| Introduction to Sculptural Practices |
1101 (001) |
Dan Price |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.
Prerequisites
Open to Freshmen only.
|
Class Number
1907
|
Credits
3
|
Department
Sculpture
Area of Study
Furniture Design, Public Space, Site, Landscape
Location
280 Building Rm 023
|
| Introduction to Sculptural Practices |
1101 (002) |
Jefferson Pinder |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.
Prerequisites
Open to Freshmen only.
|
Class Number
1916
|
Credits
3
|
Department
Sculpture
Area of Study
Furniture Design, Public Space, Site, Landscape
Location
280 Building Rm 015
|
| Introduction to Sculptural Practices |
1101 (003) |
Nyeema Morgan |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.
Prerequisites
Open to Freshmen only.
|
Class Number
1903
|
Credits
3
|
Department
Sculpture
Area of Study
Furniture Design, Public Space, Site, Landscape
Location
280 Building Rm 127
|
| Introduction to Sculptural Practices |
1101 (004) |
Nelly Agassi |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.
Prerequisites
Open to Freshmen only.
|
Class Number
1908
|
Credits
3
|
Department
Sculpture
Area of Study
Furniture Design, Public Space, Site, Landscape
Location
280 Building Rm 127
|
| Introduction to Sculptural Practices |
2001 (001) |
Stephen Reber |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.
Prerequisites
Prerequisite: Must be a sophomore or above.
|
Class Number
1897
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 015
|
| Introduction to Sculptural Practices |
2001 (002) |
Daniel Gordon Baird |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.
Prerequisites
Prerequisite: Must be a sophomore or above.
|
Class Number
1918
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 015
|
| Woodworking |
2005 (001) |
Paul Martin |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Students are introduced to the fundamental principles and practices of woodworking through lectures, demonstrations, and projects.
|
Class Number
1911
|
Credits
3
|
Department
Sculpture
Area of Study
Furniture Design
Location
280 Building Rm 023
|
| Mold Making and Casting |
2008 (001) |
Stephen Reber |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers instruction in various methods of casting, including simple plaster molds, hydrocal-cement casts, simple body casts, thermal-setting rubber molds, wax, terra cotta, and paper casting. Students are advised to bring objects they desire to cast. (No hot metal casting in this course.)
|
Class Number
1899
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 030
|
| Carving |
2009 (001) |
Paul Martin |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course is designed to introduce students to the basic techniques of subtractive sculpture. Students will be encouraged to develop an innovative body of work within a material based format. A wide range of carving techniques and materials will be introduced. Historical models will provide vocabulary for understanding methodology and ideas. In class presentations will also acquaint students with artists who approach carving within postmodern ideologies. New technologies such as laser cutting will be introduced. A directed and productive approach to studio practice will be cultivated.
|
Class Number
1900
|
Credits
3
|
Department
Sculpture
Area of Study
Furniture Design
Location
280 Building Rm 015
|
| Art of Crossing the Street |
2027 (001) |
Andres Luis Hernandez |
Thurs
12:15 PM - 3:00 PM
In Person
|
|
Description
This course asks the question, `How can artists cross the street without leaving their art behind?' This class hopes to raise issues of citizenship, creativity, collaboration, community, environment, and the changing roles of artists at the end of the twentieth century and the start of the twenty-first. Students study historical and contemporary examples of how artists have found the time, space, and resources to do and present their work, and how they make alliances with other artists and other communities to achieve professional, cultural, and political goals. Students help plan curricular innovations at SAIC and participate in related activities such as visiting artists programming. They explore the possibility, in part through on-site visits, of establishing or strengthening ties between SAIC and various communities throughout Chicago. Students further develop course themes through substantial written assignments and through applications of these ideas in their studio practice. The goal of the course is to give students the motivation, knowledge, and tools to take an active role as citizens in a multicultural democratic society.
|
Class Number
1917
|
Credits
3
|
Department
Sculpture
Area of Study
Art/Design and Politics, Community & Social Engagement, Public Space, Site, Landscape
Location
Sharp 409
|
| Extreme Craft |
2036 (001) |
Mindy Rose Schwartz |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Now, more than ever, sculpture is the most inclusive category of artmaking. Yet even at the height of this expanded field, a residual hierarchy remains when it comes to means associated with craft. In this course students examine traditional sculpture and craft processes in relation to notions of taste, class, gender, age. Students consider skill or craftsmanship; utility and decoration; commercial pressures vs. aesthetics standards and are encouraged to examine their own relationship to specific materials, processes, and techniques as a source of meaning and foundation for sculptural practice.
|
Class Number
1901
|
Credits
3
|
Department
Sculpture
Area of Study
Class, Race, Ethnicity
Location
280 Building Rm 127
|
| Pattern Making for Sculpture |
2074 (001) |
Juan Angel Chavez |
Tues, Tues
3:30 PM - 9:15 PM, 3:30 PM - 9:15 PM
In Person
|
|
Description
Patternmaking is at the heart of metalworking, woodworking, fashion, architecture and many other disciplines. Why? Because so many materials are available in sheet form. Students in this course will investigate a range of processes by which flat sheet materials like paper, wood, metal, fabric, vinyl, and plastic can be used to make volumetric, three-dimensional forms. Patternmaking for Sculpture will teach the student digital and analogue methods of designing, cutting, and assembling 3D work. Practical strategies as well as contemporary industrial use and the history of patternmaking will be explored to give each student a range of options for making their own work, whether it be art or design.
|
Class Number
1913
|
Credits
3
|
Department
Sculpture
Area of Study
Product Design
Location
280 Building Rm 127A, 280 Building Rm 127
|
| Foundry Basics |
2113 (001) |
FÁTIMA |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course introduces the aesthetic, technical, and historical aspects of the casting process as it relates to sculpture. Students learn basic skills in waxworking, investment applications, furnace and kiln operation, metal finishing and chasing, and patination. Lost wax and ceramic shell will be the primary techniques utilized for pattern generation and molding in this course. Students develop these skills through a series of studies that culminate in a final project.
|
Class Number
1910
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 030
|
| Foundry Basics |
2113 (002) |
Julie A. Nagle |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course introduces the aesthetic, technical, and historical aspects of the casting process as it relates to sculpture. Students learn basic skills in waxworking, investment applications, furnace and kiln operation, metal finishing and chasing, and patination. Lost wax and ceramic shell will be the primary techniques utilized for pattern generation and molding in this course. Students develop these skills through a series of studies that culminate in a final project.
|
Class Number
2274
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 030
|
| The Colossal & The Small |
3013 (001) |
Kelly F. Kaczynski |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This studio course investigates issues of size and scale through lectures and discussions, outside readings, and the studio work of the participants. Its aim is to pursue our attraction to the gargantuan and the miniature. The course examines not only the formal factors which effect our perceptions, but, more importantly, the social, political, and psychological implications of such works. Issues of public and private space are addressed by comparing the monumental and the propagandistic elements of spectacle, as well as the enchanted, intimate, and fetish qualities of the small. Topics discussed range from Mt. Rushmore and the Statue of Liberty to David Hammons's Bliz-aard Ball Sale. Student projects are generated from their own related interests and concerns with interdisciplinary work encouraged.
|
Class Number
1915
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 127
|
| Digital Projects |
3049 (001) |
Cody Norman |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Digital Projects is an experimental sculpture studio with an emphasis on CNC (computer numerical controlled) milling, routing and surfacing. Students will be introduced to Computer Aided Design (CAD) and Computer Aided Machining (CAM) to produce finished works in a range of materials including wood, foam, wax, aluminum and plastic. Experience with Rhino, Fusion360, Maya, Blender or another CAD package is useful but not necessary. Students will use a range of CNC output options in the Columbus Digital Fabrication Studio, the Materials Lab and elsewhere on and off the SAIC campus. Digital Projects will give students ample time to learn new digital subtractive techniques and experiment with how to integrate them into their own critical and conceptual framework.
|
Class Number
1904
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 127A
|
| Metalworks |
3063 (001) |
Dan Price |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Metalworks is a let's-get-to-basics class for working with steel. Join the class to learn basic metal fabrication, including: cutting, forming, forging, welding and finishing. This class will guide you as you build your projects in steel. You'll learn about structural systems and histories relevant to art and design with an emphasis on techniques and methodologies relevant to metalwork. You will integrate your learning to produce a set of finished works using historic and contemporary technologies. If it's metal, It's here. Designing, Fabricating, Forging, Finishing. Make it in metal.
Prerequisites
Prerequisite: SCULP 1101 or SCULP 2001
|
Class Number
1921
|
Credits
3
|
Department
Sculpture
Area of Study
Digital Fabrication
Location
280 Building Rm 127
|
| Socially Engaged Art: In Practice |
3072 (001) |
Sara Black |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
In the last generation, art has claimed new territory. This expanded field involves not only art viewing contexts, but spaces of daily life and practice, socio-political spheres, and draws regularly from non-art disciplines. The motivations and methods utilized in this work are diverse yet highly contested. In this studio seminar course we will pack our proverbial bags and take a trip into the grossly expanded field of socially engaged art and social practice.
|
Class Number
1919
|
Credits
3
|
Department
Sculpture
Area of Study
Community & Social Engagement
Location
280 Building Rm 032
|
| Works Well With Others |
3078 (001) |
Amy Yoes |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
When we involve others in our art-making, unexpected and exciting ideas can arise. This class explores the way in which artists call on the skills and expertise of others in order to realize their work and collaborate. 'Experts' can come from SAIC departments, fellow classmates, and outside fabricators. Need a biologist to get the information you need to carry out your idea? An engineer? Need funds? Trade labor. Trade art. Bring it to public attention? Enlist a curator. Students will document their experiences and the trajectory of the process. Each class will begin with student presentations on artists that Work Well With Others. Critiques, discussions, and individual meetings create a group dynamic that is rewarding and challenging.
|
Class Number
1922
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 127
|
| Foundry: Industrial Morphologies |
3115 (001) |
Julie A. Nagle |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Advances in metallurgy and foundry practices provided the spark for the Industrial Revolution that transformed the world. In this intermediate level metal casting course, students explore how technological developments, material innovations, principles of mass production and distribution, and the mechanization of work have influenced the shape of contemporary social, economic, and political structures. While emphasis is placed on foundry techniques in this course, a variety of industrial materials and processes are explored including computer scanning, data manipulation and rapid-prototyping technologies. Students learn to access industrial services via the internet and off-campus field trips.
|
Class Number
1912
|
Credits
3
|
Department
Sculpture
Area of Study
Product Design
Location
280 Building Rm 030
|
| SCULP: Plans, Proposals, Provocation |
3927 (001) |
Elena Ailes |
Thurs
6:45 PM - 9:30 PM
In Person
|
|
Description
How can artists use professional tools to connect with the art world while engaging with communities, institutions and organizations? In what ways can artists stimulate the public's imagination? Speculative proposals can communicate radical and provocative possibilities to inspire change. In this class students will explore the fantastic, utopic and dystopic that can be made possible within the limits of a hypothetical proposal. During the semester, students will use models, plans, diagrams and sculptural forms to create speculative proposals as standalone 'finished' pieces that imagine realities beyond current financial, physical, legal or practical constraints. The semester will culminate in the presentation of student projects. The class will organize, plan and promote the dissemination of the finished proposals, focusing on unique forms of distribution, presentation and public engagement.
Prerequisites
Prerequisite: Sophomore seminar course
|
Class Number
1758
|
Credits
3
|
Department
Sculpture
Area of Study
Community & Social Engagement
Location
280 Building Rm 032
|
| Advanced Sculpture: Interdisciplinary Projects |
4002 (001) |
Daniel Gordon Baird |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This advanced, interdisciplinary course provides a generative space for developing and understanding creative projects through the discourse of the field of Sculpture. Students in this course come together from various departments to enrich the content of their work through critique and conversation with Sculpture faculty and other advanced level students from across the school. Weekly readings inform the development of self-directed creative projects which form the basis for discussion and may form the basis for a thesis body of work.
Prerequisites
Prerequisite: 3 credits SCULP 2000 or SCULP 3000-level; open to Juniors and Seniors only.
|
Class Number
1906
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 023
|
| Knowledge Lab: Learning With Companion Species |
4018 (001) |
|
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
As Botanist Robin Wall Kimmerer states 'we Americans are reluctant to learn a foreign language of our own species, let alone another species. But imagine the possibilities, the access we would have to different perspectives, the things we might see through other eyes, the wisdom that surrounds us. There are intelligences other than our own, teachers all around us. Imagine how much less lonely the world would be.¿ In this course, we will look to non-human teachers to guide us in the creation of artworks, gaining new perspectives on the lives of non-humans, what they have to teach us about our own human culture, and the wider world around us. Each student will choose one companion (plant, animal, fungus, mineral etc.) to complete a field guide on and to make studio work in conversation with throughout the semester. We will also learn from other artists and writers who engage the more-than-human world, moving through the following themes: Collection & Attention, Cultural Histories of Nature, Material Matters, and Perception / Audience / Umwelt. This class will also include field trips to see how 'nature' is presented and curated, including to the Field Museum, the Lincoln Park Zoo and Conservatory, and any current relevant exhibitions.
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Class Number
1135
|
Credits
3
|
Department
Sculpture
Area of Study
Community & Social Engagement, Art and Science, Sustainable Design
Location
280 Building Rm 010
|
| Advanced Sculptural Practices Studio |
4020 (001) |
Adrian Wong |
Mon, Tues
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM
In Person
|
|
Description
This course provides a forum for in depth critiques and exploration of students' individual directions within the context of sculptural practice. Both technical and conceptual input will be given on a tutorial basis. Group discussions, readings, slide/video presentations, field trips and visiting lecturers may augment this class. Enrolled students will be assigned a studio space in the Columbus building. A maximum of 15 students will be admitted per semester. IMPORTANT: This course requires instructor consent. Please do not email the instructor directly. Instead, fill out the form found at this link, https://tinyurl.com/yjpm32ww, to submit your portfolio and application before the deadline.
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Class Number
1898
|
Credits
6
|
Department
Sculpture
Location
280 Building Rm 032, 280 Building Rm 032
|
| Woodworking in the 21st Century |
4500 (001) |
Jeffrey Prokash |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course explores how contemporary artists, architects, and designers are sourcing and utilizing wood in a world of disappearing resources. Architects and designers are returning to the use of timber in their work, claiming it to be a bold 21st century material due to the emergence of sustainable, engineered wood products. Demonstrations, slide lectures, discussions, readings and field trips will engage: urban logging practices, arboretums, recycled construction materials, sustainable practices, ecologies, economics, veneers, and faux wood. Students will advance their knowledge of wood selection and fabrication while producing art and design work in a variety of wood products.
Prerequisites
Prerequisite: SCULP 1101 or SCULP 2001 or SCULP 2005 or SCULP 3060
|
Class Number
1905
|
Credits
3
|
Department
Sculpture
Area of Study
Public Space, Site, Landscape, Sustainable Design
Location
280 Building Rm 023
|
| Sculpture Skill-Based Bootcamp |
4901 (001) |
Jeffrey Prokash |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This course introduces students to the basics of sculpture fabrication and production. Students of this course will become authorized to use the department's facilities through a series of material projects and assignments that enable safe and competent work in three areas: Moldmaking, Metal Fabrication and Woodworking. The class will design and make molds suitable for casting models from simple and complex patterns in the mold-making studio. The class will use cutting, bending, rolling, welding and finishing techniques in the Metal Fabrication Studio to produce a project in steel. In the Woodshop, the class will learn to design a project in wood using the following machine tools: table saw, dado blades, jointer, planer, band saw, router, pneumatic brad nailer, and sanders. Upon completing Sculpture Bootcamp, students will have the authorizations and experience they need to take full advantage of the sculpture department open shop facilities.
|
Class Number
1914
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 023
|
| SCULP: Into the Field |
4919 (001) |
Sara Black |
Wed
12:15 PM - 3:00 PM
In Person
|
|
Description
This interdisciplinary studio seminar provides a grounding in concepts, histories, practices, and potentialities of the field as reflected in the department's four curricular themes: Permanence and Ephemerality, Public Practice, Space and Place, and Systems. It is designed to help students develop, document and position a body of focused, self-initiated work that demonstrates conceptual understanding and technical ability in relation to the evolving field of contemporary sculpture. In-depth faculty mentoring and peer discussion supports students as they prepare a public presentation or exhibition of their work. In addition to addressing specific themes identified by individual faculty, the class examines tensions and connections between sculpture, architecture, designed objects and new media as they extend and complicate our notions of an expanded sculptural field.
Prerequisites
Prerequisite: Professional practice course
|
Class Number
1338
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 032
|
| Direct Access: Foundry |
5003 (001) |
|
Mon
12:15 PM - 3:00 PM
In Person
|
|
Description
This interdisciplinary studio seminar based in the foundry is designed for graduate students interested in exploring metal casting as a material integrated into individual studio and research practice. The first portion of the course focuses on technical instruction in foundry processes and project development. The second portion emphasizes independent projects, advising, and critical discussions. Traditional and contemporary foundry techniques¿including lost wax casting, lost 3D print casting, mold making, and various pattern-making processes¿will be addressed through readings and demonstrations. The work of contemporary artists such as Hank Willis Thomas, Louise Bourgeois, Simone Leigh, and Debra Butterfield will be discussed for both technical and conceptual consideration. Methods for developing works that incorporate cast metal elements into mixed-media projects will also be explored. Students are expected to develop and produce either a moderately scaled project or a series of small projects utilizing foundry processes as a significant component. Completed works will be presented for a culminating critique. Junior and senior undergraduate students may enroll in this course by emailing the instructor to request authorization to register.
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Class Number
2139
|
Credits
3
|
Department
Sculpture
Location
280 Building Rm 030
|
| Transformation: Responsive Critical Engagement for Artists and Designers |
5006 (001) |
Dan Price |
Tues
3:30 PM - 6:15 PM
In Person
|
|
Description
This seminar course introduces graduate students to a set of provocative concepts and conversations relevant to the theme of transformation. From the act of creation in the studio to establishing a critical position to living a rich and evolving life as an artist, this course challenges students to integrate intention with production and to articulate, re¿ne, and develop their expressive and working methods. This theory-to-practice seminar will develop the student¿s ability to make, look, question, articulate and discuss artwork with con¿dence and intelligence. The core of Transformation: A Seminar is an interrelated set of 12 texts. These texts engage theories of culture, art, anthropology, disability and gender. Authors include: Natassja Martin, David Getsy, Camille Henrot, Pierre Huyghe, Sheila Heti, Rebecca Solnit, Toby Siebers, Maggie Nelson, Hito Steyerl, Paul Preciado, Avery Gordon and Sky Hopinka. Each week, students create an artwork or material reflection in response to that week's reading. The class views and critiques each response as a means of engaging a conversation on the assigned material. Each week, the assignment is the same: 'Make something that promotes your position on the assigned content. Instead of using language to promote your idea, use your creative capacity to respond with an artwork or material reflection. You can make sculptures, drawings, videos, photos, performances or collaged images to capture your position on the assigned content. You can make nearly anything, as long as it is a critical response that embodies a genuine expression of your position.'
|
Class Number
2249
|
Credits
3
|
Department
Sculpture
Area of Study
Art/Design and Politics, Books and Publishing, Theory
Location
280 Building Rm 032
|
| Grad Projects:Sculpture |
6009 (001) |
Lan Tuazon |
TBD - TBD
In Person
|
|
Description
Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Open to MFA, MFAW and MAVCS students only
|
Class Number
1253
|
Credits
3 - 6
|
Department
Sculpture
Location
|
| Grad Projects:Sculpture |
6009 (002) |
Adrian Wong |
TBD - TBD
In Person
|
|
Description
Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Open to MFA, MFAW and MAVCS students only
|
Class Number
1254
|
Credits
3 - 6
|
Department
Sculpture
Location
|
| Grad Projects:Sculpture |
6009 (003) |
Nyeema Morgan |
TBD - TBD
In Person
|
|
Description
Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Open to MFA, MFAW and MAVCS students only
|
Class Number
1255
|
Credits
3 - 6
|
Department
Sculpture
Location
|
| Grad Projects:Sculpture |
6009 (004) |
Jefferson Pinder |
TBD - TBD
In Person
|
|
Description
Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Open to MFA, MFAW and MAVCS students only
|
Class Number
2140
|
Credits
0
|
Department
Sculpture
Location
|
| Grad Projects:Sculpture |
6009 (005) |
Sara Black |
TBD - TBD
In Person
|
|
Description
Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.
Prerequisites
Open to MFA, MFAW and MAVCS students only
|
Class Number
1257
|
Credits
3 - 6
|
Department
Sculpture
Location
|