A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
SAIC faculty member Anahita Ghazvinizadeh.

Anahita Ghazvinizadeh

Assistant Professor

Contact

Bio

Education: BFA, 2011, Tehran University of Art; MFA, 2013, School of the Art Institute of Chicago. Exhibitions/Screenings: Cannes Film Festival; Locarno Film Festival; Torino Film Festival; BFI Flare, London; Busan International Film Festival; Berlin Feminist Film Week; Chicago International Film Festival; Melbourne International Film Festival; Anthology Film Archive, New York; Museum of Contemporary Arts, Busan. Publications: SAAN, Iranian Literary Quarterly; MAJALEH FILM, Iranian Film Review Monthly. Awards: Cinéfondation First Prize, Cannes Film Festival; Silver Hugo, Chicago International Film Festival; Filmmaker Magazine’s 25 New Faces of Independent Film; Doha Film Institute Grant; Cinereach Fellowship; IWC Filmmaker Award, Honorable Mention, Tribeca Film Institute.

Courses

Title Department Catalog Term

Description

Please see topic description for more information.

Class Number

2098

Credits

3

Description

Intermediate Screenwriting expands upon the skills learned in Beginning Screenwriting while preparing certain students for the longer-form writing required in Advanced Screenwriting. The purpose of the course is to allow students to develop mid-length stand-alone screenplays, adaptations from short stories or pilots for television series, while paying special attention to the vital role that drafting plays in the development of a successful script.

Since Intermediate Screenwriting is first and foremost a writing class, there will be no formal reading or viewing assignments. However, throughout the semester, the professor will suggest books and articles to read and films to watch, that should help further and develop the various ideas that students are wrestling with in their scripts. For example, a work such as Kieslowski's ''The Decalogue'' will be suggested for students looking to embrace a thematic approach to a series of short films.

Students have the option of completing two drafts of a 60-page script or three drafts of a 30-45 page script. Completion of these drafts are required to pass the class

Class Number

1445

Credits

3

Description

This course is designed to acquaint first year, first semester Film, Video, New Media, and Animation (FVNMA) graduate students with the technical and conceptual aspects of the FVNMA department and to prepare students for their first formal critique. Students get authorized on FVNMA equipment and facilities.

Some examples drawn from contemporary art and current theoretical materials will be considered for discussion.

Students will have to write a project proposal and present work in progress in preparation for critique week. A group project at the beginning of the semester will introduce students to the available equipment and facilities.

Class Number

2068

Credits

3

Description

Taken every semester, the Graduate Projects courses allow students to focus in private sessions on the development of their work. Students register for 6 hours of Graduate Project credit in each semester of study.

Class Number

2168

Credits

3