Curriculum Overview

Working closely with the Director of the MAAE Program and other faculty, students identify and focus their research interests and career goals to design a curriculum that aligns with their anticipated completion of the program and unique professional pathways. Required core Art Education courses focus on contemporary cultural production, social and civically engaged art practices, curriculum design, social justice pedagogical practices, audience advocacy, museum education, exhibition development and interpretation. 

Students may also pursue electives in studio practice, art history, arts administration, architecture, interior architecture and designed objects, exhibition studies, historic preservation, liberal arts, visual critical studies, and writing. Throughout the program, visiting professionals present diverse perspectives representing expanded ideas of art and design education. Each student’s curriculum culminates in a final thesis project. 

MAAE Program Guide 2023-24

Balancing Reflection and Action

Engaging contemporary art theory in core program seminars is balanced with opportunities to work in various communities through internships and fieldwork. Thus, students have many opportunities to develop arts-based projects by teaching art and interpretation, developing arts-based curricula, or facilitating cultural programming. Individually designed fieldwork experiences support the research for final innovative thesis projects.Throughout the program, visiting professionals share diverse perspectives and experiences about their innovative strategies for combining arts experiences, community engagement, and social activism.

Fieldwork

A key aspect of the MAAE degree is students engaging in significant experiences and research in their focus area. A minimum of one Fieldwork course is required. Fieldwork usually occurs in the third semester of study. Sites for fieldwork include museums, community organizations, arts education organizations, or other related sites. In the Fieldwork course, students gain professional experiences and deepen their pedagogical and artistic practices. These individually designed practicum experiences combined with research form the basis for final innovative thesis projects.

Students may choose between two different types of fieldwork experiences: either independently identifying and choosing a site or area of study in consultation with the Fieldwork faculty or MAAE Director; or working at a site located and approved through the SAIC Career and Professional Experience Office (CAPX) and approved by the MAAE Director.

In Graduate Thesis Fieldwork (6105 001), each student designs their own fieldwork experience; including the area of study or site selection, work plan, and advising schedule. The Fieldwork faculty member works on an individual basis with each student to develop and revise plans and support the student’s progress throughout the semester. 

In a Graduate CAPX Elective Internship (6105 002), students are offered supervision of off-site internships by Art Education faculty members in conjunction with SAIC’s office of Career and Professional Experience (CAPX). Students are obligated to meet the requirements of their internship site for course credit. Such requirements may include a minimum number of hours at the site, a criminal background check, drug testing, the submission of immunization records, CPR training, etc. Off-site internships are not a requirement of degree fulfillment but are highly encouraged for candidates who are seeking to deepen their professional experience.

In recent years, students have engaged in fieldwork and internships in various departments at the Art Institute of Chicago, Chicago Children's Museum, Chicago Park District, Chicago Public Art Group, Chicago Public Schools, Chinese American Museum of Chicago, Detroit Institute of the Arts, Harold Washington Library, SAIC at Homan Square, Hubbard Street Dance, LGBTQ+ Center on Addison, Milwaukee Art Museum, Museum of Contemporary Art in Chicago, Next.cc, Project Onward, Puerto Rican Cultural Center, South Side Community Art Center, Storycatchers Theater: Yollocalli, Marwen, The Museum of Surgical Science, Youth Development Organization, Street-Level Youth Media, and Young Chicago Authors, as well as many other community cultural organizations and public and alternative schools. 

In addition to internships within the greater Chicagoland area, students are also able to coordinate internships in other cities during summer and winter interim semesters.

International students meet with SAIC International Student Services to complete authorization paperwork before registering for off-campus fieldwork.  

Fieldwork and internships are the basis of researching, developing and mobilizing a MAAE thesis project.  

Thesis Project

Students’ course of study culminates in a thesis project that combines a written component with other media or experience-based work. The thesis project proposals are developed through a sequence of courses (Thesis I, Fieldwork, Thesis II). During the first year of the MAAE Program and with the support of faculty, students identify, expand, and deepen their research focus. In their final semester, each student works individually with an advisor to develop their project and written thesis. The completed thesis project is presented in a public forum in which students share their projects and frame the significance of this work for the field and for communities.  

Each graduating student works with an advisor and reader to develop the penultimate draft of their completed thesis project and identify any final changes needed to ensure the rigor and accuracy of the work. After final revisions are made, an advisor-approved thesis is submitted to the Art Education Department and the Flaxman Library. 

SAIC Art Education theses can be viewed in the John M. Flaxman Library as well as the Ryerson and Burnham libraries. Search for “theses.”

REQUIRED MAAE SEMINARS

6

ARTED 5103 
Social Theory for Artists & Cultural Workers

ARTED 5105 
Ethical and Pedagogical Issues in Art Education

 

ART EDUCATION COURSES 
(3 elective courses are REQUIRED)

9

ARTED 4010       
LGBTQ+ Intergenerational Dialogue

ARTED 4051       
Decolonizing Time Travel 

ARTED 4045       
Eco Design

ARTED 5011      
 Curriculum Theory, Pedagogy, and Possibilities

ARTED 5106       
Art in Community: Special Topics

ARTED 5028       
Art as a Social Force: Collaboration

ARTED 5030       
Museum as Critical Curriculum

ARTED 5109       
Dialectical Practices in Research & Cultural Production

ARTED 5116       
Interpretation: Exploring Meaning 

ARTED 5118       
Teaching Art at the College Level

ARTED 5125       
Doing Democracy

ARTED 5200       
Cyberpedagogy

ARTED 6100       
Cultural Approaches to Production

ARTED 6030       
Museum Education: History, Theory & Practice

 

REQUIRED ART HISTORY or VISUAL CRITICAL STUDIES ELECTIVE

3  

ARTHI  or VCS chosen to support research interests, approved during MAAE advising

 

FOCAL AREA ELECTIVE COURSES* 
(choose 3 seminar or studio courses from any of the following areas at SAIC)

9  

Art Education
Architecture, Interior Architecture, Designed Objects
Art History, Theory, and Criticism 
Arts Administration and Policy
Design Education
Exhibition Studies
Intership/CAPX Elective Internship
Historic Preservation
Liberal Arts
Visual Critical Studies
Studio
Writing

 

REQUIRED PROFESSIONAL CORE

9  

ARTED 6105 
Fieldwork/Internship: Thesis Fieldwork* 

ARTED 6109 
Thesis I: Projects 

ARTED 6110 
Thesis II: MAAE 

 

Total Credit Hours

36  

Additional Graduation Requirements

Professional public presentation, advisor-approved completed thesis, thesis defense panel, and advisor-approved professionally edited thesis submitted to the Art Education department for submission to the Flaxman Library.

* Focal area electives are chosen in consultation with the MAAE program director during advising. 

* Undergraduate courses must be at the 3000-level or above. Art History courses must be at the 4000-level or above. Courses at 1000- and 2000-level need permission from the MAAE Director.

Degree Requirements, Specifications, and Courses

  1. Completion schedule: Students have a maximum of four years to complete the degree. This includes time off for leaves of absence.
  2. Thesis in Progress: Students who have not submitted a finished thesis for review and approval by the end of the final semester of enrollment are given a Thesis in Progress grade (IP). All students with a Thesis in Progress grade (IP) will be charged the Thesis in Progress Fee in each subsequent full semester until the thesis is completed and approved and the grade is changed to Credit (CR). If the statute of limitations is reached without an approved thesis, the grade will be changed to No Credit (NCR).
  3. Transfer credits: A minimum of 30 credit hours must be completed in residence at SAIC. Up to six transfer credits may be requested at the time of application for admission and are subject to approval at that time. No transfer credit will be permitted after a student is admitted.
  4. Curriculum: The Master of Art in Art Education program is designed to be a full-time program completed in three or four semesters.
  5. Enrollment: Nine credit hours constitute full-time enrollment although as many as 15 credit hours may be earned in any semester. A minimum of six credit hours per semester is required of part-time students for continued enrollment in the program. Electives, internship, and thesis are subject to the approval of the MA in Art Education program director.
  6. Undergraduate courses must be at the 3000-level or above; Art History courses must be at the 4000-level or above. Courses at the 1000 and 2000 level need permission from the department chair.
  7. Thesis presentation: All MA in Art Education candidates are required to publicly present their completed thesis project to a thesis advisory committee in order to graduate.
  8. Fieldwork/Internship Requirements: This MAAE program requires students to complete an internship(s). Students are obligated to meet the requirements of their internship site. Such requirements may include a criminal background check, drug-testing, the submission of immunization records, CPR training, etc.
  9. Full-Time Status Minimum Requirement: 9 credit hours.

Course Listing

Title Catalog Instructor Schedule

Description

This course asks the question, `How can artists cross the street without leaving their art behind?? This class hopes to raise issues of citizenship, creativity, collaboration, community, environment, and the changing roles of artists at the end of the twentieth century and the start of the twenty-first. Students study historical and contemporary examples of how artists have found the time, space, and resources to do and present their work, and how they make alliances with other artists and other communities to achieve professional, cultural, and political goals. Students help plan curricular innovations at SAIC and participate in related activities such as visiting artists programming. They explore the possibility, in part through on-site visits, of establishing or strengthening ties between SAIC and various communities throughout Chicago. Students further develop course themes through substantial written assignments and through applications of these ideas in their studio practice. The goal of the course is to give students the motivation, knowledge, and tools to take an active role as citizens in a multicultural democratic society.

Class Number

1090

Credits

3

Department

Art Education

Area of Study

Art/Design and Politics, Community & Social Engagement, Public Space, Site, Landscape

Location

Sharp 403

Description

Relating contemporary and traditional artmaking approaches and culturally responsive pedagogy with curriculum, project, and instructional design methods, this course provides prospective teachers and teaching artists with knowledge and skills needed to structure learning experiences through which children and youth in elementary schools, middle schools and community settings enhance their creativity, develop technical skills, understand a range of artmaking practices, make personally meaningful works, and explore big ideas. Course participants will structure teaching plans that identify students’ prior knowledge, scaffold learning, use multiple teaching and learning strategies to promote student engagement and differentiate instruction to meet the needs of all students. They will learn to articulate clear and verifiable core learning objectives, select relevant national and state standards and design assessments that capture essential student learning without standardizing students’ artworks. Teacher reflection based on critique, student input and assessment data will be used in an iterative process of editing and redesigning curriculum. Connecting visual and verbal literacies, prospective teachers will make use of reading, writing and speaking activities that engage students in interpreting art and analyzing visual culture as well as using picture books as a source of inspiration for their personal storytelling and artmaking. Teachers will learn to select and/or develop reading level-appropriate art and culture readings to support learning. Studying a range of art education practices will provide teacher candidates with theoretical perspectives from which to build their own unique pedagogical approaches. Readings include works by Maria Montessori, Viktor Lowenfeld, Anne Thulson, Lisa Delpit, Vivian Paley, and Sonia Nieto as well as overviews of Reggio Emelia, Teaching for Social Justice, Teaching for Artistic Behavior, Studio Habits, Visual Thinking Strategies and Principles of Possibility Course assignments will include readings and discussion responses and researching artists, artmaking approaches and pedagogical practices as well as writing project and lesson plans accompanied by teacher artwork examples, image presentations, readings, assessments, and other instructional materials, as well as documenting plans and student artworks. Participants will teach small groups of students in elementary schools with English Language Learners. All student must complete and pass Chicago Public Schools Background Check.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

1085

Credits

3

Department

Art Education

Location

Sharp 409

Description

Relating contemporary and traditional artmaking approaches and culturally responsive pedagogy with curriculum, project, and instructional design methods, this course provides prospective teachers and teaching artists with knowledge and skills needed to structure learning experiences through which children and youth in elementary schools, middle schools and community settings enhance their creativity, develop technical skills, understand a range of artmaking practices, make personally meaningful works, and explore big ideas. Course participants will structure teaching plans that identify students’ prior knowledge, scaffold learning, use multiple teaching and learning strategies to promote student engagement and differentiate instruction to meet the needs of all students. They will learn to articulate clear and verifiable core learning objectives, select relevant national and state standards and design assessments that capture essential student learning without standardizing students’ artworks. Teacher reflection based on critique, student input and assessment data will be used in an iterative process of editing and redesigning curriculum. Connecting visual and verbal literacies, prospective teachers will make use of reading, writing and speaking activities that engage students in interpreting art and analyzing visual culture as well as using picture books as a source of inspiration for their personal storytelling and artmaking. Teachers will learn to select and/or develop reading level-appropriate art and culture readings to support learning. Studying a range of art education practices will provide teacher candidates with theoretical perspectives from which to build their own unique pedagogical approaches. Readings include works by Maria Montessori, Viktor Lowenfeld, Anne Thulson, Lisa Delpit, Vivian Paley, and Sonia Nieto as well as overviews of Reggio Emelia, Teaching for Social Justice, Teaching for Artistic Behavior, Studio Habits, Visual Thinking Strategies and Principles of Possibility Course assignments will include readings and discussion responses and researching artists, artmaking approaches and pedagogical practices as well as writing project and lesson plans accompanied by teacher artwork examples, image presentations, readings, assessments, and other instructional materials, as well as documenting plans and student artworks. Participants will teach small groups of students in elementary schools with English Language Learners. All student must complete and pass Chicago Public Schools Background Check.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

1088

Credits

3

Department

Art Education

Location

Sharp 402

Description

In the work of becoming and being an educator, it is necessary and important to comprehend the evolving ways human development is understood, engaged, and implicated in the teaching of children, adolescents and adults. Humans are, to put it simply, different. And it is these differences that present opportunities and challenges in teaching and learning. This course offers an interdisciplinary investigation into evolving conceptions of human development, including, but not limited to, psychological, legal, historical, and sociological frameworks. Additionally, students will explore the histories of childhood as they impact and have impacted the material culture of schools and school design. Investigating evolving conceptions of human development will provide teacher candidates with interdisciplinary perspectives to build their own understanding of students as subjects in formation. This includes gaining theoretical, historical, and pedagogical knowledge on a range of developmental issues in education. Readings include works by John Dewey, W.E.B. DuBois, Tom Shakespeare, Cris Mayo, Deborah Britzman, Stephen Vassallo, Alexandra Lange, Erik Erikson, Jean Piaget, and Maria Montessori as well as overviews of Disability, Race Conscious, and Queer Theories in education. Course work includes an essay questioning & responding to human development, an analysis of childhood development as illustrated in children's literature, an interpretation of adolescence as represented through short films, along with a midterm and final project documenting the work of learning throughout the semester.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

1084

Credits

3

Department

Art Education

Location

Sharp 706

Description

In the work of becoming and being an educator, it is necessary and important to comprehend the evolving ways human development is understood, engaged, and implicated in the teaching of children, adolescents and adults. Humans are, to put it simply, different. And it is these differences that present opportunities and challenges in teaching and learning. This course offers an interdisciplinary investigation into evolving conceptions of human development, including, but not limited to, psychological, legal, historical, and sociological frameworks. Additionally, students will explore the histories of childhood as they impact and have impacted the material culture of schools and school design. Investigating evolving conceptions of human development will provide teacher candidates with interdisciplinary perspectives to build their own understanding of students as subjects in formation. This includes gaining theoretical, historical, and pedagogical knowledge on a range of developmental issues in education. Readings include works by John Dewey, W.E.B. DuBois, Tom Shakespeare, Cris Mayo, Deborah Britzman, Stephen Vassallo, Alexandra Lange, Erik Erikson, Jean Piaget, and Maria Montessori as well as overviews of Disability, Race Conscious, and Queer Theories in education. Course work includes an essay questioning & responding to human development, an analysis of childhood development as illustrated in children's literature, an interpretation of adolescence as represented through short films, along with a midterm and final project documenting the work of learning throughout the semester.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

1089

Credits

3

Department

Art Education

Location

Sharp 403

Description

This collaborative, community-based course is centered around The LGBTQ+ Intergenerational Dialogue Project, an ongoing partnership between Center on Halsted and SAIC. Classes will be held both at SAIC and Center on Halsted. Bringing together LGBTQ+-identified students and elders, this project provides a rare opportunity for dialogue across queer generations. Participants discuss, from their various perspectives and experiences, topics central to LGBTQ+ lives and histories such as Gender, Sex, Spirituality, Art, LGBTQ+ History, Family, Race, Class, Coming Out, Aging and Ageism, and Activism and Social Movements. Readings, audio recordings, and screenings will explore LGBTQ+ histories through their representation in various forms. Over the course of the semester, students work collaboratively with elders in small groups to create “objects'' in various forms (such as an animated video, comics zine, oral history, reflective or critical essay, personal narrative, visual art piece, or photographic essay) that bring to life the stories, histories, and lived experiences of LGBTQ+ folks. These “objects'' will be featured on our website (generationliberation.com).

Class Number

1093

Credits

3

Department

Art Education

Location

MacLean 112

Description

This collaborative, community-based course is centered around The LGBTQ+ Intergenerational Dialogue Project, an ongoing partnership between Center on Halsted and SAIC. Classes will be held both at SAIC and Center on Halsted. Bringing together LGBTQ+-identified students and elders, this project provides a rare opportunity for dialogue across queer generations. Participants discuss, from their various perspectives and experiences, topics central to LGBTQ+ lives and histories such as Gender, Sex, Spirituality, Art, LGBTQ+ History, Family, Race, Class, Coming Out, Aging and Ageism, and Activism and Social Movements. Readings, audio recordings, and screenings will explore LGBTQ+ histories through their representation in various forms. Over the course of the semester, students work collaboratively with elders in small groups to create “objects'' in various forms (such as an animated video, comics zine, oral history, reflective or critical essay, personal narrative, visual art piece, or photographic essay) that bring to life the stories, histories, and lived experiences of LGBTQ+ folks. These “objects'' will be featured on our website (generationliberation.com).

Class Number

1093

Credits

3

Department

Art Education

Location

MacLean 112

Description

Eco Design Chicago Riverworks is an interactive transient external partnership sound mapping and community engagement course that uses everyday technology in the field to eco sense and imagine human and non-human biodiversity and coexistence. The class deploys biophonic, geophonic, anthrophonic sound maps, soundwalks, workshops, installations and lectures, in, along, above, on and under Chicago's Waterways to actively engage the community in water politics and policy. Students spend time outdoors environmentally autopsying soundwalks, biking Northerly Island, recording quiets spaces with the EU Hush City App, kayaking around Goose Island, riverwalking, and learning about the history of freshwater and the impending water crisis on a floating classroom. Assignments include generating objects, sound maps, AR interactives, and activating sites that raise awareness through public installations that invite participation. Students will access an environmental bibliography that includes environmental initiators-Leopold, Carson, Muir, and others; international organizations studying Global health like OXFAM Better Life INDEX, Water/FOOD/Energy Stockholm Accord NEXUS; contemporary practices, ecological innovators, current documentary films, institutional and international activist websites and EU and City of Chicago Ordinances. Course work varies but includes weekly reading responses/discussions, Book Reviews, team Film Reviews, Data Maps, Sound Maps, AR ecological interventions, Riverbank greening, and student choice proposal of activation of public sites.

Prerequisites

Open to students at Junior level and above.

Class Number

1091

Credits

3

Department

Art Education

Area of Study

Public Space, Site, Landscape, Art and Science, Sustainable Design

Location

Sullivan Center 1240

Description

This course explores artistic, tactical, theoretical, cultural and pedagogical approaches to resisting Empire through the work of John Akomfrah, Black Audio Collective, #decolonizethisplace, Sky Hopinka, Tirza Even, Forensic Architecture, Rafa Esparza, Damon Locks, SuperFutures Haunt Collective and Santiago X. We will consider how artists, activists and scholars destabilize linear time, imagine queer futures and utopias by remixing hegemonic forms of social memory including archives, explore community-based knowledges and develop reparative counter-narratives. Structure: Readings, discussions, presentations, visits to Chicago archives, guest lectures, and development of pedagogical materials and/or scholarly/creative projects. Group research trips include visits to libraries and collections to meet with archivists and researchers, including the following sites: the Gerber Hardt Library for GLBTQ studies, American Indian Center, Leather Archive and Museum, Edward E. Ayers Collection of native studies at the Newberry, Vivian G. Harsch, Harold Washington Special Collections and visits to informal, uncurated collections, including flea markets. Readings may include Eve Tuck, Audra Simpson, Stuart Hall, Russell West-Pavlov, Tina Campt, Gerald Vizenor, Jose Esteban Mu?oz, Arjun Appadurai, Tananarive Due, and Saidiya Hartman. Students will engage with artistic, pedagogical, cultural practices and histories that work through and against formal and informal archives - recombining, remixing, and reimaging collections in order to critique hegemonic forms of social memory, offer reparative counter-narratives, and create community-based knowledge. Topics include: identity, activism, critical pedagogy, creativity as a force for social transformation, decolonial methodologies. Class structure: discussions of essays, visits to collections, guest lectures, and the development of pedagogical materials and/or scholarly-creative projects.

Class Number

1092

Credits

3

Department

Art Education

Area of Study

Class, Race, Ethnicity, Community & Social Engagement, Exhibition and Curatorial Studies

Location

Lakeview - 1428

Description

The focus of this course is to support a sense of purpose and agency in prospective art teachers, teaching artists, and cultural workers by exploring how individual and collaborative cultural production reflects and influences conceptions of race, class, ethnicity, geography, sexuality, and physical/cognitive abilities in a diversity of communities and settings. Students will interrogate the cultural contexts—aesthetics, artmaking approaches, social, political, historical, theoretical, technological, and pedagogical—that frame the making, interpreting, analyzing, sharing, and teaching of art, design, and visual culture in school and community settings. Students will develop content for art and culture projects and curriculum sequences based upon contemporary topics, issues, and themes. Students will explore the work of contemporary artists and cultural workers who integrate diverse artmaking approaches, cultural histories, theoretical orientations, and psychological perspectives into their arts-based practices. Artists and readings will be chosen based upon timely and emergent issues, concepts, and themes affecting a diversity of communities. Methods and strategies for integrating various literacies--verbal, visual, media, technological, computational--into cultural projects and curriculum will be explored. Yes course will ask students to understand how individual and collaborative cultural production reflects and influences conceptions of race, class, ethnicity, geography, sexuality, and physical/cognitive abilities in a diversity of communities and settings. Students will also Understand how cultural contexts frame the making, interpreting, analyzing, sharing, and teaching art, design, and visual culture in school and community settings.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

1083

Credits

3

Department

Art Education

Area of Study

Art/Design and Politics, Community & Social Engagement, Teaching

Location

Sharp 403

Description

The focus of this course is to support a sense of purpose and agency in prospective art teachers, teaching artists, and cultural workers by exploring how individual and collaborative cultural production reflects and influences conceptions of race, class, ethnicity, geography, sexuality, and physical/cognitive abilities in a diversity of communities and settings. Students will interrogate the cultural contexts—aesthetics, artmaking approaches, social, political, historical, theoretical, technological, and pedagogical—that frame the making, interpreting, analyzing, sharing, and teaching of art, design, and visual culture in school and community settings. Students will develop content for art and culture projects and curriculum sequences based upon contemporary topics, issues, and themes. Students will explore the work of contemporary artists and cultural workers who integrate diverse artmaking approaches, cultural histories, theoretical orientations, and psychological perspectives into their arts-based practices. Artists and readings will be chosen based upon timely and emergent issues, concepts, and themes affecting a diversity of communities. Methods and strategies for integrating various literacies--verbal, visual, media, technological, computational--into cultural projects and curriculum will be explored. Yes course will ask students to understand how individual and collaborative cultural production reflects and influences conceptions of race, class, ethnicity, geography, sexuality, and physical/cognitive abilities in a diversity of communities and settings. Students will also Understand how cultural contexts frame the making, interpreting, analyzing, sharing, and teaching art, design, and visual culture in school and community settings.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

2361

Credits

3

Department

Art Education

Area of Study

Art/Design and Politics, Community & Social Engagement, Teaching

Location

Sharp 402

Description

This seminar is a direct application of the theory and conceptual framework for community-based art programming. Participants investigate new models for making art in the community, collaborating with a prearranged Chicago area audience, organization, and site. Collaborative art endeavors include indoor and outdoor site-specific work, installations, environments, performances, exhibitions, and special projects. Seminar sessions discuss and reflect the ethics, aesthetics, and challenges of 'public art' in community. Open to all graduate students.

Class Number

1082

Credits

3

Department

Art Education

Area of Study

Art/Design and Politics, Gender and Sexuality, Class, Race, Ethnicity, Community & Social Engagement, Community and Social Practice, Economic Inequality & Class, Politics and Activisms

Location

Sharp 706

Description

This course provides teacher candidates with opportunities to observe, analyze, teach, and evaluate in elementary and secondary settings. Teacher candidates build constructive relationships with K­12 students, faculty, staff, and community members at two fieldwork sites through guided observation engagement. They develop and teach curriculum projects and learn methods of non-punitive classroom management. This experience provides groundwork, connections, and continuity to apprentice teaching. Apprentice teachers will complete a 5-week elementary/middle school placement and a 5-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Students will study examples of curriculum and pedagogy that cover all Illinois state mandated standards as defined by the Illinois State Board of Education (ISBE): NASAD Visual Arts Standards; Illinois Professional Teaching Standards; Social and Emotional Learning Standards; Literacy Standards. In the process, students will learn to create original art curriculum that encompasses these standards, and how to implement these standards in their pedagogical practice. The course includes observation/teaching days at elementary and secondary school placements, as well as weekly seminars at SAIC. During each of their two 5-week placements, students spend the school day at their respective assigned school placements before attending the evening seminar at SAIC. Time in seminars is spent developing and critiquing curriculum projects, exemplars (teacher project samples), instructional materials and assessment strategies in preparation for teaching in practicum placement schools, and later in apprentice teaching.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

1073

Credits

3

Department

Art Education

Location

Sharp 402

Description

This course provides teacher candidates with opportunities to observe, analyze, teach, and evaluate in elementary and secondary settings. Teacher candidates build constructive relationships with K­12 students, faculty, staff, and community members at two fieldwork sites through guided observation engagement. They develop and teach curriculum projects and learn methods of non-punitive classroom management. This experience provides groundwork, connections, and continuity to apprentice teaching. Apprentice teachers will complete a 5-week elementary/middle school placement and a 5-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Students will study examples of curriculum and pedagogy that cover all Illinois state mandated standards as defined by the Illinois State Board of Education (ISBE): NASAD Visual Arts Standards; Illinois Professional Teaching Standards; Social and Emotional Learning Standards; Literacy Standards. In the process, students will learn to create original art curriculum that encompasses these standards, and how to implement these standards in their pedagogical practice. The course includes observation/teaching days at elementary and secondary school placements, as well as weekly seminars at SAIC. During each of their two 5-week placements, students spend the school day at their respective assigned school placements before attending the evening seminar at SAIC. Time in seminars is spent developing and critiquing curriculum projects, exemplars (teacher project samples), instructional materials and assessment strategies in preparation for teaching in practicum placement schools, and later in apprentice teaching.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

1074

Credits

3

Department

Art Education

Location

Sharp 706

Description

This course provides teacher candidates with opportunities to observe, analyze, teach, and evaluate in elementary and secondary settings. Teacher candidates build constructive relationships with K­12 students, faculty, staff, and community members at two fieldwork sites through guided observation engagement. They develop and teach curriculum projects and learn methods of non-punitive classroom management. This experience provides groundwork, connections, and continuity to apprentice teaching. Apprentice teachers will complete a 5-week elementary/middle school placement and a 5-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Students will study examples of curriculum and pedagogy that cover all Illinois state mandated standards as defined by the Illinois State Board of Education (ISBE): NASAD Visual Arts Standards; Illinois Professional Teaching Standards; Social and Emotional Learning Standards; Literacy Standards. In the process, students will learn to create original art curriculum that encompasses these standards, and how to implement these standards in their pedagogical practice. The course includes observation/teaching days at elementary and secondary school placements, as well as weekly seminars at SAIC. During each of their two 5-week placements, students spend the school day at their respective assigned school placements before attending the evening seminar at SAIC. Time in seminars is spent developing and critiquing curriculum projects, exemplars (teacher project samples), instructional materials and assessment strategies in preparation for teaching in practicum placement schools, and later in apprentice teaching.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

1075

Credits

3

Department

Art Education

Location

Sharp 404

Description

This course provides teacher candidates with opportunities to observe, analyze, teach, and evaluate in elementary and secondary settings. Teacher candidates build constructive relationships with K­12 students, faculty, staff, and community members at two fieldwork sites through guided observation engagement. They develop and teach curriculum projects and learn methods of non-punitive classroom management. This experience provides groundwork, connections, and continuity to apprentice teaching. Apprentice teachers will complete a 5-week elementary/middle school placement and a 5-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Students will study examples of curriculum and pedagogy that cover all Illinois state mandated standards as defined by the Illinois State Board of Education (ISBE): NASAD Visual Arts Standards; Illinois Professional Teaching Standards; Social and Emotional Learning Standards; Literacy Standards. In the process, students will learn to create original art curriculum that encompasses these standards, and how to implement these standards in their pedagogical practice. The course includes observation/teaching days at elementary and secondary school placements, as well as weekly seminars at SAIC. During each of their two 5-week placements, students spend the school day at their respective assigned school placements before attending the evening seminar at SAIC. Time in seminars is spent developing and critiquing curriculum projects, exemplars (teacher project samples), instructional materials and assessment strategies in preparation for teaching in practicum placement schools, and later in apprentice teaching.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

2354

Credits

3

Department

Art Education

Location

MacLean 919

Description

This course provides teacher candidates with opportunities to observe, analyze, teach, and evaluate in elementary and secondary settings. Teacher candidates build constructive relationships with K­12 students, faculty, staff, and community members at two fieldwork sites through guided observation engagement. They develop and teach curriculum projects and learn methods of non-punitive classroom management. This experience provides groundwork, connections, and continuity to apprentice teaching. Apprentice teachers will complete a 5-week elementary/middle school placement and a 5-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Students will study examples of curriculum and pedagogy that cover all Illinois state mandated standards as defined by the Illinois State Board of Education (ISBE): NASAD Visual Arts Standards; Illinois Professional Teaching Standards; Social and Emotional Learning Standards; Literacy Standards. In the process, students will learn to create original art curriculum that encompasses these standards, and how to implement these standards in their pedagogical practice. The course includes observation/teaching days at elementary and secondary school placements, as well as weekly seminars at SAIC. During each of their two 5-week placements, students spend the school day at their respective assigned school placements before attending the evening seminar at SAIC. Time in seminars is spent developing and critiquing curriculum projects, exemplars (teacher project samples), instructional materials and assessment strategies in preparation for teaching in practicum placement schools, and later in apprentice teaching.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

2352

Credits

3

Department

Art Education

Location

Lakeview - 1004

Description

This course provides teacher candidates with opportunities to observe, analyze, teach, and evaluate in elementary and secondary settings. Teacher candidates build constructive relationships with K­12 students, faculty, staff, and community members at two fieldwork sites through guided observation engagement. They develop and teach curriculum projects and learn methods of non-punitive classroom management. This experience provides groundwork, connections, and continuity to apprentice teaching. Apprentice teachers will complete a 5-week elementary/middle school placement and a 5-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Students will study examples of curriculum and pedagogy that cover all Illinois state mandated standards as defined by the Illinois State Board of Education (ISBE): NASAD Visual Arts Standards; Illinois Professional Teaching Standards; Social and Emotional Learning Standards; Literacy Standards. In the process, students will learn to create original art curriculum that encompasses these standards, and how to implement these standards in their pedagogical practice. The course includes observation/teaching days at elementary and secondary school placements, as well as weekly seminars at SAIC. During each of their two 5-week placements, students spend the school day at their respective assigned school placements before attending the evening seminar at SAIC. Time in seminars is spent developing and critiquing curriculum projects, exemplars (teacher project samples), instructional materials and assessment strategies in preparation for teaching in practicum placement schools, and later in apprentice teaching.

Prerequisites

Prerequisite: Open to junior BFAAE students only or permission of instructor.

Class Number

2353

Credits

3

Department

Art Education

Location

Sharp 409, To Be Announced

Description

Relating contemporary and traditional artmaking approaches and culturally responsive pedagogy with curriculum, project, and instructional design methods, this course provides prospective teachers and teaching artists with knowledge and skills needed to structure learning experiences through which children and youth in elementary schools, middle schools and community settings enhance their creativity, develop technical skills, understand a range of artmaking practices, make personally meaningful works, and explore big ideas. Course participants will structure teaching plans that identify students’ prior knowledge, scaffold learning, use multiple teaching and learning strategies to promote student engagement and differentiate instruction to meet the needs of all students. They will learn to articulate clear and verifiable core learning objectives, select relevant national and state standards and design assessments that capture essential student learning without standardizing students’ artworks. Teacher reflection based on critique, student input and assessment data will be used in an iterative process of editing and redesigning curriculum. Connecting visual and verbal literacies, prospective teachers will make use of reading, writing and speaking activities that engage students in interpreting art and analyzing visual culture as well as using picture books as a source of inspiration for their personal storytelling and artmaking. Teachers will learn to select and/or develop reading level-appropriate art and culture readings to support learning. Studying a range of art education practices will provide teacher candidates with theoretical perspectives from which to build their own unique pedagogical approaches. Readings include works by Maria Montessori, Viktor Lowenfeld, Anne Thulson, Lisa Delpit, Vivian Paley, and Sonia Nieto as well as overviews of Reggio Emelia, Teaching for Social Justice, Teaching for Artistic Behavior, Studio Habits, Visual Thinking Strategies and Principles of Possibility Course assignments will include readings and discussion responses and researching artists, artmaking approaches and pedagogical practices as well as writing project and lesson plans accompanied by teacher artwork examples, image presentations, readings, assessments, and other instructional materials, as well as documenting plans and student artworks. Participants will teach small groups of students in elementary schools with English Language Learners. All student must complete and pass Chicago Public Schools Background Check.

Prerequisites

Prerequisite: Open to MAAE or MAT students only or with permission of instructor.

Class Number

1086

Credits

3

Department

Art Education

Location

Sharp 706

Description

In the work of becoming and being an educator, it is necessary and important to comprehend the evolving ways human development is understood, engaged, and implicated in the teaching of children, adolescents and adults. Humans are, to put it simply, different. And it is these differences that present opportunities and challenges in teaching and learning. This course offers an interdisciplinary investigation into evolving conceptions of human development, including, but not limited to, psychological, legal, historical, and sociological frameworks. Additionally, students will explore the histories of childhood as they impact and have impacted the material culture of schools and school design. Investigating evolving conceptions of human development will provide teacher candidates with interdisciplinary perspectives to build their own understanding of students as subjects in formation. This includes gaining theoretical, historical, and pedagogical knowledge on a range of developmental issues in education. Readings include works by John Dewey, W.E.B. DuBois, Tom Shakespeare, Cris Mayo, Deborah Britzman, Stephen Vassallo, Alexandra Lange, Erik Erikson, Jean Piaget, and Maria Montessori as well as overviews of Disability, Race Conscious, and Queer Theories in education. Course work includes an essay questioning & responding to human development, an analysis of childhood development as illustrated in children's literature, an interpretation of adolescence as represented through short films, along with a midterm and final project documenting the work of learning throughout the semester.

Prerequisites

Prerequisite: Open to MAT students only or permission of instructor.

Class Number

1087

Credits

3

Department

Art Education

Location

Sharp 403

Take the Next Step

Visit the graduate admissions website or contact the graduate admissions office at 312.629.6100, 800.232.7242 or gradmiss@saic.edu.