A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
SAIC faculty member Catalina Hernandez-Cabal with light skin tone, curly hair, and glasses.

Catalina Hernández-Cabal

Assistant Professor

Bio

Dr. Catalina Hernández-Cabal (she/her) is a Colombian-American feminist artist, educator, and scholar whose work is rooted in dance improvisation, somatic practices, collaborative performance, and speculative mapping and archiving. Her interdisciplinary practice explores place-making, embodied knowledge, interdependence, and pedagogy across both formal educational contexts and community-based settings. Committed to feminist knowledge and pedagogy, she grounds her work in partnerships, collaboration, and multiple forms of dialogue. She has co-edited two books on artistic research and pedagogy, and her creative scholarship has appeared in journals such as Feminist Pedagogy and Women & Performance, among other academic and artistic venues. With an interdisciplinary and diasporic background, she earned her PhD in Art Education from the University of Illinois at Urbana-Champaign, where she also pursued graduate concentrations in Gender Studies, Latino/a Studies, and Dance.

Courses

Title Department Catalog Term

Description

Relating contemporary and traditional artmaking approaches and culturally responsive pedagogy with curriculum, project, and instructional design methods, this course provides prospective teachers and teaching artists with knowledge and skills needed to structure learning experiences through which children and youth in elementary schools, middle schools and community settings enhance their creativity, develop technical skills, understand a range of artmaking practices, make personally meaningful works, and explore big ideas. Course participants will structure teaching plans that identify students¿ prior knowledge, scaffold learning, use multiple teaching and learning strategies to promote student engagement and differentiate instruction to meet the needs of all students. They will learn to articulate clear and verifiable core learning objectives, select relevant national and state standards and design assessments that capture essential student learning without standardizing students¿ artworks. Teacher reflection based on critique, student input and assessment data will be used in an iterative process of editing and redesigning curriculum. Connecting visual and verbal literacies, prospective teachers will make use of reading, writing and speaking activities that engage students in interpreting art and analyzing visual culture as well as using picture books as a source of inspiration for their personal storytelling and artmaking. Teachers will learn to select and/or develop reading level-appropriate art and culture readings to support learning.

Studying a range of art education practices will provide teacher candidates with theoretical perspectives from which to build their own unique pedagogical approaches. Readings include works by Maria Montessori, Viktor Lowenfeld, Anne Thulson, Lisa Delpit, Vivian Paley, and Sonia Nieto as well as overviews of Reggio Emelia, Teaching for Social Justice, Teaching for Artistic Behavior, Studio Habits, Visual Thinking Strategies and Principles of Possibility

Course assignments will include readings and discussion responses and researching artists, artmaking approaches and pedagogical practices as well as writing project and lesson plans accompanied by teacher artwork examples, image presentations, readings, assessments, and other instructional materials, as well as documenting plans and student artworks. Participants will teach small groups of students in elementary schools with English Language Learners.

All student must complete and pass Chicago Public Schools Background Check.

Class Number

2140

Credits

3

Description

This course examines theoretical and practical issues implicit in the conceptualization of the public sphere. Teacher candidates explore social theory through historical and contemporary models of community activism, grassroots organizing, and other cultural work in relation to the contested space of the public sphere. Teacher candidates research and develop individual and collaborative creative work including interviews, observations, and proposals for an ethical community-based project.

Class Number

2484

Credits

3