A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
Black and white photo of a smiling Yoonshin Park. She has shoulder length hair and glasses on top of her head.

Yoonshin Park

Lecturer

Bio

Yoonshin Park is a multimedia artist, curator, and educator working with sculptural papers, artist books, and installations. She received her M.A. and M.F.A. in Interdisciplinary Book and Paper Arts from Columbia College Chicago. Park's practice is deeply rooted in her fascination with the comprehensive process of papermaking and bookbinding, allowing her to create cohesive objects that seamlessly integrate diverse elements.


Park draws inspiration from her journey as a foreign transplant from Seoul, Korea, using her experiences to explore the concept of space and its profound influence on shaping individual identity.


Park is a 2023-24 HATCH resident at Chicago Artists Coalition and an alumna of the Center Program at Hyde Park Art Center. Her work has been exhibited nationally and internationally and reviewed by TimeOut Chicago and Sculpture Magazine. Park is represented by the Zolla/Lieberman Gallery in Chicago.

Courses

Title Department Catalog Term

Description

This studio course focuses on themes, practices, contexts, and questions undertaken by contemporary artists and designers. Research Studio I is a course that asks students to begin to develop and connect their own work and ideas with a diverse range of artists, designers, and communities. This course engages with cultural institutions including: museums, galleries, libraries and archives as resources of critical engagement.

Students will undertake various types of research activities: a) collecting and classification, b) mapping and diagramming, c) systems of measurement, d) social interaction, e) information search systems, f) recording and representation, and g) drawing and other notational systems.


Assignments in this course are faculty directed, open-media, interdisciplinary and idea based. The projects are designed to help students recognize their work habits, biases, strengths, and weaknesses. Students will experience a wide range of research methods and making strategies. Critique as an evaluative process used in art and design schools, is a focus in this course. Various methods and models of critique are used in order to give students the tools to discuss their own work and the work of others.

Class Number

1254

Credits

3

Description

This interdisciplinary course examines the book as a form, structurally and conceptually through material exploration. With a focus on how techniques and material exploration influence form and meaning, experimentation and concept development will be prioritized. Students will be introduced to a variety of printmaking and surface treatments on fabric and alternative materials while learning to structure their book forms. The course encourages critical thinking as to how image and text can exist within a tactile, sequential, or sculptural narrative. The course will feature readings, and visits to the Textile Resource Center and Joan Flasch Artist Book Collection.
Class readings will include: ¿Books Beyond Boundaries: The Book as Art¿ -Karen L. Estlund and Michael D. Reynolds that showcases contemporary artists¿ innovative approaches to the experimental book form. We will explore the works of : Fluxus Art, Candace Hicks, Louise Bourgeois,Jessica Tang, Victoria Villasana, Faith Ringlold, Lesley Dill, Lenore Tawney, Kiki Smith, and many more. The class will also visit the Joan Flasch Artist Book Collection +Archives and Textile resource Center.
Assignments will include creating experimental book forms using non-traditional materials, integrating text and imagery culminating in a final edition of three artist books.

Class Number

2111

Credits

3