ARTHI: Senior Thesis II |
4901 (001) |
David Raskin |
Thurs
8:30 AM - 11:15 AM
In Person
|
Description
This class is the second component of a two-semester class that equips senior students earning a BAAH or a BFA with Art History Thesis with the skills to develop an advanced art historical research project, in this case: the senior thesis. It provides writers working on independent research projects with structure, guidance, constructive criticism, and a supportive peer community for discussion of their work in progress. Writers meet regularly with the instructor and their classmates to develop their ideas, address problems, and steer their projects to completion. The course combines individual mentoring of students as they engage in the sustained research and writing of a capstone project, with exposing students to a range of art historical professions and coaching students to prepare for careers in art history. The focus of this development from students to professionals, is both on the ethics of professional conduct in the field of art history as well as the content of various art historical careers. To this end, students will research, prepare, and submit one career-related written proposal, such as graduate school application, residency application, conference presentation proposal, publication submission or other.
Prerequisites
ARTHI 4899 & professional practice course
|
Class Number
1069
|
Credits
3
|
Department
Art History, Theory, and Criticism
Location
MacLean 620
|
Capstone: Radical Acts of Preservation |
4902 (001) |
Hong Yeol In |
Fri
9:00 AM - 3:00 PM
In Person
|
Description
Acts of preservation are ancient and practiced broadly across cultures, from fermenting food, to telling and retelling stories, to fabricating and repairing clothing and shelter. In art and design, radical acts of preservation not only maintain part of the past, but imagine and enact new connections between past, present, and future. This Capstone studio will explore a range of contemporary radical preservation acts including critical architectural preservation and art conservation projects; institutional critiques of libraries, museums, and archives; and preservation of multiple, intersectional, and even contradictory pasts in any medium. Course work will include readings, in-class discussions, and critiques. Students will work individually throughout the course to research precedents of radical preservation acts, identify a subject of interest for preservation, and enact a preservation strategy for it in any art or design medium of their choice.
Prerequisites
Prerequisite: Professional practice course
|
Class Number
1028
|
Credits
3
|
Department
Architecture, Interior Architecture, and Designed Objects
Location
Sullivan Center 1406B
|
ARTED: Apprentice Teaching |
4903 (001) |
Ali Blake |
Tues
5:00 PM - 8:00 PM
In Person
|
Description
The Apprentice Teaching course continues learning experiences begun during practicum placements in the fall semester. This course provides licensure candidates with experience investigating significant, contemporary concepts and themes within a contemporary art and design context in elementary and secondary Chicago-area schools. Apprentice teachers will complete a 7-week elementary/middle school placement and a 7-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Apprentice Teachers will be challenged to maintain high ideals of creative, critical, and relevant curriculum as they engage the complex realities of public school teaching.
Students will read a selection of texts that ground curricular theory within teaching practice. This will assist them in learning how to translate their curriculum development knowledge into pedagogy.
Apprentice teachers will plan, teach, assess their students¿ work, and evaluate the effectiveness of their lessons and teaching strategies. Apprentice Teachers will teach a culminating curriculum project, video-record their instruction of this project, and submit these videos along with written analysis to the nationally standardized, Illinois State Board of Education-mandated edTPA assessment.
Prerequisites
Prerequisite: ARTED 4390 and completion of the Transition Points as listed in the BFAAE Program Guide
|
Class Number
1869
|
Credits
12
|
Department
Art Education
Area of Study
Community & Social Engagement, Teaching, Art/Design and Politics
Location
Sharp 402
|
ARTED: Apprentice Teaching |
4903 (002) |
Niema Qureshi |
Tues
5:00 PM - 8:00 PM
In Person
|
Description
The Apprentice Teaching course continues learning experiences begun during practicum placements in the fall semester. This course provides licensure candidates with experience investigating significant, contemporary concepts and themes within a contemporary art and design context in elementary and secondary Chicago-area schools. Apprentice teachers will complete a 7-week elementary/middle school placement and a 7-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Apprentice Teachers will be challenged to maintain high ideals of creative, critical, and relevant curriculum as they engage the complex realities of public school teaching.
Students will read a selection of texts that ground curricular theory within teaching practice. This will assist them in learning how to translate their curriculum development knowledge into pedagogy.
Apprentice teachers will plan, teach, assess their students¿ work, and evaluate the effectiveness of their lessons and teaching strategies. Apprentice Teachers will teach a culminating curriculum project, video-record their instruction of this project, and submit these videos along with written analysis to the nationally standardized, Illinois State Board of Education-mandated edTPA assessment.
Prerequisites
Prerequisite: ARTED 4390 and completion of the Transition Points as listed in the BFAAE Program Guide
|
Class Number
1870
|
Credits
12
|
Department
Art Education
Area of Study
Community & Social Engagement, Teaching, Art/Design and Politics
Location
Sharp 409
|
ARTED: Apprentice Teaching |
4903 (003) |
Juarez Hawkins |
Tues
5:00 PM - 8:00 PM
In Person
|
Description
The Apprentice Teaching course continues learning experiences begun during practicum placements in the fall semester. This course provides licensure candidates with experience investigating significant, contemporary concepts and themes within a contemporary art and design context in elementary and secondary Chicago-area schools. Apprentice teachers will complete a 7-week elementary/middle school placement and a 7-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Apprentice Teachers will be challenged to maintain high ideals of creative, critical, and relevant curriculum as they engage the complex realities of public school teaching.
Students will read a selection of texts that ground curricular theory within teaching practice. This will assist them in learning how to translate their curriculum development knowledge into pedagogy.
Apprentice teachers will plan, teach, assess their students¿ work, and evaluate the effectiveness of their lessons and teaching strategies. Apprentice Teachers will teach a culminating curriculum project, video-record their instruction of this project, and submit these videos along with written analysis to the nationally standardized, Illinois State Board of Education-mandated edTPA assessment.
Prerequisites
Prerequisite: ARTED 4390 and completion of the Transition Points as listed in the BFAAE Program Guide
|
Class Number
1871
|
Credits
12
|
Department
Art Education
Area of Study
Community & Social Engagement, Teaching, Art/Design and Politics
Location
Sharp 706
|
ARTED: Apprentice Teaching |
4903 (004) |
Andres Luis Hernandez |
Tues
5:00 PM - 8:00 PM
In Person
|
Description
The Apprentice Teaching course continues learning experiences begun during practicum placements in the fall semester. This course provides licensure candidates with experience investigating significant, contemporary concepts and themes within a contemporary art and design context in elementary and secondary Chicago-area schools. Apprentice teachers will complete a 7-week elementary/middle school placement and a 7-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Apprentice Teachers will be challenged to maintain high ideals of creative, critical, and relevant curriculum as they engage the complex realities of public school teaching.
Students will read a selection of texts that ground curricular theory within teaching practice. This will assist them in learning how to translate their curriculum development knowledge into pedagogy.
Apprentice teachers will plan, teach, assess their students¿ work, and evaluate the effectiveness of their lessons and teaching strategies. Apprentice Teachers will teach a culminating curriculum project, video-record their instruction of this project, and submit these videos along with written analysis to the nationally standardized, Illinois State Board of Education-mandated edTPA assessment.
Prerequisites
Prerequisite: ARTED 4390 and completion of the Transition Points as listed in the BFAAE Program Guide
|
Class Number
1873
|
Credits
12
|
Department
Art Education
Area of Study
Community & Social Engagement, Teaching, Art/Design and Politics
Location
Sharp 403
|
ARTED: Apprentice Teaching |
4903 (005) |
Margaret Koreman |
Tues
5:00 PM - 8:00 PM
In Person
|
Description
The Apprentice Teaching course continues learning experiences begun during practicum placements in the fall semester. This course provides licensure candidates with experience investigating significant, contemporary concepts and themes within a contemporary art and design context in elementary and secondary Chicago-area schools. Apprentice teachers will complete a 7-week elementary/middle school placement and a 7-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Apprentice Teachers will be challenged to maintain high ideals of creative, critical, and relevant curriculum as they engage the complex realities of public school teaching.
Students will read a selection of texts that ground curricular theory within teaching practice. This will assist them in learning how to translate their curriculum development knowledge into pedagogy.
Apprentice teachers will plan, teach, assess their students¿ work, and evaluate the effectiveness of their lessons and teaching strategies. Apprentice Teachers will teach a culminating curriculum project, video-record their instruction of this project, and submit these videos along with written analysis to the nationally standardized, Illinois State Board of Education-mandated edTPA assessment.
Prerequisites
Prerequisite: ARTED 4390 and completion of the Transition Points as listed in the BFAAE Program Guide
|
Class Number
1874
|
Credits
12
|
Department
Art Education
Area of Study
Community & Social Engagement, Teaching, Art/Design and Politics
Location
Lakeview - 1004
|
ARTED: Apprentice Teaching |
4903 (006) |
Alana Ferguson |
Tues
5:00 PM - 8:00 PM
In Person
|
Description
The Apprentice Teaching course continues learning experiences begun during practicum placements in the fall semester. This course provides licensure candidates with experience investigating significant, contemporary concepts and themes within a contemporary art and design context in elementary and secondary Chicago-area schools. Apprentice teachers will complete a 7-week elementary/middle school placement and a 7-week high school placement as well as attend a weekly apprentice teaching seminar at SAIC. Apprentice Teachers will be challenged to maintain high ideals of creative, critical, and relevant curriculum as they engage the complex realities of public school teaching.
Students will read a selection of texts that ground curricular theory within teaching practice. This will assist them in learning how to translate their curriculum development knowledge into pedagogy.
Apprentice teachers will plan, teach, assess their students¿ work, and evaluate the effectiveness of their lessons and teaching strategies. Apprentice Teachers will teach a culminating curriculum project, video-record their instruction of this project, and submit these videos along with written analysis to the nationally standardized, Illinois State Board of Education-mandated edTPA assessment.
Prerequisites
Prerequisite: ARTED 4390 and completion of the Transition Points as listed in the BFAAE Program Guide
|
Class Number
2104
|
Credits
12
|
Department
Art Education
Area of Study
Community & Social Engagement, Teaching, Art/Design and Politics
Location
Lakeview - 1428
|
CER: Ceramics Senior Critique Studio |
4905 (001) |
Pei-Hsuan Wang |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
This course is a forum for in-depth critiques, technical, conceptual, and professional practice discussions based on the student¿s practice and research. The goal of this class is to provide students information and guidance on how they can continue with their art practice after school. Each student enrolled in the course will be assigned a studio space within the department. The course is open to Seniors only who have previously taken 9 credit hours of Ceramics classes, 2000-level and above. Students signing up for this class must also be enrolled in any 3 credit hour Ceramics class, 2000-level and above. Seniors may enroll in this course for two consecutive semesters only. Some of the books we will use as a reference for this class may be Living and Sustaining a Creative Life: Essays by 40 by Sharon Louden and ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career. Additionally, students will present to the class about an artist/thinker and/or participate in a skill sharing workshop. The format for this course is primary individual and group meetings, readings, presentations, field trips, exhibitions, and group critiques. Additionally, we will have a discussion with guest artists speaking about their work and the technicalities of how to continue with their art practice. Students will learn how to document, install, and promote their work. It is expected of the students to self-direct their own project culminating with a final exhibition project as part of their BFA or Gallery 1922. This course requires instructor consent. Fill out the form found at this link, https://tinyurl.com/35b26s78, to submit your portfolio and list of ceramics classes taken in the ceramics department.
Prerequisites
Prerequisite: Professional practice course
|
Class Number
1152
|
Credits
3
|
Department
Ceramics
Location
280 Building Rm 109
|
FASH: Advanced Fashion Studio 2 |
4906 (001) |
Edgar X. Aguilera, Pamela Vanderlinde |
Tues/Thurs, Tues/Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM
In Person
|
Description
Advanced Fashion Studio 2 This two-day (6 credit hour) course aims to help students achieve a high level of professionalism through the design and development of collections that both emphasize and generate a personal style and a fashion direction. Building on the fall semester, students will plan and execute an editorial photoshoot of one look concurrent to the completion of a collection of garments to be shown during the spring fashion runway show. Pre-req FASH 4001.
Prerequisites
Student must complete PROFPRAC 3916 & FASH 4001 prior to enrollment
|
Class Number
1386
|
Credits
6
|
Department
Fashion Design
Location
Sullivan Center 705, Sullivan Center 706
|
FASH: Advanced Fashion Studio 2 |
4906 (001) |
Edgar X. Aguilera, Pamela Vanderlinde |
Tues/Thurs, Tues/Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM
In Person
|
Description
Advanced Fashion Studio 2 This two-day (6 credit hour) course aims to help students achieve a high level of professionalism through the design and development of collections that both emphasize and generate a personal style and a fashion direction. Building on the fall semester, students will plan and execute an editorial photoshoot of one look concurrent to the completion of a collection of garments to be shown during the spring fashion runway show. Pre-req FASH 4001.
Prerequisites
Student must complete PROFPRAC 3916 & FASH 4001 prior to enrollment
|
Class Number
1386
|
Credits
6
|
Department
Fashion Design
Location
Sullivan Center 705, Sullivan Center 706
|
FIBER: Adv Fiber & Mat Studies Studio |
4908 (001) |
Christian Ortiz, Melissa Leandro |
Tues/Thurs
9:00 AM - 3:00 PM
In Person
|
Description
This course provides an interdisciplinary forum for in-depth critiques and exploration of students' individual directions within the context of contemporary art. This is a team-taught class and will utilize both instructors for critiques and group activities. Emphasis is on individual studio practice and the development of a more cohesive body of work within a faculty mentorship and peer-to-peer learning structure. Technical and conceptual input will be provided on a tutorial basis. Group discussions, readings, field trips to current exhibitions, and visiting lecturers augment this class. Professional practices will focus on the creation and display of discrete objects and/or installation work for the BFA Exhibition, supported by developing or refining a professional resume and an artist statement. Documentation of individual work for inclusion on the Fiber & Material Studies web page is also required. The print, dye, sewing, and mixed media facilities of the department are available to enrolled students to use. This class is for a minimum of 6 credit hours and is held weekly over a two-day period on Tuesdays and Thursdays. Open to Juniors and Seniors with instructor permission and signature.
Course work varies but typically includes the production of major studio projects for critique, student presentations, professional development assignments, documentation of work, and the installation of work in the class display case and an open studio event.
Prerequisites
Prerequisite: Professional practice course
|
Class Number
1410
|
Credits
6
|
Department
Fiber and Material Studies
Location
Sharp 1001
|
FIBER: Adv Fiber & Mat Studies Studio |
4908 (001) |
Christian Ortiz, Melissa Leandro |
Tues/Thurs
9:00 AM - 3:00 PM
In Person
|
Description
This course provides an interdisciplinary forum for in-depth critiques and exploration of students' individual directions within the context of contemporary art. This is a team-taught class and will utilize both instructors for critiques and group activities. Emphasis is on individual studio practice and the development of a more cohesive body of work within a faculty mentorship and peer-to-peer learning structure. Technical and conceptual input will be provided on a tutorial basis. Group discussions, readings, field trips to current exhibitions, and visiting lecturers augment this class. Professional practices will focus on the creation and display of discrete objects and/or installation work for the BFA Exhibition, supported by developing or refining a professional resume and an artist statement. Documentation of individual work for inclusion on the Fiber & Material Studies web page is also required. The print, dye, sewing, and mixed media facilities of the department are available to enrolled students to use. This class is for a minimum of 6 credit hours and is held weekly over a two-day period on Tuesdays and Thursdays. Open to Juniors and Seniors with instructor permission and signature.
Course work varies but typically includes the production of major studio projects for critique, student presentations, professional development assignments, documentation of work, and the installation of work in the class display case and an open studio event.
Prerequisites
Prerequisite: Professional practice course
|
Class Number
1410
|
Credits
6
|
Department
Fiber and Material Studies
Location
Sharp 1001
|
FVNM: Senior Film/Video Projects |
4910 (001) |
Melika Bass |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
This senior Capstone course is designed for students who made a serious commitment to film and video as a major part of their art practice and who wish to focus on the completion of a moving image project for public presentation. Students will be asked to document their practice and develop a realistic plan for the exhibition of their work. The structure of the class consists of periodic workshops, regular critiques of student works as well as individual meetings. Additionally, students will be exposed to diverse examples of contemporary moving image works and will participate in discussions of relevant critical topics. Students should be both self-directed and interested in developing a support system for producing each other's work.
Prerequisites
Prerequisite: Professional practice course
|
Class Number
1458
|
Credits
3
|
Department
Film, Video, New Media, and Animation
Location
MacLean 518
|
PERF: Performing Acts of Kindness |
4912 (001) |
|
Mon
9:00 AM - 3:00 PM
In Person
|
Description
How do we perform acts of kindness for our communities and ourselves? What does and can, kindness and care look like as an act and actions of expanded performance. How do we create and cultivate practices of everyday life that shift and transform? What inspires a stranger to be kind to another? What motivates someone to step out of their bubble and go out of their way to help a person they don¿t know? This Capstone class will create unconventional collaborations inside and outside of SAIC, considering careful and caring ways to work with each other and other members of our community in the city of Chicago. People we will look at in this course include William Kentridge, Doris Salcedo, Carrie Mae Weems. Michael Landy, Christine Sun Kim, Tania Bruguera, Catherine Sullivan. Podcasts On Being, Hidden Brain, and writings of Katherine May, Sharon Brous, Lisa Samuels and Early AIDS Epidemic Nurses Ellen Matzer and Valery Hughes. We will also work with AIDS Foundation Chicago and Howard Brown Health Centre. Coursework will include: 1. Present a proposal with your CAPSTONE intentions that considers models of kindness and actions of self and others in the community 2. Complete a focused body of work that is presented at Howard Brown Health Centre or AIDS Foundation Chicago 3. Develop exit strategies for how to sustain a practice outside of the institute through public community engagements.
Prerequisites
Prerequisite: Professional practice course
|
Class Number
1163
|
Credits
3
|
Department
Performance
Area of Study
Class, Race, Ethnicity, Community & Social Engagement, Gender and Sexuality
Location
MacLean 2M
|
PHOTO: Senior Studio Seminar |
4913 (001) |
Jonas Becker |
Wed
9:00 AM - 3:00 PM
In Person
|
Description
This interdisciplinary capstone, with an emphasis on contemporary photography and visual culture, is structured as an intensive critique and mentoring class focused on the development and presentation of culminating work at the end of the BFA and the continued progression of studio work beyond the BFA exhibition. The course supports the production of self-initiated work, a successful BFA show and a road map for a sustainable art practice after graduation. Preparations for the BFA exhibition include workshopping project proposals, budgets, production schedules, the development of new work and an array of possible final presentation forms.
Readings, screenings and discussions will examine useful models of participation in cultural production and a critical framework for analyzing a range of platforms to share work online, in print and exhibition. Studio visits will provide insight into the day-to-day life of artists at various stages in their career ranging from current SAIC grad students to working professionals.
Online and printed portfolios utilizing an ever-evolving archive of work will be refined along with professional supporting materials such as statements, CVs and artist talks necessary for a professional practice beyond graduation.
Prerequisites
Prerequisite: Professional practice course
|
Class Number
1151
|
Credits
3
|
Department
Photography
Area of Study
Books and Publishing, Social Media and the Web
Location
280 Building Rm 215
|
PRINT: Advanced Printmaking |
4914 (001) |
Oli Watt, Ayanah Moor |
Thurs, Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM
In Person
|
Description
This course facilitates students who have progressed beyond the advanced 3000 level classes offered by the Department of Printmedia. Students are expected to be self-motivated and capable of working in an interdisciplinary and mature fashion. This course requires instructor consent. Please do not email the instructor directly. Instead, fill out the form found at this link, https://tinyurl.com/3mhcmx54, to submit your portfolio and list of Printmedia classes taken in the Printmedia department.
|
Class Number
1155
|
Credits
3
|
Department
Printmedia
Location
280 Building Rm 221, 280 Building Rm 222, 280 Building Rm 223
|
PRINT: Advanced Printmaking |
4914 (001) |
Oli Watt, Ayanah Moor |
Thurs, Thurs, Thurs
9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM, 9:00 AM - 3:00 PM
In Person
|
Description
This course facilitates students who have progressed beyond the advanced 3000 level classes offered by the Department of Printmedia. Students are expected to be self-motivated and capable of working in an interdisciplinary and mature fashion. This course requires instructor consent. Please do not email the instructor directly. Instead, fill out the form found at this link, https://tinyurl.com/3mhcmx54, to submit your portfolio and list of Printmedia classes taken in the Printmedia department.
|
Class Number
1155
|
Credits
3
|
Department
Printmedia
Location
280 Building Rm 221, 280 Building Rm 222, 280 Building Rm 223
|
PRINT: Studio Practice: Printmedia |
4915 (001) |
|
Tues
9:00 AM - 3:00 PM
In Person
|
Description
Designed for advanced-level Printmedia students, this course centers the studio as a site for physical and conceptual production. A combination of independent work time, individual meetings, group critiques and assigned prompts form the bulk of course programming. Students are expected to set personal goals informed by dialogue with course faculty and studio peers. Attention will be paid to independent practices and/or professional strategies beyond school. The course supports student production of a focused body of creative work. Students accepted into this section will be given an undergraduate studio in the 280 Building. Please note that during class time, students in this section don't have access to any print facilities other than their studio space.
Participation in group discussions and active engagement in class critiques is essential. Students are required to contribute to critical discussions around their own work as well as to discussions relating the work of their peers. The assignments intend to develop critical thinking skills related to individual ongoing projects. They also intend to aid in the developing the ability to articulate ones' artistic motivations, be self-critical, and take risks in creating new work. The final critique will take into account these factors.
This course requires instructor consent. Please do not email the instructor directly. Instead, fill out the form found at this link, https://tinyurl.com/mr7krnmz, to submit your portfolio and application before the deadline.
Prerequisites
Prerequisite: Professional practice course
|
Class Number
2140
|
Credits
3
|
Department
Printmedia
Area of Study
Books and Publishing
Location
280 Building Rm 203
|
PTDW: Comics: Publish or Perish |
4916 (001) |
Marnie Galloway |
Thurs
9:00 AM - 3:00 PM
In Person
|
Description
With an emphasis on production, this comics course focuses on developing and critiquing a culminating body of work that will be created from idea to completed printed publication. Students' work will be formatted, discussed, and placed in the context of their post-SAIC life and careers. This may include a variety of methods such as ashcans, pitches, conventions, tabling, anthologies, minicomics, and/or long form narratives. Experience in comics or illustration is highly recommended.
Readings will supplement this course and provide context and expectations for producing high caliber work paralleled with managing a studio practice and your health. Selections will vary but typically include Growing Gills by Jessica Abel, Draw Stronger by Kriota Wilberg, Asterios Polyp by David Mazzuchelli, and How to Not Always Be Working by Marlee Grace
Students will spend the semester creating a culminating body of work for publication as well as documenting their process throughout development and evolution.
Prerequisites
Prerequisite: Professional practice course
|
Class Number
1153
|
Credits
3
|
Department
Painting and Drawing
Area of Study
Illustration, Comics and Graphic Novels, Books and Publishing
Location
280 Building Rm 306
|