A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Adam J Greteman

Professor

he/him

Bio

I have a Ph.D from Michigan State University in Curriculum, Instruction, and Teacher Education and a BA in Psychology from Creighton University. I have been teaching at SAIC since the fall of 2011. I have taught courses in art education across the three degree programs (MAT, MAAE, and BFAAE). These courses include LGBTQ+ histories and politics, curriculum theory, histories and philosophies of education, research methods, and human development.

Awards

Visiting Fellow at the Neubauer Collegium (University of Chicago, 2025–2026); Spencer Foundation Large Research Grant on Education (2023–2026); Hunt-Simes Visiting Chair of Sexuality Studies at Sydney Social Sciences and Humanities Advanced Research Centre (SSSHARCH) (University of Sydney, 2024–2026); Hunt-Simes Junior Visiting Chair of Sexuality Studies at SSSHARC (University of Sydney, 2023); University of Illinois Chicago Award for Creative Activity; Innovation 80 CoGen Grant; Outstanding Book Award from Society of Professors of Education (2020; 2022).

Publications

Queers Teach This! Queer and Trans Pleasures, Politics, and Pedagogues (Bloomsbury, 2024); On Liking the Other: Queer Subjects and Religious Discourses (Myers Education Press, 2022); Genders and Sexualities in Education: Toward Queer Thriving (Palgrave MacMillan, 2018); The Pedagogies and Politics of Liking (Routledge, 2017). 

Personal Statement

As a philosopher of education, I am sensitive to the importance of including diverse voices and experiences in teaching, writing, and making. I create courses that allow my students to engage written texts through experiences grounded in our diverse communities. My goal in teaching is to develop our critical thinking, writing, and making skills, along with our ability to debate issues in a constructive and agonistic manner. This is so we can speak to and about the lived realities of one another while developing our understanding of the histories, politics, and ethics involved in education. Throughout my teaching, I seek to provide students with encounters outside the classroom that take advantage of the rich cultural resources in Chicago.

I work at the intersections of educational philosophy, feminist, queer, and trans studies, teacher education, curriculum theory, and art education. I have an active writing practice that engages questions of queerness, education, and contemporary culture. Across my research, I have a concern for overlooked or under-investigated subjects that educate in under-recognized and under-theorized ways.

In fall 2019 I co-founded the LGBTQ+ Intergenerational Dialogue Project which connects two populations—LGBTQ+ youth and LGBTQ+ elders—who rarely have the chance to interact. A partnership between The School of the Art Institute of Chicago, Center on Addison at Center on Halsted, the University of Illinois at Chicago and University of Chicago, we bring together racially, socioeconomically, and gender diverse cohorts of LGBTQ+ college students and older adults (60+) for year-long series of bi-weekly themed dialogues, creative work, and shared dinners. This research has been published in American Psychologist, Signs, Studies in Art Education as well as interfaced with community organizations like Gerber Hart Library and Archives, Museum of Contemporary Art, and Chicago Public Libraries.

In my most recent book project—Queers Teach This: Queer and Trans Pleasures, Politics, and Pedagogues (Bloomsbury, 2024)—I offered commentary on five lessons queers teach: transparency, inconvenience, others, hatred, and coming into. Intentionally idiosyncratic, each of these lessons takes seriously the work of teaching, the work of teachers, and the complex realities that unfold around LGBTQ+ issues and lives as they enter educational conversations. These conversations are conditioned by contexts and communities that make bold proclamations difficult, but also point toward possibilities rooted in specifics. Combined, these five lessons provide commentary on an educational project that forefronts queers and their practices amid complex and changing realities.

My co-authored book project—On Liking the Other: Queer Subjects and Religious Discourses—studies the intersection of religious and queer discourses in teacher education. It looks at the sometimes difficult topics rooted in these two particular discourses, which are often seen as unwelcome in both public and private educational spaces. In engaging in such a conversation, the authors seek to think about the ways that these discourses, while steeped in discontent, dilemma, and difficulty, might also offer ways to reorient ourselves amidst 21st century educational realities. This book was awarded an Outstanding Book Award in 2022 from the Society of Professors of Education.

My first solo-authored book—Sexualities and Genders in Education: Toward Queer Thriving—contemplated the work of what happens upon and after queer survival. If queer has survived into various threats, my work explored the next steps for cultivating queer lives, practices, and aesthetics. Utilizing a range of sources and arguments—popular and obscure—I speculated into the 21st century as a time to further generate new forms and modes of queerness. This book was awarded an Outstanding Book Award in 2020 from the Society of Professors of Education.

My first co-authored book project—The Pedagogies and Politics of Liking—was a co-authored investigation of the four-letter word "like." While ubiquitous in 21st century conversation and actions, we argued that like has far more potential in illuminating both the possibilities and pitfalls of like's ubiquity. The 21st century, we argued, has thus far turned out to be a century of liking demanding a critical assessment for what like, liking, and likability do for us in our daily lives.

Courses

Title Department Catalog Term

Description

This course provides an overview of curriculum theory by exploring curricula as historical, cultural, social, and political texts and practices. Students will interrogate the ways in which curriculum often reifies and propagates knowledge, values and beliefs that benefit the dominant culture and reinforce the normalcy of competitive capitalistic ideals, racial hierarchies, oppressive gender binaries, and the exploitation of nature. Critical approaches to curriculum that defy and challenge these hegemonic conceptions of curriculum will be examined. Through the process of these explorations, students will develop an understanding of how curriculum shapes the social, political, emotional, psychological, and physical structures in which teaching and learning occur. Students will learn how to develop multilayered art curriculum that critically addresses urgent and crucial topics and themes that are marginalized by or neglected within much contemporary K-12 curriculum.

Students will read a variety of historically significant and vital contemporary curricular theorists who represent a broad diversity of educational philosophies: educational essentialism; child/student centered curriculum; critical pedagogy; feminist pedagogy; critical race pedagogy; queer pedagogy; culturally sustaining pedagogy. Students will also read texts representative of art education curricular philosophies that evolved congruently with these general educational theories: discipline-based art education; visual culture art education; teaching for artistic behavior; social justice art education.

Students will participate in class in a variety of ways ¿ small and large group discussion, active
listening, and in-class writing assignments. Students will create speculative art curriculum projects that creatively and critically explore contemporary issues of import in society that are particularly germane to young people in grades K -12. Students will give presentations that demonstrate their fluency in curriculum theory and development as well as growing mastery of engaging presentation styles and formats.

Class Number

1878

Credits

3

Description

This seminar involves readings and discussions of works by twentieth-century social theorists who have had or might have consequences for artists' approaches to their own practices, as well as the interpretation of artistic production in general. It is not intended to be a survey of aesthetic theories, but rather will consider various questions concerning social relations and institutions, as well as basic premises that inform different conceptual approaches to these issues. Students will also read work that deals with the production and consumption of art using particular social-theoretical frameworks. Open to all students senior level and above.

Class Number

2101

Credits

3

Description

What egalitarian ideals have shaped our conception of public education? How has the promise of democratic schools been undermined by white privilege, racism, class-based discrimination, inequitable funding, colonialism, patriarchy, and disregard for the human impact on the natural world? This course builds a foundation for understanding the politics of schooling by exploring the struggle for democratic education in Chicago, contextualized by contemporary global decolonial practices in education. Students will consider how shifting conceptions of schooling are responses to the contemporary cultural moment¿recognizing how curriculum supports the beliefs and needs of the status quo as well as how curriculum might critique and propose new ways of being as individuals and as societies. The course explores a broad range of histories, philosophies, and approaches to schooling, including Freedom Schools, Native American boarding schools, transformative justice in education, play and free child movements, teacher-led movements, environmental studies, and the fight to defend ethnic studies programs as well as attempts to re-segregate and privatize public schools.

Artists, designers and scholars to be studied include Tonika Lewis, Eve Ewing, Elizabeth Todd-Breland, Jose Resendiz, Borderless Studios, Interference Archive and Alexis Rockman. Readings from the field of art education by Doug Blandy, Laurie Hicks, and Mark Graham will trace the emergence of eco-art and place-based art education curriculum. Field trips include visits to school sites, Chicago Board of Education meetings and exploration of CBOE archives.

Course assignments include short response papers and course readings. Students conduct and report on six hours of observations in schools, sites of school decision-making, and in places where people attempt to build democratic processes related to schools. Students will conduct independent research on topics related to contemporary issues and schooling. Each student will prepare and present a culminating project proposal for a school whose curriculum and structures address their political and social concerns and pedagogical vision.

Class Number

1876

Credits

3

Description

Section 001: Thesis Fieldwork - The individual student and instructor will meet at agreed times to provide supervision and dialogue relating to the clinical experience. The choice of field site is agreed upon by student, instructor, and site supervisor. Students will spend 12 hours per week for 3 semester hours credit. This course can be taken for 3 or 6 semester hours. Section 002: Career and Professional Experience Elective Internship - Graduate CAPX education and internships in art education allow students to work in part-time, art-related CAPX positions in approved organizations and institutions. Students are assigned a CAPX faculty adviser. Participation requires a total of 210 hours, with a minimum weekly average of 15 work hours with the internship organization. Call the Career and Professional Experience Program at 312/ 499-4130 for further information. Permission to register for this course must be obtained from the director of the CAPX Program.

Class Number

2013

Credits

3