With an emphasis on studio production, critical discourse and material rigor, the Painting and Drawing Department at SAIC embodies the diverse development of new propositional models that are redefining contemporary painting in the 21st century. Our program offers students a wide array of approaches, from traditional ‘metier’ models to more radically hybrid methods, giving students the education, procedures and conceptual tools to build a sustainable practice. Under the guidance of a core graduate cohort of esteemed faculty, with access to our expansive resources, facilities, and museum, students can develop their studio practice using the necessary critical and historical faculties needed for the contemporary moment.
SAIC’s Painting and Drawing Faculty are dedicated artists, writers, critics, curators and gallerists actively engaged in the local, national and international art community. They are regularly exhibiting work at national and international galleries, museums and institutions, as well as curating exhibitions, running galleries and writing in local and national publications. They have been awarded grants from the National Endowment for the Arts, the Fulbright Program, the Tiffany, Ford, Guggenheim, Warhol and Newhouse Foundations.
The Painting and Drawing Department propels student to develop the full range of their subjective, material and conceptual experience. While some students investigate their own take on traditional painting methodologies, others expand their work to include other non-traditional media or materials, such as film/video, print media, digital imaging, performance, installation and sculpture. Our community supports the multiplicity of viewpoints, encouraging each student to find formal languages that embody their ideas, following their logic and intuition in order become an engaging, dynamic model of contemporary painting.
Our students have access to compelling artists, both within and outside of our program. The department has an active Visiting-Artist program of dynamic artists, critics and curators who visit campus, giving lectures as well as group and individual critiques. Aside from this, our program has many connections Chicago’s active community of galleries, which range from commercial spaces exhibiting established artists, independent project-based initiatives, alternative spaces and small apartment galleries. Collectively, these spaces provide students with many ways to consider how and where they can approach exhibitions in the future.
The cornerstone of SAIC’s graduate studio program is its focus on studio practice with tutorial guidance from faculty. In addition to selecting graduate advisors from their chosen department, each semester a student can also select from more than 100 graduate faculty advisors from other departments, representing myriad disciplinary approaches and intellectual positions with regards to their work. Ultimately, the choice of advisor is predicated on each student’s particular development need. Faculty from the academic programs in Art History, Arts Administration and Policy, Art Education and Visual and Critical Studies also serve as graduate advisors, providing other fields of expertise that support SAIC graduate projects. Here is a list of faculty teaching Graduate Projects visit the Grad Division of SAIC.
Interested in learning more?
Continue to explore the SAIC Painting and Drawing department website to learn about our curricular offerings, faculty, students, and alumni, visit the Master of Fine Arts in Studio degree program for more detailed information, or schedule a tour.