| Comics |
2002 (001) |
Johnny Sampson |
Mon/Wed
6:45 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1644
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics: Making Comics from Life: Autobiography, Me |
2002 (002) |
Marnie Galloway |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1645
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
| Comics:Drawing Outside The Boxes |
2002 (003) |
Jeffrey David Brown |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
It can be easy for students to become so focused on the final product of art making that they lose sight of the importance of process. To that end, this studio class aims to encourage students to play and experiment within the medium of comics, creating projects with methods they wouldn?t normally use, and avoiding the urge to fall back on their usual or expected ways of working. Students will not need to worry about making a great piece of art, and instead can learn more about their own art practice and what does or doesn?t work for them.
This class will look at a variety of artists, genres, and forms in the comics medium. The types of comics investigated may include everything from traditional superhero genre comics, to handmade art comics, graphic novels, abstract comics, newspaper gag comics, and even content that may or may not be considered comics, depending on how one defines ?comics.? Students will also be encouraged to share their favorite comics or whatever they?re currently reading, and to look into books and comics they aren?t familiar with.
After casual critiquing of the previous week?s work, each class begins a new project or exercise that starts with a prompt or general parameters, which students use as starting points to follow in whatever direction interests them.
|
Class Number
1646
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Graphic Narrative |
2002 (004) |
Cecilia Beaven |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
The students will gain a better understanding of graphic narrative by exploring its diverse history, looking at contemporary work, and critically discussing what graphic narrative does. In this course, the students will examine forms of sequential art beyond the Western canon, they will look at Pre-Columbian codexes, Latin American contemporary comics, manga, and feminist and punk comics, among others.
|
Class Number
1647
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Comics |
2002 (005) |
Bianca Xunise |
Tues
3:30 PM - 9:15 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1648
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
| Comics: Play, and Process |
2002 (007) |
Sophie Goalson |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
This course explores comics as a space for play, exploration, and critical inquiry. Students will engage with drawing and writing as intertwined practices, using comics to examine memory, thought, and storytelling. Through a mix of diary comics, experimental exercises, and structured assignments, students will challenge their own ideas of what makes a comic a comic and develop a personal approach to the medium. In addition to making work, students will read and discuss texts by artists and thinkers. Selected readings include works by Lynda Barry, Cintra Wilson, Julia Kristeva, Jean Little, Lela Lee, J. Jefferson Farjeon, Allie Brosh, and others. These texts will serve as a foundation for discussions on creativity, nonlinear storytelling, and the relationship between image and text. The class will also consider how comics operate as both personal expression and cultural commentary, thinking critically about the ethics of storytelling, subjectivity, and artistic voice. Students will produce a body of work over the course of the semester, including weekly exercises, process-based experiments, and a final project that explores comics as a mode of thinking. Regular critiques will focus on development rather than refinement, reinforcing the idea that comics are a process rather than a product. No prior drawing experience is required¿only a willingness to engage in playful, iterative, and messy creation.
|
Class Number
1650
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
| Comics: Idea to Execution |
2002 (008) |
Sara Varon |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Good stories can come from anywhere, and any story can be interesting no matter the subject matter. This class will focus on the best way to create concepts for stories and how to properly execute them, with a strong emphasis on writing, revision, using the proper tools, artistic process and drawing technique. Students will complete short, one to two page stories each week, while also working toward three six to eight page stories that will be compiled into their own printed comic at the end of the semester. Various comic samples will be provided from a range of diverse sources. Short story assignments will be assigned in the beginning of the semester that will focus on specific aspects of making comics (i.e. perspective, using reference, creating mood, etc). Students will also be making three longer stories that will be compiled into one comic at the end of the semester.
|
Class Number
1654
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 308
|
| Comics: Comics of The Self: From Autobiography to |
2002 (009) |
Sam Sharpe |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
The Department of Painting and Drawing offers a wide variety of comics courses, ranging from traditional to experimental methods and techniques. Each course is designed to focus on a specific area of comics production. To learn more about the topic of a specific comics course in which you are interested, please review the course description for that particular class.
|
Class Number
1657
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Books and Publishing, Comics and Graphic Novels, Illustration
Location
280 Building Rm 306
|
| Figure Drawing: Multi-Level |
2030 (001) |
Anne Harris |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1595
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (002) |
Don Southard |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1596
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
| Figure Drawing: Multi-Level |
2030 (003) |
Matias Brimmer |
Tues
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1597
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (005) |
Larissa Setareh Borteh |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1599
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
| Figure Drawing: Multi-Level |
2030 (006) |
George Liebert |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1600
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (007) |
Erin Washington |
Thurs
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1601
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 320
|
| Figure Drawing: Multi-Level |
2030 (008) |
Mary Griffin |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1602
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Multi-Level |
2030 (009) |
Dylan Rabe |
Thurs
3:30 PM - 9:15 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1603
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
| Figure Drawing: Multi-Level |
2030 (010) |
MJ Lounsberry |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
Students draw from the model as a means of understanding form, shape, and line using a variety of media. The course emphasizes shorter poses as training in immediate response to gesture and form. This course serves as a requirement and preparation for topic-based Figure Drawing B classes.
|
Class Number
1604
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 124
|
| Figure Drawing: Large Format |
2030 (011) |
Amanda Joy Calobrisi |
Fri
9:00 AM - 3:00 PM
In Person
|
|
Description
Are you curious about creating figure drawings life size or larger?
This multi-level studio will introduce you to the exciting challenge of drawing the human form from observation on large supports while learning about drawing techniques spanning the pre-modern era into the present day. Students working with figurative subjects will be able to experiment with scale changes on 3? x 6? paper. Students who want to work even larger are encouraged. Formal points of departure are presented clearly through daily morning lectures and demonstrations, using a full array of examples from art history, contemporary art as well as frequent museum visits.
The class exercises begin with quick monochromatic sketches and progress to full color extended studies. There is one final project assignment. The majority of the required work is completed during class time. The large format allows students of all abilities to make significant improvements quickly.
|
Class Number
1663
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Comics and Graphic Novels, Illustration
Location
280 Building Rm 315
|
| Structuring, Sequencing and Series |
3010 (001) |
Aimée Beaubien |
Mon
9:00 AM - 3:00 PM
In Person
|
|
Description
Structuring, Sequencing, Series explores how photographic meaning is shaped through sequences and series¿fundamental ways we encounter images in books, exhibitions, installations, and digital spaces. This course examines how structure influences interpretation, considering both narrative and non-narrative approaches across diverse genres. Through hands-on assignments, students will experiment with serial imagery in photobooks, zines, portfolios, web-based projects, installations, video, and projection. By analyzing historical and contemporary examples, students will develop a deeper understanding of photography¿s evolving role and refine their ability to construct compelling visual narratives.
Prerequisites
Prerequisite: 3 credits of PHOTO 2000 level courses.
|
Class Number
1531
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Comics and Graphic Novels, Digital Imaging
Location
280 Building Rm 215
|
| Artist's Books: Unbound |
3016 (001) |
Anna Laure Kielman |
Wed
9:00 AM - 3:00 PM
In Person
|
|
Description
This course will engage the artists' book through the lens of the everyday. Students will explore book forms using traditional techniques in combination with emerging technologies, as well as more experimental approaches ranging from found materials to metalworking. We will pursue numerous conditions, contemporary strategies and histories surrounding the book as an everyday object. Students will investigate the parameters of the unbound book through sequence and storytelling through space, ideas of parody/homage, palimpsests and redactions, toolkits, reliquaries, the multiple, mass production, self-publishing, appropriation, and more.
|
Class Number
1560
|
Credits
3
|
Department
Printmedia
Area of Study
Books and Publishing, Comics and Graphic Novels, Community & Social Engagement
Location
280 Building Rm 113
|