Jessie LaFree

The ability to present one's work clearly and effectively is a critical skill for designers. In this course each student will focus on advancing the design (layout, graphics, narratives, flow) of their portfolio so that it best conveys their individual design skills, experience and interests. Students will produce materials appropriate for delivery of their work across multiple formats (print, digital, web, etc.), will learn how to edit/arrange their materials to suit the specific context of application, and will create consistent design elements that can be shared across the full range of professional materials from portfolio, to website, to business cards and other promotional materials.

Course lectures, exercises, and assignments are enhanced by presentations by professionals. Readings will vary but typically include graphic design and layout approaches by scholars including Ellen Lupton and Kevin Henry. Skype presentations by art and design professionals have included Jill Singer of Sight Unseen, Nick Ozemba of In Common With, and Jean Lee and Dylan Davis of Ladies & Gentleman Studio.

The course work will include the development of both print and digital portfolio materials including a resume, sample cover letter, business card, digital portfolio and website.

Codes are examined as explicit as well as tacit instances of social values, which reflect cultural boundaries between the built environment and human behavior. Students investigate the notion of confinement and explore the possibilities, as Michael Sorkin put it, where codes, through 'acknowledging the gravity of permanence and the oppressions of extent,'seek, in their limits, 'not to restrain associations, but to free them.' While codes are a means through which society speaks to the architect, their compliment, specifications, are investigated as a vital architectural component of architectural expression. In order for an architectural vision to be manifest in the world, it must be communicated in a common manner both comprehensible and commonly valued. In courts of law, the written always trumps the drawn, even in cases where the drawing is worth a thousand words. In addition to basic proficiency in specification writing and the surrounding professional and legal processes, students also gain crucial understanding of the role of specifications in allowing the practitioner to best control the material articulation of their architectural propositions.