Gomez working on his nine-foot sculpture, adding details with pins, glue and small cutouts of paper. A fabrication team built the basic structure, then affixed 3-D printed details. Gomez weathered the towers with paint and varnish and added the graffiti miniaturizations.

Image Courtesy of the New York Times, Carlos Jaramillo for The New York Times

Alum Sayre Gomez's LA Exhibition Featured in the New York Times

School of the Art Institute of Chicago (SAIC) alum Sayre Gomez (BFA 2005) is featured in the New York Times for his exhibition Precious Moments, a new body of work that transforms Los Angeles’s urban crises into hyper-real form. 

Open through March 1 at David Kordansky Gallery, Gomez uses Precious Moments to record the material traces of stalled development, homelessness, and infrastructure neglect. Known for photorealistic airbrushed paintings and carefully fabricated sculptures, Gomez’ new exhibition is centered around a nearly nine-foot sculpture replicating the unfinished, graffiti-covered Oceanwide Plaza skyscraper. The model was reconstructed using drone imagery, digital modeling, and printed reproductions of photographed tags. 

Drawing from his background in graffiti, graphic design, and fine art, Gomez renders these environments with meticulous precision and allows architecture and surface to convey the social and economic pressures shaping contemporary Los Angeles.