Education: BA, Middlebury College, 1964. Exhibitions: Sao Paulo Biennial; Ars Electronica; SIGGRAPH; FISEA; Walker Art Center; Library of Congress; Boston Cyberarts; Hammer Museum; Bibliothèque Nationale de France; FILE; Houston Center for Photography; Center of Contemporary Art Barcelona; Franklin Furnace; SF Camerawork; LAICMA. Publications: Eastgate: its name was Penelope, Forward Anywhere; MIT Press: Social Media Archeology and Poetics, Women, Art, and Technology. Collections: Judy Malloy Papers, Rubenstein Library, Duke University; Museum of Modern Art NY; American Poetry Archives; SF Museum of Modern Art; diRosa. Awards: Distinguished Fellow, Princeton; Digital Studies Fellow, Rutgers Camden; Artist-in-Residence, Xerox PARC.
A poet at the conjunction of hypernarrative, generative literature, and social media narrative, Judy Malloy followed a vision that began with experimental artist books. In 1986, she wrote/programmed the groundbreaking hyperfiction Uncle Roger. Subsequently she created a series of hypernarratives, most recently the electronic manuscript, Arriving Simultaneously, which was shortlisted for the 2018 Coover prize. With early work as an information programmer at Ball Aerospace, her research/practice includes work with virtual communities at Xerox PARC; Content Coordinator for Arts Wire, a program of the New York Foundation for the Arts; and Editor of Social Media Archeology and Poetics.
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