A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Ayanah Moor

Associate Professor

Bio

Education: BFA, 1995, Virginia Commonwealth University, Richmond; MFA, 1998, Tyler School of Art, Philadelphia. Exhibitions: Cleve Carney Museum of Art, Glen Ellyn, IL; Museum of Contemporary Art Chicago, IL; The Studio Museum Harlem, NY; ONE Archives, University of Southern California Libraries, CA; Andy Warhol Museum, Pittsburgh; Te Tuhi Centre for the Arts, New Zealand; Proyecto ‘ace, Argentina. Publications: Mike Henderson: Before The Fire, 1965-1985; Incite: Journal of Experimental Media; Meridians: Feminism, Race, Transnationalism. Bibliography: LA Weekly; Chicago Reader; The Brooklyn Rail; Carnegie International; ArtsATL; Afterimage; ARTFORUM.com; Art Papers Magazine; Troubling Vision: Performance, Visuality and Blackness; What Is Contemporary Art?, University of Chicago Press. Collections: Capital Group, Irvine, CA; Marjorie Barrick Museum of Art, University of Nevada, Las Vegas; DePaul Art Museum, Chicago; Proyecto 'ace, Buenos Aires, Argentina; Agency of Unrealized Projects e-flux and Serpentine Gallery, London. Awards: Rogers Art Loft Residency, Las Vegas; Hyde Park Art Center Residency, Chicago; Advancing Black Arts in Pittsburgh Award; Welch Artist in Residence, Atlanta. Vermont Studio Center Residency.

 

Courses

Title Department Catalog Term

Description

Students are introduced to lithography through an exploration of stone lithography¿s characteristic dynamic range of direct drawn, painterly and graphic possibilities for image development. Emphasis is placed on gaining a thorough understanding of lithographic principles and printing processes. Class demonstrations and critiques are supported by consideration and discussion of contemporary and historic examples and a visit to the Art Institute of Chicago¿s print study room

Class Number

1741

Credits

3

Description

Designed for advanced-level Printmedia students, this course centers the studio as a site for physical and conceptual production. A combination of independent work time, individual meetings, group critiques and assigned prompts form the bulk of course programming. Students are expected to set personal goals informed by dialogue with course faculty and studio peers. Attention will be paid to independent practices and/or professional strategies beyond school. The course supports student production of a focused body of creative work. Students accepted into this section will be given an undergraduate studio in the 280 Building. Please note that during class time, students in this section don't have access to any print facilities other than their studio space.

Participation in group discussions and active engagement in class critiques is essential. Students are required to contribute to critical discussions around their own work as well as to discussions relating the work of their peers. The assignments intend to develop critical thinking skills related to individual ongoing projects. They also intend to aid in the developing the ability to articulate ones- artistic motivations, be self-critical, and take risks in creating new work. The final critique will take into account these factors.

This course requires instructor consent. Please do not email the instructor directly. Instead, fill out the form found at this link, https://tinyurl.com/mr7krnmz, to submit your portfolio and application before the deadline.

Class Number

1562

Credits

3

Description

Designed for advanced-level Printmedia students, this course centers the studio as a site for physical and conceptual production. A combination of independent work time, individual meetings, group critiques and assigned prompts form the bulk of course programming. Students are expected to set personal goals informed by dialogue with course faculty and studio peers. Attention will be paid to independent practices and/or professional strategies beyond school. The course supports student production of a focused body of creative work. Students accepted into this section will be given an undergraduate studio in the 280 Building. Please note that during class time, students in this section don't have access to any print facilities other than their studio space.
Participation in group discussions and active engagement in class critiques is essential. Students are required to contribute to critical discussions around their own work as well as to discussions relating the work of their peers. The assignments intend to develop critical thinking skills related to individual ongoing projects. They also intend to aid in developing the ability to articulate ones' artistic motivations, be self-critical, and take risks in creating new work. The final critique will take into account these factors.
This course requires instructor consent.

Please do not email the instructor directly. Instead, fill out the form found at this link, https://tinyurl.com/mr7krnmz, to submit your portfolio and application before the deadline.

Class Number

1162

Credits

3

Description

Interdisciplinary studio seminar course designed to support the production of creative work by first and second year MFA graduate students. Graduate level discourse will be fostered in relation to contemporary issues in visual art and the history of ideas with an emphasis on aesthetics. Course programming will include: select readings/discussions, invited guests, student presentations and critique of creative work.

Class Number

2072

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

1954

Credits

3