Roger Reeves
Youth & Continuing Studies Courses
| Title | Catalog | Instructor | Schedule |
|---|---|---|---|
| Drawing Studio: 10-13 | 102 (001) | Alex Dahm | Sat
9:00 AM - 12:00 PM February 07, 2026 - April 25, 2026 |
Description
Explore drawing as an engaging form of expression through writing, discussion, sketchbooks, and individual and group projects. Students will explore various drawing techniques and approaches while gaining an understanding of essential elements of 2D design and art, including line, shape, shading, and light. Visits to the Art Institute of Chicago will offer inspiration from various paintings, sculptures, and objects. This course invites beginners and those seeking to enhance their drawing skills and confidence. Students can repeat the course to improve their abilities further and generate new ideas.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Animation Studio: 10-13 | 102 (001) | Pablo Enrique Monterrubio-Benet | Sat
1:00 PM - 4:00 PM February 07, 2026 - April 25, 2026 |
Description
Bring artwork to life using traditional and digital media to create one-of-a-kind animations. In this exciting course, students learn principles of animation while exploring various techniques, including stop-motion, frame-by-frame methods, digitally modified video, and computer-aided techniques. Students will use digital tools such as laptops, still cameras, video cameras, sound recorders, iPads, sketchbook work, and other traditional processes to express contemporary artistic hybrid methods. Students can repeat this course to continue building their skills.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Drawing Studio: 10-13 | 102 (002) | Melanie P. Brown | Sat
1:00 PM - 4:00 PM February 07, 2026 - April 25, 2026 |
Description
Explore drawing as an engaging form of expression through writing, discussion, sketchbooks, and individual and group projects. Students will explore various drawing techniques and approaches while gaining an understanding of essential elements of 2D design and art, including line, shape, shading, and light. Visits to the Art Institute of Chicago will offer inspiration from various paintings, sculptures, and objects. This course invites beginners and those seeking to enhance their drawing skills and confidence. Students can repeat the course to improve their abilities further and generate new ideas.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Advanced Drawing Studio: 10-13 | 103 (001) | Melanie P. Brown | Sat
9:00 AM - 12:00 PM February 07, 2026 - April 25, 2026 |
Description
This advanced course invites students with prior drawing experience to explore various materials and techniques that will expand their artistic abilities. While continuing to develop their technical skills, students will focus on using drawing to organize their thoughts and feelings and express their ideas. Students will work with various materials, including pencil, charcoal, pastel, ink, and mixed media. Visiting the Art Institute of Chicago will allow them to observe and sketch from a vast collection of paintings, sculptures, and other objects to inspire their studio work. Students will explore endless possibilities in a supportive environment that fosters growth and artistic confidence¿whether experimenting with innovative processes or refining their unique style.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Fashion Studio: 10-13 | 103 (001) | Jake Wobig | Sat
9:00 AM - 12:00 PM February 07, 2026 - April 25, 2026 |
Description
This course introduces young designers to the fashion world, helping them discover their unique style while learning the technical skills necessary to transform their designs from concept to reality. Activities guide students through developing original ideas, finding inspiration from their surroundings, and responding to the work of other artists and designers. Students will build fundamental skills in fashion research, drawing, draping, garment construction, and machine and hand sewing. They will also explore sculptural draping using paper to create exciting experimental looks and deconstruct garments to invent new forms. Each session features different projects, allowing students to enroll in multiple semesters.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Comics and Graphic Novels: 10-13 | 113 (001) | Alex Dahm | Sat
1:00 PM - 4:00 PM February 07, 2026 - April 25, 2026 |
Description
Students elevate their illustration skills in this course by creating unique comics and graphic novels. Emphasis is placed on storytelling, introducing students to character development, plot structure, scripting, and storyboarding. The course teaches skills in drawing and illustration, focusing on techniques such as penciling, inking, coloring, and understanding space and perspective. Students will explore various traditional and non-traditional mediums, including colored pencils, oil pastels, watercolors, digitally edited drawings, and handmade zines. Inspiration also comes from trips to the Art Institute of Chicago and visits to downtown Chicago, where a vast array of public art sparks creativity. These experiences will provide opportunities for drawing practice and serve as an introduction to the fundamentals of comic narratives and stylistic expression.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Digital Drawing and Illustration | 401 (001) | Alex Perkins | Sun
10:00 AM - 1:00 PM February 08, 2026 - April 26, 2026 |
Description
This class is perfect for artists eager to explore the thrilling world of digital art. Start with traditional drawing techniques and then transition into the digital realm using software like Procreate. As you progress through the course, you'll have the chance to build a portfolio filled with digital creations, perfect for showcasing online or in print¿think posters and zines. Projects will cover everything from designing unique characters and creating merch, such as enamel pins, stickers, and tees, to crafting vibrant digital paintings and illustrations for children's books. Gain inspiration by guest presentations from contemporary illustrators influencing the art world with their boundary-pushing styles and innovative techniques.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Oil Painting | 401 (001) | Larissa Setareh Borteh | Sun
2:00 PM - 5:00 PM February 08, 2026 - April 26, 2026 |
Description
This course is designed for students with little to no experience in oil painting and introduces the specific materials and processes of this medium. You'll get hands-on experience with essential skills through demonstrations on stretching canvases, setting up your paint palette, and applying various techniques. You'll also learn how to mix colors. These foundational skills will prepare you to create work for your portfolio. Throughout the course, you'll delve into color theory, composition, structure, proportion, and perspective while painting from observation. Experiment and discover your unique artistic voice and style in a supportive and encouraging environment. Basic drawing and water-based painting experience is required.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Exhibition Prep | 401 (001) | Ruby Que | Sat
1:00 PM - 4:00 PM February 07, 2026 - April 25, 2026 |
Description
**This course is only for College Arts Access Program (CAAP) students and is closed to outside registrants.**
Art does not end when you finish a piece; sharing your work with the public plays a vital role in the artistic process and deserves equal consideration. In this course, students explore traditional and contemporary presentation methods, ranging from high-end galleries and museums to online exhibitions and artist-run shows. In addition to in-class examinations of what an exhibition can be and its impact on how artwork is viewed/received, students organize and assemble their exhibition, from marketing to presentation choices, artist statements, and installation to the opening reception. Visits to the Art Institute of Chicago, SAIC's Sullivan and SITE Galleries, and other Chicago venues help inform discussion and research. Students should have finished portfolio-quality work that they are ready to exhibit before taking this course, as it does not cover studio time or techniques. |
Class Number |
Credits |
DepartmentSubjectLocation |
| Exhibition Prep | 401 (001) | Ruby Que | Sat
1:00 PM - 4:00 PM February 07, 2026 - April 25, 2026 |
Description
**This course is only for College Arts Access Program (CAAP) students and is closed to outside registrants.**
Art does not end when you finish a piece; sharing your work with the public plays a vital role in the artistic process and deserves equal consideration. In this course, students explore traditional and contemporary presentation methods, ranging from high-end galleries and museums to online exhibitions and artist-run shows. In addition to in-class examinations of what an exhibition can be and its impact on how artwork is viewed/received, students organize and assemble their exhibition, from marketing to presentation choices, artist statements, and installation to the opening reception. Visits to the Art Institute of Chicago, SAIC's Sullivan and SITE Galleries, and other Chicago venues help inform discussion and research. Students should have finished portfolio-quality work that they are ready to exhibit before taking this course, as it does not cover studio time or techniques. |
Class Number |
Credits |
DepartmentSubjectLocation |
| Creative Writing | 401 (001) | Robin Reid Drake | Sun
10:00 AM - 1:00 PM February 08, 2026 - April 26, 2026 |
Description
In this course, students will explore their creativity and develop a unique voice through engaging exercises such as journaling, freewriting, writing inspired by music, and exploring memories and dreams. Participants will experience the exhilarating process of editing, revising, and workshopping their writing alongside their peers, fostering a supportive and collaborative environment. They will learn to provide constructive feedback on others' work and craft captivating short stories, monologues, poetry, and personal essays. Students will push the boundaries of original and individual expression throughout the course while preparing for college-level writing. With guidance from faculty and peer support, students will share their literary creations in class and complete assigned reading and writing exercises designed to clarify, expand, and challenge their written expressions.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Figure Drawing | 404 (001) | Larissa Setareh Borteh | Sun
10:00 AM - 1:00 PM February 08, 2026 - April 26, 2026 |
Description
Unlock your creativity in our dynamic figure drawing course. Here, you'll have the opportunity to work from a live nude model, honing your skills by observing the human form. Expect an exciting mix of rapid sketches and longer poses paired with inspiration from photographs and your imagination. Explore the essential elements of life drawing¿like anatomy, proportion, composition, and expressive techniques¿focusing on using black and white media such as graphite, charcoal, and conte crayon to bring your visions to life. Challenge yourself with exercises like blind contour drawing and memory sketches that will push your artistic boundaries. Trips to the Art Institute of Chicago, presentations on inspiring historical and contemporary artists, and constructive critiques will help you grow. This course is perfect for newcomers eager to explore their creativity and those looking to enhance their artistic skills in a supportive and engaging environment. Note: Figure Drawing and Figure Painting use nude models hired by the School.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Artist Materials and Techniques | 404 (001) | Kris Derek Hechevarria, Armando Román | Sat
9:00 AM - 12:00 PM February 07, 2026 - April 25, 2026 |
Description
This course provides students with the opportunity to blend traditional techniques with cutting-edge digital methods, as they experiment with a range of media, including drawing, sculpture, image transfer, collage, laser cutting, and 3D printing. Begin with exciting mini-projects and hands-on demonstrations to spark your imagination and get ideas flowing, then refine concepts through engaging discussions before completing a final project that reflects your unique style and interests. Additionally, students will discover the latest trends in art, featuring inspiring work from contemporary artists who are pushing boundaries today.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Artist Materials and Techniques | 404 (001) | Kris Derek Hechevarria, Armando Román | Sat
9:00 AM - 12:00 PM February 07, 2026 - April 25, 2026 |
Description
This course provides students with the opportunity to blend traditional techniques with cutting-edge digital methods, as they experiment with a range of media, including drawing, sculpture, image transfer, collage, laser cutting, and 3D printing. Begin with exciting mini-projects and hands-on demonstrations to spark your imagination and get ideas flowing, then refine concepts through engaging discussions before completing a final project that reflects your unique style and interests. Additionally, students will discover the latest trends in art, featuring inspiring work from contemporary artists who are pushing boundaries today.
|
Class Number |
Credits |
DepartmentSubjectLocation |
| Fashion Design and Construction | 408 (001) | Brady T Drose | Sun
10:00 AM - 1:00 PM February 08, 2026 - April 26, 2026 |
Description
This course combines elements from the Early College Program's Fashion Design and Fashion Construction courses. It is for students interested in exploring modern fashion design techniques and garment construction. Participants will develop skills in design research, styling, draping, fabric selection, pattern making, and sewing. Students will visit the Fashion Resource Center at the School of the Art Institute of Chicago and the Art Institute of Chicago museum, where they will refine their design concepts and complete fabric construction. This class is an excellent opportunity for those starting in fashion who wish to explore various pathways in the field. No prior experience is necessary to enroll in this course.
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Class Number |
Credits |
DepartmentSubjectLocation |
| From Drawing to Painting | 408 (001) | Jenny Halpern | Sun
2:00 PM - 5:00 PM February 08, 2026 - April 26, 2026 |
Description
This course is perfect for students passionate about drawing but new to painting. Build on your drawing skills as a solid foundation to explore exciting painting techniques as you define your unique artistic vision with the guidance of your instructor. You will explore essential skills such as line, volume, space, materiality, form and function, and color. Various traditional and contemporary materials will be utilized, including graphite, charcoal, pastels, water-based paints, mixed media, and collage. Additionally, visits to the Art Institute of Chicago and discussions about contemporary artists will enhance the studio experience and inspire students to develop conceptual ideas in their artworks. By the end of this course, you'll have a deeper understanding of different art materials and the confidence to transition from drawing to painting. This course is beneficial for beginners as well as those looking to refine and enhance their skills.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Animation Studio | 411 (001) | Michael Lopez | Sun
2:00 PM - 5:00 PM February 08, 2026 - April 26, 2026 |
Description
Discover the exciting world of animation as you bring your drawings and ideas to life. In this course, you'll explore traditional and digital animation techniques, such as frame-by-frame and stop-motion. Get ready to work on various cool projects that let you express your imagination through motion studies, character and environment design, and captivating storytelling. You'll learn cinematic techniques, including composition, set design, and prop creation, while developing a final project that reflects your unique goals and interests. To enhance your experience, enjoy artist presentations, take inspiring trips to the Art Institute of Chicago, and engage in dynamic group discussions.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Advanced Drawing and Painting | 411 (001) | Rebecca Walz | Sun
2:00 PM - 5:00 PM February 08, 2026 - April 26, 2026 |
Description
This advanced course targets students who have completed at least one Early College Program drawing or painting course or have substantial experience in these areas and want to enhance their skills. The course emphasizes the organization of ideas and the development of self-directed projects, with guidance from the instructor and peer support. Students will be encouraged to pursue their projects and goals using various media, including water-based paint, oil paint, ink, pencil, charcoal, collage, or a combination of these materials. The course includes trips to the Art Institute of Chicago, presentations by contemporary artists, group critiques, and experimental interdisciplinary exercises to enhance the studio experience. This course is meant for those comfortable working independently to expand their portfolios.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Art Survey at AIC: Ancient to PreModern | 501 (001) | Joseph Cunniff | Fri
12:00 PM - 2:00 PM February 13, 2026 - April 24, 2026 |
Description
This course examines seminal works in the Art Institute of Chicago collection. Classes meet in the galleries and observe, discuss, and find connections between works in different points of history. Students learn how to analyze a work of art and gain insights into the context of specific periods, the lives of the artists, and the range of expression as a basis for further inquiry. This course begins with Ancient Greece and Rome. It continues through the Middle Ages, the Renaissance, and the 17th and 18th century Romantic periods, ending with the late 19th century and the dawn of Impressionism. Such renowned artists as El Greco, Rembrandt, Rubens, and Turner are included, along with lesser-known artists.
This course meets outside the gift shop at the benches, entering the museum from Michigan Avenue. Art Survey at the AIC: Ancient to PreModern fulfills the Art History requirement for the Adult Continuing Education noncredit Drawing and Painting certificates. |
Class Number |
Credits |
DepartmentSubjectLocation |
| Introduction to Graphic Design | 501 (001) | Mark Skillicorn | Mon
6:00 PM - 9:00 PM February 09, 2026 - April 20, 2026 |
Description
This course examines the fundamentals of two-dimensional design in the digital age. Students will explore principal design elements, including composition, color, and typography, through projects introducing Adobe Illustrator and Photoshop as primary graphic design tools. The importance of effective visual communication in commercial and experimental design is stressed as students understand the professional design process from the client brief to the finished digital project. Students will leave this course with a solid foundation in strategies for solving design problems, a basic design vocabulary, and an understanding of Adobe Illustrator and Photoshop's specific role in creating professional work. Before starting this course, students should be comfortable creating, deleting, renaming, and moving files and directories without assistance.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Introduction to Interior Design | 501 (001) | Richard Kasemsarn | Thurs
6:00 PM - 9:00 PM February 12, 2026 - April 23, 2026 |
Description
This course introduces the skills and insights needed to be a successful interior designer and examines why some designs are more successful than others. More than a style-selection course, you will learn what is required to design and build an interior space, gain a general knowledge of how interior designers work, and examine what it takes to move creative designs from idea to reality. Included is a survey of important and innovative designs happening today.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Introduction to Interior Design | 501 (002) | Richard Kasemsarn | Tues
6:00 PM - 9:00 PM February 10, 2026 - April 21, 2026 |
Description
This course introduces the skills and insights needed to be a successful interior designer and examines why some designs are more successful than others. More than a style-selection course, you will learn what is required to design and build an interior space, gain a general knowledge of how interior designers work, and examine what it takes to move creative designs from idea to reality. Included is a survey of important and innovative designs happening today.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Art Survey at AIC: Ancient to PreModern | 501 (002) | Joseph Cunniff | Sat
2:00 PM - 4:00 PM February 07, 2026 - April 25, 2026 |
Description
This course examines seminal works in the Art Institute of Chicago collection. Classes meet in the galleries and observe, discuss, and find connections between works in different points of history. Students learn how to analyze a work of art and gain insights into the context of specific periods, the lives of the artists, and the range of expression as a basis for further inquiry. This course begins with Ancient Greece and Rome. It continues through the Middle Ages, the Renaissance, and the 17th and 18th century Romantic periods, ending with the late 19th century and the dawn of Impressionism. Such renowned artists as El Greco, Rembrandt, Rubens, and Turner are included, along with lesser-known artists.
This course meets outside the gift shop at the benches, entering the museum from Michigan Avenue. Art Survey at the AIC: Ancient to PreModern fulfills the Art History requirement for the Adult Continuing Education noncredit Drawing and Painting certificates. |
Class Number |
Credits |
DepartmentSubjectLocation |
| Introduction to Graphic Design | 501 (002) | Riesling Dong | Mon
6:00 PM - 9:00 PM February 09, 2026 - April 20, 2026 |
Description
This course examines the fundamentals of two-dimensional design in the digital age. Students will explore principal design elements, including composition, color, and typography, through projects introducing Adobe Illustrator and Photoshop as primary graphic design tools. The importance of effective visual communication in commercial and experimental design is stressed as students understand the professional design process from the client brief to the finished digital project. Students will leave this course with a solid foundation in strategies for solving design problems, a basic design vocabulary, and an understanding of Adobe Illustrator and Photoshop's specific role in creating professional work. Before starting this course, students should be comfortable creating, deleting, renaming, and moving files and directories without assistance.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Painting Studio: Multi-level | 502 (001) | Kaylee Rae Wyant | Wed
6:00 PM - 9:00 PM February 11, 2026 - April 22, 2026 |
Description
Focus your interests, refine your skills, and learn to create a compelling and personally meaningful body of work. In-class exercises and individual painting assignments will act as the catalyst for you to discover your point of view through painting. You¿ll learn to communicate your vision and receive feedback and support from your instructor and peers in one-on-one meetings, group critiques, and discussions. You may work in the painting media (acrylic, oils, tempera, watercolor) of your choosing. Prior painting is helpful but not necessary. Introductory painting skills will not be addressed in this course.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Digital Design: Adobe Illustrator | 502 (001) | Mark Skillicorn | Sat
1:00 PM - 4:00 PM February 07, 2026 - April 25, 2026 |
Description
Want to use Adobe Illustrator to create sophisticated and complex designs and illustrations while you hone your skills? Learn the basics of the program before moving on to master transparency, feathering, masking, compound paths, gradients, layering techniques, and the specifics of the pen tool. This course will feature dynamic class demonstrations, and group critiques, as well as personalized feedback from your instructor on each assignment and throughout the creative process. Students should have basic computer skills before signing up for this course.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Introduction to Digital Photography | 503 (001) | L Koo | Mon
6:00 PM - 9:00 PM February 09, 2026 - April 20, 2026 |
Description
This course focuses on the foundations of photography and the various ways to use a digital camera. Students examine how to choose and shoot personally meaningful subjects in content and contemporary contexts. Instruction includes capturing and printing images in black and white and color, and investigating digital photo editing. Discussions on the history of photography and individual and group critiques are included. Students must supply their digital SLR (single-lens reflex) or mirrorless camera with manual functions; no point-and-shoot cameras.
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Class Number |
Credits |
DepartmentSubjectLocation |
| The Art of Creative Writing: Short Forms of Fiction and Poetry | 503 (001) | Emilie Jane Yardley-Hodges | Thurs
6:00 PM - 9:00 PM February 12, 2026 - April 23, 2026 |
Description
Share your raw and polished literary efforts with our supportive and dynamic community. Explore different poetic, non-fictional, and fictional forms of writing as you learn to find, build, and develop your own stories. Each class is the ideal blend of writing exercises and experiments, peer critique and feedback, and discussion of curated readings hand-picked by your instructor. All levels are welcome; no prior experience is necessary.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Artists' Books and Zines | 503 (001) | Frances Lightbound | Mon
6:00 PM - 9:00 PM February 09, 2026 - April 20, 2026 |
Description
Explore the exciting world of handmade artists' books and zines! In this course, you will explore different approaches to making books as artworks in their own right, ranging from the practical to the sculptural and from unique objects to editioned multiples. Use your preferred medium to develop content for your books - drawing, painting, printing, writing, photography, or other experimental approaches - and explore additional processes like laser cutting and risograph printing to push your ideas further. You'll have access to a range of digital printing options on campus. Contemporary and historic artists' book and zine projects will be explored through presentations, discussions, samples, and visiting the Joan Flasch Artists' Book Collection. By the end of the course, you will have experience in several book construction techniques, an awareness of options for self-publishing and distribution for zines, and will have developed a final project in a format that effectively conveys your ideas - and puts them right into someone's hands.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Introduction to Drawing | 503 (001) | Erik Brown | Sun
10:00 AM - 1:00 PM February 08, 2026 - April 26, 2026 |
Description
This course emphasizes the development of observational drawing skills and hand-eye coordination. The learning sequence progresses from simple forms and skill levels toward more complex compositions. Basic drawing elements such as line, proportion, perspective, composition, texture, and the study of light and shade are investigated through various perceptual and conceptual approaches. Open to beginning students and those who want to refresh their skills before moving on to more advanced studio courses.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Patternmaking and Construction: Above the Waist | 503 (001) | Jake Wobig | Sat
1:00 PM - 4:00 PM February 07, 2026 - April 25, 2026 |
Description
In this course, students will learn to create, manipulate, and sew patterns for the upper half of the female form. They will draft a basic bodice using either their own measurements or by measuring a dress form to create a professional sloper. The course also covers how to create sleeves and collars. Additionally, students will learn how to manipulate darts, add fullness, and contour their designs. These principles will provide a solid foundation for each student's design work.
Previous sewing experience is required. The SAIC ACE course Sewing Techniques: Fundamentals would provide you with an introductory experience. |
Class Number |
Credits |
DepartmentSubjectLocation |
| Introduction to Drawing | 503 (002) | Helen Oh-Conklin | Sun
2:00 PM - 5:00 PM February 08, 2026 - April 26, 2026 |
Description
This course emphasizes the development of observational drawing skills and hand-eye coordination. The learning sequence progresses from simple forms and skill levels toward more complex compositions. Basic drawing elements such as line, proportion, perspective, composition, texture, and the study of light and shade are investigated through various perceptual and conceptual approaches. Open to beginning students and those who want to refresh their skills before moving on to more advanced studio courses.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Color Theory for Designers | 504 (001) | Rhonda Castillo | Wed
6:00 PM - 9:00 PM February 11, 2026 - April 22, 2026 |
Description
Gain a competitive edge as a designer, artist, or maker by advancing your understanding of color theory. Learn about the various ways that color is considered and used as a design element. Working with current color theory principles and models, develop color plans and concepts for individual and group projects. This research is compiled in sketchbook/notebook format and is used as a reference for independent projects. Studies and hands-on studio work reveal how color can transform concepts with cohesive and expressive results.
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Class Number |
Credits |
DepartmentSubjectLocation |
| Digital Design: Adobe InDesign | 504 (001) | Tues
6:00 PM - 9:00 PM February 10, 2026 - April 21, 2026 |
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Description
Learn the skills you need to format layout projects in InDesign. Explore the principal elements of the software, including paragraph and character styles, object styles, layers, and master pages, as well as how to import graphics. Develop strategies for solving design problems, a design vocabulary, and an understanding of the key role InDesign can play in creating professional work. Students should have basic computer skills before signing up for this course; experience with Adobe Illustrator and Adobe Photoshop is recommended.
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Credits |
DepartmentSubjectLocation |
| Who Pays for All of This?: Art Collecting and Patronage for the Past, Present, and Future | 505 (001) | Noah Hanna | Sat
11:00 AM - 2:00 PM February 07, 2026 - April 25, 2026 |
Description
Art collectors and patrons play a major but often unseen role in art history and cultural heritage. From monarchs and the Church, anthropologists, and the mega donors of todays museums, art has long been defined and supported through expansive webs of patronage and private funding.
This course explores the roots of art collecting and patronage using the Art Institute of Chicago's collections and vibrant art community. It investigates larger issues within collecting, including its ethical implications, repatriation, finance, psychology, and the personal perspectives of artists, curators, dealers, and collectors. Through lectures, discussions, and visits to museums, galleries, collections, and studios, this course will not only introduce art history and its patronage relationship but also consider its present and future role and how we can all be patrons of the arts. This course fulfills the Art History requirement for the Adult Continuing Education noncredit Drawing and Painting certificates. |
Class Number |
Credits |
DepartmentSubjectLocation |
| Design Matters | 508 (001) | Emily Hoogesteger | Thurs
6:00 PM - 9:00 PM February 12, 2026 - April 23, 2026 |
Description
How do we form an opinion about what we see around us? How do we make decisions that are relevant in the design world? In this course, students discuss, analyze, and discover design principles by exploring successful projects envisioned by artists, architects, theorists, and authors. This course examines problem-solving for various project types and will include lectures, readings, and individual assignments. Class discussions will explore new aesthetic trends and examine how ideas have evolved to address new issues.
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Credits |
DepartmentSubjectLocation |
| Creating Visual Language: Designing Symbols, Icons, Logos, and Infographics | 509 (001) | Kimberly Karen Viviano | Thurs
6:00 PM - 9:00 PM February 12, 2026 - April 23, 2026 |
Description
In today's interconnected world, effective communication transcends cultural boundaries. Visual language has emerged as a universal tool for conveying information and captivating diverse audiences.
Immerse yourself in the dynamic world of shapes, symbols, and icons, tracing their evolution through history. Investigate brand identity, the art of crafting logos, and how to harness the psychology of color to evoke emotions and convey messages. You'll also gain the skills to create compelling infographics and understand practical applications of Adobe Illustrator and stock images. Cultivate the ability to engage in formal critiques, enabling you to confidently present your ideas and projects and receive constructive feedback from peers and your instructor to refine your work and fuel your artistic growth. No previous design experience is needed. Bring your passion for creative expression and explore the dynamic world of visual communication. Prior experience working with the Adobe Creative Suite is recommended. |
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Credits |
DepartmentSubjectLocation |
| Interior Design Studio: Kitchen and Baths | 511 (001) | Richard Kasemsarn | Wed
6:00 PM - 9:00 PM February 11, 2026 - April 22, 2026 |
Description
This course is designed for intermediate and advanced students who want to explore concept development and production skills in interior design. Do you want to learn how to remodel a kitchen or bath? Develop and refine the critical thinking skills necessary to find design solutions for existing spaces. Students can work in analog and digital formats to produce work inspired by various artists and designers. Prerequisite(s): Digital Drawing: Objects and Space or equivalent experience.
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Credits |
DepartmentSubjectLocation |
| Expanded Printmaking | 511 (001) | Frances Lightbound | Wed
6:00 PM - 9:00 PM February 11, 2026 - April 22, 2026 |
Description
Explore an overview of printmaking techniques that don't require a dedicated print studio. This course is designed to give a brief overview of basic printmaking processes, such as monotype, relief, image transfer, and basic screen printing. Each technique will be explored through an introductory project, culminating in one final personalized project at the end of the course. Experiment with a variety of approaches to techniques and materials, and discover the creative and critical potential of the multiple within the broader field of contemporary art and visual culture. Artists of all disciplines, both with and without prior printmaking experience, are encouraged to join.
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Credits |
DepartmentSubjectLocation |
| Sewing Techniques: Fundamentals | 511 (001) | Emilka Wolniewicz | Sat
9:00 AM - 12:00 PM February 07, 2026 - April 25, 2026 |
Description
Joining fabrics to cover the body and create shelter has been a prized skill in the progress of civilization. Students will build on that tradition by learning fundamental seams and finishes used in modern-day garment construction. Industry standards of sewing are emphasized, and techniques are taught and practiced. In addition to creating a personal library of seam samples, students will apply the techniques in two basic projects. The class will also discuss fabric characteristics and proper copying and cutting patterns. Once mastered, these techniques can be used to sew garments from patterns, create original designs, or explore fabric as a medium for soft sculpture. No previous sewing experience is necessary.
Note: A sewing machine is required if taking this course online. |
Class Number |
Credits |
DepartmentSubjectLocation |
| Sewing Techniques: Fundamentals | 511 (002) | Brady T Drose | Sun
2:00 PM - 5:00 PM February 08, 2026 - April 26, 2026 |
Description
Joining fabrics to cover the body and create shelter has been a prized skill in the progress of civilization. Students will build on that tradition by learning fundamental seams and finishes used in modern-day garment construction. Industry standards of sewing are emphasized, and techniques are taught and practiced. In addition to creating a personal library of seam samples, students will apply the techniques in two basic projects. The class will also discuss fabric characteristics and proper copying and cutting patterns. Once mastered, these techniques can be used to sew garments from patterns, create original designs, or explore fabric as a medium for soft sculpture. No previous sewing experience is necessary.
Note: A sewing machine is required if taking this course online. |
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| Narratives in Acrylic Painting | 512 (001) | Shonna Pryor | Mon
6:00 PM - 9:00 PM February 09, 2026 - April 20, 2026 |
Description
This course will provoke students to convey a compelling narrative through painting. We will experiment with various acrylic paints, mediums, surfaces, and techniques to develop a personal approach to image making. Through individual dialogue, class discussions, and critiques, students will receive feedback and direction on how to challenge their practice. We will investigate the works of artists like Mickalene Thomas, David Hockney, Christina Ramberg, Alex Katz and many others. Basic drawing and/or painting skills are useful, and non-representational artists welcome.
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| Digital Drawing: Interior Design | 512 (001) | Mon
6:00 PM - 9:00 PM February 09, 2026 - April 20, 2026 |
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Description
This class is for students who want to learn how to use 3D modeling software specifically for a career in Interior Design. Learn how Autodesk AutoCAD, SketchUp, and a rendering solution can help you bring your ideas into the digital space for potential clients and colleagues to view. We will explore how to create a workflow for your interior design projects, including space planning, furniture modeling, and applying materials for viewing and rendering. This class will also include drawing 2D floor plans, using 3D warehouse, customizing furniture and fixtures, and setting up views and rendering. Prerequisite(s): Digital Drawing: Objects and Space or equivalent experience.
Students are responsible for their software when this course is offered online. |
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| Portrait Drawing | 512 (001) | Andrew Sterrett Conklin | Wed
6:00 PM - 9:00 PM February 11, 2026 - April 22, 2026 |
Description
In their drawings, students will focus on the proportional relationships of the human head and face to achieve naturalistic resemblance. Instruction in line, shape, light, and shadow will be explored to achieve believable volumetric form. Black and white as well as color materials will be investigated. A model will be present during each class session, and various drawing approaches will be demonstrated. Discussion and presentations on contemporary portraiture and group and individual work reviews are also included.
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| Digital Drawing and Illustration | 515 (001) | Katharine Oltrogge | Tues
6:00 PM - 9:00 PM February 10, 2026 - April 21, 2026 |
Description
Create eye-popping, high-quality artwork. You'll start with traditional media and then translate your ideas digitally in Procreate. Instruction will focus on learning the software and concept development as you create original characters and environments. This course will not focus on the development of observational drawing skills. All levels are welcome, even those with no prior drawing experience. Students will need an iPad to run Procreate.
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| Painting: Color and Light | 518 (001) | Mary Griffin | Wed
6:00 PM - 9:00 PM February 11, 2026 - April 22, 2026 |
Description
Learn to paint form, space, and atmospheric effects by focusing on depicting light with color. This course provides instruction in color theory concerning painting practices, emphasizing the use of color expressively. Paint application techniques are demonstrated, and considerations for color effects, schemes, and properties are investigated in their practical application to each student's work. Prerequisite(s): Introduction to Oil Painting or equivalent experience.
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| Fashion Medium: Embroidery, Embellishments, and Sewn Elements | 518 (001) | Mon
6:00 PM - 9:00 PM February 09, 2026 - April 20, 2026 |
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Description
Through handwork and machine stitching, this course will cover various traditional and experimental techniques for fabric embellishment and manipulation. Explore technical processes like embroidery, cording, appliqué, trapunto, pleating, tucking, smocking, gathering, darting, and ribbon work. This course will reference historical and contemporary examples of these processes as research for inspiration. Students will create a sample book of foundation techniques and experiments and produce a final design project.
Note: A sewing machine is required if taking this course online. |
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| Portfolio Preparation | 519 (001) | Nancy Murphy Spicer | Sat
10:00 AM - 4:00 PM April 11, 2026 - April 11, 2026 |
Description
Craft a digital portfolio that combines imagery, composition, text, and narrative to most successfully showcase your creativity, skills, and passions, and put your best foot forward for whatever comes next. This course is perfect for certificate students preparing for Portfolio Review Day and anyone interested in refining their portfolio for their website, residency, grant applications, or graduate admissions. Makers of all disciplines are welcome to join. Note: This one-day workshop does not include individual portfolio reviews.
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| Comics and Graphic Novels | 519 (001) | Cecilia Beaven | Wed
6:00 PM - 9:00 PM February 11, 2026 - April 22, 2026 |
Description
Investigate visual storytelling and drawing strategies through the contemporary art forms of comics and graphic novels. Explore a variety of illustrative approaches, such as writing, storyboarding, penciling, and inking/coloring. Building on this foundation, students learn research methods to develop ideas and produce projects examining narrative structures, material choices, and integrating text and image. Regular critiques, visits to the Art Institute of Chicago, and exposure to contemporary artists, illustrators, and designers supplement the studio experience. Previous drawing experience is helpful but not required.
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| Portfolio Preparation | 519 (002) | Nancy Murphy Spicer | Sun
10:00 AM - 4:00 PM April 12, 2026 - April 12, 2026 |
Description
Craft a digital portfolio that combines imagery, composition, text, and narrative to most successfully showcase your creativity, skills, and passions, and put your best foot forward for whatever comes next. This course is perfect for certificate students preparing for Portfolio Review Day and anyone interested in refining their portfolio for their website, residency, grant applications, or graduate admissions. Makers of all disciplines are welcome to join. Note: This one-day workshop does not include individual portfolio reviews.
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| Sewing Techniques: Below the Belt | 522 (001) | Compton Quashie | Tues
6:00 PM - 9:00 PM February 10, 2026 - April 21, 2026 |
Description
In this course, students learn how to assemble garments covering the female form's lower half. Instruction will focus on developing skills to create flies, hems, and waistbands. While learning industry standard techniques and tips, students sew pants and a lined skirt. Students will leave with the ability to transfer their skills to commercial patterns or their designs.
Previous sewing experience is required. The SAIC ACE course Sewing Techniques: Fundamentals would provide you with an introductory experience. |
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| The Artist and the Sketchbook | 530 (001) | Frances Lightbound | Sat
9:00 AM - 12:00 PM February 07, 2026 - April 25, 2026 |
Description
Cultivate a regular sketchbook practice to develop new ideas, stay accountable to your creative goals, and refine the direction of your work. Explore sketching, collaging, painting, and writing, as you investigate how the personal nature of an artist's sketchbook can catapult work to the next level. During one class meeting, handmade sketchbooks are made using an array of book construction methods. You will also review the history of artists sketchbooks and draw from the collection of the Art Institute of Chicago for inspiration.
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| Introduction to Oil Painting | 531 (001) | Shonna Pryor | Sun
2:00 PM - 5:00 PM February 08, 2026 - April 26, 2026 |
Description
This course introduces students to materials, methods, and tools used in oil painting while helping them develop observational skills. Demonstrations will cover stretching canvas, setting up a palette, applying different painting techniques, and mixing colors. These sessions provide a solid foundation in the fundamentals of oil painting, preparing students for future projects.
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| Introduction to Watercolor Painting | 534 (001) | Shonna Pryor | Sun
10:00 AM - 1:00 PM February 08, 2026 - April 26, 2026 |
Description
Develop your personal style while producing well-designed and dynamic watercolor paintings. Learn wet and dry techniques, washes, color lifting, and glazing as you explore materials and techniques and experiment with a variety of subjects, including still-life, photographs, and your own subject matter.
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| Introduction to Watercolor Painting | 534 (002) | Ömürhan Alptekin-Torres | Sun
10:00 AM - 1:00 PM February 08, 2026 - April 26, 2026 |
Description
Develop your personal style while producing well-designed and dynamic watercolor paintings. Learn wet and dry techniques, washes, color lifting, and glazing as you explore materials and techniques and experiment with a variety of subjects, including still-life, photographs, and your own subject matter.
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