Dan Price

This 15-day immersive studio course invites students to investigate the dynamic intersection of traditional craftsmanship and contemporary art practice in Japan. Traveling through three culturally significant regions¿the Seto Inland Sea, Kansai (Kyoto, Osaka, Kobe), and Tokyo¿participants will engage directly with Japan¿s layered histories through hands-on workshops, studio visits, and curated explorations of key cultural sites.

Program highlights include:
Intensive workshops with master artisans in traditional techniques such as washi papermaking, textile dyeing, and ukiyo-e woodblock printing
Visits to contemporary galleries, artist-run spaces, museums, and studios that illuminate Japan's evolving art landscape
Immersive encounters with cultural landmarks¿from Kyoto's contemplative temples to Tokyo's vibrant, hybrid art scenes
Through direct engagement with artists, curators, and scholars, students will critically examine how inherited craft practices inform and challenge contemporary modes of artmaking. This cross-cultural studio experience encourages experimentation with unfamiliar materials, processes, and conceptual frameworks, supporting students in expanding their own creative vocabularies through the lens of Japan¿s unique artistic context.

A six-credit option for this course is available for students who wish to extend their practice and complete portfolio-worthy work. This will require the production of a substantial body of work, accompanied by an online journal that documents the creative process and source information material as documented during our time in Japan. The experience will include additional independent studio time and culminate in a critique session held within six weeks of returning from Japan.

This 15-day immersive studio course invites students to investigate the dynamic intersection of traditional craftsmanship and contemporary art practice in Japan. Traveling through three culturally significant regions - the Seto Inland Sea, Kansai (Kyoto, Osaka, Kobe), and Tokyo, participants will engage directly with Japan's layered histories through hands-on workshops, studio visits, and curated explorations of key cultural sites.

Program highlights include:
Intensive workshops with master artisans in traditional techniques such as washi papermaking, textile dyeing, and ukiyo-e woodblock printing
Visits to contemporary galleries, artist-run spaces, museums, and studios that illuminate Japan's evolving art landscape
Immersive encounters with cultural landmarks - from Kyoto's contemplative temples to Tokyo's vibrant, hybrid art scenes
Through direct engagement with artists, curators, and scholars, students will critically examine how inherited craft practices inform and challenge contemporary modes of artmaking. This cross-cultural studio experience encourages experimentation with unfamiliar materials, processes, and conceptual frameworks, supporting students in expanding their own creative vocabularies through the lens of Japan's unique artistic context.

A six-credit option for this course is available for students who wish to extend their practice and complete portfolio-worthy work. This will require the production of a substantial body of work, accompanied by an online journal that documents the creative process and source information material as documented during our time in Japan. The experience will include additional independent studio time and culminate in a critique session held within six weeks of returning from Japan.

Metalworks is a let's-get-to-basics class for working with steel. Join the class to learn basic metal fabrication, including: cutting, forming, forging, welding and finishing. This class will guide you as you build your projects in steel. You'll learn about structural systems and histories relevant to art and design with an emphasis on techniques and methodologies relevant to metalwork. You will integrate your learning to produce a set of finished works using historic and contemporary technologies. If it's metal, It's here. Designing, Fabricating, Forging, Finishing. Make it in metal.

Metalworks is a let's-get-to-basics class for working with steel. Join the class to learn basic metal fabrication, including: cutting, forming, forging, welding and finishing. This class will guide you as you build your projects in steel. You'll learn about structural systems and histories relevant to art and design with an emphasis on techniques and methodologies relevant to metalwork. You will integrate your learning to produce a set of finished works using historic and contemporary technologies. If it's metal, It's here. Designing, Fabricating, Forging, Finishing. Make it in metal.

This interdisciplinary studio seminar based in the Sculpture department is designed for graduate students from across the institution who are interested in exploring the tools, processes and theories that guide and support advanced sculptural works.

This course begins with an overview of the facilities and processes that the Sculpture Department provides. Processes include woodworking, metalworking, mold making and digital processes. The aim of the course is to allow students to safely and competently use sculptural processes in their individual studio and research practices. After four weeks of introduction, authorization and training, the course allows students to design and execute independent projects. This work is supported with theory, research, advising, planning, production and critical discussions.
Readings and lectures will touch on the history and practice of Sculpture. Students will engage with the history of Sculpture and analysis of how contemporary artists use sculptural processes in the production of works in related fields, including performance, installation and more.
Students will produce a series of work samples to establish competency within the studio processes covered. After that, they will imagine, design and complete a body of work suitable to their own individual research and studio goals that will be presented in a critique at the end of the session.

This seminar course introduces graduate students to a set of provocative concepts and conversations relevant to the theme of transformation. From the act of creation in the studio to establishing a critical position to living a rich and evolving life as an artist, this course challenges students to integrate intention with production and to articulate, re¿ne, and develop their expressive and working methods. This theory-to-practice seminar will develop the student¿s ability to make, look, question, articulate and discuss artwork with con¿dence and intelligence.
The core of Transformation: A Seminar is an interrelated set of 12 texts. These texts engage theories of culture, art, anthropology, disability and gender. Authors include: Natassja Martin, David Getsy, Camille Henrot, Pierre Huyghe, Sheila Heti, Rebecca Solnit, Toby Siebers, Maggie Nelson, Hito Steyerl, Paul Preciado, Avery Gordon and Sky Hopinka.
Each week, students create an artwork or material reflection in response to that week's reading. The class views and critiques each response as a means of engaging a conversation on the assigned material. Each week, the assignment is the same: 'Make something that promotes your position on the assigned content. Instead of using language to promote your idea, use your creative capacity to respond with an artwork or material reflection. You can make sculptures, drawings, videos, photos, performances or collaged images to capture your position on the assigned content. You can make nearly anything, as long as it is a critical response that embodies a genuine expression of your position.'

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.