| Printmedia Practices |
1101 (001) |
Jasper Goodrich |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
How is print fundamental to artistic practice? Students will have two seven-week sections learning fundamentals, exploring ways in which artists utilize processes to facilitate print media based projects. Projects will encourage students to critically examine how print services concept and context both historically and within the contemporary. Each thematic section is anchored in a specific print process aimed to establish skill acquisition and experimentation. Sections in Room 221 and 222 will concentrate on experimental and innovative processes in Screenprinting and Lithography; the section meeting in Room 223 will explore contemporary practices using Relief, etching, monotypes, stencils, and collagraphs.
Faculty will conduct process demonstrations, introduce students to a history of practitioners in the graphic arts, and provide supporting readings. Print processes covered may include screen printing, relief, monotypes, photo plate lithography, book arts. Topics will vary but may include the multiple, seriality, editions, public address, progression of collage, and self-publishing. Learning will be aided with visits to the AIC Department of Prints and Drawings and the Joan Flasch Artists Books Collection
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Class Number
1725
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Credits
3
|
Department
Printmedia
Location
280 Building Rm 222
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| Printmedia Practices |
1101 (002) |
Frances Lightbound |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
How is print fundamental to artistic practice? Students will have two seven-week sections learning fundamentals, exploring ways in which artists utilize processes to facilitate print media based projects. Projects will encourage students to critically examine how print services concept and context both historically and within the contemporary. Each thematic section is anchored in a specific print process aimed to establish skill acquisition and experimentation. Sections in Room 221 and 222 will concentrate on experimental and innovative processes in Screenprinting and Lithography; the section meeting in Room 223 will explore contemporary practices using Relief, etching, monotypes, stencils, and collagraphs.
Faculty will conduct process demonstrations, introduce students to a history of practitioners in the graphic arts, and provide supporting readings. Print processes covered may include screen printing, relief, monotypes, photo plate lithography, book arts. Topics will vary but may include the multiple, seriality, editions, public address, progression of collage, and self-publishing. Learning will be aided with visits to the AIC Department of Prints and Drawings and the Joan Flasch Artists Books Collection
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Class Number
1730
|
Credits
3
|
Department
Printmedia
Location
280 Building Rm 223
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| Printmedia Practices |
1101 (003) |
Marylu Herrera |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
How is print fundamental to artistic practice? Students will have two seven-week sections learning fundamentals, exploring ways in which artists utilize processes to facilitate print media based projects. Projects will encourage students to critically examine how print services concept and context both historically and within the contemporary. Each thematic section is anchored in a specific print process aimed to establish skill acquisition and experimentation. Sections in Room 221 and 222 will concentrate on experimental and innovative processes in Screenprinting and Lithography; the section meeting in Room 223 will explore contemporary practices using Relief, etching, monotypes, stencils, and collagraphs.
Faculty will conduct process demonstrations, introduce students to a history of practitioners in the graphic arts, and provide supporting readings. Print processes covered may include screen printing, relief, monotypes, photo plate lithography, book arts. Topics will vary but may include the multiple, seriality, editions, public address, progression of collage, and self-publishing. Learning will be aided with visits to the AIC Department of Prints and Drawings and the Joan Flasch Artists Books Collection
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Class Number
1733
|
Credits
3
|
Department
Printmedia
Location
280 Building Rm 221
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| Beginning Etching |
2002 (002) |
Eliza Myrie |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Students are introduced to basic intaglio methods such as drypoint, soft ground, line etch and aqua tint. Use of specific tools and papers is an essential part of the course. Through examples, discussion and demonstrations students will learn to identify and select methods that suit their expressive needs and concepts.
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Class Number
1746
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Credits
3
|
Department
Printmedia
Location
280 Building Rm 223
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| Beginning Lithography |
2003 (001) |
Jess Giffin |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
In this course students are introduced to stone lithography. Through this planographic printing process it is possible to translate hand-drawn and hand-painted images into multiples and/or multi-color pieces. Emphasis is placed on gaining a thorough understanding of the techniques and principles of lithography through class demonstrations, instruction, individual projects, discussion and critiques.
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Class Number
1726
|
Credits
3
|
Department
Printmedia
Location
280 Building Rm 221
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| Beginning Lithography |
2003 (002) |
Ayanah Moor |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
In this course students are introduced to stone lithography. Through this planographic printing process it is possible to translate hand-drawn and hand-painted images into multiples and/or multi-color pieces. Emphasis is placed on gaining a thorough understanding of the techniques and principles of lithography through class demonstrations, instruction, individual projects, discussion and critiques.
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Class Number
1741
|
Credits
3
|
Department
Printmedia
Location
280 Building Rm 221
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| Beginning Relief Printing |
2004 (001) |
Aaron Hughes |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Students learn traditional and experimental approaches to relief printmaking. Techniques covered are woodcut, linocut, wood engraving, relief etching, monoprints, and other press and hand-printing relief processes.
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Class Number
1738
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Credits
3
|
Department
Printmedia
Location
280 Building Rm 221
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| Beginning Relief Printing |
2004 (002) |
Jasper Goodrich |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Students learn traditional and experimental approaches to relief printmaking. Techniques covered are woodcut, linocut, wood engraving, relief etching, monoprints, and other press and hand-printing relief processes.
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Class Number
2232
|
Credits
3
|
Department
Printmedia
Location
280 Building Rm 203
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| Beginning Screenprinting |
2005 (001) |
Peter Power |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
In this course, students acquire technical proficiency in the various stencil printing methods. Individual exploration and development in the medium is encouraged and supported by individual instruction and group critiques.
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Class Number
1727
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Credits
3
|
Department
Printmedia
Location
280 Building Rm 222
|
| Relief: Multi-Level |
2014 (001) |
Oli Watt |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
In this studio course, students will explore relief printmaking techniques using woodblocks, linoleum, found-objects, foam, monoprints and digital processes. Students will learn how to properly carve, ink, and print blocks in order to create editions as well as experiment with non-traditional formats. Students will be exposed to the rich history of relief printmaking through traditional and contemporary examples, specifically works from AIC and SAIC collections. Returning students will expand upon previous projects and develop new approaches to exploring content and understanding relief techniques.
Students will be exposed to a wide variety of artists from the long and rich history of relief printmaking. We will examine artists who work traditionally within the medium, as well as artists who depend upon contemporary technology to create prints. Some of the artists we will explore in this course include Durer, Hokusai, Masereel, Mendez, Zarina and Baumgartner.
Over the course of the semester, students will create 10-20 prints that show an understanding of the various relief techniques demonstrated by the instructor. Students will also participate in a print exchange folio at the end of the course. Projects will be critiqued throughout the semester.
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Class Number
1734
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Credits
3
|
Department
Printmedia
Location
280 Building Rm 223
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| Artists' Books |
2018 (001) |
Anna Laure Kielman |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
Artists' Books is a beginning/intermediate level course that focuses on the fundamental techniques of bookbinding so as to be able to design and produce one or an edition of artists' books and boxes. The class begins by learning a range of traditional binding techniques, discussing material choices, and learning about the history of artists' books. Later on breaking out of the box to take risks, explore concepts and unconventional materials will be strongly encouraged for individual projects. In addition, the intention of this class is to meld your own studio work and personal expression with the form of artists' books.
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Class Number
1729
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Credits
3
|
Department
Printmedia
Area of Study
Books and Publishing
Location
280 Building Rm 113
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| Artists' Books |
2018 (002) |
Myungah Hyon 현명아 |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Artists' Books is a beginning/intermediate level course that focuses on the fundamental techniques of bookbinding so as to be able to design and produce one or an edition of artists' books and boxes. The class begins by learning a range of traditional binding techniques, discussing material choices, and learning about the history of artists' books. Later on breaking out of the box to take risks, explore concepts and unconventional materials will be strongly encouraged for individual projects. In addition, the intention of this class is to meld your own studio work and personal expression with the form of artists' books.
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Class Number
1737
|
Credits
3
|
Department
Printmedia
Area of Study
Books and Publishing
Location
280 Building Rm 113
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| Artists' Books |
2018 (003) |
bex ya yolk |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Artists' Books is a beginning/intermediate level course that focuses on the fundamental techniques of bookbinding so as to be able to design and produce one or an edition of artists' books and boxes. The class begins by learning a range of traditional binding techniques, discussing material choices, and learning about the history of artists' books. Later on breaking out of the box to take risks, explore concepts and unconventional materials will be strongly encouraged for individual projects. In addition, the intention of this class is to meld your own studio work and personal expression with the form of artists' books.
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Class Number
1742
|
Credits
3
|
Department
Printmedia
Area of Study
Books and Publishing
Location
280 Building Rm 113
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| Offset Productions |
3001 (001) |
Eric Von Haynes |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This class introduces students to the concepts and production of distributable artists' projects. Working closely with faculty, students develop projects to be printed on the Heidelberg offset press and Risograph machines. Multiples such as prints, books, zines, posters, stickers, cards, and packaging are examples of potential projects that utilize these high-volume printing processes. Image creation methods include digital, photo, collage, and hand-drawing. Adobe Creative Suite and a variety of binding and packaging techniques will be demonstrated. Through hands-on examples, readings, and visits to special collections, such as the Joan Flasch Artist Book Collection, a wide range of printed work and distributable projects will be shared and discussed. Over the semester, students can expect to complete a number of multi-color offset and risograph projects and participate in two critiques.
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Class Number
1728
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Credits
3
|
Department
Printmedia
Area of Study
Books and Publishing
Location
280 Building Rm 220
|
| Offset Productions |
3001 (002) |
Tom Denlinger |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This class introduces students to the concepts and production of distributable artists' projects. Working closely with faculty, students develop projects to be printed on the Heidelberg offset press and Risograph machines. Multiples such as prints, books, zines, posters, stickers, cards, and packaging are examples of potential projects that utilize these high-volume printing processes. Image creation methods include digital, photo, collage, and hand-drawing. Adobe Creative Suite and a variety of binding and packaging techniques will be demonstrated. Through hands-on examples, readings, and visits to special collections, such as the Joan Flasch Artist Book Collection, a wide range of printed work and distributable projects will be shared and discussed. Over the semester, students can expect to complete a number of multi-color offset and risograph projects and participate in two critiques.
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Class Number
1731
|
Credits
3
|
Department
Printmedia
Area of Study
Books and Publishing
Location
280 Building Rm 220
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| Intermediate And Advanced Etching |
3002 (001) |
Anna Laure Kielman |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This presentation of intaglio techniques emphasizes a variety of multi-plate color printing processes. The course concentrates on individual development through the intaglio process.
Prerequisites
Prerequisite: PRINT 2002 or PRINT 2006.
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Class Number
2275
|
Credits
3
|
Department
Printmedia
Location
280 Building Rm 223
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| Intermediate/Advanced Screenprinting |
3008 (001) |
Oli Watt |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Advanced exploration is encouraged in the screenprinting medium. Emphasis is placed on individual experimentation, development and the refinement of technical skills. Processes offered include large format printing, 4-color separation, and other advanced traditional photographic and digital techniques.
Prerequisites
PRINT 2005 or 2008 Pre-req
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Class Number
1743
|
Credits
3
|
Department
Printmedia
Location
280 Building Rm 222
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| Print and Metal Sculpture Reacts |
3011 (001) |
Jasper Goodrich |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Many printmakers make sculptures. Many sculptors make prints. This course focuses on the connections between relief printmaking and welded metal sculpture. When an artist is interpreting the same idea between two and three dimensions, the forms take on new lives and previously unseen relationships are formed. This class will meet in the Printmedia shop with metal fabrication instruction and assignments occurring in the metal shop.
Students will learn metal fabrication and welding processes including oxyacetylene welding, MIG welding, and shaping sheet metal using a torch. In the print shop, students will learn a variety of relief printing processes with a focus on layering. Students will utilize hand carving, CNC routed matrixes, and painterly marks. By zooming in and out on small formal moments, ideas will be translated and remixed across dimensions. Students will be exposed to a wide variety of artist working between sculpture and printmaking/drawing including Martin Puryear, Kiki Smith, Richard Hunt, Judy Pfaff, Willard Boepple, Richard Rezac, Ruth Asawa, Leonardo Drew, Alyson Shotz, Fred Wilson, Joan Jonas, David Nash, Wangechi Mutu, Jannis Kounellis, Frank Stella, Bruce Onobrakpeya, Jenny Holzer, Huma Bhabha, Ann Hamilton, Rachel Whiteread, Do Ho Suh, Christopher Wool, and Ursula Von Rydingsvard.
Students will complete a series of small to midsize sculptures in tandem with a series of relief prints. The class will culminate in a mock exhibition where student's sculptures and prints will interact as the viewer's body moves through the space.
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Class Number
1744
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Credits
3
|
Department
Printmedia
Area of Study
Exhibition and Curatorial Studies, Product Design, Art and Science
Location
280 Building Rm 203
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| Advanced Artists' Books |
3018 (001) |
Myungah Hyon 현명아 |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Advanced Artists' Books is an intermediate to advanced course for students with prior experience in bookmaking who are ready to deepen their technical skills and conceptual approaches. The class emphasizes integrating visual and written materials across sequential pages while exploring advanced binding techniques and experimental structures. Students will be challenged to pursue complex, personalized projects that require critical thinking, risk-taking, and creative use of materials. Alongside technical development, the course highlights analysis of contemporary practices in book arts and encourages students to expand their understanding of how book forms function as both artistic objects and modes of communication. Midway through the semester, students will participate in a group exhibition at the Joan Flasch Artists' Book Collection (JFABC), providing a professional platform for showcasing their work.
Prerequisites
Prerequisite: PRINT 2018 or PRINT 3007.
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Class Number
1739
|
Credits
3
|
Department
Printmedia
Area of Study
Books and Publishing
Location
280 Building Rm 113
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| Comics to Print |
3033 (001) |
Conor Stechschulte |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course will look at the inseparable link between comic stories and how they are reproduced. In the first half of the semester, we will gain familiarity with screenprint and risograph printing techniques, look at historical and contemporary examples of how artists employ print technology to tell stories and do in-class exercises. In the second half, students will produce their own printed comics and discuss them in group critiques.
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Class Number
1735
|
Credits
3
|
Department
Printmedia
Area of Study
Books and Publishing, Comics and Graphic Novels
Location
280 Building Rm 220
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