A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
Headshot of L Koo, a fair-skinned brunette Asian adult wearing glasses.

L Koo

Continuing Studies Instructor

Bio

BFA, 2015, Cornish College of Arts, Seattle; MFA, 2019, School of the Art Institute of Chicago.

Exhibitions

Solo exhibitions: Alumni Gallery at Cornish College; New Media Gallery at Jack Straw Cultural Center (Seattle); Glass Box Gallery (Seattle). Selected group exhibitions: The Chicago Cluster Project; Moving Image 00:06 Festival (Chicago); 062 Gallery (Chicago); Tiger Strikes Asteroid (Chicago); Out of Sight 2016 (Seattle).

Personal Statement

I am interested in representations of continuously shifting space through its relationship to time. All of the small things—a string of words, a drift of light, a snapshot taken on a phone—capture what can feel like the most important thing in the world. Sometimes it’s just a second before it fades into obscurity, other times it iterates itself repeatedly into something else. This movement of space acts as a contemporaneous acknowledgement of being within it, as it simultaneously builds itself from both the ‘now’ and ‘previously’ existing memories, creating an ever shifting perception that can appear as indecision or extremes of indirection. Is it inevitable that words, images, objects, movements, should fail in capturing our relationship to spaces?


In my practice, I often incorporate elements of time based media such as sound, video, or projections alongside sculptural or photographic pieces. The idea of light plays an important role, standing for specific instances of place, time, memory, and meaning. Explorations of space often take the form of site specific installations which respond to the physical venue in which it is built, while simultaneously seeking to build out and manifest an internal, emotional space. 

Courses

Title Department Catalog Term

Description

This course introduces students to basic photography skills while developing a personal, creative vision. Students study manual camera functions, exposure, lighting, digital workflow and output, and the creation of high quality prints using Adobe Bridge and Photoshop software, Canon inkjet printers, and high resolution laser printers. Contemporary art concepts and issues are examined as students explore the work of significant photographic artists, and consider the ideas and obstacles of communication through lens-based images. Presentations and discussions on contemporary and historical photography, visits to the Art Institute of Chicago's world-renowned photographic print study room, and regular critiques supplement the studio experience. This is a great course for students who have little experience in photography or experience making photographs using the auto functions on their camera, and want to gain a deeper understanding of the technical and conceptual forces behind lens-based imagery.
*NOTE* Students must provide their own digital SLR camera with manual functions (no point-and-shoot). SAIC provides computers with the appropriate software, but students are also encouraged to bring their own laptop with Adobe Bridge/Photoshop for after-studio hours and homework.

Class Number

1264

Credits

2

Description

This course focuses on the foundations of photography and the various ways to use a digital camera. Students examine how to choose and shoot personally meaningful subjects in content and contemporary contexts. Instruction includes capturing and printing images in black and white and color, and investigating digital photo editing. Discussions on the history of photography and individual and group critiques are included. Students must supply their digital SLR (single-lens reflex) or mirrorless camera with manual functions; no point-and-shoot cameras.

Class Number

2318

Credits

1

Description

This course focuses on the foundations of photography and the various ways to use a digital camera. Students examine how to choose and shoot personally meaningful subjects in content and contemporary contexts. Instruction includes capturing and printing images in black and white and color, and investigating digital photo editing. Discussions on the history of photography and individual and group critiques are included. Students must supply their digital SLR (single-lens reflex) or mirrorless camera with manual functions; no point-and-shoot cameras.

Class Number

1106

Credits

1