Kjell Theøry (2017) is an augmented reality performance by the provisional collective Anatomical Theatres of Mixed Reality (ATOM-r) juxtaposing Alan Turing’s mathematical descriptions of nature with algorithmic mutations of Guillaume Apollinaire’s 1917 play The Breasts of Tiresias, a genderfluid spectacle for which the author invented the word “surrealism.”
Artist, educator and newly endowed professor Nick Cave reflects on his career and current exhibition exploring race and racism in America.
Students use augmented reality to build virtual installations, prompting conversations with art of the past.
Each year the graduate students work together with artists to create a meaningful final thesis exhibition.
Norman Teague (MFA 2016) was the 2016 recipient of the Claire Rosen and Samuel Edes Foundation Prize for Emerging Artists, a one-year, $30,000 award to a recent alum of SAIC. Since 2010, this highly competitive award has recognized the creative potential of artists who began their career at SAIC and is meant to provide the means to substantially advance their practice.
Gail Hodges’ passion for fiber arts is rooted in family and home. As a child, she watched her mother, grandmother, and aunt sew all of the clothes for their families and make quilts, working with beautiful fabrics they collected.
Since graduating from SAIC, artist, activist, and fashion designer Sky Cubacub (BFA 2015) has funded a Kickstarter campaign for Rebirth Garments. Cubacub’s bold designs create a space for gender nonconforming garments for people on the full spectrum of gender, size, and ability. We caught up with them to find out what they are reading, listening to, watching, thinking about, and doing in the midst of their creative whirlwind.
Q&A with distinguished lecturer, visiting artist, and alum Sonya Clark, who is an acclaimed textile artist and Chair of the Craft and Material Studies Department at Virginia Commonwealth University School of the Arts.
