A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Leah Ra'Chel Gipson

Associate Professor

Bio

Associate Professor (2016– ) SAIC Department of Art Therapy and Counseling Department. Chair (2022–2023), Program Director (2018–2021). Education: BFA, 2007, University of Central Florida; MAAT, 2010, School of the Art Institute of Chicago; MTS, 2018, McCormick Theological Seminary.

Courses: Cultural Dimensions in Art Therapy; Historical and Theoretical Perspectives in Art Therapy and Counseling; Psychoanalytic and Anthropological Perspectives on Art and Childhood; Black Rage: Interpreting Feeling in Anti-Slavery Imagery; Materials and Media in Art Therapy; Researching Art and Change on the West Side of Chicago; Explorations in Community-Based Art Practices; Community Practice and Helping Relationships (formerly Creative Healing Praxis and Blackness); Art Therapy Fieldwork; Ethics and Legal Issues in Art Therapy

Awards

Sisters in Cinema Fellowship, 2025–2026; National Endowment for the Arts Our Town Grant Awarded through Rebuild Bay County, 2024; Creative Capital, 2023; Visiting Professor, Central Academy of Fine Arts, Beijing, 2018–2020; Propeller Fund Awardee, 2016; Community Engagement Fellow McCormick Theological Seminary, 2014–2017; DCASE Chicago Artists Month Featured Artist, 2014.

Publications

Wiltshire, I., Gipson, L., Shi, Y. (Forthcoming). Chapter in F. Johnston, A. Morehead, & I. Wiltshire (Eds.). Confabulations: Art & the Critical Medical Humanities. Bloomsbury Academic.

Gipson, L. (2024). "Georgette Seabrooke Powell and the legacy of Harlem in art therapy." In T. Sheehan & S. Hudson (Eds.), Modernism, Art, Therapy. Yale University Press.

Reinhardt, R., & Gipson, L. (2023). "Against diagnosing the spirit: A Note on the Clinic of Spirit Possession." Penumbr(a) A Journal of Psychoanalysis and Modernity.

Norris, M., Williams, B. Leah Gipson (Ed.). (2021). "Black aesthetics and the arts therapies." Special Multidisciplinary Issue. Voices: A World Forum for Music Therapy, 21(1). https://voices.no/index.php/voices/issue/view/422

Gipson, L. (2019). "Envisioning black women’s consciousness in art therapy." In S.K. Talwar (Ed.), (2019). Art therapy for social justice: Radical intersections. Routledge.

Exhibitions & Art Facilitations

Black Girlhood Altar, Chicago Cultural Center, Museum of Contemporary Art, Weinberg/Newton Gallery, Chicago, IL; She Asked Her Mother, Project Row Houses, Houston, TX; Participatory Arts: Crafting Social Change at Hull-House Museum, Jane Addams Hull-House Museum, Chicago, IL; Barbershop Talk: Black Eutopia, at Carter's Barbershop, Chicago, IL, October 18, 2014. Press: "The Artist as a Catalyst of Social Change?" Part 3: Leah Gipson, Sixty Inches from Center; "West Side Artists Talk Gentrification," Austin Weekly News, Tuesday, December 5, 2017.

Courses

Title Department Catalog Term

Description

This course is designed to offer students a didactic and experiential overview of the field of art therapy. Material covered will include history, theory, and practice of art therapy processes and approaches as well as a survey of populations, settings, and applications. Lecture, readings, discussion, audio-visual presentations, experiential exercises, and guest presentations comprise the structure of this course.

Class Number

1300

Credits

3

Description

This course explores the intersections between psychoanalysis, anthropology, art and childhood, emphasizing common ideas, concepts, techniques and methods across disciplines. The course consists of both theoretical and practical elements. Historical and contemporary ideas on art and human development are explored from multiple theoretical perspectives and interpretations of childhood. In the realm of the practical, students develop and implement collaborative art and ethnography projects guided by shared inquiries, and in opposition to dominant, totalizing narratives.

Class Number

1247

Credits

3

Description

This course aims to critically examine the affects of race and representation of others. Students will interpret nineteenth-century and early 20th-century material and non-material culture from anti-slavery and pro-slavery sources, including biblical literature, slave narratives, print media, music, visual art, and ephemera. The course considers moral motivations for recognition, empathy, assistance, and liberation of others in an era of sentimentalism. Students will interrogate modern ideas in helping relationships as they learn to 1.) explore the role of cultural materials in preserving trauma or the history of violence; 2.) discuss the role of cultural imagery in the production of charity and empathy; and 3.) ask contemporary questions about the role of desire in feeling responsibility and doing good. Throughout the course, students will be required to travel to several local archives including the Newberry Library and the Stony Island Arts Bank for research.

Class Number

2236

Credits

3

Description

This course aims to critically examine the affects of race and representation of others. Students will interpret nineteenth-century and early 20th-century material and non-material culture from anti-slavery and pro-slavery sources, including biblical literature, slave narratives, print media, music, visual art, and ephemera. The course considers moral motivations for recognition, empathy, assistance, and liberation of others in an era of sentimentalism. Students will interrogate modern ideas in helping relationships as they learn to 1.) explore the role of cultural materials in preserving trauma or the history of violence; 2.) discuss the role of cultural imagery in the production of charity and empathy; and 3.) ask contemporary questions about the role of desire in feeling responsibility and doing good. Throughout the course, students will be required to travel to several local archives including the Newberry Library and the Stony Island Arts Bank for research.

Class Number

1112

Credits

3

Description

In this course the student will explore the theories, principles, methods, and techniques used for conducting research in art therapy. Various models of qualitative and quantitative research from art therapy and related fields will be presented and discussed.

Class Number

1930

Credits

3

Description

This course begins with an examination of normative substance use and an exploration of cultural and therapeutic conceptualizations and attitudes toward substance use. This course presents information on the epidemiology and etiology of substance use and reviews the impacts of substance use disorders on physical, psychological, social, and vocational functioning. The various categories of substances will be discussed along with fundamental assessment methods and art therapy intervention skills for work with people who use drugs.

Class Number

1927

Credits

3

Description

This course provides group supervision to support the internship component of the Master of Arts in Art Therapy and a Counseling program. Internship students participate in a minimum of one hour of weekly individual supervision with a qualified fieldwork site supervisor in addition to 3 hours of weekly group supervision with a faculty supervisor per the MAATC fieldwork supervision agreement. Over the course of the semester, students complete 250 service hours which must include approximately 100 hours of direct service with clients and contribute to the development of basic to intermediate skills for a specialized area of art therapy and counseling practice. This professional practice course builds on the skills acquired in the practicum experience. Students must demonstrate an applied understanding of assessment, treatment approaches, and the therapeutic relationship in art therapy and counseling. Students also become familiar with a variety of professional activities including referral sources, case review, record keeping, preparation, staff meetings, and other administrative functions. Prerequisite: ARTTHER 6001 ¿ Art Therapy Fieldwork II

Class Number

2027

Credits

3