| Introduction to Photographic Image Making |
1001 (001) |
Marzena Abrahamik |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1712
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 106
|
| Introduction to Photographic Image Making |
1001 (002) |
Catherine Gass |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1696
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 106
|
| Introduction to Photographic Image Making |
1001 (003) |
Monika Niwelinska |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1697
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 106
|
| Introduction to Photographic Image Making |
1001 (004) |
Joseph David Belknap |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1698
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 106
|
| Introduction to Photographic Image Making |
1001 (005) |
Cecil McDonald, Jr. |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1699
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 106
|
| Introduction to Photographic Image Making |
1001 (006) |
|
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1700
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 106
|
| Introduction to Photographic Image Making |
1001 (007) |
Rachel Herman |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This foundational course introduces students to photography as a tool for creative expression and critical inquiry. Through hands-on assignments, students develop technical skills in camera operation, composition, and digital printing while exploring photography¿s evolving nature and impact on perception. Readings, screenings, and discussions provide a critical framework for analyzing images¿both personal and cultural. Emphasizing both conceptual growth and practical application, the course encourages experimentation across genres and prepares students for advanced photographic study. Required for all subsequent photo courses.
|
Class Number
1715
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 106
|
| Slow Photo |
2003 (001) |
Monika Niwelinska |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course invites students with a foundational knowledge of photography to expand their image-making practices through hands-on, experimental techniques. Exploring cyanotype, van dyke brown, collage, reproduction, and transfer methods, students gain a working understanding of graphic arts and print films. The course encourages curiosity, independent research, and creative risk-taking, with opportunities to integrate text, installation, and performance. Emphasizing process and material exploration, Slow Photo fosters a deeper engagement with photography beyond the digital, embracing time-intensive approaches that challenge conventional image-making.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1701
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 206
|
| The Anthropocene |
2006 (001) |
Oliver Sann |
Wed
8:30 AM - 11:15 AM
In Person
|
|
Description
'The Anthropocene' is the name of the new geological epoch, proposing that the human species has become the single most dominant agent of change affecting the Earth's ecosystems. Photography plays in this context a pivotal role and goal of this class is to promote different photographic experiences on land- and cityscapes of the Anthropocene. Collaborative work and access to different material forms, laboratories, analog and digital photographic media as well as scholarship and first-person testimony on health, race, politics and aesthetics, will help generate diverse perspectives on the entangled realities of the world and the complex human-natural systems. Questions of environmental justice and environmental ethics will take center stage in this class.
|
Class Number
1720
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging, Economic Inequality & Class, Art and Science
Location
280 Building Rm 216
|
| Medium Format |
2009 (001) |
|
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Explore the history, methods, and creative potential of medium format film photography. In this course, students will work with medium format cameras, experimenting with black-and-white and color film. Through guided instruction, they will learn film development techniques and both analog and digital printing methods. By combining traditional and experimental approaches, students will expand their photographic practice and deepen their understanding of the medium.
Prerequisites
Prerequisite: 3 credits of PHOTO 1000 level courses.
|
Class Number
1716
|
Credits
3
|
Department
Photography
Area of Study
Digital Imaging
Location
280 Building Rm 214
|
| Color |
2010 (001) |
Marzena Abrahamik |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
This course explores the intricate concepts and practices of color photography, integrating perception, science, and cultural significance. Students refine their ability to see and interpret color through hands-on projects, peer critique, and historical and theoretical discussions. Technical instruction includes image capture, color correction, light quality, printing across various scales and media, and presentation strategies. Through these explorations, students deepen their understanding of color¿s role in shaping meaning and photographic expression.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1702
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 216
|
| Color |
2010 (002) |
Sonja Ruth Thomsen |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
This course explores the intricate concepts and practices of color photography, integrating perception, science, and cultural significance. Students refine their ability to see and interpret color through hands-on projects, peer critique, and historical and theoretical discussions. Technical instruction includes image capture, color correction, light quality, printing across various scales and media, and presentation strategies. Through these explorations, students deepen their understanding of color¿s role in shaping meaning and photographic expression.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1703
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 216
|
| Black and White |
2011 (002) |
Robert Clarke-Davis |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course explores the techniques and aesthetics of black and white photography, from exposure to final prints. Students will develop skills in analog darkroom and inkjet printing, contrast control, lighting techniques, and the impact of scale, paper, and film choices. Hands-on projects and darkroom experimentation will deepen technical abilities and creative expression. An adjustable film camera is required.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1705
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 206
|
| Black and White |
2011 (003) |
Oliver Sann |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This course explores the techniques and aesthetics of black and white photography, from exposure to final prints. Students will develop skills in analog darkroom and inkjet printing, contrast control, lighting techniques, and the impact of scale, paper, and film choices. Hands-on projects and darkroom experimentation will deepen technical abilities and creative expression. An adjustable film camera is required.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1713
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 214
|
| Lighting Fundamentals |
2015 (001) |
Marzena Abrahamik |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
Light is a powerful tool for creative control. In this course, students learn to observe, measure, and manipulate light to enhance their photographic work. Through hands-on practice, they explore the interplay of natural, ambient, and artificial light sources¿including on-camera and hand-held flash¿within existing conditions. By understanding metering and light mixing techniques, students gain the skills to shape mood, depth, and atmosphere in their images. This course provides a strong foundation in lighting, equipping students with practical techniques to elevate their work with confidence and precision.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1706
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 207
|
| Lighting Fundamentals |
2015 (002) |
Sonja Ruth Thomsen |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Light is a powerful tool for creative control. In this course, students learn to observe, measure, and manipulate light to enhance their photographic work. Through hands-on practice, they explore the interplay of natural, ambient, and artificial light sources¿including on-camera and hand-held flash¿within existing conditions. By understanding metering and light mixing techniques, students gain the skills to shape mood, depth, and atmosphere in their images. This course provides a strong foundation in lighting, equipping students with practical techniques to elevate their work with confidence and precision.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1707
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 207
|
| Large-Format |
3002 (001) |
Alan Labb |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Large Format Photography introduces students to the concepts and aesthetics of working with a large-format view camera. Students will learn pre-visualization, camera movements, perspective control, large-format optics, and sheet film handling. Through flexible assignments, they are encouraged to develop a personal style while exploring traditional genres such as portraiture, landscape, studio, and architecture. Technical skills include view camera setup, the zone system, large-format scanning, and both analog and digital printing. Each student is assigned a 4x5 studio camera and has access to 8x10 and 4x5 field cameras, along with various optics and accessories.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1708
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 206
|
| Individual Projects |
3004 (001) |
Oliver Sann |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
This course fosters the development of self-directed, research-driven projects, challenging students to push beyond traditional photographic approaches and explore interdisciplinary practices. Emphasizing experimentation, students refine their conceptual depth and technical skills while advancing a sustained body of work. Through critiques, discussions, collaborations, workshops, and individual mentoring, the course supports ambitious project development and strategies for exhibition, publication, and public engagement. Designed to complement Senior Capstone projects, it prepares students for the BFA exhibition and professional creative practices. May be repeated for credit.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1714
|
Credits
3
|
Department
Photography
Location
280 Building Rm 215
|
| Top: Photographic Books |
3005 (001) |
Robert Clarke-Davis |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
The class will address the photographic book. We will investigate the numerous styles and how it influences meaning. We will question the limits of books where photography will be the main emphasis. This is not a class that will be primarily on structure we will not be making books beyond the most basic level. The quality and traits of print on demand publishing and visit with local publishers and editors will be arranged. We will almost live in the Joan Flash Artists' Book Collection. The main text will be the Structure of the Visual Book by Keith Smith. Among courses that would work well in conjunction are: Structuring/Sequencing/Series and Artist Books.
Prerequisites
Prerequisite: PHOTO 1001.
|
Class Number
1711
|
Credits
3
|
Department
Photography
Location
280 Building Rm 216
|
| Image Editing & Output |
3007 (001) |
Sara Condo |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Image Editing & Output refines digital imaging skills with a focus on post-production and high-quality printing. Students refine workflows, develop expertise in advanced editing techniques like color management, masking, and compositing, and explore creative post-production methods using Photoshop and other software. Technical assignments and self-directed projects reinforce these skills. Readings and discussions address contemporary issues in digital imaging and evolving output technologies. As digital tools constantly change, students develop research and problem-solving strategies to adapt their workflows and stay current with new advancements. This course balances technical precision with creative exploration, preparing students for the ever-evolving world of digital imaging.
Prerequisites
Prerequisite: PHOTO 1001 and PHOTO 2010.
|
Class Number
1710
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Digital Imaging
Location
280 Building Rm 215
|