A wide shot of a ceramics studio, featuring students working with pottery wheels and other tools.
SAIC faculty member Lauren Johnson, a person with light skin tone and light wavy hair, standing outside.

Lauren E Johnson

Lecturer

Bio

Lauren Johnson (she/her) is an artist and museum professional working at the Field Museum of Natural History. Her work bridges art and science, celebrating the remarkable research and discoveries that take place within museums. Blending scientific insight with artistic exploration, Johnson’s creative portfolio explores anatomy, ecology, and the biodiversity of the natural world. 

Publications

"Rules of Thumb across Rodentia," Science; "People-Powered Research and Experiential Learning," Journal of Research Ideas and Outcomes; "Things that Shriek in the Night," In the Field; Skulls by Francois Robert (forward); "The origin of a new fin skeleton through tinkering," (Biology Letters).

Exhibitions

Field Work III, Co-Prosperity Sphere, Chicago, IL; Specimens: Unlocking the Secrets of Life, Field Museum of Natural History; Uprising, Beverly Arts Alliance; Field Work II, Ian Sherwin Gallery; Field Work, Frame Warehouse Gallery, Evanston, IL; Resurrection and Blue, Dispatch Gallery; Art Stripped Down, National Pastime Gallery; Fire and Ice, Water Street Gallery, Benton Harbor, MI.

Courses

Title Department Catalog Term

Description

This course deals with painting plants, birds, reptiles and mammals. Botanical structure and basic anatomy are covered, as well as specific morphological information on textures, scales, feathers, and fur. Classes are held at the Lincoln Park Zoo, the Garfield Park Conservatory, the Chicago Botanic Garden (Fall Semester only) and the Field Museum of Natural History. We tour and work with specimens in the Field Museum research areas as well as work in the public collections. The most difficult part of this class is drawing a moving creature. Tackling this issue at the zoo enables the student to understand structure in the light of behavior and physical action. The importance of seeing and drawing live animals cannot be underestimated. Watercolor and gouache are used, so basic painting methods, color mixing, color layering and spatial dynamics are emphasized. This is an excellent class in which to improve observational skills. 

A point of departure for the course will be historical scientific illustrators such as Maria Sybilla Meriam, John James Audubon, Louis Agassiz Fuertes, as well as contemporary artists and illustrators like Walton Ford and Alexis Rockman.

There is a new assignment each class, with many examples on an assignment sheet provided for guidance. There is a group critique every week, with discussion of how each student solved problems of accurate representation. Students are expected to have 10 excellent pieces by the end of the semester, to be presented at the final critique.

Class Number

1837

Credits

3