Curriculum Overview

Working closely with the Director of the MAAE Program and other faculty, students identify and focus their research interests and career goals to design a curriculum that aligns with their anticipated completion of the program and unique professional pathways. Required core Art Education courses focus on contemporary cultural production, social and civically engaged art practices, curriculum design, social justice pedagogical practices, audience advocacy, museum education, exhibition development and interpretation. 

Students may also pursue electives in studio practice, art history, arts administration, architecture, interior architecture and designed objects, exhibition studies, historic preservation, liberal arts, visual critical studies, and writing. Throughout the program, visiting professionals present diverse perspectives representing expanded ideas of art and design education. Each student’s curriculum culminates in a final thesis project. 

MAAE Program Guide 2023-24

Balancing Reflection and Action

Engaging contemporary art theory in core program seminars is balanced with opportunities to work in various communities through internships and fieldwork. Thus, students have many opportunities to develop arts-based projects by teaching art and interpretation, developing arts-based curricula, or facilitating cultural programming. Individually designed fieldwork experiences support the research for final innovative thesis projects.Throughout the program, visiting professionals share diverse perspectives and experiences about their innovative strategies for combining arts experiences, community engagement, and social activism.

Fieldwork

A key aspect of the MAAE degree is students engaging in significant experiences and research in their focus area. A minimum of one Fieldwork course is required. Fieldwork usually occurs in the third semester of study. Sites for fieldwork include museums, community organizations, arts education organizations, or other related sites. In the Fieldwork course, students gain professional experiences and deepen their pedagogical and artistic practices. These individually designed practicum experiences combined with research form the basis for final innovative thesis projects.

Students may choose between two different types of fieldwork experiences: either independently identifying and choosing a site or area of study in consultation with the Fieldwork faculty or MAAE Director; or working at a site located and approved through the SAIC Career and Professional Experience Office (CAPX) and approved by the MAAE Director.

In Graduate Thesis Fieldwork (6105 001), each student designs their own fieldwork experience; including the area of study or site selection, work plan, and advising schedule. The Fieldwork faculty member works on an individual basis with each student to develop and revise plans and support the student’s progress throughout the semester. 

In a Graduate CAPX Elective Internship (6105 002), students are offered supervision of off-site internships by Art Education faculty members in conjunction with SAIC’s office of Career and Professional Experience (CAPX). Students are obligated to meet the requirements of their internship site for course credit. Such requirements may include a minimum number of hours at the site, a criminal background check, drug testing, the submission of immunization records, CPR training, etc. Off-site internships are not a requirement of degree fulfillment but are highly encouraged for candidates who are seeking to deepen their professional experience.

In recent years, students have engaged in fieldwork and internships in various departments at the Art Institute of Chicago, Chicago Children's Museum, Chicago Park District, Chicago Public Art Group, Chicago Public Schools, Chinese American Museum of Chicago, Detroit Institute of the Arts, Harold Washington Library, SAIC at Homan Square, Hubbard Street Dance, LGBTQ+ Center on Addison, Milwaukee Art Museum, Museum of Contemporary Art in Chicago, Next.cc, Project Onward, Puerto Rican Cultural Center, South Side Community Art Center, Storycatchers Theater: Yollocalli, Marwen, The Museum of Surgical Science, Youth Development Organization, Street-Level Youth Media, and Young Chicago Authors, as well as many other community cultural organizations and public and alternative schools. 

In addition to internships within the greater Chicagoland area, students are also able to coordinate internships in other cities during summer and winter interim semesters.

International students meet with SAIC International Student Services to complete authorization paperwork before registering for off-campus fieldwork.  

Fieldwork and internships are the basis of researching, developing and mobilizing a MAAE thesis project.  

Thesis Project

Students’ course of study culminates in a thesis project that combines a written component with other media or experience-based work. The thesis project proposals are developed through a sequence of courses (Thesis I, Fieldwork, Thesis II). During the first year of the MAAE Program and with the support of faculty, students identify, expand, and deepen their research focus. In their final semester, each student works individually with an advisor to develop their project and written thesis. The completed thesis project is presented in a public forum in which students share their projects and frame the significance of this work for the field and for communities.  

Each graduating student works with an advisor and reader to develop the penultimate draft of their completed thesis project and identify any final changes needed to ensure the rigor and accuracy of the work. After final revisions are made, an advisor-approved thesis is submitted to the Art Education Department and the Flaxman Library. 

SAIC Art Education theses can be viewed in the John M. Flaxman Library as well as the Ryerson and Burnham libraries. Search for “theses.”

REQUIRED MAAE SEMINARS

6

ARTED 5103 
Social Theory for Artists & Cultural Workers

ARTED 5105 
Ethical and Pedagogical Issues in Art Education

 

ART EDUCATION COURSES 
(3 elective courses are REQUIRED)

9

ARTED 4010       
LGBTQ+ Intergenerational Dialogue

ARTED 4051       
Decolonizing Time Travel 

ARTED 4045       
Eco Design

ARTED 5011      
 Curriculum Theory, Pedagogy, and Possibilities

ARTED 5106       
Art in Community: Special Topics

ARTED 5028       
Art as a Social Force: Collaboration

ARTED 5030       
Museum as Critical Curriculum

ARTED 5109       
Dialectical Practices in Research & Cultural Production

ARTED 5116       
Interpretation: Exploring Meaning 

ARTED 5118       
Teaching Art at the College Level

ARTED 5125       
Doing Democracy

ARTED 5200       
Cyberpedagogy

ARTED 6100       
Cultural Approaches to Production

ARTED 6030       
Museum Education: History, Theory & Practice

 

REQUIRED ART HISTORY or VISUAL CRITICAL STUDIES ELECTIVE

3  

ARTHI  or VCS chosen to support research interests, approved during MAAE advising

 

FOCAL AREA ELECTIVE COURSES* 
(choose 3 seminar or studio courses from any of the following areas at SAIC)

9  

Art Education
Architecture, Interior Architecture, Designed Objects
Art History, Theory, and Criticism 
Arts Administration and Policy
Design Education
Exhibition Studies
Intership/CAPX Elective Internship
Historic Preservation
Liberal Arts
Visual Critical Studies
Studio
Writing

 

REQUIRED PROFESSIONAL CORE

9  

ARTED 6105 
Fieldwork/Internship: Thesis Fieldwork* 

ARTED 6109 
Thesis I: Projects 

ARTED 6110 
Thesis II: MAAE 

 

Total Credit Hours

36  

Additional Graduation Requirements

Professional public presentation, advisor-approved completed thesis, thesis defense panel, and advisor-approved professionally edited thesis submitted to the Art Education department for submission to the Flaxman Library.

* Focal area electives are chosen in consultation with the MAAE program director during advising. 

* Undergraduate courses must be at the 3000-level or above. Art History courses must be at the 4000-level or above. Courses at 1000- and 2000-level need permission from the MAAE Director.

Degree Requirements, Specifications, and Courses

  1. Completion schedule: Students have a maximum of four years to complete the degree. This includes time off for leaves of absence.
  2. Thesis in Progress: Students who have not submitted a finished thesis for review and approval by the end of the final semester of enrollment are given a Thesis in Progress grade (IP). All students with a Thesis in Progress grade (IP) will be charged the Thesis in Progress Fee in each subsequent full semester until the thesis is completed and approved and the grade is changed to Credit (CR). If the statute of limitations is reached without an approved thesis, the grade will be changed to No Credit (NCR).
  3. Transfer credits: A minimum of 30 credit hours must be completed in residence at SAIC. Up to six transfer credits may be requested at the time of application for admission and are subject to approval at that time. No transfer credit will be permitted after a student is admitted.
  4. Curriculum: The Master of Art in Art Education program is designed to be a full-time program completed in three or four semesters.
  5. Enrollment: Nine credit hours constitute full-time enrollment although as many as 15 credit hours may be earned in any semester. A minimum of six credit hours per semester is required of part-time students for continued enrollment in the program. Electives, internship, and thesis are subject to the approval of the MA in Art Education program director.
  6. Undergraduate courses must be at the 3000-level or above; Art History courses must be at the 4000-level or above. Courses at the 1000 and 2000 level need permission from the department chair.
  7. Thesis presentation: All MA in Art Education candidates are required to publicly present their completed thesis project to a thesis advisory committee in order to graduate.
  8. Fieldwork/Internship Requirements: This MAAE program requires students to complete an internship(s). Students are obligated to meet the requirements of their internship site. Such requirements may include a criminal background check, drug-testing, the submission of immunization records, CPR training, etc.
  9. Full-Time Status Minimum Requirement: 9 credit hours.

Course Listing

Title Catalog Instructor Schedule

Description

What are the concerns that drive one's creative practice? How does one set the terms for its future development? Sophomore Seminar offers strategies for students to explore, reflect upon, and connect common themes and interests in the development of an emerging creative practice that will serve as the basis of their ongoing studies at SAIC and beyond. Students will examine historical and contemporary influences and contextualize their work in relation to the diverse art-worlds of the 21st Century. Readings, screenings, and field trips will vary each semester. Presentations by visiting artists and guest speakers will provide the opportunity for students to hear unique perspectives on sustaining a creative practice. One-on-one meetings with faculty will provide students with individualized mentorship throughout the semester. During interdisciplinary critiques, students will explore a variety of formats and tools to analyze work and provide peer feedback. The class mid-term project asks students to imagine a plan for their creative life and devise a self-directed course of study for their time at school. The course concludes with an assignment asking students to develop and document a project or body of work demonstrating how the interplay of ideas, technical skills, and formal concerns evolve through iteration, experimentation and revision. Prerequisite: Must be a sophomore to enroll.

Prerequisites

Prerequisite: Must be a sophomore to enroll.

Class Number

1450

Credits

3

Department

Art Education

Location

Sharp 402

Description

What egalitarian ideals have shaped our conception of public education? How has the promise of democratic schools been undermined by white privilege, racism, class-based discrimination, inequitable funding, colonialism, patriarchy, and disregard for the human impact on the natural world? This course builds a foundation for understanding the politics of schooling by exploring the struggle for democratic education in Chicago, contextualized by contemporary global decolonial practices in education. Students will consider how shifting conceptions of schooling are responses to the contemporary cultural moment—recognizing how curriculum supports the beliefs and needs of the status quo as well as how curriculum might critique and propose new ways of being as individuals and as societies. The course explores a broad range of histories, philosophies, and approaches to schooling, including Freedom Schools, Native American boarding schools, transformative justice in education, play and free child movements, teacher-led movements, environmental studies, and the fight to defend ethnic studies programs as well as attempts to re-segregate and privatize public schools. Artists, designers and scholars to be studied include Tonika Lewis, Eve Ewing, Elizabeth Todd-Breland, Jose Resendiz, Borderless Studios, Interference Archive and Alexis Rockman. Readings from the field of art education by Doug Blandy, Laurie Hicks, and Mark Graham will trace the emergence of eco-art and place-based art education curriculum. Field trips include visits to school sites, Chicago Board of Education meetings and exploration of CBOE archives. Course assignments include short response papers and course readings. Students conduct and report on six hours of observations in schools, sites of school decision-making, and in places where people attempt to build democratic processes related to schools. Students will conduct independent research on topics related to contemporary issues and schooling. Each student will prepare and present a culminating project proposal for a school whose curriculum and structures address their political and social concerns and pedagogical vision.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

1007

Credits

3

Department

Art Education

Area of Study

Art/Design and Politics, Community & Social Engagement, Teaching

Location

MacLean 816, Sharp 706

Description

What egalitarian ideals have shaped our conception of public education? How has the promise of democratic schools been undermined by white privilege, racism, class-based discrimination, inequitable funding, colonialism, patriarchy, and disregard for the human impact on the natural world? This course builds a foundation for understanding the politics of schooling by exploring the struggle for democratic education in Chicago, contextualized by contemporary global decolonial practices in education. Students will consider how shifting conceptions of schooling are responses to the contemporary cultural moment—recognizing how curriculum supports the beliefs and needs of the status quo as well as how curriculum might critique and propose new ways of being as individuals and as societies. The course explores a broad range of histories, philosophies, and approaches to schooling, including Freedom Schools, Native American boarding schools, transformative justice in education, play and free child movements, teacher-led movements, environmental studies, and the fight to defend ethnic studies programs as well as attempts to re-segregate and privatize public schools. Artists, designers and scholars to be studied include Tonika Lewis, Eve Ewing, Elizabeth Todd-Breland, Jose Resendiz, Borderless Studios, Interference Archive and Alexis Rockman. Readings from the field of art education by Doug Blandy, Laurie Hicks, and Mark Graham will trace the emergence of eco-art and place-based art education curriculum. Field trips include visits to school sites, Chicago Board of Education meetings and exploration of CBOE archives. Course assignments include short response papers and course readings. Students conduct and report on six hours of observations in schools, sites of school decision-making, and in places where people attempt to build democratic processes related to schools. Students will conduct independent research on topics related to contemporary issues and schooling. Each student will prepare and present a culminating project proposal for a school whose curriculum and structures address their political and social concerns and pedagogical vision.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

1007

Credits

3

Department

Art Education

Area of Study

Art/Design and Politics, Community & Social Engagement, Teaching

Location

MacLean 816, Sharp 706

Description

Relating contemporary and traditional artmaking approaches and culturally responsive pedagogy with curriculum, project, and instructional design methods, this course provides prospective teachers and teaching artists with knowledge and skills needed to structure learning experiences through which children and youth in elementary schools, middle schools and community settings enhance their creativity, develop technical skills, understand a range of artmaking practices, make personally meaningful works, and explore big ideas. Course participants will structure teaching plans that identify students’ prior knowledge, scaffold learning, use multiple teaching and learning strategies to promote student engagement and differentiate instruction to meet the needs of all students. They will learn to articulate clear and verifiable core learning objectives, select relevant national and state standards and design assessments that capture essential student learning without standardizing students’ artworks. Teacher reflection based on critique, student input and assessment data will be used in an iterative process of editing and redesigning curriculum. Connecting visual and verbal literacies, prospective teachers will make use of reading, writing and speaking activities that engage students in interpreting art and analyzing visual culture as well as using picture books as a source of inspiration for their personal storytelling and artmaking. Teachers will learn to select and/or develop reading level-appropriate art and culture readings to support learning. Studying a range of art education practices will provide teacher candidates with theoretical perspectives from which to build their own unique pedagogical approaches. Readings include works by Maria Montessori, Viktor Lowenfeld, Anne Thulson, Lisa Delpit, Vivian Paley, and Sonia Nieto as well as overviews of Reggio Emelia, Teaching for Social Justice, Teaching for Artistic Behavior, Studio Habits, Visual Thinking Strategies and Principles of Possibility Course assignments will include readings and discussion responses and researching artists, artmaking approaches and pedagogical practices as well as writing project and lesson plans accompanied by teacher artwork examples, image presentations, readings, assessments, and other instructional materials, as well as documenting plans and student artworks. Participants will teach small groups of students in elementary schools with English Language Learners. All student must complete and pass Chicago Public Schools Background Check.

Prerequisites

Must complete ARTED 3015, ARTED 3021 and any 2900 course

Class Number

1974

Credits

3

Department

Art Education

Location

Sharp 409

Description

Relating contemporary and traditional artmaking approaches and culturally responsive pedagogy with curriculum, project, and instructional design methods, this course provides prospective teachers and teaching artists with knowledge and skills needed to structure learning experiences through which children and youth in elementary schools, middle schools and community settings enhance their creativity, develop technical skills, understand a range of artmaking practices, make personally meaningful works, and explore big ideas. Course participants will structure teaching plans that identify students’ prior knowledge, scaffold learning, use multiple teaching and learning strategies to promote student engagement and differentiate instruction to meet the needs of all students. They will learn to articulate clear and verifiable core learning objectives, select relevant national and state standards and design assessments that capture essential student learning without standardizing students’ artworks. Teacher reflection based on critique, student input and assessment data will be used in an iterative process of editing and redesigning curriculum. Connecting visual and verbal literacies, prospective teachers will make use of reading, writing and speaking activities that engage students in interpreting art and analyzing visual culture as well as using picture books as a source of inspiration for their personal storytelling and artmaking. Teachers will learn to select and/or develop reading level-appropriate art and culture readings to support learning. Studying a range of art education practices will provide teacher candidates with theoretical perspectives from which to build their own unique pedagogical approaches. Readings include works by Maria Montessori, Viktor Lowenfeld, Anne Thulson, Lisa Delpit, Vivian Paley, and Sonia Nieto as well as overviews of Reggio Emelia, Teaching for Social Justice, Teaching for Artistic Behavior, Studio Habits, Visual Thinking Strategies and Principles of Possibility Course assignments will include readings and discussion responses and researching artists, artmaking approaches and pedagogical practices as well as writing project and lesson plans accompanied by teacher artwork examples, image presentations, readings, assessments, and other instructional materials, as well as documenting plans and student artworks. Participants will teach small groups of students in elementary schools with English Language Learners. All student must complete and pass Chicago Public Schools Background Check.

Prerequisites

Must complete ARTED 3015, ARTED 3021 and any 2900 course

Class Number

2117

Credits

3

Department

Art Education

Location

Sharp 402

Description

This studio seminar is centered around intergenerational queer art-making within the context of The LGBTQ+ Intergenerational Dialogue Project, which is a partnership between The Senior Services Program at The Center on Halsted and faculty members Adam Greteman and Karen Morris of SAIC. This spring course is run as a workshop in which students focus on intergenerational creative production with LGBTQ+ elders. Classes will be held at both SAIC and Center on Halsted. Students and elders will share a meal together after class meetings at Center on Halsted, and take at least one field trip together. A range of artists, works, scholars, and activist groups will be introduced during the first third of the course as students get to know one another and the purpose of the course. This will potentially include the following: Marlon Riggs, Lesbian Avengers, Chase Joynt, ACT-UP, Ron Athey, S.T.A.R., Paul Preciado, E. Patrick Johnson, Mickalene Thomas, and others. Over the course of the latter 2/3rd of the semester, students collaborate with LGBTQ+ elders in small groups to conceive and produce work related to LGBTQ+ experiences, histories, and issues. Each small group decides on topic(s) and medium(s) while working with the instructors to create a list of relevant readings, films, and/or podcasts they will engage as part of the research and production process. Over the course of the semester, students collaborate with LGBTQ+ elders in small groups to conceive and produce work related to LGBTQ+ experiences, histories, and issues. Final projects might take the form of visual art, video, oral history, photography, writing, a podcast, or something else. This work will be showcased on the project’s website (generationliberation.com) and have the potential to be expanded into a range of other educational resources.

Class Number

1451

Credits

3

Department

Art Education

Location

Lakeview - 206

Description

The Apprentice Teaching course continues learning experiences begun during practicum placements in the fall semester. This course provides licensure candidates with experience investigating significant, contemporary concepts and themes within a contemporary art and design context in elementary and secondary Chicago-area schools. Apprentice teachers will complete a 7-week elementary/middle school placement and a 7-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Apprentice Teachers will be challenged to maintain high ideals of creative, critical, and relevant curriculum as they engage the complex realities of public school teaching. Students will read a selection of texts that ground curricular theory within teaching practice. This will assist them in learning how to translate their curriculum development knowledge into pedagogy. Apprentice teachers will plan, teach, assess their students’ work, and evaluate the effectiveness of their lessons and teaching strategies. Apprentice Teachers will teach a culminating curriculum project, video-record their instruction of this project, and submit these videos along with written analysis to the nationally standardized, Illinois State Board of Education-mandated edTPA assessment.

Prerequisites

Prerequisite: ARTED 4390 and completion of the Transition Points as listed in the BFAAE Program Guide

Class Number

2118

Credits

12

Department

Art Education

Area of Study

Art/Design and Politics, Community & Social Engagement, Teaching

Location

Sharp 402

Description

The Apprentice Teaching course continues learning experiences begun during practicum placements in the fall semester. This course provides licensure candidates with experience investigating significant, contemporary concepts and themes within a contemporary art and design context in elementary and secondary Chicago-area schools. Apprentice teachers will complete a 7-week elementary/middle school placement and a 7-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Apprentice Teachers will be challenged to maintain high ideals of creative, critical, and relevant curriculum as they engage the complex realities of public school teaching. Students will read a selection of texts that ground curricular theory within teaching practice. This will assist them in learning how to translate their curriculum development knowledge into pedagogy. Apprentice teachers will plan, teach, assess their students’ work, and evaluate the effectiveness of their lessons and teaching strategies. Apprentice Teachers will teach a culminating curriculum project, video-record their instruction of this project, and submit these videos along with written analysis to the nationally standardized, Illinois State Board of Education-mandated edTPA assessment.

Prerequisites

Prerequisite: ARTED 4390 and completion of the Transition Points as listed in the BFAAE Program Guide

Class Number

2120

Credits

12

Department

Art Education

Area of Study

Art/Design and Politics, Community & Social Engagement, Teaching

Location

Sharp 409

Description

The Apprentice Teaching course continues learning experiences begun during practicum placements in the fall semester. This course provides licensure candidates with experience investigating significant, contemporary concepts and themes within a contemporary art and design context in elementary and secondary Chicago-area schools. Apprentice teachers will complete a 7-week elementary/middle school placement and a 7-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Apprentice Teachers will be challenged to maintain high ideals of creative, critical, and relevant curriculum as they engage the complex realities of public school teaching. Students will read a selection of texts that ground curricular theory within teaching practice. This will assist them in learning how to translate their curriculum development knowledge into pedagogy. Apprentice teachers will plan, teach, assess their students’ work, and evaluate the effectiveness of their lessons and teaching strategies. Apprentice Teachers will teach a culminating curriculum project, video-record their instruction of this project, and submit these videos along with written analysis to the nationally standardized, Illinois State Board of Education-mandated edTPA assessment.

Prerequisites

Prerequisite: ARTED 4390 and completion of the Transition Points as listed in the BFAAE Program Guide

Class Number

2121

Credits

12

Department

Art Education

Area of Study

Art/Design and Politics, Community & Social Engagement, Teaching

Location

Description

This course provides an overview of curriculum theory by exploring curricula as historical, cultural, social, and political texts and practices. Students will interrogate the ways in which curriculum often reifies and propagates knowledge, values and beliefs that benefit the dominant culture and reinforce the normalcy of competitive capitalistic ideals, racial hierarchies, oppressive gender binaries, and the exploitation of nature. Critical approaches to curriculum that defy and challenge these hegemonic conceptions of curriculum will be examined. Through the process of these explorations, students will develop an understanding of how curriculum shapes the social, political, emotional, psychological, and physical structures in which teaching and learning occur. Students will learn how to develop multilayered art curriculum that critically addresses urgent and crucial topics and themes that are marginalized by or neglected within much contemporary K-12 curriculum. Students will read a variety of historically significant and vital contemporary curricular theorists who represent a broad diversity of educational philosophies: educational essentialism; child/student centered curriculum; critical pedagogy; feminist pedagogy; critical race pedagogy; queer pedagogy; culturally sustaining pedagogy. Students will also read texts representative of art education curricular philosophies that evolved congruently with these general educational theories: discipline-based art education; visual culture art education; teaching for artistic behavior; social justice art education. Students will participate in class in a variety of ways – small and large group discussion, active listening, and in-class writing assignments. Students will create speculative art curriculum projects that creatively and critically explore contemporary issues of import in society that are particularly germane to young people in grades K -12. Students will give presentations that demonstrate their fluency in curriculum theory and development as well as growing mastery of engaging presentation styles and formats.

Prerequisites

Prerequisite: Open to MAAE or MAT students only or with permission of instructor.

Class Number

1015

Credits

3

Department

Art Education

Area of Study

Gender and Sexuality, Community & Social Engagement, Teaching

Location

Sharp 706

Description

This course explores current issues in museum education and audience engagement with an emphasis on implications for practice. Students will engage with concepts such as partnerships, accessibility, youth engagement, community outreach, public programming, and more. Students will also explore museum practice as it is shaped by legacies of colonialism, systemic racism, misogyny, and other forms of exclusion, in addition to addressing urgent questions about museums in the COVID era and beyond. Students will directly engage with museums in Chicago and elsewhere both remotely and in person (where safe and appropriate), and will regularly interact with practicing museum professionals, primarily at the Art Institute of Chicago. Discussions and projects will be supplemented and inspired by readings and other media, as well as museum visits and conversations with guest presenters. This course is based upon the premise that public cultural institutions must be seen as important sites for life-long and at-will learning (entertainment and pleasure). Along with libraries, public museums are one of our nation?s few institutions that offer all citizens access to essential opportunities and resources.

Class Number

1009

Credits

3

Department

Art Education

Area of Study

Art/Design and Politics, Museum Studies, Teaching

Location

Sharp 403

Description

This course addresses the complexities of teaching a studio art or seminar course at the college level. Various teaching approaches and structures will be explored including leading discussions about ideas and art, conducting critiques, working with diverse groups and individuals, instructional design (curriculum, syllabus, project assignments, etc.) and demonstrating and presenting ideas and materials. We will examine issues related to arts assessment for individuals and for institutions. We will consider evolving conceptions of teaching in different higher education contexts?art schools, liberal arts colleges, community colleges, and research universities. Gain practical knowledge about teaching strategies. Develop your own teaching philosophy, portfolio and curriculum examples. Assemble a 'tool kit' to build your teaching career.

Class Number

1011

Credits

3

Department

Art Education

Area of Study

Class, Race, Ethnicity, Art and Science, Teaching

Location

Sharp 409

Description

What egalitarian ideals have shaped our conception of public education? How has the promise of democratic schools been undermined by white privilege, racism, class-based discrimination, inequitable funding, colonialism, patriarchy, and disregard for the human impact on the natural world? This course builds a foundation for understanding the politics of schooling by exploring the struggle for democratic education in Chicago, contextualized by contemporary global decolonial practices in education. Students will consider how shifting conceptions of schooling are responses to the contemporary cultural moment—recognizing how curriculum supports the beliefs and needs of the status quo as well as how curriculum might critique and propose new ways of being as individuals and as societies. The course explores a broad range of histories, philosophies, and approaches to schooling, including Freedom Schools, Native American boarding schools, transformative justice in education, play and free child movements, teacher-led movements, environmental studies, and the fight to defend ethnic studies programs as well as attempts to re-segregate and privatize public schools. Artists, designers and scholars to be studied include Tonika Lewis, Eve Ewing, Elizabeth Todd-Breland, Jose Resendiz, Borderless Studios, Interference Archive and Alexis Rockman. Readings from the field of art education by Doug Blandy, Laurie Hicks, and Mark Graham will trace the emergence of eco-art and place-based art education curriculum. Field trips include visits to school sites, Chicago Board of Education meetings and exploration of CBOE archives. Course assignments include short response papers and course readings. Students conduct and report on six hours of observations in schools, sites of school decision-making, and in places where people attempt to build democratic processes related to schools. Students will conduct independent research on topics related to contemporary issues and schooling. Each student will prepare and present a culminating project proposal for a school whose curriculum and structures address their political and social concerns and pedagogical vision.

Prerequisites

Prerequisite: Open to MAAE or MAT students only or with permission of instructor.

Class Number

1008

Credits

3

Department

Art Education

Area of Study

Art/Design and Politics, Community & Social Engagement, Teaching

Location

MacLean 816, Sharp 706

Description

What egalitarian ideals have shaped our conception of public education? How has the promise of democratic schools been undermined by white privilege, racism, class-based discrimination, inequitable funding, colonialism, patriarchy, and disregard for the human impact on the natural world? This course builds a foundation for understanding the politics of schooling by exploring the struggle for democratic education in Chicago, contextualized by contemporary global decolonial practices in education. Students will consider how shifting conceptions of schooling are responses to the contemporary cultural moment—recognizing how curriculum supports the beliefs and needs of the status quo as well as how curriculum might critique and propose new ways of being as individuals and as societies. The course explores a broad range of histories, philosophies, and approaches to schooling, including Freedom Schools, Native American boarding schools, transformative justice in education, play and free child movements, teacher-led movements, environmental studies, and the fight to defend ethnic studies programs as well as attempts to re-segregate and privatize public schools. Artists, designers and scholars to be studied include Tonika Lewis, Eve Ewing, Elizabeth Todd-Breland, Jose Resendiz, Borderless Studios, Interference Archive and Alexis Rockman. Readings from the field of art education by Doug Blandy, Laurie Hicks, and Mark Graham will trace the emergence of eco-art and place-based art education curriculum. Field trips include visits to school sites, Chicago Board of Education meetings and exploration of CBOE archives. Course assignments include short response papers and course readings. Students conduct and report on six hours of observations in schools, sites of school decision-making, and in places where people attempt to build democratic processes related to schools. Students will conduct independent research on topics related to contemporary issues and schooling. Each student will prepare and present a culminating project proposal for a school whose curriculum and structures address their political and social concerns and pedagogical vision.

Prerequisites

Prerequisite: Open to MAAE or MAT students only or with permission of instructor.

Class Number

1008

Credits

3

Department

Art Education

Area of Study

Art/Design and Politics, Community & Social Engagement, Teaching

Location

MacLean 816, Sharp 706

Description

Relating contemporary and traditional artmaking approaches and culturally responsive pedagogy with curriculum, project, and instructional design methods, this course provides prospective teachers and teaching artists with knowledge and skills needed to structure learning experiences through which children and youth in elementary schools, middle schools and community settings enhance their creativity, develop technical skills, understand a range of artmaking practices, make personally meaningful works, and explore big ideas. Course participants will structure teaching plans that identify students’ prior knowledge, scaffold learning, use multiple teaching and learning strategies to promote student engagement and differentiate instruction to meet the needs of all students. They will learn to articulate clear and verifiable core learning objectives, select relevant national and state standards and design assessments that capture essential student learning without standardizing students’ artworks. Teacher reflection based on critique, student input and assessment data will be used in an iterative process of editing and redesigning curriculum. Connecting visual and verbal literacies, prospective teachers will make use of reading, writing and speaking activities that engage students in interpreting art and analyzing visual culture as well as using picture books as a source of inspiration for their personal storytelling and artmaking. Teachers will learn to select and/or develop reading level-appropriate art and culture readings to support learning. Studying a range of art education practices will provide teacher candidates with theoretical perspectives from which to build their own unique pedagogical approaches. Readings include works by Maria Montessori, Viktor Lowenfeld, Anne Thulson, Lisa Delpit, Vivian Paley, and Sonia Nieto as well as overviews of Reggio Emelia, Teaching for Social Justice, Teaching for Artistic Behavior, Studio Habits, Visual Thinking Strategies and Principles of Possibility Course assignments will include readings and discussion responses and researching artists, artmaking approaches and pedagogical practices as well as writing project and lesson plans accompanied by teacher artwork examples, image presentations, readings, assessments, and other instructional materials, as well as documenting plans and student artworks. Participants will teach small groups of students in elementary schools with English Language Learners. All student must complete and pass Chicago Public Schools Background Check.

Prerequisites

Completed ARTED 5015, ARTED 5021, ARTED 5105, and ARTED 5200

Class Number

1453

Credits

3

Department

Art Education

Location

Sharp 404

Description

Section 001: Thesis Fieldwork - The individual student and instructor will meet at agreed times to provide supervision and dialogue relating to the clinical experience. The choice of field site is agreed upon by student, instructor, and site supervisor. Students will spend 12 hours per week for 3 semester hours credit. This course can be taken for 3 or 6 semester hours. Section 002: Career and Professional Experience Elective Internship - Graduate CAPX education and internships in art education allow students to work in part-time, art-related CAPX positions in approved organizations and institutions. Students are assigned a CAPX faculty adviser. Participation requires a total of 210 hours, with a minimum weekly average of 15 work hours with the internship organization. Call the Career and Professional Experience Program at 312/ 499-4130 for further information. Permission to register for this course must be obtained from the director of the CAPX Program.

Prerequisites

You must be a Master of Arts in Art Education student to take this course.

Class Number

1010

Credits

3

Department

Art Education

Location

Sharp 706

Description

The thesis tutorial course is designed to provide the student with the skills necessary to generate research questions, critically evaluate research studies, construct research design, and generate viable thesis project proposals. This will be accomplished through lecture and discussion, and the students developing a research proposal of their own design. The thesis proposal will be presented for evaluation to a professional panel review. The overall concern is that students develop thesis proposals which promise to yield original contributions to the field.

Prerequisites

You must be a Master of Arts in Art Education student to take this course.

Class Number

2344

Credits

3

Department

Art Education

Location

Sharp 403

Description

This independent study requirement for candidates for the MAAE (Master of Arts in Art Education) or for the MAT (Master of Arts in Teaching) follows either the MAAE course ARTED 6109--Art Education: Thesis I: Research Methodology or the MAT course ARTED 5290--Graduate Art Education Thesis: Research as Social Inquiry. Students produce a thesis that demonstrates a student?s ability to design, justify, execute, and present the results of original research or of a substantial action research project. Students work closely with an assigned thesis advisor, in addition to participating in supporting workshops, presenting at the annual symposium, and defending the work at a final defense panel.

Prerequisites

Prerequisite: ARTED 6109 or ARTED 5290.

Class Number

2345

Credits

3

Department

Art Education

Location

Sharp 404

Description

This independent study requirement for candidates for the MAAE (Master of Arts in Art Education) or for the MAT (Master of Arts in Teaching) follows either the MAAE course ARTED 6109--Art Education: Thesis I: Research Methodology or the MAT course ARTED 5290--Graduate Art Education Thesis: Research as Social Inquiry. Students produce a thesis that demonstrates a student?s ability to design, justify, execute, and present the results of original research or of a substantial action research project. Students work closely with an assigned thesis advisor, in addition to participating in supporting workshops, presenting at the annual symposium, and defending the work at a final defense panel.

Prerequisites

Prerequisite: ARTED 6109 or ARTED 5290.

Class Number

2475

Credits

3

Department

Art Education

Location

Description

This independent study requirement for candidates for the MAAE (Master of Arts in Art Education) or for the MAT (Master of Arts in Teaching) follows either the MAAE course ARTED 6109--Art Education: Thesis I: Research Methodology or the MAT course ARTED 5290--Graduate Art Education Thesis: Research as Social Inquiry. Students produce a thesis that demonstrates a student?s ability to design, justify, execute, and present the results of original research or of a substantial action research project. Students work closely with an assigned thesis advisor, in addition to participating in supporting workshops, presenting at the annual symposium, and defending the work at a final defense panel.

Prerequisites

Prerequisite: ARTED 6109 or ARTED 5290.

Class Number

2476

Credits

3

Department

Art Education

Location

Take the Next Step

Visit the graduate admissions website or contact the graduate admissions office at 312.629.6100, 800.232.7242 or gradmiss@saic.edu.