Academic Spine

Professional Practice Experience

Junior Professional Practice Experience

Overview

Junior Professional Practice (PROFPRAC 39XX or DEPARTMENT 39XX) provides third-year students (between 60 and 90 credits completed) with various professional practice activities so that they will be prepared for life after SAIC in a wide variety of professional contexts. The course emphasizes a hands-on, real-world curriculum. Students will engage in a semester-long, faculty-defined creative project (such as applying for an on-campus exhibition, submitting a proposal for an off-campus exhibition, hosting a community event, etc.), as well as an online project (such as an online portfolio, an artist website, or a class website organized around a particular event or theme). Additional course activities may include preparing a CV, networking with alumni and other key figures in their fields of interest, or giving an artist talk or scholarly presentation.

Junior Professional Practice course is usually a three-credit course, and as determined by each department, the course can function as either a seminar or a studio. Depending on course format, each section will meet for either five hours weekly or for three hours weekly. The sections that meet for three hours weekly include the expectation that students are completing six hours of work outside class, which might include portfolio development, project development, proposal writing, and networking in fields of artistic or scholarly interest. Some Professional Practice courses integrate studio projects while others focus exclusively on the stated professional practice learning goals. Courses listed as PROFPRAC 39XX are open to all third-year students who have completed Sophomore Seminar or Research Studio for Transfer Students. PROFPRAC 39XX courses can be either interdisciplinary or discipline-specific with departmental prerequisites.

Junior Professional Practice is the second course in the three-course sequence of the Academic Spine (Sophomore Seminar, Junior Professional Practice, and Senior Capstone), which is required for all freshmen who began their undergraduate degrees at SAIC (transfer students must take Research Studio for Transfer Students, Junior Professional Practice, and Senior Capstone). Junior Professional Practice is offered in both the fall and spring semesters, to give students flexibility in incorporating this requirement into their schedule. PROFPRAC 39XX should always be taken when students have between 60-90 credits completed (roughly third or junior year for a full-time student). This course is a prerequisite for all Senior Capstone courses, to ensure the Spine courses are completed in sequential order.

Course Learning Goals

At the conclusion of the Professional Practice Experience course, students will be able to:

  1. Implement a well-planned creative project, applying professional skills relevant to their artistic, creative, and/or scholarly practice. (Student learning outcomes demonstrated by: project proposal, including a budget; CV; grant application; exhibition proposal)
  2. Present a professional body of work in an online context, demonstrating a critical awareness of audience and selection of work. (Student learning outcomes demonstrated by: website, online portfolio, blog, etc.)
  3. Create connections and linkages with relevant practitioners, organizations, and institutions in students’ field(s) of interest, with an attention to identifying key figures as well as situating their own work within these fields. (Student learning outcomes demonstrated by: alumni/artist interview; short summary of experience attending networking events such as a gallery opening, a panel/symposium, visiting an alum at a job site, etc.)
  4. Demonstrate the ability to think, speak, and write clearly and effectively with regard to the creative and/or scholarly practice. (Student learning outcomes demonstrated by: artist talk, blog, project statement, scholarly presentation, PechaKucha, etc.)

Junior Professional Practice Courses

The information below updates twice a week—it is possible that changes may occur between updates. Up-to-the-minute information for enrolled students can always be found at PeopleSoft Self-Service.

Title Catalog Instructor Schedule

Description

This two-day core undergraduate design studio focuses on the role of the designer in public life, and the role architecture plays in shaping public life. Students address the legal, ethical, cultural, and political concerns that shape architecture practice through the development of a design project. Students use rigorous representation techniques, achieving a professional level of presentation. Students are expected to complete a professional portfolio and resume, along with their design work.

This studio examines issues of program, structure, and building skin to identify how public architecture represents itself as a cultural and political artifact. Rather than understanding architecture as autonomous from its social, cultural, and political environment, the studio posits that architecture must be integrated into the world, be informed by and transforming the social and technical systems that enable our built environments.

Students will review and study design approaches to expand their understanding of possibilities about new spatial dynamics informed by emerging social relationships, hybrid conditions and the social shaping of technology.

Readings, textual and visual case studies and site visits will vary, but always provide the background and theoretical grounding for the site and project analysis and final project development and portfolio presentation.

Project work is a cumulative archive of the process of problem analysis and design exploration that are translations of observations, facts and ideas ? all being made visible through diagrams, drawings and models. Parts of the semesters work will be conducted in groups, in group discussions and workshops and/or site visits; and which will all contribute to individual project work and portfolio development to be presented in a final critique.

This course requires students to have a laptop that meets SAIC's minimum hardware specs and runs the AIADO template.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1026

Credits

6

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1256

Description

Relating contemporary and traditional artmaking approaches and culturally responsive pedagogy with curriculum, project, and instructional design methods, this course provides prospective teachers and teaching artists with knowledge and skills needed to structure learning experiences through which children and youth in elementary schools, middle schools and community settings enhance their creativity, develop technical skills, understand a range of artmaking practices, make personally meaningful works, and explore big ideas. Course participants will structure teaching plans that identify students¿ prior knowledge, scaffold learning, use multiple teaching and learning strategies to promote student engagement and differentiate instruction to meet the needs of all students. They will learn to articulate clear and verifiable core learning objectives, select relevant national and state standards and design assessments that capture essential student learning without standardizing students¿ artworks. Teacher reflection based on critique, student input and assessment data will be used in an iterative process of editing and redesigning curriculum. Connecting visual and verbal literacies, prospective teachers will make use of reading, writing and speaking activities that engage students in interpreting art and analyzing visual culture as well as using picture books as a source of inspiration for their personal storytelling and artmaking. Teachers will learn to select and/or develop reading level-appropriate art and culture readings to support learning.

Studying a range of art education practices will provide teacher candidates with theoretical perspectives from which to build their own unique pedagogical approaches. Readings include works by Maria Montessori, Viktor Lowenfeld, Anne Thulson, Lisa Delpit, Vivian Paley, and Sonia Nieto as well as overviews of Reggio Emelia, Teaching for Social Justice, Teaching for Artistic Behavior, Studio Habits, Visual Thinking Strategies and Principles of Possibility

Course assignments will include readings and discussion responses and researching artists, artmaking approaches and pedagogical practices as well as writing project and lesson plans accompanied by teacher artwork examples, image presentations, readings, assessments, and other instructional materials, as well as documenting plans and student artworks. Participants will teach small groups of students in elementary schools with English Language Learners.

All student must complete and pass Chicago Public Schools Background Check.

Prerequisites

Must complete ARTED 3015, ARTED 3021 and any sophomore seminar course

Class Number

1867

Credits

3

Department

Art Education

Location

Sharp 409

Description

Relating contemporary and traditional artmaking approaches and culturally responsive pedagogy with curriculum, project, and instructional design methods, this course provides prospective teachers and teaching artists with knowledge and skills needed to structure learning experiences through which children and youth in elementary schools, middle schools and community settings enhance their creativity, develop technical skills, understand a range of artmaking practices, make personally meaningful works, and explore big ideas. Course participants will structure teaching plans that identify students¿ prior knowledge, scaffold learning, use multiple teaching and learning strategies to promote student engagement and differentiate instruction to meet the needs of all students. They will learn to articulate clear and verifiable core learning objectives, select relevant national and state standards and design assessments that capture essential student learning without standardizing students¿ artworks. Teacher reflection based on critique, student input and assessment data will be used in an iterative process of editing and redesigning curriculum. Connecting visual and verbal literacies, prospective teachers will make use of reading, writing and speaking activities that engage students in interpreting art and analyzing visual culture as well as using picture books as a source of inspiration for their personal storytelling and artmaking. Teachers will learn to select and/or develop reading level-appropriate art and culture readings to support learning.

Studying a range of art education practices will provide teacher candidates with theoretical perspectives from which to build their own unique pedagogical approaches. Readings include works by Maria Montessori, Viktor Lowenfeld, Anne Thulson, Lisa Delpit, Vivian Paley, and Sonia Nieto as well as overviews of Reggio Emelia, Teaching for Social Justice, Teaching for Artistic Behavior, Studio Habits, Visual Thinking Strategies and Principles of Possibility

Course assignments will include readings and discussion responses and researching artists, artmaking approaches and pedagogical practices as well as writing project and lesson plans accompanied by teacher artwork examples, image presentations, readings, assessments, and other instructional materials, as well as documenting plans and student artworks. Participants will teach small groups of students in elementary schools with English Language Learners.

All student must complete and pass Chicago Public Schools Background Check.

Prerequisites

Must complete ARTED 3015, ARTED 3021 and any sophomore seminar course

Class Number

1868

Credits

3

Department

Art Education

Location

Sharp 403

Description

Relating contemporary and traditional artmaking approaches and culturally responsive pedagogy with curriculum, project, and instructional design methods, this course provides prospective teachers and teaching artists with knowledge and skills needed to structure learning experiences through which children and youth in elementary schools, middle schools and community settings enhance their creativity, develop technical skills, understand a range of artmaking practices, make personally meaningful works, and explore big ideas. Course participants will structure teaching plans that identify students¿ prior knowledge, scaffold learning, use multiple teaching and learning strategies to promote student engagement and differentiate instruction to meet the needs of all students. They will learn to articulate clear and verifiable core learning objectives, select relevant national and state standards and design assessments that capture essential student learning without standardizing students¿ artworks. Teacher reflection based on critique, student input and assessment data will be used in an iterative process of editing and redesigning curriculum. Connecting visual and verbal literacies, prospective teachers will make use of reading, writing and speaking activities that engage students in interpreting art and analyzing visual culture as well as using picture books as a source of inspiration for their personal storytelling and artmaking. Teachers will learn to select and/or develop reading level-appropriate art and culture readings to support learning.

Studying a range of art education practices will provide teacher candidates with theoretical perspectives from which to build their own unique pedagogical approaches. Readings include works by Maria Montessori, Viktor Lowenfeld, Anne Thulson, Lisa Delpit, Vivian Paley, and Sonia Nieto as well as overviews of Reggio Emelia, Teaching for Social Justice, Teaching for Artistic Behavior, Studio Habits, Visual Thinking Strategies and Principles of Possibility

Course assignments will include readings and discussion responses and researching artists, artmaking approaches and pedagogical practices as well as writing project and lesson plans accompanied by teacher artwork examples, image presentations, readings, assessments, and other instructional materials, as well as documenting plans and student artworks. Participants will teach small groups of students in elementary schools with English Language Learners.

All student must complete and pass Chicago Public Schools Background Check.

Prerequisites

Must complete ARTED 3015, ARTED 3021 and any sophomore seminar course

Class Number

2103

Credits

3

Department

Art Education

Location

Lakeview - 1004

Description

This seminar introduces and develops professional practices for students pursuing a freelance career in comics, illustration, animation, or the like. By creating promotional material, portfolios, contracts, and invoices, students learn how to market themselves as freelance artists. In tandem with learning the ins and outs of industry standards, they have access to insight and advice from a variety of guest speakers whose careers and professional paths have paved the way for future creators.

Readings will vary but typically include 'The Freelancer's Bible: Everything You Need to Know to Have the Career of Your Dreams- On Your Terms' by Sara Horowitz, 'The Graphic Artist Guild Pricing and Ethical Guidelines Handbook,' and 'Burn Your Portfolio' by Michael Janda.

Students will create, revise, workshop, and submit a variety of professional documents that culminate in a compendium over the course of the semester. These are all documents that will prove to be necessary for a freelancing career. There will be weekly responses to readings, and rotating guest speakers to provide in-sight on their professional journeys.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1579

Credits

3

Department

Arts Administration and Policy

Area of Study

Comics and Graphic Novels, Books and Publishing

Location

Sharp 409

Description

This course will prepare students for developing project proposals in various contexts ranging from informal collaborations with artist run spaces to formal grant applications. We will focus not only the process of conceptualizing a project idea and persuasively organizing the necessary content around it, but also explore the pragmatic aspects of carrying it out and interfacing collaboratively with an art space, an institution, or other artists. In addition to workshopping the various elements needed for a hypothetical project, students will be required to conceptualize, propose and execute a proposal of some scale at the end of the semester to put into practice the skills and ideas explored in the course. In doing so, we will use the project proposal as a means to understand the broader ecosystem of the artworld and the different roles people play within them: artist, curator, programmer, institution, non-profit infrastructure, commercial and corporate factors, and more. Chicago?s landscape of artists, institutions and DIY spaces will provide ample case studies and first hand know-how for us to tap into as we build an understanding of the interrelationships between an artistic practice and the space within which it is presented or contextualized.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1580

Credits

3

Department

Arts Administration and Policy

Location

MacLean 620

Description

We all have something that we do to offset stress and practice care for the self, be it jogging, knitting, reading, or meeting with friends. Care is a radical action. This course will look at care for the individual and care for the community as a strategy for art-making in the studio. Students will discuss self-care strategies that work for them and bring those strategies into the studio. The culminating project will be presenting a plan of action for continued self-care at SAIC and beyond with concrete examples of these strategies at play in the student's studio work. Students will work on a series of small sample projects throughout the semester in preparation for a final presentation of a finished piece. We will look to alternative models of evaluation and build our own unique dynamic approach to critiquing these pieces.

Students will practice self-care by participating in the class reading group to discuss texts including All About Love by Bell Hooks, Emergent Strategy by Adrienne Marie Brown, Conversation with Mike Kelley, Keith Harring's Journals, Eva Hesse's notes and more. Texts will be selected to best reflect the student's interests and studio practices. We will look at artists and practitioners who bring care into their work across disciplines including Shana Moulton (film and performance), Aram Han Sifuentes (craft and participation), H. Melt (poetry and writing), Adrian Piper (research) and more. Students will be asked to contribute significantly to an extended bibliography of care for the class to share beyond the Spring semester.

This course includes weekly text discussions, small group critiques on sample pieces and culminates in a full class critique of a self directed final project. Ideas for this project will be supported through individual meetings with the instructor and visiting guest self care experts.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1578

Credits

3

Department

Arts Administration and Policy

Area of Study

Community & Social Engagement, Art/Design and Politics

Location

Lakeview - 1428

Description

This interdisciplinary seminar introduces, deepens and extends writing skills and helps to develop concepts that can sustain, guide and propel artistic practice after graduation. Central to the class is the professional completion of two grant applications, followed by a mock jury event that simulates actual jurying procedure. In conjunction with the applications, students write artist statements and develop project proposals. We also discuss how the arts and the public intersect, whether in popular opinion, historic context or professional settings. This includes an assessment of the relations of artists and audiences, artists and administrators and curators, and artists and critics.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1577

Credits

3

Department

Arts Administration and Policy

Area of Study

Public Space, Site, Landscape

Location

MacLean 617

Description

In this course, students will analyze and report on art world and cultural ecologies and explore professional work opportunities while reflecting on their current creative and scholarly interests. The course will lead to an expanded understanding of professional opportunities and the tools to pursue them while starting to identify each of our strengths and interests in identifying possible pathways for our lives that include (work life - studio life - love - finances - passion - family - etc...). Toward the end of the semester, as a way to bring into practice what was covered in the course, each student will participate in a class exhibition/presentation of current work and a portfolio of professional presentation materials to support one of the following (grant or job application and an exhibition/project proposal).

Readings will address issues in the class and will include, 'GETTING YOUR SHIT TOGETHER: THE ULTIMATE BUSINESS MANUAL FOR EVERY PRACTICING ARTIST', ART/WORK (Revised + Updated) by Heather Darcy Bhandari and Jonathan Melber, and selections from the follwing books; 'Living and sustaining a Creative Life by Sharon Louden, 'The Creative Habit: a Practical Guide' by Twyla Tharp, among others.

The deliverables in this class will include the following: 1) An illustrated verbal presentation of your current creative portfolio. 2) Research on one of the visitors to the class. 3) Class Exhibition including the entire class in an On Campus Space. 4) Printed and Digital Professional Portfolio.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1581

Credits

3

Department

Arts Administration and Policy

Area of Study

Community & Social Engagement, Art/Design and Politics, Exhibition and Curatorial Studies

Location

MacLean 816

Description

This course is designed to provide students an opportunity to gain experience as interns in professional arts and design environments and prepare for professional life after SAIC. During the semester, faculty provide in-depth mentorship and act as liaison with the internship site supporting students meet their learning goals as outlined for the semester. Through group meetings and online discussions, students engage with a peer cohort of students participating in a variety of internships. Students work at internships for a total of 140 hours (approx 14 hours per week) for the term. In addition to successfully completing the internship, students will conduct an informational interview with their employer, attend 4 class meetings and a meeting with the faculty and supervisor, complete an internship supervisor evaluation, revise their resume, and update their online portfolio, website, or professional profile.

Students are required to secure an internship prior to the start of the semester. Internships must be approved by the Career and Professional Experience (CAPX) office. Students are encouraged to meet with a CAPX advisor for assistance with researching and applying for internships. In order to begin the internship approval process students should go to https://bit.ly/35vmTTM. Upon approval, course registration is managed by CAPX.

Note that international students must receive CPT authorization prior to participating in an off-campus internship.

Internships may be in-person, hybrid, or virtual; however all four class meetings are virtual. Class meeting day and time are determined by the faculty.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1168

Credits

3

Department

Career and Professional Experience

Location

Description

This course is designed to provide students an opportunity to gain experience as interns in professional arts and design environments and prepare for professional life after SAIC. During the semester, faculty provide in-depth mentorship and act as liaison with the internship site supporting students meet their learning goals as outlined for the semester. Through group meetings and online discussions, students engage with a peer cohort of students participating in a variety of internships. Students work at internships for a total of 140 hours (approx 14 hours per week) for the term. In addition to successfully completing the internship, students will conduct an informational interview with their employer, attend 4 class meetings and a meeting with the faculty and supervisor, complete an internship supervisor evaluation, revise their resume, and update their online portfolio, website, or professional profile.

Students are required to secure an internship prior to the start of the semester. Internships must be approved by the Career and Professional Experience (CAPX) office. Students are encouraged to meet with a CAPX advisor for assistance with researching and applying for internships. In order to begin the internship approval process students should go to https://bit.ly/35vmTTM. Upon approval, course registration is managed by CAPX.

Note that international students must receive CPT authorization prior to participating in an off-campus internship.

Internships may be in-person, hybrid, or virtual; however all four class meetings are virtual. Class meeting day and time are determined by the faculty.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

2203

Credits

3

Department

Career and Professional Experience

Location

Description

This course is designed to provide students an opportunity to gain experience as interns in professional arts and design environments and prepare for professional life after SAIC. During the semester, faculty provide in-depth mentorship and act as liaison with the internship site supporting students meet their learning goals as outlined for the semester. Through group meetings and online discussions, students engage with a peer cohort of students participating in a variety of internships. Students work at internships for a total of 140 hours (approx 14 hours per week) for the term. In addition to successfully completing the internship, students will conduct an informational interview with their employer, attend 4 class meetings and a meeting with the faculty and supervisor, complete an internship supervisor evaluation, revise their resume, and update their online portfolio, website, or professional profile.

Students are required to secure an internship prior to the start of the semester. Internships must be approved by the Career and Professional Experience (CAPX) office. Students are encouraged to meet with a CAPX advisor for assistance with researching and applying for internships. In order to begin the internship approval process students should go to https://bit.ly/35vmTTM. Upon approval, course registration is managed by CAPX.

Note that international students must receive CPT authorization prior to participating in an off-campus internship.

Internships may be in-person, hybrid, or virtual; however all four class meetings are virtual. Class meeting day and time are determined by the faculty.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

2498

Credits

3

Department

Career and Professional Experience

Location

Description

This course is designed to provide students an opportunity to gain experience as interns in professional arts and design environments and prepare for professional life after SAIC. During the semester, faculty provide in-depth mentorship and act as liaison with the internship site supporting students meet their learning goals as outlined for the semester. Through group meetings and online discussions, students engage with a peer cohort of students participating in a variety of internships. Students work at internships for a total of 140 hours (approx 14 hours per week) for the term. In addition to successfully completing the internship, students will conduct an informational interview with their employer, attend 4 class meetings and a meeting with the faculty and supervisor, complete an internship supervisor evaluation, revise their resume, and update their online portfolio, website, or professional profile.

Students are required to secure an internship prior to the start of the semester. Internships must be approved by the Career and Professional Experience (CAPX) office. Students are encouraged to meet with a CAPX advisor for assistance with researching and applying for internships. In order to begin the internship approval process students should go to https://bit.ly/35vmTTM. Upon approval, course registration is managed by CAPX.

Note that international students must receive CPT authorization prior to participating in an off-campus internship.

Internships may be in-person, hybrid, or virtual; however all four class meetings are virtual. Class meeting day and time are determined by the faculty.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

2499

Credits

3

Department

Career and Professional Experience

Location

Description

In this class you will engage in a wide variety of professional practice activities to help prepare you for life after SAIC. In this course, each student will focus on advancing the design (layout, graphics, narratives, flow) of their portfolio so that it best conveys their individual design skills, experience and interests. Students will produce materials appropriate for delivery of their work across multiple formats (print, digital, web, etc), will learn how to edit/ arrange their materials to suit the specific context of application, and will create consistent design elements that can be shared across the full range of professional materials from portfolio, website, business cards, and other promotional materials. The course emphasizes hands-on, real- world professional activities and opportunities for emerging designers.

More information about Professional Practice and the Academic Spine curriculum can be found on the SAIC website: http://www.saic.edu/academics/departments/academicspine/

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1593

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Location

Sullivan Center 1226

Description

Runway Meets Runway is an excursion into the intersection of fashion and object design via the accessories and technologies that we wear, carry on and carry with. Working equally in the Fashion Department and AIADO, the students use investigation, iteration and innovation to design and fabricate a collection of accessory designs using analog and digital tools from worlds of both fashion and of product design. This Junior Seminar course includes visits to studios of professional designers to supplement individual developments of objects, lines and looks. Students will develop a web presence appropriate to their emerging practice.
Sample Class Activities: Built around the idea that culture is something we carry, carry on, carry with, and carry out, the students will conceive a 'galactic proposal', design and produce the objects, then integrate them into a social media campaign that introduces them as young independent designers to the outside world. Emphasis is placed on developing a professional mindset and mission to all aspects of their work. Students are introduced to this though guest professionals in design, fashion, materials experts, and social media gurus. The class is built around making a signature collection through studio work. The class will also explore- Strategies for developing a collection, Basics of a signature brand Understanding market categories, Positioning and differentiation through presentation, Material/ technique demonstrations (both analog and digital), Vendor field trips, Roles of Intellectual Property, Transforming a personal social media identity into a professional presence, Branding objects, How to meet impossible deadlines, Studio photography on a shoestring budget -through demos, field trips, invited guests, intense studio nights, and the knowledge and expertise of faculty with deep experience developing individual design practices.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1585

Credits

3

Department

Architecture, Interior Architecture, and Designed Objects

Area of Study

Product Design

Location

Sullivan Center 1406A

Description

Intermediate Fashion studio is a co-taught immersive class that furthers the creative and technical development of the `thinking and making' involved in designing tomorrow's fashion. Students build a three look capsule collection based on their personal research, brought alive in shape and material development through garments. In-depth research and personal conviction infuse the conceptual stage, while translating this sensibility into garment concepts requires heightened attention to detail and execution. Students review and develop approaches to express and communicate design concepts, as well as their realization into fashion garments and collections. Throughout, garments and looks are fitted on models in both muslin and fabric.

Prerequisites

Student must complete sophomore seminar, FASH 3001, and FASH 3002 prior to enrollment.

Class Number

1387

Credits

6

Department

Fashion Design

Location

Sullivan Center 703, Sullivan Center 703

Description

Intermediate Fashion studio is a co-taught immersive class that furthers the creative and technical development of the `thinking and making' involved in designing tomorrow's fashion. Students build a three look capsule collection based on their personal research, brought alive in shape and material development through garments. In-depth research and personal conviction infuse the conceptual stage, while translating this sensibility into garment concepts requires heightened attention to detail and execution. Students review and develop approaches to express and communicate design concepts, as well as their realization into fashion garments and collections. Throughout, garments and looks are fitted on models in both muslin and fabric.

Prerequisites

Student must complete sophomore seminar, FASH 3001, and FASH 3002 prior to enrollment.

Class Number

1387

Credits

6

Department

Fashion Design

Location

Sullivan Center 703, Sullivan Center 703

Description

Intermediate Fashion studio is a co-taught immersive class that furthers the creative and technical development of the `thinking and making' involved in designing tomorrow's fashion. Students build a three look capsule collection based on their personal research, brought alive in shape and material development through garments. In-depth research and personal conviction infuse the conceptual stage, while translating this sensibility into garment concepts requires heightened attention to detail and execution. Students review and develop approaches to express and communicate design concepts, as well as their realization into fashion garments and collections. Throughout, garments and looks are fitted on models in both muslin and fabric.

Prerequisites

Student must complete sophomore seminar, FASH 3001, and FASH 3002 prior to enrollment.

Class Number

1389

Credits

6

Department

Fashion Design

Location

Sullivan Center 702, Sullivan Center 702

Description

Intermediate Fashion studio is a co-taught immersive class that furthers the creative and technical development of the `thinking and making' involved in designing tomorrow's fashion. Students build a three look capsule collection based on their personal research, brought alive in shape and material development through garments. In-depth research and personal conviction infuse the conceptual stage, while translating this sensibility into garment concepts requires heightened attention to detail and execution. Students review and develop approaches to express and communicate design concepts, as well as their realization into fashion garments and collections. Throughout, garments and looks are fitted on models in both muslin and fabric.

Prerequisites

Student must complete sophomore seminar, FASH 3001, and FASH 3002 prior to enrollment.

Class Number

1389

Credits

6

Department

Fashion Design

Location

Sullivan Center 702, Sullivan Center 702

Description

This professional practice course that focuses on preparing for all things life after school. As scaffolding throughout the course we will explore the text, How to be an artist at night by Raqs media collective to explore a range of questions and themes in art practice at the intersection of contemporary life. What constitutes an education for the real world? How do we grow a community that supports and is in conversation with our work? What are the professional skills we need to sustain our practice outside the studio? How do we write about, talk about and present our work? What are the practices of self care we can cultivate to fuel our creativity?

Other readings will include teaching to transgress- Bell Hooks, The Artist's Guide: How to make a living doing what you love- Jackie Battenfield, The Social Production of Art- Janet Wolff. We will also watch and respond to short films. Course work will vary but will typically include writing an artist statement, bio and exhibition proposal.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1594

Credits

3

Department

Fiber and Material Studies

Area of Study

Public Space, Site, Landscape, Exhibition and Curatorial Studies, Social Media and the Web

Location

Lakeview - 206

Description

This professional practice seminar emphasizes sustainability (emotional, economic, and environmental) as key for living artists. Each student will develop a sustainable work flow for organizing opportunities, documenting expenses, and applying for exhibitions, grants and residencies. Emphasis will be placed on sustainable material sourcing, both for environmental concerns and our own economic needs. Discussions and readings will revolve around how to keep making art, even when life gets in the way. Students will learn practical skills that serve their work (tweaking artist statements for various opportunities, developing and maintaining a website, ongoing research ) along with stress-management techniques (organized work flow, time-management, knowing when to take a break and how to rest more effectively, peer-to-peer support, dealing with rejection). This course will address the myriad ways studio artists get paid outside the commercial gallery system via recorded interviews with living artists. Readings include 'Art and Fear' (David Bayles and Ted Orlando) and 'Artists Gotta Eat and Other Things We Forget to Remember' by Tempesst Hazel. Past Visiting Artists have included Selina Trepp, who uses and reuses the material in her studio, and Sadie Woods, who is an artist, curator and DJ. Similar Visiting Artists will be chosen in future semesters. Each student will create a personal opportunities database, create a submission for the opportunity of their choice, write an artist statement, bio and CV, build a portfolio website, give an artist talk and develop a sustainable plan for sourcing materials and managing stress.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1586

Credits

3

Department

Fiber and Material Studies

Area of Study

Public Space, Site, Landscape, Exhibition and Curatorial Studies, Social Media and the Web

Location

MacLean 501

Description

This Professional Practice course is designed for students with practical experience and understanding of the language and process of fiction, non-fiction, hybrid or experimental film production, and who would like to prepare themselves for professional survival and growth as emerging filmmakers outside of school. The topics covered at the class will include: producing project proposals for grants, fellowships and labs; learning about local, national and international film communities, networks and institutions; discussing festivals and other conventional or DIY distribution models; learning about programming and writing about film as career paths; and strategies for building film communities and production teams such as companies and collectives.
We will watch and discuss works by notable SAIC alumni such as Apichatpong Weerasethakul, and will have in-person and virtual visits and discussions with local and global filmmakers, programmers, distributors, centers and platforms. Selected successful recent film projects will be discussed as case studies; we will research the life of each project from ideation to fund-raising, production and distribution.
Students will practice professional development by working around one of their own past or in-progress film projects and producing a body of documents around it, including a proposal for a grant or a lab, an artist/director statement, visual treatment and mood-board, and a written festival and distribution plan.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

2194

Credits

3

Department

Film, Video, New Media, and Animation

Area of Study

Playwriting/Screenwriting, Animation

Location

MacLean 518

Description

This course teaches students how to use language creatively and practically in the development of animated media. As well as the role of art direction in the development of animation works. Students will develop skills in writing for the animated short, in relation to dialogue and visual description, treatments, and full scripts. The class will also cover in-depth art direction and pre-production. The goal of this class is to make students literate in the use of language and visuals in the creation of their work, as well as the utilization of these skills in professional animation studios. The class will also cover skills like pitching stories, writing project proposals and creating look books, decks etc.. Books will include; Writing for Animation, Comics, and Games by Christy Marx; Art Direction for Film and Video by Robert Olson Students will complete a series of assignments, based on their own ideas, and adapting existing texts, as well as each other¿s writing into visuals. The class will culminate in a final project proposal that will contain a script, synopsis, and visual art direction for an animated work.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1576

Credits

3

Department

Film, Video, New Media, and Animation

Area of Study

Illustration, Comics and Graphic Novels, Animation

Location

MacLean 717

Description

How does a performance artist create a sustainable career and create a sustainable community in the world after college? This course will provide the nuts and bolts of how to build a career as a performance artist. We will delve into the politics of curating and representing diverse practices. Students will create their own public performance festivals in public or in site-specific spaces learning the mechanisms of getting funding and writing proposals.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1592

Credits

3

Department

Performance

Location

280 Building Rm 012

Description

Junior Seminar helps students build essential professional skills for life after graduation, focusing on developing a sustainable practice based on their strengths and working style. This five-hour studio seminar offers flexible time for individual mentoring, guest speakers, field trips, extended critiques, and dedicated work time, fostering both professional growth and creative community. Through hands-on projects, students create websites, CVs, grant proposals, and artist statements while learning how to tailor these materials for different opportunities. As one of SAIC's four required Junior Seminars, this course provides structure and support within the school's open, interdisciplinary curriculum, helping students confidently navigate their future careers.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1582

Credits

3

Department

Photography

Area of Study

Digital Imaging

Location

280 Building Rm 207

Description

Students will develop professional practices including collaborative and independent work situations, via roles as commissioned artist, master printer, or artist-designer. Students will seek real-world clients to complete assignments, foster relationships with graphic designers, small presses, or their artist peers. Contemporary alternative print production and distribution models such as the integration of art, music and publishing prevalent in DIY scenes (1990s and 2000s), to emerging artist multiple/subscription programs and book/print fairs will be also be studied.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1583

Credits

3

Department

Printmedia

Area of Study

Collaboration, Comics and Graphic Novels, Books and Publishing, Community and Locality, Social Media and the Web

Location

280 Building Rm 203

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1589

Credits

3

Department

Painting and Drawing

Location

280 Building Rm 120

Description

This course investigates painting materials, application, color, form, and ideas through contemporary and traditional methodologies. Designed to accommodate many skill levels, students can explore various creative strategies through a skill-based curriculum as well as individual projects. This course serves as a requirement and preparation for topic-based Painting Studio Multi-Level B classes. This course also fulfills the 3900 Professional Practice course requirement. http://www.saic.edu/academics/departments/academicspine/professionalpracticeexperience/

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1584

Credits

3

Department

Painting and Drawing

Location

280 Building Rm 321

Description

In 'I Made a Thing', a Professional Practice Experience course offering, you will engage in a wide variety of activities designed to help prepare you for life after SAIC. Course activities may include creating a website, preparing a CV, attending networking events with alumni, and writing of a project statement. The course emphasizes hands-on, real-world professional activities and opportunities for emerging studio artists.

This course will be broken into six units, each of which addresses a particular concern about what to do with studio work once it has been made. Each unit will typically contain a reading assignment, a writing assignment, and a project assignment. This course would be best suited for artists who are considering a career centered around an individually driven studio practice. Units include: I Made a Thing and I think I want to make more: how to develop a practical, long-term studio practice. I Made a Thing and I think it failed: how to embrace inevitable challenges and let your work be your teacher. I Made a Thing and I think I want people to look at it: how to cultivate a supportive creative community both physically and virtually. I Made a Thing and I think I want to use it to apply to/for stuff: how to get your work 'out there.' I Made a Thing and I think I want people to talk about it: how to engage your work with dialogue and criticism. I Made a Thing and I think I want someone to buy it: how to create your own art market.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

2199

Credits

3

Department

Painting and Drawing

Location

280 Building Rm 120

Description

In this course, students will explore and create their own definitions of success, starting with their preconceived notions of what it means to be a successful artist. We will break down outdated expectations and myths and will rebuild unique, personal, and fulfilling plans for a creative life. Through writing, mentoring, and research students will explore career paths and what it means to live the flexible and nuanced life of an artist.

We will investigate a number of topics and tools that support a career in the arts, including: mind-mapping, goal-setting, creating professional materials (CV, statement, bio), applying to professional opportunities such as grants and residencies, studio visits, and working with galleries. Course material will include artists¿ personal accounts of leading a creative life and tools they use to make projects more rich.

This course involves numerous written assignments; students must be prepared to write and edit their work. Students will choose from a vast menu of short projects in order to tailor their experience in the class to their career goals. Final assignments will include 1) a clear personal vision of success; 2) steps for achieving short and long-term goals, and 3) refined professional materials suitable for application.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1573

Credits

3

Department

Undergraduate Studies

Location

Lakeview - 203

Description

In this course, students will explore and create their own definitions of success, starting with their preconceived notions of what it means to be a successful artist. We will break down outdated expectations and myths and will rebuild unique, personal, and fulfilling plans for a creative life. Through writing, mentoring, and research students will explore career paths and what it means to live the flexible and nuanced life of an artist.

We will investigate a number of topics and tools that support a career in the arts, including: mind-mapping, goal-setting, creating professional materials (CV, statement, bio), applying to professional opportunities such as grants and residencies, studio visits, and working with galleries. Course material will include artists¿ personal accounts of leading a creative life and tools they use to make projects more rich.

This course involves numerous written assignments; students must be prepared to write and edit their work. Students will choose from a vast menu of short projects in order to tailor their experience in the class to their career goals. Final assignments will include 1) a clear personal vision of success; 2) steps for achieving short and long-term goals, and 3) refined professional materials suitable for application.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1574

Credits

3

Department

Undergraduate Studies

Location

Lakeview - 206

Description

In this course, students will explore and create their own definitions of success, starting with their preconceived notions of what it means to be a successful artist. We will break down outdated expectations and myths and will rebuild unique, personal, and fulfilling plans for a creative life. Through writing, mentoring, and research students will explore career paths and what it means to live the flexible and nuanced life of an artist.

We will investigate a number of topics and tools that support a career in the arts, including: mind-mapping, goal-setting, creating professional materials (CV, statement, bio), applying to professional opportunities such as grants and residencies, studio visits, and working with galleries. Course material will include artists¿ personal accounts of leading a creative life and tools they use to make projects more rich.

This course involves numerous written assignments; students must be prepared to write and edit their work. Students will choose from a vast menu of short projects in order to tailor their experience in the class to their career goals. Final assignments will include 1) a clear personal vision of success; 2) steps for achieving short and long-term goals, and 3) refined professional materials suitable for application.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1588

Credits

3

Department

Undergraduate Studies

Location

Online

Description

In this course, students will explore and create their own definitions of success, starting with their preconceived notions of what it means to be a successful artist. We will break down outdated expectations and myths and will rebuild unique, personal, and fulfilling plans for a creative life. Through writing, mentoring, and research students will explore career paths and what it means to live the flexible and nuanced life of an artist.

We will investigate a number of topics and tools that support a career in the arts, including: mind-mapping, goal-setting, creating professional materials (CV, statement, bio), applying to professional opportunities such as grants and residencies, studio visits, and working with galleries. Course material will include artists¿ personal accounts of leading a creative life and tools they use to make projects more rich.

This course involves numerous written assignments; students must be prepared to write and edit their work. Students will choose from a vast menu of short projects in order to tailor their experience in the class to their career goals. Final assignments will include 1) a clear personal vision of success; 2) steps for achieving short and long-term goals, and 3) refined professional materials suitable for application.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

2496

Credits

3

Department

Undergraduate Studies

Location

MacLean 620

Description

In this course, students will explore and create their own definitions of success, starting with their preconceived notions of what it means to be a successful artist. We will break down outdated expectations and myths and will rebuild unique, personal, and fulfilling plans for a creative life. Through writing, mentoring, and research students will explore career paths and what it means to live the flexible and nuanced life of an artist.

We will investigate a number of topics and tools that support a career in the arts, including: mind-mapping, goal-setting, creating professional materials (CV, statement, bio), applying to professional opportunities such as grants and residencies, studio visits, and working with galleries. Course material will include artists¿ personal accounts of leading a creative life and tools they use to make projects more rich.

This course involves numerous written assignments; students must be prepared to write and edit their work. Students will choose from a vast menu of short projects in order to tailor their experience in the class to their career goals. Final assignments will include 1) a clear personal vision of success; 2) steps for achieving short and long-term goals, and 3) refined professional materials suitable for application.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

2497

Credits

3

Department

Undergraduate Studies

Location

MacLean 617

Description

This course is a a workshop introducing studio art students to various kinds of writing they can do to prepare them for professional opportunities. We will focus on connecting students to their own projects through writing and then we will discuss how that writing can be used to serve more practical ends. Instead of starting with practical requirements such as artist statments and grant applications, we will first work to build students? personal vocabularies and ways of talking about their practices. Emphasis will be on experimentation and building comfort with language.

Readings will be a combination of various forms artists' writings (diaries, interviews, sketchbooks, etc) and various formats (artist statments, grant applications, professional situations) where artists are expected to present their work in language. We will use Social Medium: Artists Writing 2000-2015 as a sourcebook for examples of writing by contemporary artists and students will also be asked to collect their own sources of inspiration from fields appropriate to their work.

Coursework focuses on weekly prompts, which will be workshopped and revised. Final projects will relate to students' own goals for presenting their studio work, including websites, grant applications, and artist statements.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

2171

Credits

3

Department

Visual and Critical Studies

Area of Study

Digital Communication, Books and Publishing, Social Media and the Web

Location

MacLean 301

Description

This course includes guidance on the preparation and design of a resume and business card; the planning, development and design of an online portfolio; interview strategies and techniques; professional connections with practicing designers; and resources and advice for locating and contacting various types of design employers. This course is ideal for visual communication students preparing for internships or seniors preparing for entrance into the design profession. This course may be repeated.

Prerequisites

Prerequisite: VISCOM 3001 and 3011 and a sophomore seminar course

Class Number

1856

Credits

3

Department

Visual Communication Design

Area of Study

Graphic Design

Location

Sharp 1108

Description

This course includes guidance on the preparation and design of a resume and business card; the planning, development and design of an online portfolio; interview strategies and techniques; professional connections with practicing designers; and resources and advice for locating and contacting various types of design employers. This course is ideal for visual communication students preparing for internships or seniors preparing for entrance into the design profession. This course may be repeated.

Prerequisites

Prerequisite: VISCOM 3001 and 3011 and a sophomore seminar course

Class Number

1857

Credits

3

Department

Visual Communication Design

Area of Study

Graphic Design

Location

Sharp 1115

Description

This class will have as its focus the development of support materials and methods for professional practice relating to the work of writers and artists who engage in interdisciplinary projects with writing as a central element. This section is open to both BFAW Program students as well as non-BFAW students who are interested in developing professional practices strategies from that perspective.

Across the semester, you will work to generate and fine-tune professional practice support materials such as artist statements and artist resumes, tap into SAIC's CAPX and research other current online resources for funding, publication and exhibition opportunities, and align and present your body of work in order to further define and articulate central lines of concept and inquiry. Additionally, we'll discuss assigned relevant readings and meet and speak with a local writer/artist concerning their own body of work and professional practice.

Course work results in creating professional practice materials supporting a digital portfolio of your work and collaboratively participating in an exhibition and literary reading event.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

1591

Credits

3

Department

Writing

Area of Study

Books and Publishing

Location

Lakeview - 808

Description

This course focuses on the intersecting ways artists engage people individually and collectively through the arts, including activism, education, therapy and social practice. Students will partner with galleries and organizations to realize a collectively developed project. Throughout the course close attention will be given to critical practices and methods, the ethics or working with community participants, self-reflexivity, the nature of professionalism within arts contexts, and the goals and impacts of art made with a participating public.

Prerequisites

Prerequisite: Sophomore seminar course

Class Number

2230

Credits

3

Department

Art Therapy

Area of Study

Community & Social Engagement

Location

Sharp 402

Contact Us

For all questions about the undergraduate Academic Spine curriculum, please email saic-academicspine@saic.edu.