A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.

Mariela Acuña

Lecturer

Bio

Mariela Acuña (she/her) is an art administrator and curator from San José, Costa Rica. As Director of Exhibitions and Residency at Hyde Park Art Center, she oversees the Art Center's exhibitions program, the Jackman Goldwasser Residency, and the micro-publishing platform Green Lantern Press. Through her administrative and curatorial practices, Acuña champions the work of social practice and underrepresented artists in Chicago and supports transnational connections for artists and curators. Acuña’s recent curatorial projects include William Estrada: Multiples and Multitudes (2023), Jonathan Castillo: Immigrant Owned (2023), Positions: New Landscapes (2024-5), and Farah Salem: Uninhibited People of the Earth (2025).

Acuña has held positions at the Norton Museum of Art, the University Galleries at Florida Atlantic University, and Girls’ Club Collection, Fort Lauderdale. Mariela holds a BA in Art History, a BFA in Sculpture from Florida Atlantic University, and a dual MA in Art Administration and Public Policy and Art History, Theory, and Criticism from the School of the Art Institute of Chicago. She serves as Board President of Comfort Station, an artist-run micro-cultural center that activates a historic building with free programs at the intersection of art and life.

Courses

Title Department Catalog Term

Description

This course frankly addresses a critical and underserved niche in professional development?the necessity for young women of color to be able to self-direct their goals, and fully achieve those goals, regardless of environment. Subverting marginalization while growing a career and visioning oneself as a leader, without silencing yourself or burning out, remains a challenging reality for so many women of color. This is an experience many encounter early on, but which can be reframed so that the education and career processes do not point toward assimilation, or invisibility, or the anxiety of always being on guard. These concerns about combatting marginalization, which are shared among Latinx, Black American, Asian American, and international students at SAIC, have been brought privately to trusted faculty here and at art schools nationwide. In this class, we will work together to develop strategies for conquering these issues.

Course work will include readings from authors such as the following: Jhumpa Lahiri, bell hooks, Ifeona Fulani, Lisa Jones, Hettie Jones, Ana Castillo, Nicola Yoon, Suheir Hammad, Staceyann Chin, Erika L. Sanchez, Suzan-Lori Parks, Zadie Smith, ZZ Packer, Melba Pattillo Beals, Yuri Kochiyama, Deepa Mehta, Gina Prince-Bythewood, Barry Jenkins, Jon Chu, Caryl Phillips. Each student will produce a memoir as a key element of this class, responding to the readings and analyzing their own experiences as well as senior colleagues,? continuing to develop and trust their voice.

In addition to the memoir, each student will produce and develop an individual arts leadership project, or deepening of a specific skill set; and will work with classmates on a publication or resource that documents the group?s conversations with invited guests.

Class Number

1624

Credits

3