A picture of geometric sculptures on display in a gallery setting

Undergraduate Overview

Undergraduate Overview

Fall 2026 Application Deadline: March 1

SAIC’s undergraduate sculpture curriculum is designed to offer a rigorous mix of conceptual, spatial, material, and process-based challenges through which students learn to understand, negotiate, and contribute to the changing cultural landscape. Students explore and incorporate a wide range of emerging technologies and traditional skills in their practice, including:

  • Woodworking
  • Mold-Making and Casting
  • Foundry
  • Glass Casting
  • Welding and Blacksmithing
  • Installation Art
  • Socially Engaged Art
  • Experimental Media 
  • Sustainable Practices

BFA students interested in Sculpture are encouraged to combine their sculptural work with departments across the school including fiber, ceramics, designed objects, fashion, and more. Introductory sculpture courses are recommended for all entering students, as they provide an introduction to the field, its methodologies and current ideas. Students who choose to concentrate their undergraduate in Sculpture will move from introductory, to intermediate and then advanced studio courses. We also offer a number of undergraduate seminars in Sculpture from Sophomore Seminar to Professional Practices and finally our Senior Capstone. The department also offers a unique opportunity for accomplished and committed undergraduate students in our Advanced Sculptural Practices Studio. This application-based course offers studio space in which to work and learn in close consultation with two faculty instructors and in a small community of dedicated peers.

Sculpture BFA Learning Goals

  • Students will create sculptural works that demonstrate a broad-based awareness of the field. 
  • Students will learn to experiment in order to gain knowledge and acquire technical proficiency. 
  • Students will engage material and process towards an outcome.
  • Students will develop an appreciation of the complexity of sculptural meaning. 
  • Students will formulate, present and defend their ideas towards an independent criticality.

Undergraduate Admissions Requirements & Curriculum Overview

  • To apply to the School of the Art Institute of Chicago (SAIC), you will need to fill out an application and submit your transcripts, artist's statement, and letters of recommendation. And most importantly, we require a portfolio of your best and most recent work—work that will give us a sense of you, your interests, and your willingness to explore, experiment, and think beyond technical art, design, and writing skills.

    In order to apply, please submit the following items:  

    Bachelor of Fine Arts in Studio Portfolio

    Submit 10–15 pieces of your best and most recent work. We will review your portfolio and application materials for merit scholarship once you have been admitted to SAIC.

    When compiling a portfolio, you may concentrate your work in a single discipline or show work in a breadth of media. The portfolio may include drawings, prints, photographs, paintings, film, video, audio recordings, sculpture, ceramics, fashion designs, graphic design, furniture, objects, architectural designs, websites, video games, sketchbooks, scripts, storyboards, screenplays, zines, or any combination of the above.

    Learn more about applying to SAIC's Bachelor of Fine Arts in Studio, or view our portfolio preparation guide for more information.

  • Studio69
    • CP 1010 Core Studio Practice I (3)
    • CP 1011 Core Studio Practice II (3)
    • CP 1020 Research Studio I (3)
    • CP 1022 Research Studio II (3)
    • SOPHSEM 2900 (3)
    • PROFPRAC 39XX (3)
    • CAPSTONE 49XX (3)
    • Studio Electives (48)
     
    Art History15
    • ARTHI 1001 World Cultures/Civilizations: Pre-History—19th Century Art and Architecture (3)
    • Additional Art History Course at 1000-level (e.g., ARTHI 1002) (3)
    • Art History Electives at 2000-, 3000-, or 4000-level (9)
     
    Liberal Arts30
    • ENGLISH 1001 First Year Seminar I (3)
    • ENGLISH 1005 First Year Seminar II (3)
    • Natural Science (6)
    • Social Science (6)
    • Humanities (6)
    • Liberal Arts Electives (6)
      • Any of the above Liberal Arts or certain AAP or EIS
     
    General Electives6
    • Studio, Art History, Liberal Arts, AAP, or EIS
     
    Total Credit Hours120

    * BFA students must complete at least two classes designated as "off campus study." These classes can also fulfill any of the requirements listed above and be from any of the divisions (Art History, Studio, Liberal Arts, or General Electives).

    BFA in Studio with Thesis Option (Liberal Arts or Visual Critical Studies): Students interested in pursuing the BFA in Studio with the Thesis Option (Liberal Arts or Visual Critical Studies) should contact their academic advisor for details about eligibility, program requirements, and the application process.

    Total credits required for minimum residency

    66

    Minimum Studio credit

    42

Course Listing

Title Catalog Instructor Schedule

Description

Students are introduced to the fundamental principles and practices of woodworking through lectures, demonstrations, and projects.

Class Number

1288

Credits

3

Department

Sculpture

Area of Study

Furniture Design

Location

280 Building Rm 023

Description

This course offers instruction in various methods of casting, including simple plaster molds, hydrocal-cement casts, simple body casts, thermal-setting rubber molds, wax, terra cotta, and paper casting. Students are advised to bring objects they desire to cast. (No hot metal casting in this course.)

Class Number

1287

Credits

3

Department

Sculpture

Location

280 Building Rm 030

Description

In this course, students will explore the art and craft of working with various soft metals, such as brass, bronze, copper, and silver. The curriculum covers a wide range of techniques such as soldering, forming, and centrifugal casting, enabling students to manipulate and shape metal into intricate forms. Utilizing a combination of hand tools and specialized equipment, students will learn to transform raw metal materials into functional and decorative objects. Emphasis will be placed on artistry and craftsmanship, with students developing their unique designs. This course bridges traditional practices with modern innovations, offering a comprehensive understanding of this ancient yet continually evolving art form.
Readings will explore topics of the historic metal eras including the Bronze and Iron Age, The Forge and the Crucible by Mircea Eliade, Metalworking Through History: A Modern Encyclopedia by Ana M. Lopez, Alchemy + Mysticism by Alexander Roob, A History Of Metallography: The Development Of Ideas On The Structure Of Metals Before 1890 by Cyril Stanley Smith, and The Secrets of Metals by Wilhelm Pelikan. Some contemporary metalsmith artists will be studied such as Michele Oka Doner. This class will also include a variety of handouts from the Metal Smith Society to demonstrate specific metal smithing techniques and tools.
We will have a midterm critique to review progress and then students should expect to produce a body of work consisting of 3-5 finished pieces during the semester.

Class Number

1319

Credits

3

Department

Sculpture

Area of Study

Costume Design, Furniture Design, Product Design

Location

280 Building Rm 015

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