| Introduction to Fashion, Body, and Garment |
1010 (001) |
Janet Kang |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1354
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Introduction to Fashion, Body, and Garment |
1010 (002) |
Kylee Marisa Alexander |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This is an introductory look into fashion. Students will explore basic design skills
and processes, and work with various materials used in constructing garments. Both traditional and non-traditional materials will be explored through techniques and exercises related to the body. Students will learn how the tools and equipment for hand and machine sewing functions, and its role in constructing garments. A critical overview of fashion introduces students to various practical and theoretical approaches to understand and explore fashion within an art context.
|
Class Number
1355
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 702
|
| Fashion Construction II |
2003 (001) |
Agnes Hamerlik |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Construction II builds the fundamentals of construction through a unique combination of pattern drafting, draping on the form, and sewing techniques, expanding to principles of the torso block, shirt-, and dress variations, as well as adding more variance in finishes and closures. Students develop and construct design concepts and explore variations, first in muslin, then in fabric, and will complete 2 garments. Pre-req: FASH 2001
Prerequisites
Student must have completed FASH 2001, 2022, or 2024
|
Class Number
1377
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Construction II |
2003 (002) |
Agnes Hamerlik |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Construction II builds the fundamentals of construction through a unique combination of pattern drafting, draping on the form, and sewing techniques, expanding to principles of the torso block, shirt-, and dress variations, as well as adding more variance in finishes and closures. Students develop and construct design concepts and explore variations, first in muslin, then in fabric, and will complete 2 garments. Pre-req: FASH 2001
Prerequisites
Student must have completed FASH 2001, 2022, or 2024
|
Class Number
1379
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Construction II |
2003 (004) |
Kristin Mariani |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Construction II builds the fundamentals of construction through a unique combination of pattern drafting, draping on the form, and sewing techniques, expanding to principles of the torso block, shirt-, and dress variations, as well as adding more variance in finishes and closures. Students develop and construct design concepts and explore variations, first in muslin, then in fabric, and will complete 2 garments. Pre-req: FASH 2001
Prerequisites
Student must have completed FASH 2001, 2022, or 2024
|
Class Number
1380
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 702
|
| Fashion Construction II |
2003 (005) |
Isaac Couch |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Construction II builds the fundamentals of construction through a unique combination of pattern drafting, draping on the form, and sewing techniques, expanding to principles of the torso block, shirt-, and dress variations, as well as adding more variance in finishes and closures. Students develop and construct design concepts and explore variations, first in muslin, then in fabric, and will complete 2 garments. Pre-req: FASH 2001
Prerequisites
Student must have completed FASH 2001, 2022, or 2024
|
Class Number
1381
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 704
|
| Fashion Design II |
2004 (001) |
Isaac Couch |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design II is the second part of a two-semester course building the skills and talents required to achieve creative fashion. Taken together with fashion construction II the class becomes a co-taught immersive laboratory. Here students combine design research, shape development, and creative explorations built on and with the foundations into conceptual garments that are fitted on models in both muslin and fabric. Co-req FASH2003; Pre-req FASH2001, FASH2002
Prerequisites
Fashion Core I Pre-Req : FASH 2900 and FASH 2901
|
Class Number
1382
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 705
|
| Fashion Design II |
2004 (002) |
Isaac Couch |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design II is the second part of a two-semester course building the skills and talents required to achieve creative fashion. Taken together with fashion construction II the class becomes a co-taught immersive laboratory. Here students combine design research, shape development, and creative explorations built on and with the foundations into conceptual garments that are fitted on models in both muslin and fabric. Co-req FASH2003; Pre-req FASH2001, FASH2002
Prerequisites
Fashion Core I Pre-Req : FASH 2900 and FASH 2901
|
Class Number
1383
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Fashion Design II |
2004 (004) |
Kristin Mariani |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Fashion Design II is the second part of a two-semester course building the skills and talents required to achieve creative fashion. Taken together with fashion construction II the class becomes a co-taught immersive laboratory. Here students combine design research, shape development, and creative explorations built on and with the foundations into conceptual garments that are fitted on models in both muslin and fabric. Co-req FASH2003; Pre-req FASH2001, FASH2002
Prerequisites
Fashion Core I Pre-Req : FASH 2900 and FASH 2901
|
Class Number
1385
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 703
|
| Shape And Theory In Garments |
2005 (001) |
Bambi Deidre Breakstone |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Explorations in the design of 'experimental' garments using the basic elements of mass, volume, form and motion. Rather than concerning themselves with current design trends or regular fashion problems, students emphasize bodies as forms in motion or as moving sculpture.
|
Class Number
1371
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Community & Social Engagement
Location
Sullivan Center 727
|
| Accessory Design |
2006 (001) |
Tommy Walton |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
In this workshop, students create various accessories from original ideas. This program is divided into projects such as the design and construction of embellished evening bags, summer totes, gloves, costume jewelry, and millinery. Emphasis is placed on references to history of individual accessories and developing collections of illustrations in color.
|
Class Number
1356
|
Credits
3
|
Department
Fashion Design
Area of Study
Product Design
Location
Sullivan Center 727
|
| Beginning Fashion Illustration |
2007 (001) |
Dijana Granov |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course develops drawing skills with an emphasis on figure gesture and proportion along with a wide range of media. Students are taught to sketch from a live model while communicating design concepts in clothing with style and expression.
|
Class Number
2220
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Illustration
Location
Sullivan Center 734
|
| Beginning Fashion Illustration |
2007 (002) |
Dijana Granov |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This course develops drawing skills with an emphasis on figure gesture and proportion along with a wide range of media. Students are taught to sketch from a live model while communicating design concepts in clothing with style and expression.
|
Class Number
1364
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Illustration
Location
Sullivan Center 734
|
| Production Design for Theater and Film |
2010 (001) |
James Paul |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Production design for stage and screen is explored, emphasizing the collaborative world of theater and film. Students communicate with playwrights, scriptwriters, producers, and directors to understand their role as artists and designers. From 'no-budget to big-budget' productions, students explore the highs and lows of real world design through various projects. Student design teams create costumes, sets and props to understand the coordination of efficient and supportive group dynamics. Particular connections the off-Loop theater movement and the indie film scene.
|
Class Number
1358
|
Credits
3
|
Department
Fashion Design
Area of Study
Furniture Design
Location
Sullivan Center 723
|
| Objects/Artifacts and No Nonsense |
2012 (001) |
Benjamin Larose |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This course cultivates a conceptual and interdisciplinary approach to fashion. Through experimentations in object-making, students will engage with traditional and non-traditional materials and processes to question how objects can engage the body. Emphasis will be placed on function through the exploration of constructive processes and placement to body and space.
The course is divided in four topical sections: technique meets body, power in wearability, conceptual artifacts and material matters. Students will be introduced to artists who's work is generally associated with other disciplines but engages fashion, body and garment. For example, artists such as Leigh Bowery, Rebecca Belmore, Brian Jungen, Isa Genzken, and the readings/screenings will vary but may include Susan Sontag's Notes on Camp, Malcolm Gladwell's The Cool Hunt or Robert Friedel's Zipper: An Exploration in Novelty.
Course work involves four major projects, one for each topical section, as well as in-class discussions, reading responses and presentations. The occasional field trip and follow up in-class discussion can also be included.
|
Class Number
1373
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 723
|
| 3D Embellishment |
2015 (001) |
Eia Radosavljevic |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
Embellishment methods such as ribbon manipulation, feather-work, fabric tooling, and embroidery are introduced as a springboard for individual experimentation in 3-dimensional surface manipulation. Techniques like fur/faux fur sewing, leather tooling, macrame, and tatting may also be introduced in support of conceptual and formal design choices. Students are encouraged to explore alternative methods and up-cycled, sustainable materials to transform or redefine their selected garments and accessories, or to create objects from 3-dimensional units.
|
Class Number
1359
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 727
|
| Footwear Design |
2016 (001) |
James Robert Sommerfeldt |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Various investigations are conducted regarding traditional and alternative shoe design and assembly. Assigned readings and discussions focus on history, materials, the designers, lifestyle, terminology and processes, and the involvement of feet and shoes in art. Emphasis is placed on interpreting the foot and shoe for visual presentations and experimenting with components for artistic and practical expression. Final critiques include presentations of one of half pairs of shoes and sandals, illustrations, weekly clipping files and a thematic selection of thematic original ideas. Group critiques are scheduled several times during the semester. Weekly slide lectures, field trips, guest lectures or demonstration enable students to develop their ideas in the studio with a focus on fit and originality.
|
Class Number
1360
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design
Location
Sullivan Center 723
|
| Hand Knitwear Design |
2018 (001) |
Sharon Shoji |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course offers a straight forward instruction to the hand knit process. As an ancient process the techniques of hand knitting are explored through various methods concentrating on surface, pattern, construction, color and texture. Emphasis is placed on garment or a wearable knit object. Cultural and historical references are studied along with contemporary application to design. Demonstrations and discussions provide challenges to explore modern interpretation in traditional and non-traditional ways. Offered in the spring semester only.
|
Class Number
1361
|
Credits
3
|
Department
Fashion Design
Location
Sullivan Center 701
|
| Redefining Edges: Zero Waste in Fashion |
2020 (001) |
Pamela Vanderlinde |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course explores an unconventional view of garment construction and design by framing the process through the parameter of zero waste. Patterns are created using techniques designed to mitigate or eliminate waste. Both traditional and nontraditional materials are used, as well as digital printing technology. All final projects are fitted on a model in both muslin and fabric.
Prerequisites
FASH 1010 Pre-req
|
Class Number
1378
|
Credits
3
|
Department
Fashion Design
Area of Study
Sustainable Design
Location
Sullivan Center 706
|
| Costume Design in Film and TV |
2032 (001) |
Bambi Deidre Breakstone |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
In this workshop students develop a practical understanding of the procedures used by costume designers and their assistants and crew in film and television production. Weekly lectures and hands-on demonstrations focus on projects including breaking down a script based on character and scene, doing research towards developing characters through costume choices, and techniques used to present those choices to the director and producer. Students break down a script from a show in current production. Final critiques include presentation of the breakdown with clip file photos and drawings of their costume choices for the entire script.
|
Class Number
1387
|
Credits
3
|
Department
Fashion Design
Area of Study
Costume Design, Playwriting/Screenwriting
Location
Lakeview - 205
|
