002, 2005, 2006, 2010, 2016, 2018, 2023, 3005, 3016, 3033. For Summer 2024, this includes a portfolio review as well.
Prerequisites
FASH 2900 or Instructor Permission
|
Class Number
1547
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 701
|
| Advanced Shape and Theory in Garments |
3005 (001) |
Benjamin Larose |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This advanced level course examines the transformation of form and identity with the body. Particular emphasis will be placed on challenging the literal definition of garment through various processes such as draping, deconstruction and reuse. Students will explore scale and materials from hard to soft, flexible and rigid. Projects using found objects and alternative resources will also be introduced. Through various assignments, students will be encouraged to expand outside the common solution, using unfamiliar territories, placing them in new context. Several projects are assigned involving individual and group critiques with development of personal direction related to contemporary issues. Parallel development in sculptural practices and design will also be examined to see the emerging context of garment as art.
Prerequisites
Student must have completed any 2000 Level FASH course
|
Class Number
1565
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 723
|
| Multi-Level Illustration |
3010 (001) |
Dijana Granov |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course is designed for students who have completed beginning fashion illustration. Emphasis is placed on personal style and media development. Students explore a variety of texture rendering and illustration problem solving.
Prerequisites
Prerequisite: FASH 2007
|
Class Number
1540
|
Credits
3
|
Department
Fashion Design
Area of Study
Illustration
Location
Sullivan Center 734
|
| Multi-Level Knitwear: Machine Structures |
3018 (001) |
|
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course enables students who hand knit to pursue the challenge of creating garments and/or objects with knitting machines. Through demonstration and discussion of traditional basic methods and structured exercises will give the students a foundation in various stitch patterns and techniques. Shape and fit along with texture manipulation are explored. Historical reference as well as current contemporary design concepts will be researched enabling students to focus on individual design to produce a garment or an object. Students will design, sample and explore possibilities in a traditional and non-traditional manner using various materials.
Prerequisites
Student must have completed any 2000 Level FASH course
|
Class Number
1535
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 701
|
| FABRICATION FOR FASHION - textile and finishing studies for fashion |
3025 (001) |
|
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
In this course students immerse themselves in the language of fabrics to express their design concepts in fashion. Students study the origins of a fiber, its use in a yarn, the types of weave, material blends, and fabric finishing all of which result in the distinct characteristics of a material. Students observe how these material conditions determine shape, volume, drape, and flow, and learn the terminology for the professional application. Students study the handling of the fabrics, and stitch sample finishing studies. These material and finishing samples become a personal sample library. This empowers students to discern how to choose or switch fabric to define and push forward their design.
Textile terminology will frame the weekly discourse, as new materials are introduced, studied, explored and handled. Draping exercises lead to deepened studies of the materials as they lend themselves to certain forms. Mills, showrooms, and trade representatives will be invited to workshop with the students. Books referenced in this course are focused on basics of textiles and applications including how to handle fabrics: Fabric for Fashion: The Complete Guide, Second Edition; Laurence King Publishing Fabric for Fashion The Swatch Book, Second Edition ; Laurence King Publishing Sewing For Fashion Designers ; Laurence King Publishing
In addition students will be introduced to trade organizations which provide educational, as well as trend forecast and sustainability information. The Woolmark Company: www.woolmark.com/about/; Cotton Inc.: www.cottoninc.com/about-cotton/; Cotton Works: www.cottonworks.com; NCTO (National Council of Textile Organization): www.ncto.org; Première Vision: www.premierevision.com/en/about
Students will create a fashion fabric and finishings sample and research book, along with a fully executed garment utilizing their discerning study.
Prerequisites
FASH 2001/2014/2016/2020/2022/2024/2901
|
Class Number
1559
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Sustainable Design
Location
Sullivan Center 706
|
| Transformation and Spectacle: The Intersection of Fashion and Performance |
3032 (001) |
Annie Marie Novotny |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
In this class students explore the relationship and intersection between fashion and performance from runway to drag and everything in between. How can garment influence or punctuate the performer? Can a fashion presentation transcend editorial and tip over into performance? How is gender performed? When does fashion become spectacle? This course asks students to participate in media consumption, readings, and discussions while responding to the material presented, in the medium of their choice.
Readings and media will vary but students will be exposed to footage, runway presentations, and documentaries on a variety of artists including Leigh Bowery, Divine, and Alexander McQueen, and Cindy Sherman to name a few as well as contemporary performance artists and designers that blur the lines between performance and fashion. Practicing artists and drag queens from around the community and the country will present and workshop with students asking them to challenge their ideas of performance and adornment.
The projects assigned vary from year to year, but always allow for broad medium expression, playfulness, and responsive freedom to the materials being presented.
|
Class Number
1566
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| Computer Imaging for Fashion Design |
3035 (001) |
Donald Yoshida |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
In this class students learn necessary computer tools to enhance their fashion designs. This class gives students an additional medium to push and refine their designs; additionally, it prepares students for industry work. Students learn on an Adobe platform, which offers in-depth tools for 2D design. Knowledge of the basic Adobe tools enables students to transition into other illustrating platforms they may encounter in the future. Projects include translating hand-drawn designs into computer drawings, creating full designs on the computer, scanning and masking prints, creating prints, creating lay-out, presentation, flat drawing, and more.
Prerequisites
Student must have completed any 2000 Level FASH course
|
Class Number
1533
|
Credits
3
|
Department
Fashion Design
Area of Study
Digital Communication, Digital Imaging, Illustration
Location
MacLean 908
|