A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
SAIC faculty member Sara Payne.

Sara Payne

Lecturer

Bio

Education: BFA, 2016, School of the Art Institute, Chicago IL. Exhibitions: Guanajuato International Film Festival, Guanajuato; Museum of the Moving Image, Queens New York; Vision Feast Film Festival, Auckland; Big Shoulders International Student Film Festival, Chicago IL. Awards: First place animated film category, Big Shoulders International Student Film Festival.

Courses

Title Department Catalog Term

Description

Bring artwork to life using traditional and digital media to create one-of-a-kind animations. In this exciting course, students learn principles of animation while exploring various techniques, including stop-motion, frame-by-frame methods, digitally modified video, and computer-aided techniques. Students will use digital tools such as laptops, still cameras, video cameras, sound recorders, iPads, sketchbook work, and other traditional processes to express contemporary artistic hybrid methods. Students can repeat this course to continue building their skills.

Class Number

2444

Credits

1

Description

This class introduces the traditional animation techniques of creating movement through successive drawings. Techniques include metamorphosis, walking cycles, holds, squash and stretch, blur and resistance. Students use the pencil test Lunch-Box to view their work . Students complete a series of exercises encouraging a full range of animation skills and a final project. Films illustrating drawn-animation techniques are screened regularly.

Class Number

1179

Credits

3

Description

This class introduces the traditional animation techniques of creating movement through successive drawings. Techniques include metamorphosis, walking cycles, holds, squash and stretch, blur and resistance. Students use the pencil test Lunch-Box to view their work . Students complete a series of exercises encouraging a full range of animation skills and a final project. Films illustrating drawn-animation techniques are screened regularly.

Class Number

1419

Credits

3

Description

This course addresses a wide range of animation techniques and materials, both analogue and digital. Students explore drawing materials, cut-outs, cameraless animation, under the camera destructive and constructive animation, and compositing. Expanding on skills developed in Animation I, students create more painterly and material-based work.

The class is structured around a series of workshops, lectures, discussions and critiques. Relevant works are screened as source of inspiration for our material explorations.

Students produce a series of quick assignments exposing them to new techniques, culminating in a final project due at the end of the semester.

Class Number

1501

Credits

3