A sculpture student working in the metal shop

Graduate Curriculum & Courses

Graduate Curriculum & Courses

The Master of Fine Arts (MFA) program at the School of the Art Institute of Chicago (SAIC) is designed to offer maximum flexibility in addressing your individual needs as a student. Following admission through a department, you will design your two-year plan of study based on optimizing the offerings and opportunities available throughout SAIC. You are encouraged to seek out curricular advising as needed from a variety of available sources including the dean, graduate dean, graduate division chair, department heads, academic advising, the graduate admissions office, and your peers.

Studio—MFA 6009 Graduate Projects, Seminars and/or maximum of 12 credits of 3000-level and above studios39  
Art History12  
  • ARTHI 5002 Graduate Survey of Modern and Contemporary Art OR ARTHI 5120 Survey of Modern and Contemporary Architecture and Design(3)
  • Art History Courses, 4000-level or above (9)
 
Electives—any course in any area at 3000 level or above9  
Participation in four graduate critiques 
Participation in ONE of the following as appropriate to artistic practice:* Graduate Exhibition, AIADO or Fashion Exhibition, Graduate Performance Event, Graduate Screenings 
Total Credit Hours60 

* Students who wish to use an alternative venue or presentation outside of these options must receive permission from the Dean of Graduate Studies. The AIADO Department encourages students in their MFA design programs to participate in the AIADO and Fashion Graduate Exhibition.

Degree Requirements & Specifications

  • Completion schedule: You have a maximum of four years to complete your MFA in Studio degree. This includes time off for leaves of absence. Students will have access to studios for four semesters only.
  • Transfer credits: You must complete a minimum of 45 credit hours in residence at SAIC. You can request up to 15 transfer credits at the time of application for admission, which are subject to approval at that time. No transfer credits are permitted after a student is admitted.
  • Art History requirement: MFA students are required to take ARTHII 5002 Graduate Survey of Modern and Contemporary Art OR ARTHI 5120 Survey of Modern and Contemporary Architecture and Design. Art History courses must be at the 4000-level and above.
  • Undergraduate studio courses: Graduate students are permitted no more than one undergraduate studio course (3000-level and above) per semester without permission of the Dean of Graduate Studies. Courses at the 1000 and 2000-level are allowed only with permission.
  • Full-Time Status Minimum Requirement: 12 credit hours

MFA 6009 Graduate Projects

MFA 6009 Graduate Projects advising, an ongoing individual dialogue with a wide range of full-time and part-time faculty advisors, is at the heart of the MFA program at SAIC, encouraging interdisciplinary study across the curriculum. You are required to register for one MFA 6009 Graduate Projects advisor each semester, and we highly recommend you register for two.

In the registration process, you may elect to earn 3 or 6 hours of credit with each advisor. This option is designed to allow for maximum flexibility in designing your program. You can earn as few as 3 and as many as 6 credits with each advisor each semester, thus dedicating a maximum of 12 credit hours to your studio activity. The number of credits you earn has no correlation with the length or frequency of the advising sessions or to faculty assessment of student work.

The remainder of credits required for the full-time 15 credit hour load may include graduate seminars and academic or studio electives. MFA students are urged to take graduate seminars, and an introductory seminar in their department of admission is highly recommended. In addition, the MFA student may choose from all the art history, studio, and academic offerings across the curriculum (including undergraduate offerings above 3000 level) in any given semester to customize their degree experience.

Graduate Critiques

As one of the principle means of assessment each semester, you will be required to participate in Critique Week, a week-long schedule of critiques during which classes are suspended.

Fall semester critiques are organized by department with panels representing the discipline. This provides you with an opportunity to understand the department’s expectations, have your work reviewed from a disciplinary point of view, and to reiterate the expectations for graduate study.

Spring semester critiques are interdisciplinary, with panel members and students from across SAIC disciplines. Interdisciplinary critiques allow for a broad range of responses to your work, and are intended to assess the success of your work for a more general, albeit highly informed audience. Critique panels include faculty, visiting artists, and fellow graduate students.

Graduate Exhibition or Equivalent

At the conclusion of your studies, you will present work in the SAIC Graduate Thesis Exhibition, other end-of-year events at SAIC, or the Gene Siskel Film Center—or arrange with the graduate dean or division chair for an alternative thesis of equal professional quality. Each year more than 200 graduate students exhibit work, screen videos and films, and present time-based works, writings, and performance to a collective audience of 30,000 people.

Students wishing to install work around prevalent themes, strategies or stylistic affinities can participate in a juried and curated section of the SAIC Graduate Thesis Exhibition. A faculty and staff committee conducts extensive studio visits and as a collaborative project with student participants, organizes and installs the show in designated space at the exhibition.

Undergraduate Courses

MFA students are advised to understand the expectations of their faculty when enrolled in undergraduate studio classes. Although graduate students are an asset to the group dynamic, faculty requirements for graduate students in undergraduate classes are variable. The student is responsible for understanding the faculty member's expectations about completion of assignments, attendance, and any other criteria for earning credit. To assure that graduate students are working at degree level, they are permitted no more than one undergraduate studio course (3000 level and above) per semester without permission of the dean of graduate studies. Courses at the 1000 and 2000 level are allowed only with permission.

Course Listing

Title Catalog Instructor Schedule

Description

This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.

Prerequisites

Open to Freshmen only.

Class Number

1382

Credits

3

Department

Sculpture

Area of Study

Furniture Design, Public Space, Site, Landscape

Location

280 Building Rm 015

Description

This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.

Prerequisites

Open to Freshmen only.

Class Number

2133

Credits

3

Department

Sculpture

Area of Study

Furniture Design, Public Space, Site, Landscape

Location

280 Building Rm 015

Description

This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.

Prerequisites

Open to Freshmen only.

Class Number

2350

Credits

3

Department

Sculpture

Area of Study

Furniture Design, Public Space, Site, Landscape

Location

280 Building Rm 023

Description

This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.

Prerequisites

Prerequisite: Must be a sophomore or above.

Class Number

1374

Credits

3

Department

Sculpture

Location

280 Building Rm 015

Description

This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.

Prerequisites

Prerequisite: Must be a sophomore or above.

Class Number

1807

Credits

3

Department

Sculpture

Location

280 Building Rm 023

Description

This course is an introduction to the materials, methods, and concepts of sculpture. We will investigate making in relation to material, time and space. We will consider aspects of sculpture such as meaning, scale, process, social engagement, ephemera and site; and explore the formal properties and expressive potential of materials including mold making and casting, wood, metal and experimental media. We will combine the use of materials and methods with ideas that reflect the history of contemporary sculpture. Demonstrations and authorizations will provide students with experience and technical proficiency in sculptural production while readings and slide lectures venture into the critical discourses of sculpture.

Prerequisites

Prerequisite: Must be a sophomore or above.

Class Number

2134

Credits

3

Department

Sculpture

Location

280 Building Rm 015

Description

This course offers instruction in various methods of casting, including simple plaster molds, hydrocal-cement casts, simple body casts, thermal-setting rubber molds, wax, terra cotta, and paper casting. Students are advised to bring objects they desire to cast. (No hot metal casting in this course.)

Class Number

1377

Credits

3

Department

Sculpture

Location

280 Building Rm 030

Description

Patternmaking is at the heart of metalworking, woodworking, fashion, architecture and many other disciplines. Why? Because so many materials are available in sheet form. Students in this course will investigate a range of processes by which flat sheet materials like paper, wood, metal, fabric, vinyl, and plastic can be used to make volumetric, three-dimensional forms. Patternmaking for Sculpture will teach the student digital and analogue methods of designing, cutting, and assembling 3D work. Practical strategies as well as contemporary industrial use and the history of patternmaking will be explored to give each student a range of options for making their own work, whether it be art or design.

Class Number

1813

Credits

3

Department

Sculpture

Area of Study

Product Design

Location

280 Building Rm 127, 280 Building Rm 127A

Description

This course introduces the aesthetic, technical, and historical aspects of the casting process as it relates to sculpture. Students learn basic skills in waxworking, investment applications, furnace and kiln operation, metal finishing and chasing, and patination. Lost wax and ceramic shell will be the primary techniques utilized for pattern generation and molding in this course. Students develop these skills through a series of studies that culminate in a final project.

Class Number

1375

Credits

3

Department

Sculpture

Location

280 Building Rm 030

Description

This course is a structural and poststructural investigation of sculptural site activation. The students explore the theory and practice of how work gets contextualized and redefined through its placement within a larger social, political, and economic sphere of meaning. Students investigate options and determinants operative in both indoor and outdoor sites, installations, and environments. Although the focus of the class is contemporary, topics of discussion range from Rodin's Burghers of Calais to the public projections of Krzysztof Wodiczko. An indoor space is available for student use and cooperative interaction is encouraged. Prerequisite: intermediate level work in any media or consent of instructor.

Class Number

1808

Credits

3

Department

Sculpture

Area of Study

Community and Social Practice, Interaction and Participation, Public Space, Site, Landscape, Public Space, Site, Landscape

Location

280 Building Rm 127

Description

This studio course explores the 'performing object' in contemporary, avant-garde, and traditional sculpture, installation, performance, and theater. Through experimentation and critical discussion, issues specific to performance art, puppetry, mask and street theater are probed, including: material, movement, sound, text, spectacle, scale, environment, and relationships among performer, puppet, and audience. In addition to in-class exercises, students build and perform a newly conceived, object-based performance piece.

Class Number

1811

Credits

3

Department

Sculpture

Area of Study

Animation

Location

280 Building Rm 127

Description

This course will examine strategies for working on site, gaining an understanding of the complex intersection of the social, cultural, built, and natural environment that is so essential to the creation of artist's interventions, independently or in collaboration with others, in and out of the art world. Working individually and in groups, students will conduct research, critically and creatively analyze site, identify opportunities and issues, and develop and present project proposals. The specifics of location, materials, communities, participants, partnering institutions, funding and facilitation will be identified throughout this process. This course provides pragmatic preparation for actually undertaking projects outside of the studio.

Class Number

1810

Credits

3

Department

Sculpture

Area of Study

Art/Design and Politics, Community & Social Engagement, Sustainable Design

Location

280 Building Rm 127

Description

This course is designed for students who have prior moldmaking and casting experience. Students investigate in-depth project development, implementing and articulating ideas through class discussions and proposals. This course also aims to offer a deeper understanding of the social, historical, and aesthetic implications of replication. Such subjects as the instability and significance of object/material relationships, and the complex and expansive nature between the authentic, the surrogate, and the copy are explored.

Class Number

1812

Credits

3

Department

Sculpture

Location

280 Building Rm 030, 280 Building Rm 032

Description

The history and techniques of bending and shaping wood are explored, from the stage coach wheel to the sculptures of Martin Puryear, from the cambered truss to the violin. Projects include a variety of practices such as laminate bending, form fashioning, steam bending, and vacuum pressing.

Class Number

1380

Credits

3

Department

Sculpture

Area of Study

Furniture Design

Location

280 Building Rm 023

Description

Metalworks is a let’s-get-to-basics class for working with steel. Join the class to learn basic metal fabrication, including: cutting, forming, forging, welding and finishing. This class will guide you as you build your projects in steel. You’ll learn about structural systems and histories relevant to art and design with an emphasis on techniques and methodologies relevant to metalwork. You will integrate your learning to produce a set of finished works using historic and contemporary technologies. If it’s metal, It’s here. Designing, Fabricating, Forging, Finishing. Make it in metal.

Prerequisites

Prerequisite: SCULP 1101 or SCULP 2001

Class Number

2332

Credits

3

Department

Sculpture

Area of Study

Digital Fabrication

Location

280 Building Rm 127

Description

This studio course explores the multiplicity of meanings inherent in the objectness of sculpture practices. Our weekly classes address such issues as monuments, earthworks, and performance; history and temporality; materiality and dematerialization; research, manufacturing, and consumption; tensions and connections between sculpture, architecture, and designed objects; and the ways new media, especially the internet and other virtual sites, alter our notions of the permanent and the ephemeral. Each week we'll discuss readings from contemporary and art historical texts and critique student work. Students will be given assignments and projects to be completed and critiqued throughout the semester.

Class Number

2362

Credits

3

Department

Sculpture

Location

280 Building Rm 023

Description

This course provides students with a semester-long concentration on a sculptural project of their own choosing. Students are encouraged to focus on a cohesive body of work that shares a material or conceptual framework. Multiple individual critiques will enhance their ability to identify, develop and clearly express their artistic intentions. Image and video presentations will expand students' familiarity with a range of sculpture practices. Individual research methodologies are emphasized and structured to take advantage of the institution's resources. Class discussion of contemporary sculpture and theory will underscore students? understanding of the social production of meaning and help them to contextualize their work.

Prerequisites

Prerequisite: SCULP 1101 or SCULP 2001

Class Number

1814

Credits

3

Department

Sculpture

Location

280 Building Rm 127

Description

This studio course explores the interconnected nature of our physical and digital realities and their implications as technical, physical, and conceptual tools for understanding and presenting spatial ideas. This course teaches students to integrate the digital and the analog through process demonstrations including 3D modeling, 3D scanning, digital visualization, 3D printing, CNC output, mold making, pattern making, as well as metal and wood fabrication. This course covers planar and spatial construction methodologies. This course engages themes of identity and place in sculpture and presents the idea that these concepts are expressed uniquely via this hybrid process. However, students in this course are free to choose the content of their own work. Practical application of technical demonstrations build on lectures and discussions considering works by Tauba Auerbach, Macarthur Freeman, The Long Now Foundation, Charles Ray, Spurse, Rokudenashiko (Megumi Igarashi), Amanda Williams, and Wim Delvoye among others. Students will work individually to create 3 artworks to be presented in a final critique. Students will share these artworks in-process in 2 or 3 informal critiques. Each student will also complete a short written research project.

Class Number

1809

Credits

3

Department

Sculpture

Location

280 Building Rm 127, 280 Building Rm 127A

Description

Advances in metallurgy and foundry practices provided the spark for the Industrial Revolution that transformed the world. In this intermediate level metal casting course, students explore how technological developments, material innovations, principles of mass production and distribution, and the mechanization of work have influenced the shape of contemporary social, economic, and political structures. While emphasis is placed on foundry techniques in this course, a variety of industrial materials and processes are explored including computer scanning, data manipulation and rapid-prototyping technologies. Students learn to access industrial services via the internet and off-campus field trips.

Class Number

1383

Credits

3

Department

Sculpture

Area of Study

Product Design

Location

280 Building Rm 030

Description

This advanced, interdisciplinary course provides a generative space for developing and understanding creative projects through the discourse of the field of Sculpture. Students in this course come together from various departments to enrich the content of their work through critique and conversation with Sculpture faculty and other advanced level students from across the school. Weekly readings inform the development of self-directed creative projects which form the basis for discussion and may form the basis for a thesis body of work.

Prerequisites

Prerequisite: 3 credits SCULP 2000 or SCULP 3000-level; open to Juniors and Seniors only.

Class Number

2138

Credits

3

Department

Sculpture

Location

280 Building Rm 015

Take the Next Step

Visit the graduate admissions website or contact the graduate admissions office at 800.232.7242 or gradmiss@saic.edu.