| Creative Process as Art Therapy |
2010 (001) |
Katie Kamholz |
Tues
12:15 PM - 3:00 PM
In Person
|
|
Description
This is an entry-level experiential class which explores and implements concepts from art therapy and related fields. The course presents a blend of approaches including Eastern traditions, Jungian psychology, and other sources. Studio work and writing will be used as tools to understand and cultivate the discipline of self-awareness. The class will be structured as a community of participants engaging in and studying the phenomenon of the creative process. Each class meeting will involve art making and writing as well as discussion of ideas based on readings and experiences. This course is for anyone wanting to explore the relationship between art and life, self, other, and community in experiential and theoretical ways within an art therapy framework. It will be of value to those considering working with others using art, such as teachers or art therapists, as well as for those who may wish to establish art and/or writing as a form of practice and discipline in their lives. Open to all students.
|
Class Number
1296
|
Credits
3
|
Department
Art Therapy
Area of Study
Community & Social Engagement
Location
Sharp 404
|
| Creative Process as Art Therapy |
2010 (002) |
|
Wed
12:15 PM - 3:00 PM
In Person
|
|
Description
This is an entry-level experiential class which explores and implements concepts from art therapy and related fields. The course presents a blend of approaches including Eastern traditions, Jungian psychology, and other sources. Studio work and writing will be used as tools to understand and cultivate the discipline of self-awareness. The class will be structured as a community of participants engaging in and studying the phenomenon of the creative process. Each class meeting will involve art making and writing as well as discussion of ideas based on readings and experiences. This course is for anyone wanting to explore the relationship between art and life, self, other, and community in experiential and theoretical ways within an art therapy framework. It will be of value to those considering working with others using art, such as teachers or art therapists, as well as for those who may wish to establish art and/or writing as a form of practice and discipline in their lives. Open to all students.
|
Class Number
1297
|
Credits
3
|
Department
Art Therapy
Area of Study
Community & Social Engagement
Location
Sharp 403
|
| Introduction to Art Therapy |
3009 (001) |
|
Mon
6:45 PM - 9:30 PM
In Person
|
|
Description
This course is designed to offer students a didactic and experiential overview of the field of art therapy. Material covered will include history, theory, and practice of art therapy processes and approaches as well as a survey of populations, settings, and applications. Lecture, readings, discussion, audio-visual presentations, experiential exercises, and guest presentations comprise the structure of this course.
|
Class Number
1295
|
Credits
3
|
Department
Art Therapy
Area of Study
Community & Social Engagement
Location
Sharp 404
|
| Introduction to Art Therapy |
3009 (002) |
Leah Ra'Chel Gipson |
Wed
8:30 AM - 11:15 AM
In Person
|
|
Description
This course is designed to offer students a didactic and experiential overview of the field of art therapy. Material covered will include history, theory, and practice of art therapy processes and approaches as well as a survey of populations, settings, and applications. Lecture, readings, discussion, audio-visual presentations, experiential exercises, and guest presentations comprise the structure of this course.
|
Class Number
1300
|
Credits
3
|
Department
Art Therapy
Area of Study
Community & Social Engagement
Location
Sharp 404
|
| Ritual and Art Making in Healing |
3012 (001) |
|
Tues
8:30 AM - 11:15 AM
In Person
|
|
Description
This course explores the use of ritual and art making for personal and social practice. Students reflect on ritual as part of daily life, familial rituals, cultural rituals, and life-cycle rituals, and examine the process by which art embodies, represents, and transforms them. The exploration of ritual and making as a form of engagement, participation, and collaboration provides context for class discussion, group projects, and individual work. The role that ritual and making play in encouraging personal well-being, and fostering community is discussed and explored both in class and through off-campus visits.
|
Class Number
1113
|
Credits
3
|
Department
Art Therapy
Location
Sharp 403
|
| Introduction to Mad Studies: Critically Interrogating Deviance and Pathology |
3016 (001) |
Chun-Shan (Sandie) Yi |
Wed
8:30 AM - 11:15 AM
In Person
|
|
Description
This course will explore madness and its construction as a site of pathology and deviance in our current society as well as important challenges to this construction. Utilizing an intersectional and interdisciplinary disability studies and mad studies critical lens this course will address how madness is constructed in relation to colonialist, white supremacist, capitalist, and patriarchal notions of rationality, linearity, and unity.
Readings will cover foundational texts in the anti-psychiatry movement as well as crucial texts to the development of mad studies. Many texts specifically address the relationship between race and madness. Artistic representations, as well as film and television representations will be utilized regularly.
Course work will consist of weekly reading responses, short presentations, one 2-3 page analysis paper, and a final creative project that includes a 5 page analysis paper
|
Class Number
1115
|
Credits
3
|
Department
Art Therapy
Area of Study
Art/Design and Politics, Gender and Sexuality, Class, Race, Ethnicity
Location
Sharp 402
|
| Disability Studies: Re-Imagining Bodies |
3018 (001) |
Chun-Shan (Sandie) Yi |
Fri
8:30 AM - 11:15 AM
In Person
|
|
Description
What is disability? How do we see, read, hear, smell and feel about disability? How does society represent disability and illness? How do artists theoretically and conceptually engage disability in their own practices? This course offers students critical thinking tools to examine the meanings of disability created by current social, cultural, economic and political systems. Over the course of the semester, students develop artistic vocabulary in relation to visual and cultural representations of disability found in mainstream society and in Disability Culture/Disability Art contexts.
Readings include the following topics: disability frameworks, disability as intersectional identity, and representations in art, media, fashion, and design . Students learn about the range and complexity of disability representations through the works of contemporary artists such as Riva Lehrer, Laura Swanson, and Christine Sun Kim, and through the work of dance and performance art groups. Students also read the work of disability scholars including Carrie Sandahl, Rosemarie Garland-Thomson, Eli Clare, Alison Kafer, and Petra Kuppers.
Coursework includes bi-weekly writing responses, a disability culture event paper, a media report, and a final art and writing project.
|
Class Number
1299
|
Credits
3
|
Department
Art Therapy
Area of Study
Gender and Sexuality, Narrative, Politics and Activisms
Location
Sharp 404
|
| Human Sexuality: Social Perspectives |
4012 (001) |
Elia Khalaf |
Tues
8:30 AM - 11:15 AM
In Person
|
|
Description
Sexuality is just one part of who we are as complex human beings living interrelated lives in society. This course will provide a basic overview of the study of human sexuality covering diverse approaches to the study of sexualities and desire, while focusing on an understanding of human sexualities as socially constructed, culturally regulated and an important part of the organization of our social world. This course will emphasize a critical gender studies approach, feminist understandings of sexualities, and queer theory. Focusing on lived experience, attention will also be paid to connections between sexualities and other social locators, such as race, ethnicity, gender, and ability/disability.
Some of the scholars we will study in this course include prominent figures in sexuality studies and queer theory (Freud, Kinsey, Foucault, Sedgwick, Butler, Warner, Rubin), queer of color critiques (Ferguson, Munoz, Caruthers), and scholarly articles which address the intersections of sexuality with race, gender, ability/disability, and ethnicity (Sommerville, Garcia, Ward, Callis, McRuer, etc.).
Course work will vary but typically includes weekly discussion boards, journal style reading responses, reading quizzes, a midterm, and a final finished art piece related to course material.
|
Class Number
1298
|
Credits
3
|
Department
Art Therapy
Area of Study
Gender and Sexuality, Class, Race, Ethnicity
Location
Sharp 402
|
| Black Rage: Interpreting Feeling in Anti-Slavery Imagery |
4020 (001) |
Leah Ra'Chel Gipson |
Thurs
12:15 PM - 3:30 PM
In Person
|
|
Description
This course aims to critically examine the affects of race and representation of others. Students will interpret nineteenth-century and early 20th-century material and non-material culture from anti-slavery and pro-slavery sources, including biblical literature, slave narratives, print media, music, visual art, and ephemera. The course considers moral motivations for recognition, empathy, assistance, and liberation of others in an era of sentimentalism. Students will interrogate modern ideas in helping relationships as they learn to 1.) explore the role of cultural materials in preserving trauma or the history of violence; 2.) discuss the role of cultural imagery in the production of charity and empathy; and 3.) ask contemporary questions about the role of desire in feeling responsibility and doing good. Throughout the course, students will be required to travel to several local archives including the Newberry Library and the Stony Island Arts Bank for research.
Prerequisites
Prerequisite: First Year English requirement.
|
Class Number
1112
|
Credits
3
|
Department
Art Therapy
Area of Study
Class, Race, Ethnicity, Economic Inequality & Class
Location
Sharp 706
|
| Graduate Thesis I: Art Therapy |
6010 (001) |
Elia Khalaf |
Fri
12:15 PM - 3:15 PM
In Person
|
|
Description
The focus of the course is the refinement of the student?s scholarship and writing skills relative to their chosen thesis topic. Students initiate their investigation by developing a literature review, proposal, and method and beginning their data collection.
Prerequisites
Prerequisite: ARTTHER 5009.
|
Class Number
2132
|
Credits
3
|
Department
Art Therapy
Location
Sharp 404
|
| Art Therapy Graduate Projects |
6019 (001) |
Savneet K Talwar |
Fri
12:15 PM - 3:15 PM
In Person
|
|
Description
This course focuses on the development of a culminating creative project that demonstrates the skills, knowledge, and experience gained through the MAATC program. Students will demonstrate their learning through an in-depth arts-based project to explore the field of art therapy and counseling, and participate in the MAATC exhibition.
Prerequisites
Prerequisite: ARTTHER 5009.
|
Class Number
1175
|
Credits
3
|
Department
Art Therapy
Location
Sharp 403
|
| Art Therapy Fieldwork III |
6020 (001) |
Leah Ra'Chel Gipson |
Fri
8:15 AM - 11:15 AM
In Person
|
|
Description
This course provides group supervision to support the internship component of the Master of Arts in Art Therapy and a Counseling program. Internship students participate in a minimum of one hour of weekly individual supervision with a qualified fieldwork site supervisor in addition to 3 hours of weekly group supervision with a faculty supervisor per the MAATC fieldwork supervision agreement. Over the course of the semester, students complete 250 service hours which must include approximately 100 hours of direct service with clients and contribute to the development of basic to intermediate skills for a specialized area of art therapy and counseling practice. This professional practice course builds on the skills acquired in the practicum experience. Students must demonstrate an applied understanding of assessment, treatment approaches, and the therapeutic relationship in art therapy and counseling. Students also become familiar with a variety of professional activities including referral sources, case review, record keeping, preparation, staff meetings, and other administrative functions. Prerequisite: ARTTHER 6001 ¿ Art Therapy Fieldwork II
Prerequisites
Prerequisite: ARTTHER 6001
|
Class Number
2027
|
Credits
3
|
Department
Art Therapy
Location
Sharp 403
|
| Art Therapy Fieldwork III |
6020 (002) |
Suellen Semekoski |
Fri
8:15 AM - 11:15 AM
In Person
|
|
Description
This course provides group supervision to support the internship component of the Master of Arts in Art Therapy and a Counseling program. Internship students participate in a minimum of one hour of weekly individual supervision with a qualified fieldwork site supervisor in addition to 3 hours of weekly group supervision with a faculty supervisor per the MAATC fieldwork supervision agreement. Over the course of the semester, students complete 250 service hours which must include approximately 100 hours of direct service with clients and contribute to the development of basic to intermediate skills for a specialized area of art therapy and counseling practice. This professional practice course builds on the skills acquired in the practicum experience. Students must demonstrate an applied understanding of assessment, treatment approaches, and the therapeutic relationship in art therapy and counseling. Students also become familiar with a variety of professional activities including referral sources, case review, record keeping, preparation, staff meetings, and other administrative functions. Prerequisite: ARTTHER 6001 ¿ Art Therapy Fieldwork II
Prerequisites
Prerequisite: ARTTHER 6001
|
Class Number
2028
|
Credits
3
|
Department
Art Therapy
Location
Sharp 402
|